New York, Marks, (n.d. ca 1908) 48 pp. 8vo (13,5 x 22,5 cm.). Original coloured wrappers (slightly soiled and stained). With numerous illustrations.
Reference : 1840
"This is an abstract of a Manual of Artificial Limbs"(1908) and is calculated to convey the most important features in artificial limb construction". --(Small part of the lower corner of the last 3 leaves gone).
Sylco livres anciens - antiquarian books
Mme SYLVIA HALLEMANS
0485626857
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be-, Brepols - Harvey Miller, 2014 Hardback, 300 pages., 38 b/w ill. 12 colour ill., 190 x 250 mm, Languages: English fine! . ISBN 9782503550381.
Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist?s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen. To grasp this profoundly personal character of Rubens?s landscapes, this book considers the artist?s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens?s landscape art. By investigating contemporary notions on the changing perception of nature and landscape in late 16th and early 17th-century southern Netherlandish culture, Rubens?s position within this socio-cultural matrix will be established, thus shedding new light on the artist?s own perception of nature and landscape. The re-assessment of the influence of classical and contemporary ideas about nature and landscape, as well as Rubens?s personal sense of place, will illuminate important characteristics which further define Rubens?s ideas about nature implemented in his landscape art. Also, fresh light will be cast on the sudden promulgation and dissemination of Rubens?s apparently private views on nature and landscape through a novel examination of the print series of the Small and Large Landscapes, reproducing the artist?s landscapes. The final theme in this illuminating book considers the posthumous reception of Rubens?s ?painted ideas of landscape?. The book also contains an updated version of the catalogue raisonne of Rubens?s landscape art, supplemented by a record of the Small and Large Landscapes prints series
, Uitgeverij Lannoo 2022, 23-08-2022 Hardcover, 304 pages, ENG, 265 x 215 mm, NEW, dustjacket, gorgeous illustrations in bright colours, . ISBN 9789401485333.
Maria Sibylla Merian (1647-1717), a German-born woman later living in the Netherlands, is famous for her groundbreaking work on caterpillars, moths and butterflies. Her extraordinary story and her contributions to art and science have fascinated many scholars and nature and art lovers, and have inspired artists and writers alike. In 2017 an international conference in Amsterdam celebrated the conjunction of new scholarship and artistic works related to this pioneering naturalist and artist. This book is the result of this cross-pollination. Maria Sibylla Merian. Changing the Nature of Art and Science provides new insights into Merian's life and work, re-examines the existing canon, and explores her influence on the contemporary arts. The contributing authors variously investigate her network, her processes and products, and her impact on art and natural history. Her work is compared to that of artists and scientists who preceded and followed her, as well as to that of contemporaries, both male and female. Altogether, this richly illustrated volume presents the most recent knowledge about one of the most remarkable women of the early modern period. The book is edited by Bert van de Roemer, Florence Pieters, Hans Mulder, Kay Etheridge and Marieke van Delft, all members of the Maria Sibylla Merian Society.
Bruxelles, Ed. la Connaissance 1968. Exemplaire relié, reliure pleine toile d'éditeur, in-4, XVIII 1 198 pages sur papier cartonné avec présentation, illustrations, notes, notices sur les auteurs.
Reference : albb8d0bb2d133223bb
Smirnov A. Aesthetics as the Science of the Beautiful in Nature and Art In Russian (ask us if in doubt)/Smirnov A. Estetika kak nauka o prekrasnom v prirode i iskusstve Kazan 1894. 160s. SKUalbb8d0bb2d133223bb.
Milan Presse. 2002. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 146 pages - nombreuses photos et illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : 70 balades et randonnées pour tous - Sur les chemins de Provence, villages, patrimoine, nature, aventures, art de vivre, fêtes, marchés - Cévennes : dévider son cocon de soie - Montélimar : mon beau château - En Vaucluse : sur les pas des romains - Avignon : les oubliées des rues - Vallée du Luberon : un ballon d'oxygène - Plus beaux golfs de Provence : entre green et cigales - De Nice à Vence : par les yeux de Matisse - Parc de la grande Corniche : bel appel d'air - Montagne de Lure : traquer la lavande, la vraie.. Classification Dewey : 70.49-Presse illustrée, magazines, revues