‎De oud-christelijke monumenten van Spanje. ‎

‎Den Haag, Nijhoff, 1916. ‎

‎VII,158 p., ills., 2 fold. maps. Wrs. (Epigraphic monuments in Spain) ‎

‎Ser Matteo di Biliotto notaio. Imbreviature. Il registro, anni 1300 - 1314. Collezione: Memoria Scripturarum, 8. Sottocollana: Testi latini, 5.‎

‎ Firenze, Sismel 2016, 240x170mm, XXXII - 255pagine, in brossura. Copertine con alette. Nuovo stato. ‎

‎ 4 incisione b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Palimpsestes et éditions de textes : les textes littéraires (Actes du colloque tenu à Louvain-la-Neuve, septembre 2003)‎

‎Louvain-la-Neuve, Institut Orientaliste 2009 iv + 340pp., brochure originale, 27cm., dans la série "Publications de l'Institut orientaliste de Louvain (PIOL)" volume 56, très bon état (état de neuf, new condition), ISBN 978-90-429-1981-5, X93249‎

‎«La forza de le linee». Prospettiva e stereometria in Piero della Francesca. Micrologus’ Library, 7.‎

‎ Firenze, Edizioni del Galluzzo 2001, 210x140mm, 214pagine, in brossura. Nuovo stato. ‎

‎ 46 incisione a colori e b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Carnaval des animaux Camille Saint-Saens. Facsimile Edition of the Autograph Manuscript.‎

‎, Brepols Publishers, 2018 Hardcover, 192 pages., 127 colour ill., 300 x 366 mm, ISBN 9782503581224.‎

‎If there is one work, in all of Saint-Saens musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. The collection De main de maitre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Saens? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Saens was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Societe nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Saens, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Saens, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Saens? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Saens? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Saens and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Saens feared that his ?zoological fantasy? would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Saens, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer?s handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan. La collection ? De main de maitre ? presente les fac-similes des partitions les plus prestigieuses du departement de la Musique de la Bibliotheque nationale de France. Dedie au manuscrit autographe du celebre Carnaval des animaux, de Camille Saint-Saens (1835-1921), ce volume eclaire la personnalite du musicien sous un jour particulier. Acheve en fevrier 1886, Le Carnaval des animaux fut cree pour des amis et interpretes proches de Saint-Saens et joue a une quinzaine de reprises entre 1886 et 1894 aupres d?un public restreint. Camille Saint-Saens craignant que cette ? fantaisie zoologique ? ne nuise a sa reputation, l?oeuvre ne fut publiee dans son integralite qu?apres la mort du compositeur. Depuis lors, son immense succes n?a cesse de croitre, si bien qu?elle est aujourd?hui appreciee tant par les melomanes que par le grand public. Presente par Marie-Gabrielle Soret, specialiste de Camille Saint-Saens, qui nous livre une description detaillee de l?oeuvre et du contexte de sa creation, le fac-simile comprend les quatorze pieces du Carnaval des animaux. Il permet d'acceder a la graphie du compositeur, a l'ensemble des indications telles qu?il les a notees, mais aussi aux facetieux dessins animaliers dont il emailla sa partition ? un poisson pour ? Aquarium ? , un squelette de dinosaure pour ? Fossiles ? , ou encore la pale silhouette au crayon bleu d'un cygne pour accompagner la celebre piece dediee a cet oiseau. Marie-Gabrielle Soret est conservateur en chef au Departement de la musique a la Bibliotheque nationale de France, responsable de la coordination du traitement des grands fonds d'archives et collections des XIXe et XXe siecles, au Service des collections patrimoniales du Departement de la musique (fonds de compositeurs, interpretes, institutions et societes musicales).‎

‎Catalogue of celebrated library, the property of the late Major J.R. Abbey. The 8th portion: the Hornby manuscripts, Part I: 34 manuscripts of the 11th to the 15th century. (And:) The 9th portion: the Hornby manuscripts, Part II: 34 manuscipts of the 9th to the 16th century. ‎

‎New York, Sotheby Parke Bernet Inc., 1974 - 1975. ‎

‎2 volumes: 111 & 96 p., 6 & 5 colour plates, 50 & 41 black and white plates. Hardbound. 28.5 cm (See Major Abbey https://www.thebookcollector.co.uk/features/major-jr-abbey-1894-1969) (Including the price list with the results of both auctions) ‎

‎Manuscrits et livres précieux. De la Renaissance au Cubisme.‎

‎ Luisant, Imprimerie Durand sans date, vers 1988, 280x210mm, 497pages, broché. Très bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Manuscrits et livres précieux. De Saint Louis à l’Impératrice Eugénie. Catalogue VII.‎

‎ Chartres, Librairie Sourget 1990, 300x225mm, 547pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Manuscrits et livres précieux. Du Moyen Age au Cubisme. Catalogue VI‎

‎ Chartres, Librairie Sourget 1989, 300x225mm, 547pages, reliure d'éditeur sous jaquette. Avec la feuille volante des prix. Bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Manuscrits et livres précieux. Du Quinzième au Dix-huitième siècle.‎

‎ Luisant, Imprimerie Durand sans date, vers 1988, 280x210mm, 410pages, broché. Très bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Manuscrits et livres précieux. Du Treizième siècle à nos jours.‎

‎ Luisant, Imprimerie Durand sans date, vers 1987, 280x210mm, 462pages, broché. Bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Geröllstudien in der subalpinen Molasse am Zugersee und Versuch einer paläogeographischen Auswertung.‎

‎Zug, Kalt-Zehnder, 1953, in-8vo, 4 Bl. + 175 S. mit 7 Tab. und 11 Fig. + 12 teils gefalt. Taf., Text mit einigen Anstreichungen, hs. Widmung v. Verf. auf Umschlag an J. Neher, Original-Broschüre, schönes Ex.‎

‎Die demotischen Papyrus der Musées Royaux du Cinquantenaire.‎

‎ Bruxelles, Vromant & Cie, 1909. In-4, rel. demi-percaline grise de l'éd., dos lisse muet, titre sur le plat sup., 32 pp., VII pl. en sepia in fine, index. ‎

‎Rare. Coiffes arasées, dos frotté, charnière fragile, pâles et petites rousseurs sur les planches, le reste en bonne condition. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Il Medius Adventus. Saggio di lettura delgi scritti di Bernardo di Clairvaux. Bibliotheca Cisterciensis 9.‎

‎ Roma, Editiones Cistercienses 1992, 265x185mm, 336pagine, in brossura. Con sovracopperta. Buone condizioni ‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Paléographie du Moyen Age. ‎

‎Paris, Colin, 1973. ‎

‎352 p., illustrations. Stiff wrappers 23 cm ‎

‎L’écriture diplomatique dans le diocèse de Liège du XIe au milieu du XIIIe siècle. Reflet d’une civilisation. Bibliothèque de la Faculté de Philosophie et Lettres de l’Université de Liège, série grand in-8° (Jésus). Fascicule V.‎

‎ Paris, Société d’Edition Les Belles Lettres 1960, 285x185mm, 428 + 21pages, broché. Petit manque à un coin de la couverture, autrement bon état. Non coupé. ‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎PALÉOGRAPHIE DU MOYEN AGE ‎

‎Paris Armand Colin 1973 in 8 (24x16) 1 volume broché, couverture illustrée à rabats, 352 pages, avec de nombreuses reproductions en noir et blanc, dont fac-similés d'écritures et de manuscrits. Collection U. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎

‎Paléographie du Moyen Age. ‎

‎ Paris, Armand Colin, 1973. In-8 broché, couv. rempliée ill., 352 pp., 50 reprod. de fac-similés à pleine pp. avec transcriptions en regard, très nb. ill., dessins, plans, reprod. photogr. in-t., lexique, bibliographie, tables in fine. ‎

‎Collection U. Couv. un peu défraîchie, bon ex. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Paléographie du Moyen Age. 2e édition.‎

‎ 1991 Paris, Colin, 1991, grand in 8° broché, 367 pages ; couverture illustrée. ‎

‎ ...................... Photos sur demande .......................... ‎

‎Biblical Perspectives : Early Use & Interpretation of the Bible in Light of the Dead Sea Scrolls. Proceedings of the First International Symposium of the Orion Center, 12-14 May 1996.‎

‎ Leiden, Brill, 1998. In-8, rel. éd. pleine-toile noire sous jaquette, VIII-291 pp., texte en anglais, indices, index. ‎

‎Collection : Studies on the texts of the desert of Judah edited by F. Garcia Martinez, A.S. Van der Woude. Volume XXVIII. Comme neuf - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Gothic Manuscripts: 1260-1320. Part One , two volumes. A Survey of Manuscripts Illuminated in France. ‎

‎, Brepols - Harvey Miller, 2013 hardback, cloth. with dusjackets, 2 volumes., 1130 pages ., 838 b/w ill. 77 colour ill., 230 x 330 mm, Languages: English, A Survey of Manuscripts Illuminated in France. ISBN 9781872501956.‎

‎This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. The period c. 1260-1320 marks the emergence and the flowering of what has come to be known as the ?courtly style? in French painting, whose dynamic vitality is manifest throughout the region we now call France. By the end of this period French art had assimilated a rich variety of regional works and styles. New texts had been introduced to a range of patrons, and patterns to be played out in the following centuries were in place. This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. While the royal, courtly, academic and ecclesiastical patrons were critical to the cultural and artistic production of the capital, books made in provincial centres manifest an independence and originality that can be attributed to fruitful interaction with neighbouring cultures?the linguistic, literary, and artistic traditions of England in the north and west, Navarre, Aragon, the county of Barcelona and the Kingdom of Majorca in the Pyrenean regions, and the Empire along the eastern borders, from the principalities of North Italy and the Alpine regions to Burgundy, Hainaut and Flanders. Ecclesiastical boundaries cut across political divisions, contributing different sets of allegiances that impacted upon book culture in other ways. The Provinces of Reims and Tarantaise included fiefs of Empire, while Narbonne (to 1317) encompassed dioceses in Aragon, and the Provinces of Bordeaux and Tours lay in part in lands held by the English. The religious orders and the universities offered other sets of governing structures and vehicles of influence and reception. Royal and courtly patrons took their place in this period alongside churchmen and women and layfolk from the burgeoning bourgeois class, many of whom are known from ownership notes or inventories. Yet some of the finest books of the period were made for people whose identity remains obscure. Similarly the names of craftsmen?scribes, decorators, illuminators?are often known from their signatures in the books they made or from payments and other records, yet many distinguished works are the products of anonymous creators. These years witnessed an explosition in the range of texts that were deemed worthy of illustraton, extending far beyond the usual liturgical and devotional material to include works of science, medicine, law, philosophy, history and literature in verse and prose, offering a wealth of material for comparative study which is only beginning to be exploited in modern scholarship. This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited. Alison Stones is Professor of History of Art and Architecture at the University of Pittsburgh, a Fellow of the Society of Antiquaries of London and a membre correspondant etranger of the Societe nationale des antiquaires de France. ‎

‎I manoscritti datati della Provincia di Arezzo.Manoscritti datati d’Italia 15.‎

‎ Firenze, Edizioni del Galluzzo - sismel 2007, 300x220mm, X- 100pagine, legatura del editore con sovracopperta. Exemplaire à l'état de neuf.‎

‎ 66 incisione b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Codices Urbinates Latini, tomus II: Codices 501-1000 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1902 Volume 2 (out of 3): 750pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 2.8kg., R107220‎

‎Codices Urbinates Latini, tomus III: Codices 1001-1779 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1921 Volume 3 (out of 3): XL + LXXI + 835pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright except for few occasional foxing, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 3.1kg., R107221‎

‎Sigebert de Gembloux. Fédération Internationale des Instituts d’Etudes Médiévales, TEMA 79, Textes et Etudes du Moyen Âge.‎

‎ Turnhout - Barcelona - Madrid, Brepols 2015, 240x165mm, IX - 210pages, broché. Exemplaire à l'état de neuf.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎