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‎A truly splendid and unique collection of 23 Hans Christian Andersen-items that together tell the true story of Andersen's life and sheds light on all aspects of his life and work. The collection is divided into the following (full descriptions belo... - [MAGNIFICENT HANS CHRISTIAN ANDERSEN-COLLECTION]‎

‎(1822) - 1872. ‎

‎With the present Hans Christian Andersen-collection, we have aimed not at an exhaustive collection of ALL of his many writings nor at a LARGE collection, but at an exquisite, chosen collection that tells us the true story of Andersen's life. A collection that enlightens us about both the author and the man Hans Christian Andersen and that sheds light on all aspects of his life and work. A collection that epitomizes quality, scope, and importance, not merely numbers of items nor works that are not particularly important in his life's work. Every one of the 23 items in the present collection has been carefully chosen to represent a certain Aspect of Hans Christian Andersen at a certain time of his life, in an attempt to get as close to the great fairy tale author as possible. The items basically span his entire career - from his first book, published at the age of 17 (and only known in about 10 copies) to an original manuscript poem by the ageing author at the age of 67. The 23 carefully chosen and unique items cover his earliest publications that are of extreme scarcity, his three seminal fairy tale cycles that catapulted him into fame and created the genre of the fairy tale, for which he is now famous world-wide, five magnificent presentation-copies (among them an absolutely magnificent copy of his very first fairy tale, one of the best presentation-copies known) that each give us an insight into the poet Andersen and into his circle of friends, six splendid original letters that are all different in style and content and written from all over the world (among them one of the extremely rare letters known by him written in English, in Latin hand), an original manuscript, which is an extreme scarcity on private hands and something one may never come by again, two books from Andersen's own library, which is extremely rare to find, as only 75 such books are known and almost all of them are in institutional holdings, and finally the three main translations that ensured his fame in the rest of the world: the most important translations into German, English, and French respectively. The collection is divided into the following seven categories, and below follows a short preview and introduction to each. Upon request, a document with full, elaborate descriptions of each item will be provided. 1. Debuts/earliest publications (see also 3.1.)2. The three fairy tale collections/cycles3. Presentation-copies (see also: 2.3.)4. Letters5. Manuscript6. Books from Andersen's library7. The three main translations1. Debuts/earliest publications1.1. Ungdoms-Forsøg / Gjenfærdet ved Palnatokes Grav, en Original Fortælling" og Alfsol, en original Tragoedie. Ungdoms=Forsøg. Kjöbenhavn, [1822]. The extremely rare first printing of Hans Christian Andersen's first book - with facsimiles of the title-page, the contents-leaf and a further four leaves. The book is exceedingly rare. A title-issue appeared in 1827. No more than about ten copies in all of both the first issue and the title-issue are known to exist - only a couple of them are known in private collections, and less than a handful of copies are known outside of Denmark. The present publication, his first book, is of immense importance to Andersen's life and work and is arguably THE most important piece of Anderseniana. 1.2. Ved min Velgører Provst Gutfelds Død. Slagelse, 1823.The extremely rare first printing of the 1823-issues of this slightly obscure newspaper, which contains Hans Christian Andersen's third publication. This exceedingly rare piece of Anderseniana was published when the master of the fairy tale genre was merely 17 years old, namely in February 1823. The present publication constitutes one of the two pieces of publication that are at the epicentre of the coming-to-be of the greatest poet and author to emerge from Danish soil. This little piece is a heartfelt, almost perfectly stylized poem that constitutes an obituary of Hans Christian Andersen's early benefactor, Gutfeld, who was responsible for Collin accepting to be Andersen's benefactor. It was due to Gutfeld and his belief in Andersen that he made it on into the world and was taken seriously enough - at the mere age of 17 - to later be allowed to follow his heart and his life dream - that of writing.1.3. Fodreise fra Holmens Canal til Østpynten af Amager i Aarene 1828 og 1829. Kjöbenhavn, 1829. The rare first edition of Hans Christian Andersen's debut novel, ""Journey on Foot"", here in the extremely scarce original printed wrappers. Andersen himself considered this book his debut and refers to it as ""my first publication"". It came to play a tremendous role in the development of his writing and constitutes one of his most important works. It is the first piece of Andersen that yields any success and the first work for which he gained any recognition. ""It is a well-known fact that Hans Christian Andersen made his début as a writer three times during his youth. The first time he published a book was in 1822, when ""Youthful Attempts"" came out... He was 17 years old, penniless and in need for help, but the main part of the circulation ended up in the paper mill... The second time he made his début was in 1829, when he published ""Journey on Foot from Holmen's Canal to the Eastern Point of Amager"", a book which can hardly be classified as a travel book.. it seems a subtle and humorous arabesque and a literary satire. This book was published in the year after he had left grammar-school and was qualifying for the entrance examination to academic studies at the university. It can rightly be regarded as a key, which enables us to understand the entire development of his later production...2. The three fairy tale-collections2.1. Eventyr fortalte for Børn. (1.-3. Hefte) + Eventyr fortalte for Børn. Ny Samling (1.-3. Hefte). 2 Bind. Kjöbenhavn, 1835-1847. A lovely set of this exceedingly rare collection of Andersen's earliest fairy tales. This legendary fairy tale-collection that created the fairy tale-genre and brought Andersen international fame, consists in six parts that together make up two volumes. As with most of the other few existing copies, the present set is a mixture of issues and likewise has certain wants concerning title-pages, half-titles and tables of contents. ""During Andersen's lifetime 162 of his Fairy Tales were published, but the scarcest and most difficult to obtain are these six little pamphlets. We do not know exactly how many, or how few, copies were printed, but we do know that no copy with all the title pages and tables of contents has ever been offered for sale.""2.2. Nye Eventyr. 2 Bind (5 samlinger). Kjøbenhavn, 1844 - 48.First edition of Hans Christian Andersen's seminal second collection of fairy tales - the publication that made him internationally famous - with all five collections in first issue, also the first, which is of the utmost rarity. It is in this legendary first collection that we find the first printing of ""The Ugly Duckling""(not as is indicated in PMM in his first). The rarity of the first issue of volume 1, collection 1 is legendary. It was published on November 11th 1843 (dated 1844 on the title-page) in a very small number, probably due to the poor sales of Andersen's first fairy tale collection. Against all belief, this first collection sold out within a few days, catapulting Andersen into worldwide fame, and a second issue was published already on December 21st 1843. Thus, only very few copies of the first issue exist, and almost all collections of the ""New fairy Tales"" are bound with the second issue or the third of 1847, meaning that they do not contain the actual first printing of ""The Ugly Duckling"", ""The Nightingale"", ""The Angel"", and ""The Sweethearts"". 2.3. Nye Eventyr og Historier. 3 Series, 10 collections. Kjøbenhavn, 1858-1872.A splendid fully complete copy of Andersen's third fairy tale collection, WITH ALL 10 ISSUES IN FIRST EDITIONS, FIRST ISSUES, ALL IN THE ORIGINAL PRINTED WRAPPERS, AND ONE OF THEM WITH A SIGNED PRESENTATION-INSCRIPTION BY ANDERSEN - WITH 39 FAIRY TALES IN THEIR FIRST PRINTINGS. It is highly uncommon to find all ten issues of the series together, let alone in the original printed wrappers, each of which is a scarcity on their own. To our knowledge, only one other such set exists in a private collection, and that is in far from as fine condition as the present, where all but one of the issues (which does not have the back wrapper) are fully complete with the spines, exactly as issued. 3. Presentation-copies3.1. Digte. Kjöbenhavn, 1830.THE RARE FIRST EDITION - PRESENTATION-COPY, IN THE EXCEEDINGLY SCARCE ORIGINAL PRINTED WRAPPERS - OF ANDERSEN'S THIRD BOOK, CONTAINING HIS FIRST FAIRY TALE. The magnificent presentation-inscription - hitherto unknown and unregistered - is arguably one of the most important Andersen-presentations known to exist. It is inscribed to Henriette Collin, the then fiancée, later wife, of his closest and most important friend, who was more like a brother to him, Edvard Collin. It is one of the very early Andersen-presentations known. This first published collection of Andersen's poetry constitutes Andersen's third published book (at the age of 24) and contains, at the end, the first printing of any of his fairy tales, being also his very first fairy tale ""The Ghost"" (or ""The Spectre""). This is the first time that Andersen uses the term ""Eventyr"" (fairy tale), the term which came to denote the genre for which he received world-wide fame as one of the most important writers of all time. 3.2. Nye Eventyr. Tredie Samling. Kjøbenhavn, 1845.An excellent presentation-copy of the first edition of the third ""collection"" of Andersen's second fairy tale-collection, containing five of his best fairy tales in the first printing - among them the cherished tales ""The Red Shoes"" and ""The Shepherdess and the Chimney-Sweep "". Inscribed copies of Andersen's fairy tales are very rare and extremely sought-after. But the present presentation-copy is even more interesting, as it is inscribed to a fellow author of tales for children - ""The poet Kaalund/ in kind remembrance/ of our first meeting/ the 29th of April 1845/ from the [NEW FAIRY TALES] (the printed half title) 's author."" -in the collection of Andersen's fairy tales that appeared almost simultaneously with Kaalund's renowned ""Tales for Children"" (""Fabler for Børn""). 3.3. Historier. Anden Samling. Kjøbenhavn, 1853.First edition, in splendid condition, with the original printed wrappers, of the second part of Andersen's ""Story""-collection, containing first printings of four of his famous fairy-tales. With a lovely, poetical presentation-inscription to Frederikke Larcher, signed ""H.C. Andersen"", translated as thus: ""I put my bouquet on the board of the stage/ you yourself make the impression of a fresh bouquet"". Frederikke Larcher was a stage actress, and Andersen might have given the little book as a gift upon her last performance.3.4. Nye Eventyr og Historier. Anden Række (første samling). Kjøbenhavn, 1861.An excellent copy, in the original printed, illustrated wrappers, of the separately published first part of the second series of ""Nye Eventyr og Historier"", with a lovely presentation-inscription to the title-page, translating thus ""The splendid, the spirited,/ Mrs. Agentinde Renck/ send this bouquet of stories/ from my garden of poetry this spring/ Most heartfelt and respectfully/ H.C. Andersen."" This splendid volume contains first printings of one of Andersen's most famous, most beloved and most frequently recounted fairy-tales/stories: ""What the Old Man does is Always Right"". Apart from that masterpiece of moral story-telling, the present publication contains five other of Andersen's great stories in first printings.3.5. Da Spanierne var her. Originalt romantisk Lystspil i tre Acter. Kjøbenhavn (Copenhagen), 1865. An excellent copy of the first edition of Andersen's famed play, in the scarce original binding and with a magnificent presentation-inscription to Rudolph Kranold, who at the time was director of the Royal Theatre in Copenhagen. His short reign here (until 1866) coincides exactly with the work on and premiere of one of the plays that was very closest to Andersen's heart, namely ""When the Spanish were Here"", which premiered at the Royal Theatre on April 6, 1865. Reading Andersen's diaries allows us to actually follow the play the entire way through to the stage. It is evident, both from his diaries and from the present presentation-inscription, that the play meant a lot to Andersen. As the inscription indicates, he's anxious that the play not be taken down again and he clearly asks Kranold to take good care of this play that is close to his heart. 4. Letters4.1. Autographed letter, signed in full (""Hans Christian Andersen""), in English, for the Scottish author William Hurton. Dated ""Copenhagen 2 October 1851"".The present letter is of the utmost interest, as it is written in English (in Andersen's own hand!) and also in Latin letters, as opposed the gothic handwriting that Andersen usually uses. Letters and inscriptions in Andersen's Latin hand are of the utmost scarcity. Out of the few known letters in Andersen's hand, we have even fewer letters by him written in English. He made an exception for William Hurton, to whom a few letters have been preserved, demonstrating his reverence for this Scottishman so fascinated by Andersen himself. Almost all of these letters are in institutional holdings, and the present one on private hands is a true scarcity. 4.2. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Basnæs ved Skjelskjør/ den 3 Juli 1862"". 4 pages.This very lengthy letter from Andersen to Frederik Bøgh is interesting in several respects. First of all, Andersen here mentions several of his works: new songs for the revised version of his opera ""The Raven"", proofreading and numerous comments for the ""new edition of Fairy Tales and Stories"", and a brand new fairy tale: ""Finally, I have written a new fairy tale: ""Snowdrop""."" Furthermore, Andersen talks about his health and problems he has with his eye as well as the weather and his impending travel plans. It is clear from the letter that he is very close to his young student friend Bøgh. 4.3. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Tanger I Marokko/ den 8 Nov: 1862."".An absolutely splendid letter with rare observations about Moroccan culture, the people, how they dress and behave, the food, the landscape, etc. It is clear that Tanger, with its ""wild, romantic nature"", its palm trees, its wilderness, the wild boars and hyenas, is very far from the coldness of the North. Andersen's fascination with the ""half naked men"" and women in horrible dress, with the bare headed Moorish Jews in kaftans, ""the naked brown kids that screamed and roared"", and the slaves that carry goods, leaps from the pages of the letter and paint a picture of a place that to a Dane in 1862 must seem oddly fascinating and so different. There is no doubt that this rich culture served as direct inspiration for Andersen's story-writing. 4.4. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Toledo den 6 December 1862"".A splendid letter from Toledo, which Andersen paints so clearly as only he can. ""Toledo is a dead city, but with the life of poetry"", he writes, after having described in detail, to his dear friend back home, the ruins and the melancholy that is Toledo. 4.5. Autographed letter, signed ""H. C. Andersen"", for ""Kjære William"" (i.e. William Melchior). Dated "" Frijsenborg den 27 August/ 1868. "". A lovely, cheerful birthday letter for the young birthday boy William Melchior, who was turning 7 years old. The letter is utterly charming and describes the journey of the birthday letter itself, flying over land and sea, from Jutland to Copenhagen. The letter not only portrays the ease with which Andersen communicates with children, it also constitutes a miniature version of beloved Andersen-stories such as ""Little Tuk"" and ""A Piece of Pearl String"". 4.6. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated "" den 9 Maj 1873"".This Beautiful little letter for Nicolai Bøgh bears witness to the heartfelt bond that Andersen felt towards his young friend. This little gem of a letter is very poetical - most of it is almost like a poem, describing the sun coming through the clouds and liking the clouds to snow and the heaven to Paradise. Furthermore, Andersen mentions his friends' illness, liking him to a bird that needs to be free. Bøgh had fallen ill the previous year, from an illness that would eventually kill him 9 years later, at the mere age of 45. 5. Manuscript5.1. Original handwritten and signed manuscript for a poem entitled ""Stormfloden"" (i.e. The Storm or The Storm Surge). November (22nd), 1872. 1 1/2 handwritten pp.Original manuscripts by Andersen are of the utmost scarcity, and only very few are known on private hands. The present is the manuscript for a poem that Andersen wrote just a couple of years before he died and which was published as the preface to a ""Christmas Present"" by Vilhelm Gregersen in December 1872, just a few weeks after Andersen wrote it. The poem is very dramatic and doomsday-like, but has an uplifting an upbuilding ending. It is inspired by the dramatic storm or storm surge that hit Copenhagen on November 13th, 1872.6. Books from Andersen's Library6.1. F. ANDERSEN, C.J. HANSEN, J.P.E. HARTMANN, P. HEISE and A. WINDING. Ni Fleerstemmige Mandssange. Udgivne af Foreningen ""Fremtiden"". Kjöbenhavn, 1866.Hans Christian Andersen's own copy, with his ownership signature to the bottom of the front wrapper, of this pamphlet of ""Nine Polyphonic Male Songs"". The pamphlet contains nine lovely songs written by the greatest Danish authors of the period, set to music by the most famous Danish musicians of the period. Andersen's contribution is the song ""Hun har mig glemt"" (She Has me Forgotten), which he had printed for the first time in 1854, but in a different version, with different wording. Here, it is set to music by F. Andersen. 6.2. G.h. [GEORG EMIL BETZONICH]. En Kjærligheds-Historie. Fortælling. Kjøbenhavn, 1862.A truly rare example of a book that has belonged to Andersen, with a long presentation-inscription from the author to Hans Christian Andersen to front free end-paper, dated on Andersen's 58th birthday. The author of the novel Georg Emil Betzonich (1829 - 1901) is not a famous author today, nor was he very famous at the time. It is interesting, however, that Andersen kept his book in his library. The book passed to Edvard Collin, who inherited Andersen's entire estate, when Andersen died in 1875, and also Collin kept it. It was sold at the auction of his belongings in 1886.7. The three main Translations7.1. Jugendleben und Träume eines Italienischen Dichters. Nacch H.C. Andersens Dänischen Original: Improvisatoren. Ins Deutsche übertragen von L. Kruse. 2 Theile. Hamburg, August Campe, 1835.The very rare first edition of the first German translation of Andersen's first novel, ""Improvisatoren"", being the first of Andersen's books to be translated into any foreign language. It is fair to say that no other translation before or after was as important to Andersen as the present. Before the work even appeared, Andersen had a list of recipients for the German translation. Among these was Adalbert Chamisso, to whom he wrote in April 1835: ""Here I send you my Italian son" he speaks the German language, so your family can also understand him. I wish that in the great Germany people will be aware of my book and that I may deserve that awareness. That Kruse is introducing me as an author of novels should be somewhat of a recommendation"… For making such an effort of being known outside of little Denmark, I think, I cannot be blamed."" 7.2. Danish Fairy Legends and Tales. (Translated by Caroline Peachey). London, William Pickering (Chiswick), 1846.The very rare first edition - ANDERSEN'S CLOSE FRIEND HENRIETTE SCAVENIUS' (BORN MOLTKE) COPY - of this highly important Andersen-translation, which contains the very first appearance in English of some of Andersen's most famous and beloved fairy tales: ""The Emperor's New Clothes, ""The Nightingale"", ""The Wild Swans"", ""The Buck-Wheat"" and ""The Dustman"", and for the first time we here find the titles ""The Ugly Duckling"" (previously called ""The Ugly Duck"") and ""The Real Princess"" (previously called ""The Princess and the Peas"").7.3. Contes pour les enfants. Traduit du Danois par V. Caralp. Illustrations à deux teintes par Derancourt. Paris, Morizot, (1848).Extremely scarce first edition of the first translations of any of Hans Christian Andersen's fairy tales to appear in French. This first French Andersen-collection constitutes the introduction of Hans Christian Andersen's works in French literature, the introduction of the fairy-tale-genre in France, and a cornerstone in the history French children's literature. ‎

‎LE CIEL BLEU. "Hebdomadaire littéraire pour tous". Direction : Rose Capel. Comité de rédaction : Paul Colinet, Christian Dotremont, Marcel Mariën. ‎

‎ Bruxelles, 1945.Neuf In folio de quatre pages (36,5 x 27,5 cm.). Les numéros 8 et 9 sont imprimés sur papier vert. Pliure centrale à chaque numéro due à lenvoi postal. Quelques légères déchirures aux pliures sinon ensemble en bon état.Direction : Rose Capel. Comité de rédaction : Paul Colinet, Christian Dotremont, Marcel Mariën. Collection complète en 9 numéros, du 22 février au 19 avril 1945.N° 1 (22 février 1945) : André Breton, Pablo Picasso, Lewis Carroll Le Morse et le charpentier, traduit par Henri Parisot, Pierre Mabille, Marcel Mariën, Christian Dotremont Raymond Roussel, le poète extrème, Marcel et Gabriel Picqueray, Marcel Lecomte, Paul Colinet, Jean Pfeiffer, Georges Lambrichs.N° 2 (1er mars 1945): André Breton (sur Thomas de Quincey), Paul Colinet, Marcel Mariën, Christian Dotremont, Marcel Béalu, Marcel et Gabriel Picqueray, Georges Lambrichs, Scutenaire, Angèle Scaillet. Dessin de Robert Willems.N° 3 (8 mars 1945) : Marcel Mariën (sur René Magritte), Marcel et Gabriel Picqueray, Christian Dotremont, Paul Colinet, Scutenaire, Edmond Kinds. Illustration de Magritte.N° 4 (15 mars 1945) : Paul Colinet, Marcel Mariën, Christian Dotremont (sur Edgar Poe), Marcel et Gabriel Picqueray, Scutenaire, Edmond Kinds, Hubert Juin. Illustration de Robert Willems.N° 5 (22 mars 1945) : Christian Dotremont Comment traverser le miroir, Car Névisty, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Scutenaire, Jean Pfeiffer.N° 6 (29 mars 1945) : Jean Pfeiffer André Breton, René Magritte, Marcel et Gabriel Picqueray, Achille Chavée, André de Rache, Christian Dotremont, Scutenaire, Paul Colinet, Marcel Mariën.N° 7 (5 avril 1945) : Georges Henein, Jean Pfeiffer Paul Nougé, Franz Kafka Notule traduite par Marcel Lecomte et G. Laudier, Marcel et Gabriel Picqueray, Camille Goemans, Scutenaire, Paul Colinet, Marcel Broodhaerts, Christian Dotremont. Dessin de Suzanne Van Damme.N° 8 (12 avril 1945) : André de Rache, Car Névisty, Christian Dotremont, Scutenaire, Marcel Mariën, Fernand Dumont, Hubert Juin, Marcel et Gabriel Picqueray, Dessin de Robert Willems.N° 9 (19 avril 1945) : Angèle Scaillet, Irène Hamoir, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Christian Dotremont Prisme infini de la lenteur, Armand Permantier, Georges Roux. ‎

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‎GRAMMA 6. Daniel Dezeuze : Feuilles de carnet (textes, dessins)‎

‎Pont-sur-Yonne Editions Gramma 1977 In-4 Broché, couverture illustrée ‎

‎Edition originale. Textes de Daniel Dezeuze "Feuilles de Carnets", Alain Coulange, Christian Prigent et Christian Limousin. Entretien de DEZEUZE avec Alain Coulange, Christian Prigent et Christian Limousin. Nombreuses illustrations et reproductions en noir. 88 pp. Très bon 0‎

‎Chroniques de l'Art Vivant n° 27 - Février 1972 - L'avant-garde : Réalité et imposture - Avant-garde en France en 1972 - Falsificateurs de l'avant-garde - Yves Klein - Christian Boltanski - Grand Palais sur l'art contemporain - Raoul Ubac - Actualité du symbolisme - Machines volantes de Panamarenko - Emploi du temps - Christian Dotremont, Logogrammes - Christian Enzensberger, Essai de quelque envergure sur la crasse - Nijinsky - Maurice Béjart - Underground belge - Arnold Wesker - Défense active, l'underground a son festival - Kandinsky‎

‎Maeght Editeur - Chroniques de l'Art Vivant Ferce sur Sarthe, France 1972 Book Condition, Etat : Bon broché, sous couverture imprimée éditeur, illustrée d'après une affiche de Jules Chéret grand In-4 1 vol. - 32 pages‎

‎très nombreuses illustrations en noir et blanc 1ere édition Contents, Chapitres : Jean Clair : L'avant-garde : Réalité et imposture - Zorro : Exécution pour une avant-garde - Texte de Michel Ragon - Pierre Restany : L'avant-garde en France en 1972 - Catherine Millet : Les falsificateurs de l'avant-garde - Antonio del Guercio : Une avant-garde les pieds en l'air illustré du saut dans l'espace d'Yves Klein - Jean-Christophe Ammann sur Christian Boltanski - Jan Leering : L'avant-garde en quarantaine - Table ronde : Remous d'une exposition (Au Grand Palais sur l'art contemporain, à partir du 17 mai), 4 pages sur fond orange - Stèles de Raoul Ubac, 1 page avec une figure en fond - Irmeline Lebeer : Actualité du symbolisme, entretien avec Frabcine Claire Legrand, double-page illustrée - Irmeline Lebeer : Les machines volantes de Panamarenko - Pierre Alechinsky : Inédit, un emploi du temps, double-page illustrée - André Balthazar : Christian Dotremont, Logogrammes - Alain Clerval : Christian Enzensberger, Essai de quelque envergure sur la crasse - Lise Brunel : Rencontre Nijinsky - Béjart, entretien avec Maurice Béjart - Marc Dachy : Du côté de l'underground belge - Philippe du Vignal : Entretien avec Arnold Wesker - Antoine Gallien : Défense active, l'underground a son festival - Un article de Kandinsky sur la 4eme de couverture, deux directions, synthèse ‎

‎[revue] Objets et Mondes tome 24 fascicule 1-2. Sommaire: Jean GUIART, André Leroi-Gourhan (1911-1986) - Jean-Claude MARIZE, Bisket jatrâ, la fête communale de Bhaktapur, Népal. - Christian FLEURY, Armement et équipement du samuraï. - Aparna RAO, Tamis et tambours sur cadre des Ghorbat d'Afghanistan. - Marc GABORIEAU, Fabrication des échevaux de coton au Népal. - Berta G. RIBEIRO, La vannerie et l'art décoratif des indiens du Haut Xingu, Brésil. - Christian PELRAS, Collecte d'objets en pays bugis, Célèbes-Sud, Indonésie.‎

‎Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1987 in-4, nombreuses illustrations. Broché, très bon état. Sommaire: Jean GUIART, André Leroi-Gourhan (1911-1986) - Jean-Claude MARIZE, Bisket jatrâ, la fête communale de Bhaktapur, Népal. - Christian FLEURY, Armement et équipement du samuraï. - Aparna RAO, Tamis et tambours sur cadre des Ghorbat d'Afghanistan. - Marc GABORIEAU, Fabrication des échevaux de coton au Népal. - Berta G. RIBEIRO, La vannerie et l'art décoratif des indiens du Haut Xingu, Brésil. - Christian PELRAS, Collecte d'objets en pays bugis, Célèbes-Sud, Indonésie.‎

‎[revue] Objets et Mondes tome 24 fascicule 1-2. Sommaire: Jean GUIART, André Leroi-Gourhan (1911-1986) - Jean-Claude MARIZE, Bisket jatrâ, la fête communale de Bhaktapur, Népal. - Christian FLEURY, Armement et équipement du samuraï. - Aparna RAO, Tamis et tambours sur cadre des Ghorbat d'Afghanistan. - Marc GABORIEAU, Fabrication des échevaux de coton au Népal. - Berta G. RIBEIRO, La vannerie et l'art décoratif des indiens du Haut Xingu, Brésil. - Christian PELRAS, Collecte d'objets en pays bugis, Célèbes-Sud, Indonésie. (Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1987). [M.C.: revue, Ethnologie, préhistoire, Japon, Afghanistan, Népal, Brésil, Amazonie, Indonésie]‎

‎Accurate vorstellung der sämtlichen churfürst trouppen. Accurate Vorstellung der Samtlichen Churfürsts Sächsitz : TROUPPEN. Worinnen zur eigentlichen Kentnis der Uniform von jedem Regimente ein Officier und Semeiner in völliger Montirung und ganzer Statur nach dem Leben abgebildet sind. Nebst beigefügter Nachricht der Urkunde. 1.) Von der Stiftung. 2). denen Chefs 3) der Stärcke und. 4) der in Friedenszeiten habenden Garni?ons jeden Regiments oder separirten corps heraus gegeben und gezeichnet von. Carl Aug. v. Danowsky Lieut. ci devant des Ingen. [Présentation précise de l'ensemble des troupes de l'électorat de Saxe. Dans laquelle, pour la connaissance réelle de l'uniforme de chaque régiment, un officier et un semainier sont représentés en action en tenue complète et en pleine stature. Avec le message joint du certificat. 1.) De la fondation. 2). Des chefs. 3) de force et. 4) De la garnison en temps de paix de chaque régiment ou en corps séparé. Délivré et signé par Carl Aug. V. Danowsky, Lieutenant ci devant Ingénieur.] [[Precise presentation of all the troops of the electorate of Saxony. In which, for the actual acquaintance with the uniform of each regiment, an officer and a weekman are represented in action in full dress and in full stature. With the certificate message attached. 1.) From the foundation. 2). Chiefs. 3) by force and. 4) Of the peacetime garrison of each regiment or separate corps. Issued and signed by Carl Aug. V. Danowsky, Lieutenant Engineer.]‎

‎Sans lieu, 1766. 1766 1 vol in-4° (257 x 160 mm.) manuscrit en langue allemande rédigé à l'encre brune de : [1] f. dépliant (page de titre à lencre rouge et noir dans un encadrement orné d'un blason, de pavillons et d'armes dessinés au lavis d'encre), [33] ff. comportant deux à trois gouaches d'officiers en uniforme pour un total de 67 dessins polychromes titrés surmontant des tableaux explicatifs. Ex-libris armorié gravé " Christian Ernest Grafzustolberg" contrecollé au dos du 1er plat. Plein vélin d'époque, dos lisse, titre doré avec date manuscrite, tranches jaspées de rouge.‎

‎Très beau manuscrit militaire illustré de 67 dessins polychromes présentant l'ensemble des troupes de l'électorat de Saxe en Allemagne, travail exécuté par le lieutenant ingénieur Carl Auguste Von Danowsky très certainement pour le comte Christian de Stolberg-Wernigerode, (1691-1771) dont il porte lex-libris. L'électorat de Saxe était un État du Saint-Empire romain germanique qui joua un rôle majeur dans l'histoire de l'Allemagne, situé au centre du pays. Il est né du duché de Saxe-Wittemberg en 1356, lors de la Bulle dor promulguée par lempereur Charles IV. Il disparaît lors de la dissolution du Saint-Empire en 1806. Lee dernier électeur, Frédéric-Auguste III, allié à Napoléon Ier, devient alors roi de Saxe. Par sa position géographique, cet état a été ainsi souvent été impliqué dans des conflits et doù limportance de son armée. Dans son titre, richement enluminé et surmonté dun blason, le lieutenant Daniovsky annonce son objectif de représenter pour chaque régiment un officier et un semainier (sous-officier) en action en tenue complète et en pleine stature. Chacun des 31 feuillets est consacré à un régiment. Il comporte un titre et deux à trois gouaches d'officiers en uniforme surmontant un tableau explicatif sur 4 colonnes : 1.) De la fondation. 2). Des chefs. 3) Des unités. 4) De la garnison en temps de paix de chaque régiment ou en corps séparé. Chaque portrait a été finement exécuté par cet officier ingénieur aux talents dartiste en coloris trés vifs (gouache, aquarelle, or et argent): Gardes du Corps, Carabiniers, Cuirassiers, Chevaux légers, gardes Suisses, Grenadiers, Infanterie, Fusillers, Mousquetaires, Invalides, Ingénieurs, Artillerie, Canonier et Hussards. Provenance : ex-libris gravé de Christian-Ernest, comte de Stolberg-Wernigerode, (1691-1771), homme politique allemand membre de la Maison de Stolberg. De 1710 à 1771, il gouverne le comté de Wernigerode, ville de Saxe-Anhalt en Allemagne.située dans les montagnes du Harz, qui devient une dépendance de Brandebourg-Prusse en 1714. Chevalier de l'Ordre de l'Aigle noir et Ordre de l'Union parfaite, il sert son cousin du côté de sa mère, le roi Christian VI de Danemark, en tant que conseiller privé de 1735 à 1745. Sous son règne, une grande activité de construction est entreprise dans le comté de Wernigerode. Le Lustgarten (Jardin d'Agrément) à Wernigerode est remodelé dans le style français et une Orangerie est installée. Il est également responsable de la construction du Wolkenhäuschen ("Cabane dans les Nuages"), un petit refuge sur le Brocken, la plus haute montagne du Harz. Il est très probable que ce comte soit le commanditaire du présent manuscrit Précieux document dune prestigieuse provenance demeuré très frais. 1 vol. 4to (257 x 160 mm.) manuscript in German written in brown ink of : [1] folding leaf (title page in red and black ink in a frame decorated with a coat of arms, flags and weapons drawn in ink wash), [33] ff. comprising two to three gouaches of officers in uniform for a total of 67 titled polychrome drawings surmounting explanatory tables. Engraved armorial bookplate "Christian Ernest Grafzustolberg" pasted on the back cover. Full contemporary vellum, smooth spine, gilt title with handwritten date, red speckled edges. Beautiful military manuscript illustrated with 67 polychrome drawings presenting all the troops of the Electorate of Saxony in Germany, work executed by the lieutenant engineer Carl Auguste Von Danowsky most certainly for the count Christian de Stolberg-Wernigerode, (1691-1771) whose ex-libris it bears. The Electorate of Saxony was a state of the Holy Roman Empire which played a major role in the history of Germany, located in the center of the country. It was born from the duchy of Saxony-Wittemberg in 1356, during the Golden Bull promulgated by Emperor Charles IV. It disappeared with the dissolution of the Holy Roman Empire in 1806. The last elector, Frederick-Augustus III, allied with Napoleon I, became King of Saxony. Due to its geographical position, this state was often involved in conflicts and hence the importance of its army. In his title, richly illuminated and surmounted by a coat of arms, Lieutenant Daniovsky announces his objective to represent for each regiment an officer and a semainier (non-commissioned officer) in action in full dress and in full stature. Each of the 31 sheets is dedicated to a regiment. It includes a title and two to three gouaches of officers in uniform surmounting an explanatory table in 4 columns: 1.) Of the foundation. 2). Of the leaders. 3) Units. 4) Of the peacetime garrison of each regiment or separate corps. Each portrait has been finely executed by this engineer officer with artistic talents in very vivid colors (gouache, watercolor, gold and silver): Gardes du Corps, Carabiniers, Cuirassiers, Chevaux légers, Gardes Suisses, Grenadiers, Infantry, Fusillers, Mousquetaires, Invalides, Engineers, Artillery, Canonier and Hussards. Provenance: engraved bookplate of Christian-Ernest, Count of Stolberg-Wernigerode, (1691-1771), German politician and member of the House of Stolberg. From 1710 to 1771, he governed the county of Wernigerode, a town in Saxony-Anhalt, Germany, located in the Harz Mountains, which became a dependency of Brandenburg-Prussia in 1714. Knight of the Order of the Black Eagle and Order of the Perfect Union, he served his cousin on his mother's side, King Christian VI of Denmark, as a privy councillor from 1735 to 1745. During his reign, a great deal of building activity was undertaken in the county of Wernigerode. The Lustgarten (Pleasure Garden) in Wernigerode was remodeled in the French style and an Orangery was installed. He is also responsible for the construction of the Wolkenhäuschen ("Hut in the Clouds"), a small refuge on the Brocken, the highest mountain in the Harz. It is very likely that this count is the sponsor of the present manuscript A precious document of a prestigious provenance that has remained very fresh.‎

‎# TITRE: Saint-Guilhem-le-désert vallée inspirée du Languedoc. Son site - son abbaye - son cloitre - son héros de légende - son Saint‎

‎ # AUTEUR: Jourda Pierre - Rudel Jean et Christian # ILLUSTRATEUR: Christian # ÉDITEUR: Se trouve chez l'artiste - Christian # ANNÉE ÉDITION: 1947 # ENVOI, BEAUX PAPIERS: Vélin B.F.K. de Rives # COUVERTURE: En feuilles sous double emboitage # DÉTAILS: In 4° en feuilles 4ff n+ XIVff + pagination continue 103pp + 1ff table. N° 35 des 39 exemplaires, comportant un dessin original de Christian, une suite répétant dans un autre ton les 24 hors-texte et l'ouvrage complet. Illustrations de Christian, 24 dessins originaux à la plume reproduits en héliogravures reprises à l'eau-forte et au burin par Charles-Paul Dufresne en hors-texte. OUvrage achevé sur les presses du maître imprimeur Aulard pour la typographie, sur les presses à bras du maître imprimeur taille-doucier Padovani pour les gravures, le 12 mars 1947.Le texte forme deux parties principales, l'une présente le site, l'abbaye et son cloitre roman fameux avec tout ce qui s'y rattache de pittoresque fantastique, de spiritualité profonde et de sublime poésie. L'autre présente le grand guerrier devenu moine et saint, le fameux Guillaume d'Orange de la chanson de geste, connu dans l'histoire médiévale sous le nom de Saint-Guilhem, dont la haute figure historique trop oubliée a donné à ce site qui fut pour lui la vallée inspiratrice, sa valeur humaine et spirituelle inoubliable.(introduction). Envoi de l'artiste. # PHOTOS visibles sur www.latourinfernal.com‎

‎Etat de neuf, non rogné, non coupé‎

‎Biblia Det er Den gantske Hellige Scrifft paa Danske igien offuerseet oc Prentet effter vor allernaadigste Herris oc Kongis K. Christian den IV. Befaling. Mett Register/ alle D. Lutheri Fortaler ghans Udledning i Brædden oc Viti Theodori Summarier. Cu... - [THE MAGNIFICENT CHRISTIAN IV FOLIO BIBLE]‎

‎Kiøbenhaffn, (Melchior Martzan og Salomon Sartor), (1632-) 1633. Folio (binding: 37 x 25 cm.). Bound in a spledid, contemporary full calf binding over wooden boards. Rich, elaborate gilding to both boards and spine. The gilding is vague, especially on the front board, but the tooling is very sharp, and the binding overall is magnificent. With four beautiful, ornamented brass edges to each board and two large ornamented brass clasps. All edges are gilt and beautifully blindtooled. Wear to capitals, where the cords are loosening a bit, and with a bit of loss of leather. A bit of wear to hinges, at the cords, which are showing. But overall the binding is in splendid condition. Also internally extremely well preserved. The title-page has a tiny restored hole to lower right corner, and the first four leaves might have been inserted. They are slightly smaller at the outer margin than the other leaves. But that might also be due to restoration, as the binding has not been tampered with at any point and is completely unrestored. The text is unusually nice, clean and fresh, by far the nicest copy we have ever come across. Pasted-down front end-paper with the ownership signature and lacquered coat-of-arms seal of Severin Svanenhielm (Severin Seehusen (1664-1726) ) as well as the ownership signatures of Søren Schiøtz (1796-1863) (with names of members of his family), C. Th. Zahle and Erik Zahle. With the book plate of William Davignon (d. 1924). The brass corners carry the initials HL and are depicted in Johannes Rudbeck's Svenska Bokband I (fig. 26, p.53). The binding there is dated 1622, whereas our binding is from 1633 or right after. The brass fittings were a commercial merchandise for sale in Germany and probably also in both Sweden and Denmark. Engraved title-page and two engraved half-titles as well as the engraved portrait of Christian IV, all by the royal engraver Simon the Pas. Withoput the half-title, which merely contains the printed words ""BIBLIA / Paa Danske"", which is almost never present. (21 - not counting the engraved title-page and the portrait), 353 (i.e. 354 due to the erroneous double pagination 353), 226, 159 ff. ‎

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‎A magnificent copy of the scarce first edition of the last (i.e. the third) of the Danish folio-bibles, known as ""Christian IV's Bible"", being a slightly revised edition of the Bible of 1589. Christian IV is the most famous Danish king ever to have lived, and the Christian IV bible is extremely sought-after. An unusually fresh and complete (apart from the always lacking half-title) copy of this splendid bible, printed by the first royal printer Melchior Martzan and Salomon Sartor (part 2). The numerous woodcut illustrations are the same that were used for the Frederik II Bibel from 1589. The four engraved leaves - the portrait and the three title-pages - are by Simon de Pas.Bibl. Dan.I,9 - Thesaurus II, 378. - Birkelund, 41. - Darlow and Moule, 3160. Provenance: Svanenhielm was a family of Danish and Norwegian nobility. Morten Hansen Seehuusen (1629-1694) was a merchant from Bredstedt in Schleswig-Holstein, who re-located to Stavanger, Norway. His son, Severin Seehusen (1664-1726) was an official in Bergen as well as in Stavanger and Northern Norway. He owned, among other properties, Damsgård Manor outside Bergen, Svanøy in Sunnfjord, and Arnegård in Stavanger. In 1720, Severin Seehausen was ennobled under the name Svanenhielm. Søren Daniel Schiøtz (1796-1863) was a Norwegian bailiff and judge, who was also very much engaged in religious matters and came to play an important role in the history of theology in Norway. He was one of the founders of the Norwegian Mission Society and the Norwegian Israeli Mission. He translated several important upbuilding pieces from German, among them a comprehensive bible history. Carl Theodor Zahle (1866 – 1946) was a highly important Danish lawyer and politician. He was prime minister of Denmark from 1909 to 1910 and again from 1913 to 1920. In 1895, he was elected member of the lower chamber of the Danish parliament, for the Liberal Party. A campaigner for peace, in 1905 he co-founded the Social Liberal Party (Det Radikale Venstre). He stayed on as a member of Parliament for Det Radikale Venstre until 1928, when he became a member of the upper chamber of Parliament (Landstinget). In 1929, he became Minister of Justice , a post which he held until 1935. Zahle was instrumental in starting negotiations for a new Danish–Icelandic Act of Union in 1917, which resulted in Iceland being recognized as a sovereign nation in a personal union with the king of Denmark the following year. Erik Zahle (1898-1969) was a famous Danish art historian, author, and museum director.‎

‎Réunion de 5 ouvrages. 1) Christian Bouillé. Les choses nous pensent. Monographie Yéo / Area , 2000, 118p. 2) Bouillé. Oeuvres récentes. Texte de Bernard Noël "Roman de la chance la peinture de Christian Bouillé". 8 janvier - 8 mars 1997. Galeries d'exposition du Théâtre de Saint-Quentin-en-Yvelines (on joint le carton d'invitation). 3) Christian Bouillé. Axon'. Texte d'Alain Jouffroy. 4) Christian Bouillé, Galerie Alexander Braumüller 3 nov. - 15 déc. 1977. Envoi de l'artiste. 5) Christian Bouillé, Ölbilder - Gouaches 19 nov. 1976. Galerie Baron Kerckerinck zur Borg. Avec le carton d'invitation‎

‎ Bon état. ‎

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‎Juke Box Magazine n° 197 - Johnny Hallyday par Christian Nauwelaers, Kim Fowley par Jacques Leblanc et Christian Eudeline, Super 45 tours français 91 par Trovatori a Katia Valère, British R&B 42, 1963-69 par Jacques Barsamian, Gene Vincent par Christian‎

‎Jacques Leblanc Editions. Novembre 2003. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 82 pages. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte.. . . . Classification Dewey : 780-Musique‎

‎Sommaire : Johnny Hallyday par Christian Nauwelaers, Kim Fowley par Jacques Leblanc et Christian Eudeline, Super 45 tours français 91 par Trovatori a Katia Valère, British R&B 42, 1963-69 par Jacques Barsamian, Gene Vincent par Christian Nauwelaers Classification Dewey : 780-Musique‎

‎GOETHE die ganze wahrheit. ‎

‎Hambourg, Carlsen verlag, 2007; in-8, 144 pp., br. Broché en très bon état - dramatisiert & illustriert von Christian MoserZum 175. Todestag des Dichters Christian Moser hat bereits die ganze Wahrheit über Sigmund Freud enthüllt und sich damit eine stetig wachsende Leserschaft erobert. Nun wendet er sich dem deutschen Dichter schlechthin zu: Johann Wolfgang von Goethe. Leicht und fundiert zugleich gewährt er amüsante Einblicke in das Leben Goethes. Dank Christian Moser erfahren wir, dass Goethe sein dichterisches Genie einem Pakt mit Mephisto zu verdanken hat. Sein Stück FAUST war nichts anderes als Enthüllungsjournalismus, doch alle Welt hielt es für reine Fiktion. Bis heute! CARLSEN COMICS legt nun eine überarbeitete und erweiterte Ausgabe dieses Buches vor. 143 pp. Deutsch.‎

‎Broché en très bon état - dramatisiert & illustriert von Christian MoserZum 175. Todestag des Dichters Christian Moser hat bereits die ganze Wahrheit über Sigmund Freud enthüllt und sich damit eine stetig wachsende Leserschaft erobert. Nun wendet er sich dem deutschen Dichter schlechthin zu: Johann Wolfgang von Goethe. Leicht und fundiert zugleich gewährt er amüsante Einblicke in das Leben Goethes. Dank Christian Moser erfahren wir, dass Goethe sein dichterisches Genie einem Pakt mit Mephisto zu verdanken hat. Sein Stück FAUST war nichts anderes als Enthüllungsjournalismus, doch alle Welt hielt es für reine Fiktion. Bis heute! CARLSEN COMICS legt nun eine überarbeitete und erweiterte Ausgabe dieses Buches vor. 143 pp. Deutsch.‎

‎Théorie des jardins.‎

‎Leipzig chez les héritiers de M.G. Weidmann et Reich 1779-1785 Cinq tomes en deux vol. in-4. Tome 1 : XVI-264 pages, 46 figures. Tome 2 : IV-240-[3] pages, 49 figures; Tome 3 : IV-287-[3] pages, 57 figures; Tome 4 : IV-294-[2] pages, 31 figures; Tome 5 : VIII-433-[12] pages, 47 figures (sur 48), dont une planche dépliante, veau porphyre de l'époque, dos lisse orné de fleurons, pièces de titre et de tomaison de maroquin rouge et vert. Manquent un feuillet avec figure (t.V, p. 199-200) et une pièce de tomaison. Petits défauts de cuirs aux coins et aux coupes, quelques piqures sans gravité.‎

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‎Edition originale française. Tome I : Coup d'oeil sur les jardins anciens et modernes. - Recherches sur le gout ancien et moderne en fait des jardins. - De l'art des jardins, considéré comme l'un des Beaux-Arts. - De la destination et de la dignité des jardins. - Tome II : De l'emplacement. - Des arbres et des arbrisseaux, ou arbustes. - Des fleurs. - Des gazons. - Des eaux. - Des sentiers. - Descriptions de quelques jardins. - Tome III : Des châteaux de plaisance et des maisons de campagne. - Des bâtiments champêtres moins considérables. - Des Temples, grottes, ermitages, chapelles et ruines. - Des répertoires, ponts et portes. - Des statues, monuments et inscriptions. - Tome IV : IV-294-[2] pages, 31 figures. Remarques diverses sur le nouveau gout en fait des jardins. - Détermination de l'idée qu'on doit se faire d'un jardin. - Répartition des jardins en classe. - Tome V : Jardins ou scènes qui se rapportent aux parties du jour. - Jardins relatifs a l'état des propriétaires. - Jardins dont le caractère dépend de leur destination particulière. - Embellissement champêtres de quelques parties isolées d'une maison de campagne. - Appendices. Bel exemplaire en reliure d'époque de cet ouvrage rare illustré de 230 gravures.L'ouvrage en allemand et sa traduction française parurent simultanément. Originaire de Nüchel dans le duché de Holstein, Christian Hirschfeld (1742-1792), voyagea en Allemagne, en Suisse et au Danemark ou il fut nommé professeur de philosophie et d'esthétique à Kiel en 1769. En 1777 il quitta le professorat et se consacrant plus particulièrement à l'horticulture. Il amena le roi du Danemark, Christian VII, à créer près de Kiel une école de culture des arbres fruitiers dont il fut l'administrateur. Berlin II, 3353. Quérard IV, 111[AUTOMATIC TRANSLATION] HIRSCHFELD (Christian).Theory of gardens.Leipzig among the heirs of M.G. Weidmann and Reich 1779-1785 Five volumes in two volumes. in-4. Volume 1: XVI-264 pages, 46 figures. Volume 2: IV-240- [3] pages, 49 figures; Volume 3: IV-287- [3] pages, 57 figures; Volume 4: IV-294- [2] pages, 31 figures; Volume 5: VIII-433- [12] pages, 47 figures (out of 48), including a folding plate, porphyry calf of the time, smooth back adorned with florets, pieces of title and tomaison of red and green morocco. Miss a slip with figure (t.V, p.199-200 - a copy of the missing page is provided) and a piece of tomaison. Small leather defects at the corners and cuts, some minor bites.French original edition. Volume I: A look at the ancient and modern gardens. - Research on ancient and modern taste makes gardens. - The art of gardens, considered as one of the Beaux-Arts. - The destination and the dignity of the gardens. - Volume II: Of the location. - Trees and shrubs, or shrubs. - Flowers. - Turf. - Waters. - Trails. - Descriptions of some gardens. - Volume III: Pleasure castles and country houses. - Lesser country buildings. - Temples, caves, hermitages, chapels and ruins. - Directories, bridges and doors. - Statues, monuments and inscriptions. - Volume IV: IV-294- [2] pages, 31 figures. Various remarks on the new taste makes gardens. - Determination of the idea of a garden. - Distribution of gardens in class. - Volume V: Gardens or scenes that relate to the parts of the day. - Gardens related to the state of the owners. - Gardens whose character depends on their particular destination. - Rural embellishment of some isolated parts of a country house. - Appendices. Beautiful copy in vintage binding of this rare book illustrated with 230 engravings.The work in German and its French translation appeared simultaneously. Christian Hirschfeld (1742-1792), a native of Nüchel in the Duchy of Holstein, traveled to Germany, Switzerland and Denmark where he was appointed Professor of Philosophy and Aesthetics in Kiel in 1769. In 1777 he left the teaching profession and focusing specifically on horticulture. He brought the King of Denmark, Christian VII, to create near Kiel a school of fruit tree cultivation which he was the administrator. Berlin II, 3353. Querard IV, 111 Libraire membre du S.L.A.M. (Syndicat national de la Librairie Ancienne et Moderne) et de la L.I.L.A. (Ligue Internationale de la Librairie Ancienne). N'hésitez pas à prendre contact par mail pour des photographies et des détails supplémentaires, pour des recherches ou des estimations de livres anciens et rares.‎

‎Omfattende Lovsamling i 13 dele. 1. Judske Lowbog. 2. Christian III Recess. 3. Frederik II Recess. 4. Frederik II Obne Brefue. 5. Frederik II Handfestning. 6. Frederik II Gaards Ræt. 7. Frederik II Søret. 8. Frederik II XXV Articler Fremmede der begie...‎

‎Kiøbenhaffn, Peder Hake - Jørgen Holst, 1642-43. 4to. Indbundet i et lidt senere hellæderbind. Ophøjede bind på ryg. Rig rygforgyldning. Forgyldt titeletiket på ryg. Nederste rygfelt med tab af en smule skind ved foden. Med træstukket fællestitelblad, Kobberstukket titelblad til Jydske Lov (stukket af Haelwegh) samt kobberstukket portræt af Valdemar II. Christian IV's Reces har kobberstukket titelblad og et kobberstukket portræt af kongen. Usædvanlig rene eksemplarer og alle trykt på svært skrivepapir.‎

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‎Omfattende lovsamling, som indeholder gældende ret under Christian IV med hans såkaldte Store Recess, som er forløberen for Chr. V's Danske Lov fra 1683. - Lovsamlingen er meget lig den som beskrevet i Bibl. Dan.II,629. - Thesaurus 427 ff.‎

‎Billeder og Vers. Billederne tegnede med Pen paa Steen af J. A. Kittendorff i Tegner & Kittendorffs lithographiske Institut. - [INSCRIBED BY HANS CHRISTIAN ANDERSEN]‎

‎Kjøbenhavn, P. G. Philipsens Forlag, (1862). 8vo. Bound in the original cardboard binding. With minor wear to capitals, otherwise almost completely fresh. Neatly restored tear to title page. Small ink stain to outer right margin of the last leaves. With a long gift inscription by H. C. Andersen to front free endpaper. Internally clean. ‎

‎A beautiful copy of Julius Exner's and Christian Winther's ""Billeder og Vers"" with a charming dated gift inscription from H. C. Andersen to a young boy, Jørgen: ""Til Tak for hvert Smiil jeg fik i det / gamle Aar af min lille Ven Jørgen, / bringer jeg ham her en Billedbog og den / vil han engang læse i og tænke paa / sin gamle Ven / H. C. Andersen / Kjøbenhavn Nytaars Ugen 1862."" (Translation: As thank for every smile I recieved in the old year from my small friend Jørgen, I bring him here a picture-book and in this he will in due time read and think of his old friend H. C. Andersen. Copenhagen new-year week 1862). Julius Exner (1825-1910) was a Danish painter known for his romantic paintings of the life of the peasants. Christian Winther (1796-1876) was one of the greatest Danish poets of the 19th century. Winther is best known for his poem ""Hjortens Flugt"" which is considered to be one of the classics of Danish literature. The inscription is written to Jørgen Hansen Koch (1861-1935). Jørgen, who was only 1 year old at the time the inscription was written, later became president of the Maritime and Commercial Court and Det Classenske Fideicommis. Jørgen and his family had a close relationship with H. C. Andersen and they are mentioned frequently in his diaries. H. C. Andersen wrote in his diary that he visited the Koch family January 2 1862. It was presumably during that visit that he gave Jørgen this copy. Works of other authors inscribed by H. C. Andersen are very rare. ‎

‎Quincailleries végétales. Dessins / Serviettes de table.‎

‎Toulouse Champavert 1994 1 vol. relié in-4 oblong, reliure spirale, plats cartonnés dont le premier illustré, non paginé, 160 planches de papier fort. Premier tirage des 80 dessins en noir de Christian Melet (imprimés sur serpentes de Chine contrecollées) et légendes en regard par Gaston Puel. Tirage limité à 180 exemplaires sur Onion Skin, celui-ci un des 60 numérotés avec un dessin original sur serviette en papier. Ces nouveaux "objets introuvables" entre surréalisme et "steampunk" n'ont d'égal que leurs légendes poétiquement bien balancées !‎

‎Discours de réception du Prix Merito Editorial 2007 [ Edition originale ]‎

‎21 Feria Internacional del Libro de Guadalajara, 1 vol. in-8 br., Christian Bourgois, s.d. [ 2007 ] , 21 pp.‎

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‎Rare exemplaire du discours de réception du Prix Merito Editorial 2007. Christian Bourgois mourra peu de temps après, le 20 décembre 2007. On joint le texte de la messe à la mémoire de Christian Bourgois, ainsi qu'un carton d'exposition de la Bibliothèque du Centre Pompidou : "Christian Bourgois, 40 ans d'édition". ‎

‎SAINT-GUILHEM-LE-DESERT, vallée inspirée du Languedoc Illustré par CHRISTIAN Son site - Son abbaye - Son cloître - Son héros de légende - Son saint.‎

‎ 1947 "chez l'artiste", 1947. Couverture souple . Christian (illustrateur). Un volume in-4, en feuilles, couverture rempliée, chemise, étui, 103 pp. 24 dessins originaux (sous serpente) de Christian reproduits en héliogravures reprises à l'eau-forte et au burin par C.-P. Dufresne. Un des 800 exemplaires numérotés sur vélin BFK des papeteries de Rives N° 139/800L'intérieur de l'ouvrage est comme neuf - Bel ouvrage en très bon état.‎

‎Ray J7* ‎

‎Jean qui dort et Jean qui lit - Les P'tites Poules fetent leurs 10 ans‎

‎POCKET JEUNESSE. 2012. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 PAGES illustrées en couleur. . . . Classification Dewey : 843.0692-Livres d'enfants‎

‎Christian Jolibois, Christian Heinrich (Illustrations) Classification Dewey : 843.0692-Livres d'enfants‎

‎Partition de la chanson : Monsieur en chapeau (Un) Histoire en quatre chapeaux ‎

‎Partitions sur la Mode et accessoires,Partitions sur les Coiffes, coiffeurs et coiffures Mondia 1949‎

‎ Bon état Petit format ‎

‎Reines de la France.‎

‎Paris, Maurice Darantière, 1959. Grand in-4 en feuilles. Jean Cocteau a écrit la vie de vingt des plus illustres femmes de France reines & favorites, reines de la mode & du théâtre de la fantaisie & de l'héroïsme. Guillaume a accompagné les textes de Cocteau de gloses commentaires. Christian Bérard a gravé à la pointe sèche le portrait en buste de ces femmes. 40 pointes sèches originales dont 20 hors-texte, premières et seules gravures de l'artiste. Edition originale et premier tirage. Tirage à 200 exemplaires sur vélin d'Auvergne à la main. Imprimé par l'Imprimerie Nationale. Exemplaire N° IV pour Monsieur Blanchot directeur. Excellent état intérieur. Couverture ivoire rempliée, imprimée en noir en parfait état. Chemise illustrée et étui de même, légère insolation sur les dos.‎

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‎Christian Jacques Bérard, couramment surnommé « Bébé », est un peintre, illustrateur, scénographe, décorateur et créateur de costumes français, né le 20 août 1902 à Paris, ville où il est mort le 12 février 1949 (à 46 ans). De 1926 (exposition à la galerie Eugène Druet) à 1930, il appartient au groupe d'artistes « néo-humanistes», défendu par le critique Waldemar George, avec notamment les frères Berman, Pavel Tchelitchev, Kristians Tonny et Joseph Floch. Dès le début de sa carrière, il est attiré par le théâtre dont il deviendra l'un des principaux créateurs de décors et de costumes au cours des années 1930 et 1940. Il travaille dès 1930 en étroite collaboration avec Jean Cocteau et Louis Jouvet, pour lesquels il réalise entre autres les costumes et/ou les décors de La Machine infernale (1934), L'École des femmes (1935) La Folle de Chaillot de Jean Giraudoux6 (1945), Les Bonnes de Jean Genet (1947) et Dom Juan de Molière (1948), sa contribution la plus célèbre demeurant en 1946 la conception des décors et des costumes du film de Jean Cocteau, La Belle et la Bête. Après avoir collaboré ponctuellement avec Vogue, il débute en 1935 une relation de travail fidèle avec ce magazine, relation qui se poursuivra jusqu'à Noël 1948 peu avant sa mort. Il est également proche de Carmel Snow du magazine de mode américain Harper's Bazaar pour lequel il réalise des illustrations. Il fera la couverture d'un prestigieux numéro hors série de l'édition française de Vogue, diffusé immédiatement après la Libération. Il dessine d'un trait le célèbre Tailleur Bar peu après, et participe à la décoration de la nouvelle boutique Dior avenue Montaigne. Après la Libération de Paris de 1944, l'hôtel de Charost est redécoré par Georges Geffroy et Christian Bérard. Christian Bérard meurt subitement en 1949 lors de répétitions au théâtre Marigny des Fourberies de Scapin. ‎

‎Revue Communications n° 23 de Février 1975 - Psychanalyse et cinéma , publiée par l'Ecole Pratique des Hautes Etudes, Centre d'Etudes Transdisciplinaires (Le signifiant imaginaire - Le dispositif - Ellipse sur la frayeur et la séduction spéculaire - Souvenir-écran - L'image d'un corps - Le divan du pauvre - En sortant du cinéma - Le film et son spectateur - Le travail du film, 2 - Rire au cinéma - Rhétorique du texte spéculaire - Les charlatans et les hystériques - Freud, effets spéciaux, mise en scène : USA - Le blocage symbolique)‎

‎Editions du Seuil , Communications Malicorne sur Sarthe, 72, Pays de la Loire, France 1975 Book condition, Etat : Bon broché, sous couverture imprimée éditeur noire, illustrée de 5 vignettes photographiques en noir tirées de films sur la gauche du plat supérieur grand In-8 1 vol. - 350 pages‎

‎assez nombreuses photographies tirées de films en fin d'ouvrage, en noir et blanc 1ere édition, 1975 Contents, Chapitres : Christian Metz : Le signifiant imaginaire - Jean-Louis Baudry : Le dispositif - Julia Kristeva : Ellipse sur la frayeur et la séduction spéculaire - Guy Rosolato : Souvenir-écran - Joel Farges : L'image d'un corps - Félix Guattari : Le divan du pauvre - Roland Barthes : En sortant du cinéma - Christian Metz : Le film et son spectateur - Thierry Kuntzel : Le travail du film, 2 - Daniel Percheron : Rire au cinéma - Nick Browne : Rhétorique du texte spéculaire - Catherine B. Clément : Les charlatans et les hystériques - Marc Vernet : Freud, effets spéciaux, mise en scène : USA - Raymond Bellour : Le blocage symbolique pliure assez large au coin supérieur droit de la couverture qui reste en bon état, à peine jaunie, intérieur frais et propre, petit manque dans la marge de la première page, sans manque de texte, cela reste un bon exemplaire‎

‎La Poule Au Bois Dormant - Les P'tites Poules N°J2711 - a lire a l'enfant des 5 ans, a lire seul a partir de 7 ans‎

‎PKJ pocket jeunesse. 2015. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages illustrées en couleur - Annotation sur le 1er contreplat, au crayon à papier. . . . Classification Dewey : 843.0692-Livres d'enfants‎

‎Christian Jolibois, Christian Heinrich (Illustrations) Classification Dewey : 843.0692-Livres d'enfants‎

‎Le jour où mon frère viendra - Les P'tites Poules N° J904 - a lire a l'enfant des 5 ans, a lire seul a partir de 7 ans‎

‎PKJ pocket jeunesse. 2017. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages illustrées en couleur - Annotation sur le 1er contreplat et la page de titre, au crayon à papier. . . . Classification Dewey : 843.0692-Livres d'enfants‎

‎Christian Jolibois, Christian Heinrich (Illustrations) Classification Dewey : 843.0692-Livres d'enfants‎

‎Les cirrhoses.‎

‎Paris, éd. Searle, 1974, gd. in-8, cartonnage souple, couv. ill. d'un dessin coul. de Christian BROUTIN, 82 pp., très nb. photos et dessins en coul. et en noir, sommaire, Voulez-vous tout savoir sur les cirrhoses du foie ? Très beau dessin en couleur de Christian Broutin. Pas courant Très bon état ‎

‎Il particolare - n°1 à 8 (6 livraisons) : mai 1999 – décembre 2002‎

‎ Marseille, directeurs: Hervé Castanet et Françoise Santon. 6 volumes (17x22,5cm) sous couvertures illustrées en couleurs. Tête de série des 8 premiers numéros en 6 livraisons (deux numéros doubles) - Textes de Gérard Arseguel, Philippe Beck, Jean-François Bory, Ray DiPalma, Jérôme Game, Jean-Paul Gavard-Perret, Roger Giroux, Jean-François Lyotard, Gérard Macé, Jean-Luc Nancy, Jean-Pierre Ostende, Charles Pennequin, Christian Prigent, Jean-Luc Steinmetz, Christophe Tarkos, Christian Tarting, John Wilkinson, etc. - Exemplaires en bon état - ‎