‎Par Uwe M Schneede‎
‎Beckmann‎

‎Max BECKMANN. Gravures ( 1911-1946 ).‎

‎Réunion Des Musées Nationaux Ville des Sables d Olonne 1994 In-4 ( 230 X 210 mm ) de 204 pages, broché sous couverture illustrée en couleurs. Illustrations dans et hors-texte. Bel exemplaire.‎

‎BECKMANN : 1884-1950 : The Path To Myth‎

‎, Taschen, 2011 Hardcover, 200 pages, ENG, 320 x 260 x 25 mm, in good condition, dustjacket, illustrated in colour / b/w. ISBN 9783836532532.‎

‎Max Beckmann (1884-1950) found his central theme in the angst of 20th-century interwar experience. With a style between Expressionism and New Objectivity, later softened into more radiant naturalism, the painter and printmaker probed the strife of the human condition in portraits, self-portraits, and allegorical tableau. Beckmann's early pictures showed the influence of Impressionism, with a leaning towards biblical, historical, and allegorical themes. Serving in the medical corps in Belgium during World War I, he was discharged after a nervous breakdown, and would return to art with anguished new strategies of distortion, angularity, and exaggerated color. In chaotic scenes of the circus, cabarets, carnivals, and candelit chambers, he emphasized the theatricality of life and seemed to foretell the doom of the interwar Weimar Republic with his cast of lurid characters, often peppered with ominous fragments of myth, biblical reference, and opaque allegory. Beckmann's Departure is the first in a series of triptych paintings recalling the juxtaposed scenes of heaven and hell, sin and salvation typical to medieval or Renaissance altarpieces. Though the artist denied that Departure had specific meaning, it is often regarded as an emblematic response to the rise of National Soclalism, painted at the time that the Nazis fired Beckmann from his professorship at the Frankfurt Art Academy. This monograph features more than 180 of Beckmann's from 1907 to 1950, including many of his most famous self-portraits and triptychs. Biographical essays cover his war years, the 1920s in Frankfurt, his Nazi exile years in Amsterdam, and his emigration to the United States. Bonus additional material includes photographs on which many of his paintings are based, several exhibition shots, and images from other artists as Pablo Picasso, Eugene Delacroix, Max Ernst, and Edvard Munch that visualize Beckmann's inspirations and context.‎

‎ crits Beckmann Max‎

‎, ENSBA, 2019 Couverture souple, 600 pages, 14 x 3.3 x 20.5 cm, FR. *Comme nouveau. ISBN 9782840561132.‎

‎Les crits de Max Beckmann s'imposent au rang des plus importants crits d'artistes du XXe si cle. Les journaux, correspondances, conf rences, pr faces, r unis dans cet ouvrage, et pour la premi re fois traduits en fran ais, couvrent la p riode 1903-1950. Ils donnent la fois un remarquable t moignage sur les deux guerres mondiales et sur le mode-de-vie et le processus de cr ation de Beckmann. Il convient comme le souligne Philippe Dagen dans sa pr face, de lire "cet ouvrage autant comme un manuel de r sistance pour le pr sent que comme un livre d'histoire du pass ".‎

‎P. Beckmann A history of PI / a history of Pi. In Russian /P. Beckmann A histor‎

‎P. Beckmann A history of PI / a history of Pi. In Russian /P. Beckmann A history of PI/istoriya Pi. New York St. Martins Press 1971. 200 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbbbda5fe98336c085.‎

‎Aristotelus peri thaumasio-n akusmato-n = Aristotelis liber de mirabilibus auscultationibus explicatus a Joanne Beckmann. Add. annotationibus Henr. Stephani, Fr. Sylburgii, Is. Casauboni, J.N. Niclas; Subiectis sub finem notulis C.G. Heynii; Interpretationibus anonymi, natalis de comitibus et Dominici Montesauri; Atque lectionibus variis e codice Caesareae Bibliothecae Vindobonensis.‎

‎Göttingen Abraham Vandenhoeck 1786. 23,3x18 cm. XX, 428 S., 8 n.n. Bl. Index. Lederband der Zeit mit rotem, goldgeprägtem Rückenschild und wenig Rückenvergoldung.‎

‎Einzige von Beckmann herausgegebene und kommentierte Ausgabe. - Text in Griechisch und Latein. - Einband leicht verzogen. Rücken im Gelenk eingerissen. Innendeckel mit Spuren eines entfernten Exlibris. Mit durchgehendem schwachem Wasserrand. Stellenweise gebräunt und stockfleckig. Titel mit Besitzerstempel Th. Studer, Bern. - Selten.‎