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André Emile & Planquette Robert
La Diane.
L.Bathlot. non daté. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 2 pages - phrases musicales.. . . . Classification Dewey : 782.42-Chanson
Reference : R320146394
Paroles de Emile André - Musique de Robert Planquette. Classification Dewey : 782.42-Chanson
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5 book(s) with the same title
Pièces historiques relatives à la Chastellenie de Chenonceau sous Louis XII, François Ier et Henry II, Diane de Poitiers et Catherine de Médicis. Publiés pour la première fois d’après les originaux et avec une introduction par M. l’Abbé C. Chevalier. Collection: “Archives Royales de Chenonceau”.
Paris, J. Techener 1864, 240x160mm, CLI - 198pages, broché. Bon état.
1 vue gravée du chateau en frontispice, bandeaux, lettrines et culs-de-lampes gravés,
Alix Deonna. Texte de Diane Daval Béran.
Lausanne, Sylvio Acatos 1997, 300x255mm, 154pages, reliure d'éditeur sous jaquette. Bel exemplaire.
planches en couleurs et n/b,
[Diane Arbus] - Rosenberg, Max, ed.
Reference : 122195
(2022)
ISBN : 9781644230657
Diane Arbus Documents
Rosenberg, Max, ed.: Diane Arbus Documents. 2022. 496 pages, fully illustrated. Hardback. 28 x 22cms. Organised in eleven sections that focus on major exhibitions and significant events in Arbus's life, as well as on her practice and her subjects, the seventy facsimiles of articles and essays trace the discourse on Diane Arbus, contextualising her oeuvre. Including an annotated bibliography of more than 600 entries and a comprehensive exhibition history, Documents serves as an archive of resources on Arbus.
Organised in eleven sections that focus on major exhibitions and significant events in Arbus's life, as well as on her practice and her subjects, the seventy facsimiles of articles and essays trace the discourse on Diane Arbus, contextualising her oeuvre. Including an annotated bibliography of more than 600 entries and a comprehensive exhibition history, Documents serves as an archive of resources on Arbus. Text in English
Diane Arbus.
Editions du Chêne, 1973, in-4°, 15 pp, 80 photographies pleine page hors texte, reliure éditeur, jaquette illustrée en noir et blanc, discret C. de bibl. au bas de la page de titre, bon état. Edition originale française, exemplaire du SP
La conception de ce livre est de Doon Arbus (fille de Diane Arbus) et de Marvin Israel (ami de Diane Arbus). Traduit de l'anglais par Pati Hill et Alain de la Falaise. Le texte est tiré des cours donnés par Diane Arbus en 1971 et qui ont été enregistrés ainsi que de différents écrits et interviews. Bien complet du feuillet de Table des légendes des photos en français (4 pp volantes).
Revelations : Diane Arbus
, Jonathan Cape, 2003, Hardcover with dusjacket Illustrated. 320 x 250 mm. 352 pages. ISBN 9780224071833.
A comprehensive monograph, with 200 full-page duotone of Dianne Arbus photographs. To ensure the ongoing availability of Diane Arbus Revelations, Aperture is proud to release this vitally important volume on the fiftieth anniversary of the posthumous 1972 Arbus retrospective at the Museum of Modern Art and the simultaneous publication of Diane Arbus: An Aperture Monograph. Revelations explores the origins, scope, and aspirations of Arbus's wholly original voice. Arbus's frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career. It also includes a new contribution by Sarah Meister, executive director of Aperture, alongside essays by Sandra S. Phillips, senior curator of photography, emeritus, at the San Francisco Museum of Modern Art, and a discussion of Arbus's printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. An extensive chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist's eldest daughter, is illustrated by more than three hundred additional images and composed primarily of excerpts from the artist's letters, notebooks, and other writings, amounting to a kind of autobiography. An afterword by Doon Arbus precedes biographical entries on the photographer's friends and colleagues, compiled by Jeff L. Rosenheim, curator in charge of the Department of Photographs at the Metropolitan Museum of Art, New York. These texts help illuminate the meaning of Diane Arbus's controversial and astonishing vision.
