Museum of art. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. sans pagiantion (~30 pp.), nombreuses illustrations noir et blanc in texte. . . . Classification Dewey : 708-Galeries, musées, collections d'art
Reference : RO20023554
Rhode Island school of Design. Classification Dewey : 708-Galeries, musées, collections d'art
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Masterpieces from the Museum of Art History in Vienna. Catalogue. In Russian /Shedevry zhivopisi iz muzeya istorii iskusstv v Vene. Katalog. M. Soviet artist. 1980. 91 pp. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb9a3d02f9f24fd2aa.
Frank, Museum der Weltkulturen, 2010 Hardcover, cloth with dustjacket, 210 x 280mm., 323 p. with 210 color illustration. ISBN 9783803033383.
Cultures contribute to the richness of this world through their uniqueness and variety - as do their material products. This is reflected in the ethnographic collections from Africa, the Americas, Southeast Asia, Oceania and East Asia at the Museum of World Cultures in Frankfurt am Main. Using exceptional photographs, 130 works are presented from a total of approximately 67,000 objects in the museum?s collection. Based on their own individual and subjective points of view, the authors have selected particularly unusual 'ethnographica,' everyday objects or ritual items from an abundance of mostly similar objects made by indigenous societies. The objects in this volume are not only elucidated in their ethnological contexts, but are simultaneously described and interpreted as works of art. In order to better understand these works of art, the authors question the environment in which a work was created and which ideas about color, form, symmetry, balance, etc., might have influenced their artists. The common goal is to present what it is about these works that are exceptional, elaborate, other, perfect or in fact imperfect, harmonious or disturbing. However, the significance of an object is not invariably determined by its original heritage and purpose. Ideas and thoughts associated with an object also alter with a change of viewers and owners. Consequently, the effect of a work of art can only be comprehended within the analysis of aesthetic ideas and a prior knowledge by its respective viewers. Here, the various aesthetic concepts of indigenous and Western societies collide and ideally will lead to reactions that mediate between the differing perspectives.
Greub, Suzanne ed.: Expressions of Belief. Masterpieces of African, Oceanic and Indonesian Art from the Museum voor Volkekunde, Rotterdam. New York: Rizzoli, 248 pages with 102 full-page colour illustrations. Hard cover. 31 x 23.5cms.
.: 2. Los Angeles County Museum of Art, 1986, 139 pp with 133 colour illustrations. Softcover edition.
.: 2. New York, Rizzoli, 1988, in-4°, 248 pp, colour ills., index, publisher's cloth with printed dust wrapper. Wrapper discoloured by the sunlight, one tear repaired with tape, interior fine.