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David Catherine
Marcel Broodthaers
Galerie Nationale du Jeu de Paume 1991 In-4 broché 27 cm sur 22,4. 325 pages. Couverture légèrement frottée. Bon état d’occasion.
Reference : 142436
Bon état d’occasion
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5 book(s) with the same title
Marcel Broodthaers / Maria Gilissen-Broodthaers / Yola Minatchy / Bart De Baere.
Reference : 53123
Marcel Broodthaers Soleil Politique approaches Broodthaers / 2 vol.
Antwerp, MUHKA / Museum Van Hedendaagse Kunst, 2019 Original publishers boards, 159 pages, 29,2 x 22,2 cm, plastified paperback, Dutch / French / German and + 27 pages book in English in separate attachment. (2 volumes) ISBN 9789072828668.
Soleil Politique is the MUHKA catalog for the first retrospective of the Belgian key artist Marcel Broodthaers. In recent years, Broodthaers work has been on display in a traveling exhibition in top museums, organized by the MoMA and Museo Reina Sofía. However, the M HKA deliberately chose to make its own project, shown for the first time in its own country since a decade. Soleil Politique approaches Broodthaers oeuvre from the idea that art is always political, and that politics is constant negotiation without conclusion. This statement for complexity starts when, around 1967, Broodthaers lets the word interfere again with his visual work, and presents words or text in different contexts. New texts were added to the catalog: Anny De Decker about the exhibitions of Marcel Broodthaers in the Wide White Space Gallery, Marie-Pascale Gildemyn about the (names of) persons in the work of Broodthaers, Hannah Brückmuller about La Banque (1964-1967 ) and the early performances of Broodthaers, Lotte Beckwé about Isi Fiszman and la morale d?artiste! Ha! Ha !, introduced by an interview with Maria Gilissen-Broodthaers by Yola Minatchy and a text by Bart De Baere.
Marcel Broodthaers / Maria Gilissen-Broodthaers / Yola Minatchy / Bart De Baere.
Reference : 57649
Marcel Broodthaers, Soleil Politique approaches Broodthaers / FR/NL/DE
Antwerp, MUHKA / Museum Van Hedendaagse Kunst, 2019 Original publishers boards, 159 pages, 29,2 x 22,2 cm, plastified paperback, Dutch / French / German ISBN 9789072828668.
Soleil Politique is the MUHKA catalog for the first retrospective of the Belgian key artist Marcel Broodthaers. In recent years, Broodthaers work has been on display in a traveling exhibition in top museums, organized by the MoMA and Museo Reina Sofía. However, the M HKA deliberately chose to make its own project, shown for the first time in its own country since a decade. Soleil Politique approaches Broodthaers oeuvre from the idea that art is always political, and that politics is constant negotiation without conclusion. This statement for complexity starts when, around 1967, Broodthaers lets the word interfere again with his visual work, and presents words or text in different contexts. New texts were added to the catalog: Anny De Decker about the exhibitions of Marcel Broodthaers in the Wide White Space Gallery, Marie-Pascale Gildemyn about the (names of) persons in the work of Broodthaers, Hannah Brückmuller about La Banque (1964-1967 ) and the early performances of Broodthaers, Lotte Beckwé about Isi Fiszman and la morale d?artiste! Ha! Ha !, introduced by an interview with Maria Gilissen-Broodthaers by Yola Minatchy and a text by Bart De Baere.
MARCEL BROODTHAERS, MARCEL BROODTHAERS,
Brussel, Manteau/ Elsevier, z.d.-1979- oorspronkelijk geïllustreerde kartonomslag in kleur, , format small tall in-8°, 19,5 x 9 cm 850 x 195mm., 65pp.Text in Dutch ISBN 9022307166.
Eerste uitvoerige benadering van het oeuvre van deze kunstenaar. In goede staat. Marcel Broodthaers, Marcel Broodthaers. (Manteau Marginaal ). *Rare early monograph on Broodthaers, published 3 years after his death.
MARCEL BROODTHAERS, FR
BE, Snoeck, 2010 Gebrocheerd onder geillustreerde kartonomslag in kleur, 165 x 240mm., 128pp., geillustreerd. text in FRENCH ISBN 9789053497913.
In 1972 kochten de Koninklijke Musea voor Schone Kunsten van Belgie bij de illustere Wide White Space Gallery in Antwerpen twee ?industriele gedichten? van Marcel Broodthaers (Brussel 1924 ? Keulen 1976). Deze aanzet groeide sindsdien uit tot wellicht de belangrijkste Broodthaersverzameling in een museum. Ze werd sinds de jaren 1990 systematisch uitgebouwd rond drie thema?s die tot de kern van Marcel Broodthaers? plastisch werk behoren: de vroege objecten en de ensembles over Le corbeau et le renard en Un coup de des jamais n?abolira le hasard. De verzameling omvat ook individuele werken uit de grote installaties van het Musee d?art Moderne Departement des Aigles, en de Retrospectives. De publicatie toont alle kunstwerken uit de verzameling tentoongesteld. Het plastische werk van Marcel Broodthaers kan bezwaarlijk in de gebruikelijke categorieen van beeldende kunst worden ondergebracht. De Koninklijke Musea hebben daarom eveneens belangrijke verzamelingen van onder meer zijn bewerkte dichtbundels, open brieven, catalogi en archiefstukken ingericht. Het ensemble toont de rijkdom en complexiteit van het oeuvre van Marcel Broodthaers, dat exemplarisch is voor de probleemstellingen die in de kunst van de jaren 1960 en 1970 werden ontwikkeld. De initiele twijfel aan de authenticiteitswaarde van het originele, in zichzelf gestructureerde kunstvoorwerp, de nuancering van de relatie tussen de esthetische kwaliteit en de symbolische activiteit die van het kunstwerk uitgaan, de complexe relatie tussen de kunsttalen en -genres en, uiteindelijk, de veerkracht van het zelfstandige kunstwerk komen in de publicatie aan de orde. Nieuw. in french
Marcel Broodthaers and Film A Second of Eternity
Leuven, Leuven University Press, 2024 Softcover, 280 pagina's, 23.5 x 15.5 cm. Illustrated. ENG text . ISBN 9789462704312.
Marcel Broodthaers, one of the key figures of the postwar avant-garde, has been recognized and extensively studied as a poet who became a visual artist in 1964. However, years before creating his first sculptural objects and installations, Broodthaers made his debut as a filmmaker in 1957 with La Clef de l?horloge, embarking on a prolific cinema practice that yielded more than fifty films shot on 35mm and 16mm. Cinema, both as a medium and principle, was crucial to his artistry. Broodthaers's writings and visual oeuvre are permeated with allusions to film, its history, and its technology. Covering both well-known titles such as Le Corbeau et le renard (1967), La Pluie (1969), and Une Seconde d?éternité (1970) as well as many lesser-known Broodthaers films, the essays in this book discuss his films as inseparable from his entire oeuvre while situating them in the larger history of experimental film. In addition, the book scrutinizes his experiments with cinepoetry and expanded cinema, as well as his interest in early cinema and his fascination with signs and inscriptions. Marcel Broodthaers and Film brings together essays by Andrew Chesher, Eric C. H. de Bruyn, Xavier García Bardón, Charlotte Friling, Steven Jacobs, Bruce Jenkins, Deborah Schultz, Christophe Wall-Romana, and Raf Wollaert. Steven Jacobs is an art historian specializing in the relations between art and film. He teaches at Ghent University and the University of Antwerp. Raf Wollaert completed a PhD on the subject of Marcel Broodthaers?s cinema at the University of Antwerp in 2024.
