‎LOTZ WOLFGANG‎
‎THE NORTHERN RENAISSANCE‎

‎Kalmykova V. V. Masterpieces of the Northern Renaissance. /Kalmykova V. V. Shede‎

‎Kalmykova V. V. Masterpieces of the Northern Renaissance. /Kalmykova V. V. Shedevry severnogo vozrozhdeniya. Encyclopedia of World Painting. M. White City. 2010. 368s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb7266887f49765731‎

‎A tribute to Robert A. Koch : Studies in the northern Renaissance‎

‎Princeton, Princeton University 1994 175pp., with bl/w ills., 26cm., editor's red cloth with gilt lettering, very good condition, S87267‎

‎1.Proportion in Art 2.Expression in Art 3.What Makes a Masterpiece 4. The Pleasures of Painting 5. Form and Design 6. Abstraction in Art 7. Light and Color 8. The Northern Renaissance 9. Modern Art in Everyday Life 10. On Truth to Nature. 11. Religion adn Art 12. Forgers and Forgery 13. On Drawing and Drawings 14. Perspective Space and Depth.‎

‎Harry N. Abrams, New York 1953-1955. In-4o booklets around 20 p. from different experts with black-and- white illustrations. Each 8 euros ‎

‎Saintly Brides and Bridegrooms. The Mystic Marriage in Northern Renaissance Art.‎

‎, Brepols - Harvey Miller, 2012 Hardback , X 198 p., 100 b/w ill. 17 colour ill., 220 x 280 mm, Languages: English,. ISBN 9781905375875.‎

‎Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. John the Evangelist, St. Bernard of Clairvaux, and the Blessed Henry Suso is studied through an analysis of a wide range of paintings, illuminated manuscripts, prints, and sculpture. From these case studies, Muir argues that different visual conventions were used in the art of this period to portray the male and female experiences of mystic marriage and suggests possible reasons for these differences. She further considers why comparatively few mystics were visually portrayed in a mystic marriage with Christ, despite the large number recorded as having had that experience. Providing insights into the meanings of the mystical experience when portrayed in visual terms, this book will appeal to art historians as well as to other medievalists with an interest in the intersections of art, religion, and gender, Studies in Medieval and Early Renaissance Art History (HMSAH 70) ‎

‎Tributes in Honor of James H. Marrow, Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance ‎

‎, Brepols - Harvey Miller, 2006 Hardcover. 679 p., 311 b/w ill. 81 colour ill., 210 x 275 mm, Languages: English, Including an index. Fine copy. ISBN 9781905375080.‎