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Année Zéro.
La fosse aux ours. 2002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 138 pages, exemplaire de bibliothèque, couverture plastifiée, tampons et étiquettes.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Traduit de l'anglais par Bernard Schascha. Classification Dewey : 820-Littératures anglaise et anglo-saxonne
LA CROISADE DE CARMODY
DE LA TABLE RONDE. 2009. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 235 Pages. Etiquette collée sur le dernier plat.. . . . Classification Dewey : 843.01-Nouvelles
Classification Dewey : 843.01-Nouvelles
CROISADE DE CARMODY
EDITIONS 10/18 N° 3022. 1999. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 204 Pages, couverture illustrée en couleur. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Traduit de l'anglais par Gilles Mourier Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Jan Dibbets, The Photographic Work.
, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.
The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.
