LA BIBLIOTHEQUE DES ARTS. 1955. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 30 pages - nombreuses copies de reproduction en couleur hors texte - Couverture contrepliée - . . . . Classification Dewey : 750-La peinture et les peintres
Reference : R320096006
Classification Dewey : 750-La peinture et les peintres
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[Guido Reni] - Dury, Corentin. et al.
Reference : 124668
(2024)
ISBN : 9788836658176
Dury, Corentin. et al.: Dans l'atelier de Guido Reni: La vie et l'atelier. Exhibition: OrlÃans, MusÃe des Beaux-Arts, 2024. 304 pages, 120 colour illustrations. Hardback. 28 x 24cms. Five introductory essays explore the function of the 17th-century atelier and the challenges of discerning workshop pieces from autographs, Reni's redecoration of Pope Paul V's private chapel in 1609, and the 'double painting' praxis in Bologna at the time of Guercino. Eight essays are then dedicated to Reni's particular workshop practice, looking at his reprisal of old master techniques in the running of his studio, his etchings, his collaborations, the qualitative hierarchy in his workshop, his iconographic output and his 'The Rape of Europa' series. In the final section analyses the motif of David contemplating the head of Goliath, Reni's source material, the family typology of Crequy, La Vrilliere, Volponi, and Mazarin, as well as the historic impact of the atelier culture that Reni created. Inspired by the reattribution of the version held by the MusÃe des Beaux-Arts in OrlÃans, all known versions are re-examined. Text in French.
Five introductory essays explore the function of the 17th-century atelier and the challenges of discerning workshop pieces from autographs, Reni's redecoration of Pope Paul V's private chapel in 1609, and the 'double painting' praxis in Bologna at the time of Guercino. Eight essays are then dedicated to Reni's particular workshop practice, looking at his reprisal of old master techniques in the running of his studio, his etchings, his collaborations, the qualitative hierarchy in his workshop, his iconographic output and his 'The Rape of Europa' series. In the final section analyses the motif of David contemplating the head of Goliath, Reni's source material, the family typology of Crequy, La Vrilliere, Volponi, and Mazarin, as well as the historic impact of the atelier culture that Reni created. Inspired by the reattribution of the version held by the MusÃe des Beaux-Arts in OrlÃans, all known versions are re-examined. Text in French
Nuova Alfa Editoriale/Los Angeles County Museum of Art, 1988. In-4, reliure éditeur sous jaquette illustrée en couleur, titre doré sur le dos, xi-367 pp. Foreword - Io Guido Reni Bologna, Man and Artist, Scott Schaefer - The Life, Symbolism, and Fame of Guido Reni, Andrea Emiliani - Guido Reni in the Eyes of his Contemporaries, Charles Dempsey - Literature in Bologna in the Age ...
Figures en noir et blanc in texte et planches couleur en hors texte. --- Plus d'informations sur le site archivesdunord.com
[Guido Reni] - Ebert-Schifferer, Sybille et al
Reference : 039983
(1988)
ISBN : 8877790628
Ebert-Schifferer, Sybille et al: Guido Reni und Europa. Rhum und Nachruhm. Exhibition: Frankfurt, Schirn Kunsthalle, 1988. 822pp with hundreds of colour and monochrome illustrations. Hardback. 28.5x23cms. Fully illustrated descriptive catalogue of 48 works by Reni and 84 by his contemporaries, arranged by area, with full-page colour reproductions, provenance and bibliography for each. With essays, select bibliography. Text in German.
Fully illustrated descriptive catalogue of 48 works by Reni and 84 by his contemporaries, arranged by area, with full-page colour reproductions, provenance and bibliography for each. With essays, select bibliography. Text in German
Spear, Richard E.: The Divine Guido. Religion, Sex, Money, and Art in the World of Guido Reni. London: Yale University Press, 1997. 408pp with 32 colour and 137 monochrome illustrations. Cloth. 25.6x19.2cms. An original study of the baroque master (1575-1642), focusing on his peculiar character: deeply religious, a misogynist, reportedly virginal, neurotically fearful of witches and addicted to gambling. The author draws on psychoanalytical, feminist and gay studies to reveal the effect of the artist's personality on his style and choice of subject matter.
An original study of the baroque master (1575-1642), focusing on his peculiar character: deeply religious, a misogynist, reportedly virginal, neurotically fearful of witches and addicted to gambling. The author draws on psychoanalytical, feminist and gay studies to reveal the effect of the artist's personality on his style and choice of subject matter. Text in English
Garboli, Cesare: Guido Reni Opera Completa. Milan: Rizzoli, 1971. Series: Classici dell'Arte. 120 pp., with 64 colour plates and c. 220 monochrome illustrations. Cloth. 31.5 x 24cms. Text in Italian.
Text in Italian