6 Bände. Oxford, Theatre, 1744. Gr.-4°. XLIII, (5), 514 S.; 600 S.; 563 S.; 507 (1) S.; 552 S.; 547 (1) S., (7) Bl. Mit 1 Porträt, 1 gest. Titelvignette, 39 Kupfertafeln und 26 Schlussvignetten. Lederbände der Zeit mit Rücken- und Deckelvergoldung.
Reference : 7931CB
Erste von von Thomas Hanmer (1677–1746) herausgegebene Ausgabe. – Die letzten Seiten von Band eins mit durchgehendem Braunfleck. Die Einbände berieben und bestossen.
EOS Buchantiquariat Benz
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The books offered have been described to the best of our knowledge and belief and, unless otherwise noted, are complete. Minor defects have not been described, but are taken into account in the price. The offer is subject to change and there is no obligation to deliver. The shipping costs will be charged to the buyer on the basis of the cost price. If the shipment is made from Germany, the price will be increased by 7% VAT. increased. Delivery to customers unknown to us shall only be made against prepayment. The place of jurisdiction is Zurich. The goods are usually shipped from Switzerland within 1-2 working days. To Germany and the rest of the EU, shipping takes place every 14 days from the German post office. All objects are cleared and the German VAT. is paid. The shipping costs are based on average values, for books weighing about 1 kg. You may be informed by us about deviating costs. If you are a consumer, you are entitled to a right of withdrawal in accordance with the following requirements. A consumer is any natural person who concludes a legal transaction for purposes that can predominantly be attributed neither to their commercial nor their independent professional activity. Geschäftsbedingungen Die angebotenen Bücher wurden nach unserem besten Wissen und Gewissen beschrieben und sind, wenn nicht anders vermerkt vollständig. Kleinere Mängel wurden nicht beschrieben, sind aber im Preis berücksichtigt. Das Angebot ist freibleibend und es besteht kein Lieferzwang. Die Versandkosten werden auf Basis der Selbstkosten dem Käufer belastet. Erfolgt der Versand ab Deutschland wird der Preis um 7 % EUSt. erhöht. An uns unbekannte Besteller erfolgt die Lieferung nur gegen Vorauskasse. Gerichtsstand ist Zürich. Die Ware wird in der Regel ab der Schweiz innert 1–2 Werktagen versandt. Nach Deutschland und in den restlichen EU-Raum erfolgt der Versand alle 14 Tage ab deutscher Poststelle. Alle Objekte werden verzollt und die deutsche EUSt. wird entrichtet. Die Versandkostenpauschalen basieren auf Durchschnittswerten, für ca. 1 kg schwere Bücher. Über abweichende Kosten werden Sie gegebenenfalls von uns informiert. Wenn Sie Verbraucher sind, steht Ihnen ein Widerrufsrecht nach folgender Massgabe zu. Verbraucher ist jede natürliche Person, die ein Rechtsgeschäft zu Zwecken abschließt, die überwiegend weder ihrer gewerblichen noch ihrer selbständigen beruflichen Tätigkeit zugerechnet werden können. Geschäftsbedingungen Les livres offerts ont été décrits en notre meilleure conscience et sont complets, sauf mention contraire. Des défauts mineurs n’ont pas été décrits, mais sont pris en compte dans le prix. L’offre est libre et il n’y a pas d’obligation de livraison. Les frais d’expédition sont grevés sur la base du coût de l’acheteur. Si l’expédition est effectuée au départ de l’Allemagne, le prix est de 7 % EUSt. augmentée. Les clients inconnus ne sont livrés qu’à l’avance. Le tribunal est à Zurich. La marchandise est généralement expédiée à partir de la Suisse pendant 1 à 2 jours ouvrables. L’expédition vers l’Allemagne et le reste de l’UE a lieu tous les 14 jours au départ du bureau de poste allemand. Tous les objets sont dédouanés et l’EUSt allemand. est acquittée. Les forfaits d’expédition sont basés sur des moyennes, pour des livres d’environ 1 kg. Nous vous informerons, le cas échéant, des coûts différents. Si vous êtes un consommateur, vous disposez d’un droit de rétractation selon la mesure suivante. Le consommateur est toute personne physique qui conclut une activité juridique à des fins qui ne peuvent être attribuées pour la plupart ni à son activité professionnelle commerciale ni à son activité professionnelle indépendante.
, Brepols, 2019 Paperback, 682 pages, Size:180 x 240 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503584201.
Summary Until now, scholars have had an inadequate picture of the scope and transmission of the oeuvre of Ludwig Senfl (c.1490-1543), one of the most important Renaissance composers of the German-speaking lands. The current publication presents an extraordinary and exceptionally comprehensive catalogue raisonn for this Renaissance composer. Volume 1 of the two-volume set forms the catalogue of works (including lost and misattributed compositions). It is organized according to genre and provides a thorough description of every composition. Each entry includes a musical incipit, comments on the musical structure, and comprehensive information concerning the transmission and the authenticity of the composition in addition to many other details. In its layout, structure, and critical approach to Senfl's music, this volume enables far-reaching research into the composer's style as well as a detailed characterisation of his oeuvre, and thus it provides clues towards a long-desired chronology of the composer's works. The Senfl Catalogue serves as an encyclopaedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl's oeuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation and analysis of Senfl's music provides Early Music performers with new information on repertory that adds to the soundscape of the Renaissance. TABLE OF CONTENTS Introduction Preface Acknowledgements Guide to the Senfl Catalogue (SC) Abbreviations - Catalogue Compendium List of Corresponding RISM and Census Sigla Former Shelfmarks of Individual Manuscripts List of Sources in Zwickau, Ratsschulbibliothek List of Contrafacta Cross-References of Motets and Proper Settings Catalogue of the Works Ordinaries of the Mass (O 1 - O 10) Proper Settings for the Mass and for the Office (P 1 - P 30) Magnificat Settings (Mag 1 - Mag 8) Motets (M 1 - M 123) Ode Settings (Ode 1 - Ode 42) Songs (S 1 - S 356)
[Mackenzie, White, & Co.] - BURNS, Robert ; TANNAHILL, Robert
Reference : 71276
(1846)
1 vol. fort in-8 reliure postérieure demi-basane à coins bleu nuit, dos à 5 nerfs, Mackenzie, White, & Co., Glasgow, 1846, XIV-520 pp., 15 ff., pp. LI-LXI, frontispice, 68 pp. : The Works and Correspondence of Robert Burns, including his Letters to Clarinda; remarks on Scottish songs and ballads, illustrated with historical and critical Notes, biographical notices, &c. &c. With an extensive glossary of the Scottish language, a life of the author, and an essay on his genius and writings [ With : ] The Poetical Works of Robert Tannahill ; with severel additional Poems and Explanatory Notes
Good copy, with the Poetical Works of Robert Tannahill.
Reference : alb2787eb1c14094a21
Flavius Josephus Joseph Flavius.The works of Flavius Josephus: The Works of Joseph Flavius: A Scholar and Genuine Jewish Historian and Famous Warrior: Complete in One Volume. In Russian (ask us if in doubt)./Flavius Josephus Iosif Flaviy). The works of Flavius Josephus: Trudy Iosifa Flaviya: uchenogo i podlinnogo evreyskogo istorika i proslavlennogo voina:Komplekt v odnom tome. the learned and authentic Jewish historian and celebrated warrior: with three dissertations concerning Jesus Christ John the Baptist James the Just Gods command to Abraham etc. Edinburgh: Thomas Nelson 1840 1l. SKUalb2787eb1c14094a21.
[Dublin, Printed by and for Geo. Grierson, in Essex-Street, and for George Ewing, in Dames-Street, 1 8vo. Nice 19th century half calf with richly gilt spine. A bit of occasional brownspotting, but overall very nice. Half-title with three old owner's entries - that of Jens Baggesen (1802), another one dated 1860, and finally that of esteemed book collector Paul V. Rubow, statitng that this is Pope's edition. Another old owner's signature (Brammer) to title-page. 424, (48 - Index), (6 - table of editions of Shakespeare's Plays), (2 - advertisements) pp. - lacking the title-page for the volume, but with all half-titles for the separate plays present. Six large allegorical woodcut head-pieces, woodcut initials, and woodcut ornamentations.
Volume 7 - containing Cymbeline, Romeo and Juliet, Hamlet, and Othello - of the extremely rare first Irish edition of Shakespeare's works, which appeared in 8 volumes in all, the 8th being a supplementary volume by Dr. Sewell. This 7th volume is arguably the most sought-after of the volumes, as it includes not only Hamlet, but also Romeo and Juliet as well as Othello and will thus also have been saleable and collectable on its own. This copy of vol. 7 was bought by the great Danish Golden Age author Jens Baggesen (1764-1626) on his travel to London in 1802 and bears his inscription ""London, April 13th"" and signature to the front free end-paper. ""Jens Baggesen, in full Jens Immanuel Baggesen, leading Danish literary figure in the transitional period between Neoclassicism and Romanticism.In 1782 Baggesen went to Copenhagen to study theology. Three years later, at age 21, he had an unprecedented success in Denmark with his first collection of poems, Comiske fortællinger (1785"" ""Comical Tales""). Later, after his libretto to the first major Danish opera, Holger Danske (1789"" ""Ogier the Dane,"" music by Friedrich Kunzen), received adverse criticism (mainly because of its supposed lack of nationalism), Baggesen traveled through Germany, Switzerland, and France. The journey became the basis of his most important book, the imaginative prose work Labyrinten (1792-93"" ""The Labyrinth""), a ""sentimental journey"" reminiscent of the work of the 18th-century English novelist Laurence Sterne. Baggesen was variously a Germanophile, a great admirer of Jean-Jacques Rousseau, an ardent supporter of the French Revolution, a disciple of Immanuel Kant, and a Romanticist and early admirer of Denmark's foremost Romantic poet, Adam Oehlenschläger. Later in life he vigorously opposed Romanticism, carrying on a seven-year feud with Oehlenschläger.A perennial traveler, attracted to existential harmony but always torn between material and spiritual values, Baggesen found himself at home everywhere and nowhere. His restless existence was tempered only by his sense of humour and absurdity. He has been called a European spirit who ""held a passport to the whole world except his own heart""."" (Encycl. Britt.). It was in December 1800 that Baggesen moved from Denmark and settled down in Paris. He was not happy and he was not healthy. In late March 1802, he went to London, where he wrote the famous line """"Dover! Shakespear! Oh Ocean! Oh Mountains! I am thrilled!"" (""Dover! Shakespear! O Hav! O Bjerge! Jeg er henrykt!"")- and it was here, on April 13th, that he acquired the present volume of Shakespeare's works, containing the greatest of the author's plays.The eight volumes of this first Irish edition of Shakespeare's works was published by George Grierson and George Ewing and constitutes a piracy reprint of Pope's 6-volume 4to edition of 1725, including also the Index of the Characters, Sentiments, Speeches and Descriptions, which is present here in volume 7. The edition is very scarce and only few libraries world-wide have a copy in their holdings.Not in Lowndes
, Brepols, 2026 Hardback, 2 vols, 1000 p., 178 x 254 mm, Illustrations:32 col., 2 tables b/w., Language(s):English. *New . ISBN 9782503607153.
Throughout the Middles Ages and the early modern period, Ptolemy (Claudius Ptolemaeus, c. 100-170 A.D.) was considered the foremost authority in mathematical astronomy and in astrology in all societies that inherited Greek learning, including the Islamic world and Latin Europe. The history of the Ptolemaic tradition in these civilisations, however, has never been systematically researched. This book offers the first complete treatment for the Latin world. It includes a full survey of the Ptolemaic works (original works in translation, pseudepigrapha and commentaries), together with a catalogue of 693 manuscripts and 104 early printed editions (up to 1700 A.D.) of these works. This essential volume contains nothing less than the ultimate bibliographical and codicological survey of the entire Latin Ptolemaic tradition on astronomy and astrology up to AD 1700, in all its sprawling and oftentimes surprising detail. The end result is a monument of unrivalled erudition that breaks new ground on a page-by-page basis. It effectively puts contemporary research on the history of astronomy and astrology on a completely new foundation and is destined to remain the go-to resource in this area for many decades, if not centuries, to come (C. Philipp E. Nothaft)