2985 books for « lambert j j »Edit

‎ÂME D'ENFANT‎

‎ paris GEDALGE 1951 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert (Jaquette renforcée au scotch au dos de la jaquette sans déchirure), orné d'un frontispice en couleur par Ray Lambert + 5 PLANCHES hors-texte EN COULEURS par Ray Lambert + 8 planches hors-texte en noir par Ray Lambert + 12 gravures in-texte en noir par Ray Lambert, 238 pages, 1951 Paris LIBRAIRIE GEDALGE Editeur, ‎

‎Bel Exemplaire..... RARE.........en bon état (good condition). bon état ‎

‎POUM, AVENTURES D'UN PETIT GARCON ‎

‎ paris GEDALGE 1950 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert, orné de 4 PLANCHES hors-texte EN COULEURS par Ray Lambert + 7 planches hors-texte en noir par Ray Lambert + 14 gravures in-texte en noir par Ray Lambert, 237 pages, sans date (1950) Paris ANCIENNE LIBRAIRIE GEDALGE Editeur, ‎

‎Bel Exemplaire..... RARE.........en trés bon état (very good condition). en trés bon état ‎

‎CONTES DES CENT UN MATINS. Livre de Lecture destiné au cours élémentaire et au cours moyen (1er degré), illustrations de Raylambert (1936)‎

‎Paris DELAGRAVE 1936 1 in-12 demi-toile un volume, reliure demi-toile marron cartonnage illustré in-douze Editeur (hard-back editor in-12)(18,3 x 12 cm), dos long (spine without raised bands) avec étiquette de titre Editeur imprimée en bordeaux, 1er plat imprimé en bordeaux sur fond jaune et en jaune sur fond bordeaux et illustré en bordeaux par RAY-LAMBERT, toutes tranches lisses, Ex-Libris : cachet rond violet de l'Ecole Communale du 27 rue du Pré Saint-Gervais à Paris 19ème, en haut de la page de faux-titre, abondamment illustré (plentifully illustrated) de dessins in-texte en noir par RAY-LAMBERT, 271 pages, 1936 Paris Librairie DELAGRAVE Editeur, ‎

‎Raylambert (ou Ray-Lambert à ses débuts) était un grand artiste normand hélas resté trop méconnu y compris par tous ceux qui l'ont tant apprécié alors qu'ils étaient sur les bancs de la petite école, ses merveilleux dessins si poétiques .....SUPERBES BOIS de Ray-Lambert. ........ RARE ............. en trés bon état (very good condition). bon état ‎

‎LES YEUX CLAIRS - Livre de Lecture Courante pour le Cours Moyen (C.E.P.)‎

‎Paris DELAGRAVE 1933 1 in-12 demi-toile un volume, reliure demi-toile bleue cartonnée in-douze éditeur (hard-back editor in-12)(12 x 18,2 c cm), dos long (spine without raised bands) titre imprimé en bleu clair sur etiquette crème, 1ère de couverture illustrée en couleurs par RAY-LAMBERT, toutes tranches lisses, abondamment illustré (plentifully illustrated) de trés nombreuses illustrations in-texte en noir par RAY-LAMBERT, 277 pages, 1933 Paris Librairie DELAGRAVE Editeur, ‎

‎Raylambert (ou Ray-Lambert à ses débuts) était un grand artiste normand hélas resté trop méconnu y compris par tous ceux qui ont tant apprécié alors qu'ils étaient sur les bancs de la petite école, ses merveilleux dessins si poétiques .....SUPERBES BOIS de Ray-Lambert (Raylambert) ........RARE.............en trés bon état (very good condition). en trés bon état ‎

‎DESSIN ORIGINAL : MAQUETTE POUR LA PREMIERE DE COUVERTURE D'UN LIVRE SCOLAIRE : "L'ARITHMÉTIQUE AU COURS MOYEN"(de Cluzel et Rougeaux chez Belin Editeur - 1951) PAR RAYLAMBERT ‎

‎ 1951 Un Dessin Original, à la mine de plomb sur papier calque, Format : 21 x 29,7 cm, format du dessin lui-même : 11 x 17 cm sur papier calque, signé en bas à gauche au tampon encreur noir, sans date (1951)‎

‎Raylambert : peintre et illustrateur (1889-1967), Artiste d'origine normande, Raymond Gabriel Albert Lambert dit Raylambert fut un fameux illustrateur de manuels scolaires dont les dessins pleins de poésie charmèrent des générations d'écoliers...............DESSIN SUPERBE...........UNIQUE.......en trés bon état (very good condition). trés bon état ‎

‎DESSIN ORIGINAL : "LA DICTÉE DANS LA CLASSE" PAR RAYLAMBERT ‎

‎ 1930 Un Dessin Original, à la mine de plomb sur papier calque, Format : 21 x 29,7 cm, format du dessin lui-même : 10 x 10 cm sur papier calque, signé en bas à droitee au tampon encreur violet, sans date (1930)‎

‎Raylambert : peintre et illustrateur (1889-1967), Artiste d'origine normande, Raymond Gabriel Albert Lambert dit Raylambert fut un fameux illustrateur de manuels scolaires dont les dessins pleins de poésie charmèrent des générations d'écoliers...............DESSIN SUPERBE...........UNIQUE.......en trés bon état (very good condition). trés bon état ‎

‎DESSIN ORIGINAL : "CHIENS ET ÉCOLIERS" PAR RAYLAMBERT ‎

‎ 1930 Un Dessin Original, à la mine de plomb sur papier calque aquarellé en couleurs, Format : 24 x 16 cm, signé en bas à gauche au tampon encreur violet, sans date (1930)‎

‎Raylambert : peintre et illustrateur (1889-1967), Artiste d'origine normande, Raymond Gabriel Albert Lambert dit Raylambert fut un fameux illustrateur de manuels scolaires dont les dessins pleins de poésie charmèrent des générations d'écoliers...............DESSIN SUPERBE...........UNIQUE.......en trés bon état (very good condition). trés bon état ‎

‎DESSIN ORIGINAL : "ENFANT DANS LES HAUTES HERBES" PAR RAYLAMBERT - (1930)‎

‎ 1930 Un Dessin Original, à la mine de plomb sur papier calque, Format : 24 centimètres de haut par 17 centimètres de large, sur papier calque, signé en bas à droite au tampon encreur violet, sans date (1930)‎

‎Raylambert : peintre et illustrateur (1889-1967), Artiste d'origine normande, Raymond Gabriel Albert Lambert dit Raylambert fut un fameux illustrateur de manuels scolaires dont les dessins pleins de poésie charmèrent des générations d'écoliers...............DESSIN SUPERBE...........UNIQUE.......en trés bon état (very good condition). trés bon état ‎

‎Au point du Jour. ‎

‎Paris, Librairie Delagrave, 1935; in-8, 168 pp., cartonnage de l'éditeur. En état moyen des rousseur plats un peu salis, dos passé -illustrations de Ray Lambert.‎

‎En état moyen des rousseur plats un peu salis, dos passé -illustrations de Ray Lambert.‎

‎Les saisons, poëme.‎

‎Amsterdam, 1782, 8 X 13 cm., relié, 236 pp. Sixième édition revue et corrigée. Demi-basane fauve marbrée à dos lisse orné de filets dorés et décors floraux, et pièce de titre rouge. Importantes épidermures, accrocs au dos et pièce de titre fendue. Taches, déchirures et plis sur les gardes, tache rouge sur la tranche de gouttière. Exempt de rousseurs.‎

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‎Jean-François de SAINT-LAMBERT est un militaire, philosophe, conteur et poète lorrain puis, après 1766, français. Le nom de Saint-Lambert est resté attaché uniquement à son poème des Saisons, qui est le chef duvre de la poésie descriptive du XVIIIe siècle. ‎

‎Intérieur le monde de Gunther Lambert. ‎

‎Paris, Gunther lambert, 1990; in-4, 212 pp., cartonnage de l'éditeur. Billingue francais anglais.‎

‎Billingue francais anglais.‎

‎LA BATAILLE DE LA SAÔNE - Ou le grand serment du "Parisien". ‎

‎Vervoz par Ocquier (Ardennes Belges), Au éditions de Saint Hubert, 1934; in-8, 161 pp., broché, couverture illustr. Epopée bachique de la Bourgogne contemporaine - Enluminée par Jeph Lambert.‎

‎Epopée bachique de la Bourgogne contemporaine - Enluminée par Jeph Lambert.‎

‎CARTE ROUTIERE ET VELOCIPEDIQUE DU DEPARTEMENT DES ARDENNES ET PLANS DE VILLES DE MEZIERES, SEDAN ET RETHEL‎

‎Reims Matot-Braine - Henri Matot et Fils Successeur 1899 -in-12 carte papier en couleurs (map in paper in colours) coupée en 2 - repliée sous une chemise rouge imprimée - éditeur in-octavo (folding under editor jacket), dimensions (size in Inches) : 49 centimètres de largeur (width : 19,29) sur 60 de hauteur (height : 23,62), petites déchirures aux plis (small tears with the folds), dressée par Lambert, 1899 à Reims Matot-Braine - Henri Matot et Fils Successeur Imprimeurs Libraires Editeurs,‎

‎Signes Conventionnels : Route : Départementale, Nationale, Chemins carrosables, de grande communication, d'intérêts communs Chemins, irrégulièrement entretenus - Chemin de Fer - Déclivités cotes de niveau -Tramway pour voyageurs - Echelle de 1 / 250.000 - troisème édition - bon état général (good condition) bon état ‎

‎TRAITE SUR LE VER A SOIE DU MURIER ET SUR LE MURIER‎

‎ 1905 broché in-octavo (paperback in-octavo), cicatrices de mouillures très claires sur le dos et la couverture gris imprimés (very light scars of waterstains on the grey spine and cover printed), tranches non rognées (edges no smooth), illustrations : 169 figures in texte et 3 planches hors-texte (169 pictures in text and 3 plates full page engraving), IX+622 pages, 1905 à Montpellier Coulet et Fils Editeurs - Paris Masson et Compagnie Editeurs,‎

‎préface de F. Lambert - bon état malgré le petit défaut signalé (very good condition in spite of the small defect indicated) ‎

‎Observations sur quelques dimensions du monde intellectual.‎

‎(Berlin, Haude et Spencer, 1770). 4to. No wrappers, as issued in ""Memoires de l'Academie Royale des Sciences et Belles Lettres"", tome XIX. Pp. 421-438. Very nice and clean.‎

‎The rare first printing of one of the few of Lambert's philosophical works that appeared within his life-time. This is one of the three philosophical papers that he published in ""Nova acta Eruditorum"", which are of varying philosophical content.The present work played a significant role in the rediscovery within philosophy of the concept of the ""sublime"", the foundational concept which was so famously treated by Kant in his third Critique (of Judgment). Neither the idea of the beautiful nor of the sublime was novel in the 18th century, as the distinction between the two had already been made in ancient philosophy. However, for several centuries, aesthetics had been dominated by the question of the beautiful, and it was only around Kant's and Lambert's time that the sublime had become a topic of interest again - this time primarily as the sublime in nature. When Lambert thus discusses the sublime in the present article, it is probable that his conception of it can have influenced Kant and his exposition in the ""Critique of Judgment"", which appeared a couple of decades later. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create and ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge..."" (D.S.B. VII:597). ‎

‎Neues Organon oder Gedanken über die Erforschung und Bezeichnung des Wahren und dessen Unterscheidung vom Irrtum und Schein. 2 Bde. - [COINING ""PHENOMENOLOGY""]‎

‎Leipzig, Johann Wendler, 1764. 8vo. Non-uniformely bound. Vol 1: Completely uncut in the original cardboard-binding. Some wear to capitals and hinges. Internally a bit of minor occasional brownspotting. (18), 592 pp. Vol 2: 19th century marbled paper-binding with red gilt title-label to spine. Wear to extremities. Only light occasional brownspotting. (2), 435, (1).‎

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‎The very rare first edition of Lambert's seminal main philosophical work, the work which coined the term ""phenomenology"". ""Neues Organon"" is a work of breakthrough that came to, directly or indirectly, influence almost all later philosophy, also that of Kant.Today, Johann Heinrich Lambert arguably mostly remembered as one of the greatest mathematicians and logicians of his time. However, a true polymath, he also played a dominant role in the development of 18th century philosophy, primarily with his philosophical magnum opus ""Neues Organon"", in which he set out to provide a better methodology for philosophy, with the aid of mathematics. As such, he is considered a path-breaker of Rationalism and one of the most important predecessors of Kant, who knew him well and admired him greatly"" the two corresponded frequently. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create an ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge... In ""Neues Organon"" he next developed the idea of a characteristic language of symbols to avoid ambiguities of everyday language"" and finally, in the most original part of his work called """"Phänomenologie,"" he discussed appearance and gave rules for distinguishing false (or subjective) appearance from a true (or objective) one that is not susceptible to sensory illusions."" (D.S.B. VII:597). ‎

‎Cosmologische Briefe über die Einrichtung des Weltbaues. - [PRE-ESTABLISHING THE BASIC FEATURES OF THE UNIVERSE]‎

‎Augspurg, Eberhard Kletts Wittib., 1761. Contemporary white-dyed sheepskin. Spine with a bit of surface wear, old hand-written paper-label to spine. XXVIII, 317 pp. A stamp inside front free end-paper. Light browning, scattered marginal brownspots, but in general a fine copy. A few leaves in ""Vorrede"" misbound.‎

‎The scarce first edition of Lambert's sensational ""Cosmological Letters"", his most important astronomical work, in which he to a large extent fore-shadowed the documentation of the basic features of the universe that Hershel later carried out.The work became very popular and was translated into French, Russian, and English, and it was later re-written and published as ""Systeme du Monde"" in Berlin, 1770. ""Of special interest among Lambert's astronomical writings - apart from applications of his physical doctrines - are his famous Cosmologische Briefe über die Einrichtung des Weltbaues"" (Augsburg, 1761).Not familiar with the similar ideas of Thomas Wright (1750) and with Kant's ""Allgemeine Naturgeschichte und Theorie des Himmels"" (1755), Lambert had the idea that what appears as the Milky Way might be the visual effect of a lens-shaped universe. On this basis he elaborated a theory according to which the thousand of stars surrounding the sun constituted a system. Moreover he considered the Milky Way as a large number of such systems, that is, a system of higher order…"" the ""Cosmologische Briefe was a great sensation and was translated into French, Russian, and English. Only when William Hershel systematically examined the heavens telescopically and discovered numerous nebulae and ""telescopic milky-ways"" did it become obvious that Lambert's description was not mere science fiction but to a large extent a bold vision of the basic features of the universe"" (Scriba in D.S.B. VII:598). Kant's mentor (Martin Knutzen) died in 1755, three years before the pre-critical project unfolded. But Kant still had the chance of meeting kindred spirits. One of these was the great philosopher and mathematician Johann Heinrich Lambert, whom he admired a great deal. Finally he had encountered a thinker who appreciated both the scientific and metaphysical perspective, who worried about their tensions, and who was searching for a truce. In his ""Cosmologische Briefe…"" (Cosmological Letters on the establishment of the universe), Lambert worked on the same topic as Kant had worked on in his earlier Universal Natural History. The tasks and results of both works resemble each other, in so far as they were both proposals of integrating Newtonian physics into a larger framework, and they both contained a theory of the dynamic constitution of the universe. Furthermore, as Kant's scientific works should be viewed under the perspective of his general philosophical outlook, so must Lambert's work in physics and astronomy be seen in relation to his general philosophical outlook and his perpetual quest for introducing mathematical exactness into the sciences. ""Lambert's efforts to improve communication and collaboration in astronomy were noteworthy. He promoted the publication of astronomical journals and founded ""Berliner astronomisches Jahrbuch oder Ephemeriden"". Many of the articles that he contributed to it were not published until after his death... He also favored the founding of the Berlin observatory. These suggestions, in line with Leibniz' far-reaching plans for international cooperation of scientific societies, inaugurated a new period of scientific teamwork."" (D.S.B., VII:598). ‎

‎AGARIC DU MELESE AGARIC AMADOUVIER‎

‎INCISIONE: Litografia con coloritura coeva all'acquarello AUTORE: Lambert, Lambert su disegno di Turpin ATLANTE: Flore medicinale - Paris, Panckoucke 1814 DIMENSIONI FOGLIO: cm 22x12,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1814 CONDIZIONI: buone condizioni Quest'opera imponente era corredata da centinaia di incisioni che rappresentavano tutto il mondo animale e vegetale. L'opera deriva da un eccellente lavoro di luminari del XVIII secolo supportati dal Re francese Louis XV in seguito guidati dallo stesso Turpin, considerato al tempo il più grande incisore di botanica. La maggior parte delle incisioni sono firmate Turpin & Pretre. Carta bianchissima e resistente di ottima qualità.ENGRAVING: Lythograph with coeval colouring with acquarello painting AUTHOR: Lambert, Lambert after Turpin ATLAS: Flore medicinale - Paris, Panckoucke 1814 SIZE OF PAGE:cm 22x12,5 SIZE OF THE ENGRAVING:cm 15,5x9 PERIOD: 1814 CONDITIONS: good conditions This imponent work was made up of different volumes and contained hundreds of engravings that represented all the plant and animal kingdom. This work derives from an excellent work of luminaries of the 18th century supported by the french King Louis XV and then directed by the same Turpin that was considered as the greatest botanical engraver of his time. Very white strong paper of good quality‎

‎ACTE DE DONATION MUTUELLE ENTRE PAUL LOUIS JULIEN RAZEAU DE BEAUVAIS, ÉCUYER, CONSEILLER DU ROY, AUDITEUR HONORAIRE EN LA CHAMBRE DES COMPTES DE BRETAGNE (ONCLE DE DANYEL DE KERVÉGAN - MAIRE DE NANTES - CONSUL AU CONSULAT DU COMMERCE DE NANTES), & PERRINE BRÉGEON SON ÉPOUSE, DEMEURANT A NANTES, RUE DU MOULIN, PAROISSE SAINTE CROIX, FAIT A NANTES LE 22 NOVEMBRE 1787‎

‎Nantes 1787 un Acte de Donation de 2 pages (une feuille pliée en deux), sur papier vergé crème, ligné et filigrané , format : 21 x 29 cm, manuscrit à l'encre brune sur les 2 premières pages, cachet fiscal imprimé en noir en haut à droite de la 1ère page : REP. FRANC. LOIRE-INFÉRIEURE 75 C, signature manuscrite des notaires in-fine , ACTE DE DONATION MUTUELLE ENTRE PAUL LOUIS JULIEN RAZEAU DE BEAUVAIS, ÉCUYER, CONSEILLER DU ROY, AUDITEUR HONORAIRE EN LA CHAMBRE DES COMPTES DE BRETAGNE (ONCLE DE DANYEL DE KERVÉGAN - MAIRE DE NANTES - CONSUL AU CONSULAT DU COMMERCE DE NANTES), & PERRINE BRÉGEON SON ÉPOUSE, DEMEURANT A NANTES, RUE DUMOULIN, PAROISSE SAINTE CROIX, FAIT A NANTES LE 22 NOVEMBRE 1787,‎

‎Beau DOCUMENT D'EPOQUE ....... RARISSIME ............ en trés bon état (very good condition). en trés bon état ‎

‎L'affaire Schlumpf l'histoire extravagante du plus celebre musée automobile. ‎

‎Mulhouse, La nuée bleue , 2024; in-8, 173 pp., br.‎

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‎L'affaire Schlumpf l'histoire extravagante du plus celebre musée automobile. ‎

‎Mulhouse, La nuée bleue , 2024; in-8, 173 pp., br.‎

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