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DOBBELS (Daniel)
Brueghel.
Paris, Maeght éditeur,1994, In huit, 131 pp,
Reference : 17674
collection : "chroniques anachroniques".
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Librairie Jousseaume
M. François Jousseaume
45 Galerie Vivienne
75002 Paris
France
librairie.jousseaume@gmail.com
01 42 96 06 24
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5 book(s) with the same title
Connaissance des Arts - H.S. N°597 - La dynastie Brueghel à la Pinacothèque de Paris - Aux origines, Pieter Brueghel l'ancien - Au nom du père, Pieter Brueghel le jeune - Le paradis selon Jan Brueghel l'ancien - Une entreprise florissante, Jan Brueghel le
Connaissance des Arts. 2013. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages - nombreuses reproductions en couleurs et en noir et blanc dans et hors texte. Texte sur plusieurs colonnes.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : La dynastie Brueghel à la Pinacothèque de Paris - Aux origines, Pieter Brueghel l'ancien - Au nom du père, Pieter Brueghel le jeune - Le paradis selon Jan Brueghel l'ancien - Une entreprise florissante, Jan Brueghel le jeune - Les héritiers - Repères chronologiques - Guide pratique. Classification Dewey : 70.49-Presse illustrée, magazines, revues
JAN BRUEGHEL A Magnificent Draughtsman.
Antwerpen , Bai / Rockox huis, 2019 Hardcover, 280 x 210 mm, 176 pages, 130 colour illustrations; English edition. NIEUW ISBN 9789085867999.
Jan Brueghel was a prominent painter in his hometown of Antwerp, a good friend and frequent collaborator of Rubens. What is perhaps less well known is that Jan was also an exceptional draughtsman. At the Snijders&Rockox House in Antwerp, some seventy works by Jan Brueghel are being brought together to create a unique exhibition. These drawings hail from collections held around the globe, including print rooms in Berlin, Paris, New York, Amsterdam, London and Stockholm, and this is the first time that they will all be on view together, presenting a significant cross-section of Jan Brueghel's authentic drawn oeuvre. To celebrate this exhibition, the publishing firm BAI, in collaboration with the Snijders&Rockox House, has published the catalogue Jan Brueghel the Elder - A Magnificent Draughtsman.The book includes a biography, essays by Dr.Ter z Gerszi and Dr Brueghel and his draughtsmanship and six chapters in which the drawings are discussed according to their theme: sojourning in Italy, riverside and village scenes, study-sheets, roads and travellers, views of the sea and ports and coastal scenes, and impressions while travelling. The authors also place Jan's draughtsmanship within the context of his complete works and the times in which he lived, in the process signalling relationships and making enlightening comparisons. Jan Brueghel de Oude was rond 1600 een van de meest prominente en succesvolle Vlaamse kunstenaars. Als een vernieuwende en creatieve denker moderniseerde Jan Brueghel de Oude de Nederlandse landschapsschilderkunst. Hij bouwde verder op het oeuvre van zijn vader Pieter Bruegel de Oude, in het bijzonder op het vlak van diens tekeningen, latere schilderwerk en drukwerk. De tentoonstelling is opgebouwd rond zes thema's die het werk van Jan Brueghel de Oude zo kenmerkend maakten. Herinneringen aan zijn studiereis in Itali , rivier-, bos- en dorpstaferelen maar ook maritieme scenes worden in een chronologische volgorde gepresenteerd. Al deze taferelen komen tot leven door het gebruik van levensechte en geanimeerde figuren die - hoewel niet de focus van zijn artistieke productie - duidelijk veel meer zijn dan louter verfraaiing.
Works in Collaboration: Jan Brueghel I & II
, Brepols - Harvey Miller, 2016 Hardcover with dusjacket, 360 pages, 107 b/w ill. + 81 colour ill., 180 x 265 mm, Hardback. Languages: English. ISBN 9781909400436.
Peter Paul Rubens and Jan Brueghel the Elder were collaborating as painters as early as c. 1598, before Rubens's stay in Italy, but the most important period of their alliance spans from 1609 to 1621. After the death of Jan Brueghel the Elder in 1625, his son Jan the Younger continued the partnership with Rubens until the latter's death in 1640. The collaborative oeuvre of Rubens and Brueghel can be roughly divided into three groups: Madonnas in garlands of flowers, interiors with allegories, and landscapes with mythological and religious themes. Following his Italian sojourn and after his appointment as court painter to the Archdukes Albert and Isabella in 1609, Rubens also developed artistic relationships with other colleagues including Paul Bril and Frans Snyders. Works in collaboration with Brueghel from this period include the beautiful Mars Disarmed by Venus (Los Angeles, J. Paul Getty Museum), the Garden of Eden (The Hague, Mauritshuis) and the Louvre Madonna, made for Cardinal Federico Borromeo. The culmination of the two men's creative relationship is the five-part series of the Allegories of the Senses of 1617-1618 (Madrid, Prado), which lies at the heart of the present volume. The cycle depicts the Five Senses against a backdrop of princely splendour and is an extraordinary feat both artistically and in terms of its iconography. During the twenties Brueghel and Rubens co-produced multiple landscapes with history scenes, mainly in response to the demand for such works from a growing regular clientele. Diana?s Departure for the Hunt and Sleeping Diana and Nymphs (Paris, Musee de la Chasse et de la Nature) are fine examples. Although Rubens maintained lifelong working partnerships with other artists, the works he produced in conjunction with Brueghel form a special group, reflecting the personal friendship that existed between the two men. The author is curator of Old Masters at the Royal Museum of Fine Arts in Antwerp. She has been working on the subject of collaborations between Rubens and Brueghel for several years.
[Jan Brueghel the elder] - Ertz, Klaus with Christa Nitze-Ertz
Reference : 090150
(2008)
ISBN : 9783923641543
Jan Brueghel der Ältere (1568-1625) : kritischer Katalog der Gemälde. Volume IV : Jan Brueghel der Ä. als Mitarbeiter, Kat. 585-810, Addendum Kat. Add. 1-30. Briefe Jan Brueghels d. Ä
Ertz, Klaus with Christa Nitze-Ertz: Jan Brueghel der Ältere (1568-1625) : kritischer Katalog der Gemälde. Volume IV : Jan Brueghel der Ä. als Mitarbeiter, Kat. 585-810, Addendum Kat. Add. 1-30. Briefe Jan Brueghels d. Ä. Lingen: 2008-10. Pages 1316 - 1771, 118 colour and 219 black and white illustrations. Hardback. 30 x 26cms. Jan Brueghel the Elder as a collaborator with: Josse de Momper (the younger) & Hendrick van Balen; Denis van Alsloot; Pieter van Avont; Hendrick de Clerck; Frans & Hieronymus Francken; Giulio Cesare Procaccini; Hans Rottenhammer, P.P. Rubens, Hendrick van Steenwijck (the older and younger); Tobias Verhaecht; Sebastiaen Vrancx and others. Text in German.
Jan Brueghel the Elder as a collaborator with: Josse de Momper (the younger) & Hendrick van Balen; Denis van Alsloot; Pieter van Avont; Hendrick de Clerck; Frans & Hieronymus Francken; Giulio Cesare Procaccini; Hans Rottenhammer, P.P. Rubens, Hendrick van Steenwijck (the older and younger); Tobias Verhaecht; Sebastiaen Vrancx and others. Text in German
Brueg(H)el Phenomenon, Paintings by Pieter Bruegel the Elder and Pieter Brueghel the Younger with a Special Focus on Technique and Copying Practice.
, Brepols, 2012 Paperback, 3 volume set in cardboard box, 1061 pp., 230 x 290 mm, Languages: English, As new (signed and dedication by both authors on first page) ISBN 9782930054148.
The fascination exerted by the works of the illustrious Pieter Bruegel the Elder in the decades following his death in 1569 is matched only by the intense interest they generate today. At the end of the sixteenth century and in the first half of the seventeenth, the most ambitious art collectors fought over the few paintings by the master that were still on the market. This setting was the catalyst for the appearance of copies and pastiches ? and even deliberate forgeries. It was then that the elder son of Pieter Bruegel, known as Pieter Brueghel the Younger (whose name is spelled ?Brueghel? here, conforming to the signature that he adopted during the initial phase of his career) emerged as a legitimate successor, producing astonishingly faithful replicas of his father?s paintings. This was all the more surprising given that they were often made after works that were by then dispersed in diverse and sometimes inaccessible private collections. Operating within the context of a sizeable workshop, Brueghel supplied the market with hundreds of copies of variable quality according to demand. This enterprise merited re-evaluation from a technical point of view: how were such vast numbers of copies produced in practice? This three-volume book explores the intriguing Brueg[H]el phenomenon through the two artists? painting practices. The technical aspects of their works are investigated in a detective-like manner and are strikingly elucidated with a wealth of colour illustrations. The reader will come to understand the accomplished practitioner behind the genius that is Bruegel the Elder and the working procedures of his foremost emulator?s workshop. Furthermore, Brueghel the Younger?s exceptional qualities as a painter are singled out from those of his workshop production. The book also reveals fresh discoveries on the father?s creative process through the study of his son?s copies.
