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GNUDI CESARE
GUIDO RENI
LA BIBLIOTHEQUE DES ARTS. 1955. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 30 pages - nombreuses copies de reproduction en couleur hors texte - Couverture contrepliée - . . . . Classification Dewey : 750-La peinture et les peintres
Reference : R320096006
Classification Dewey : 750-La peinture et les peintres
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5 book(s) with the same title
Guido Reni 1575-1642
Nuova Alfa Editoriale/Los Angeles County Museum of Art, 1988. In-4, reliure éditeur sous jaquette illustrée en couleur, titre doré sur le dos, xi-367 pp. Foreword - Io Guido Reni Bologna, Man and Artist, Scott Schaefer - The Life, Symbolism, and Fame of Guido Reni, Andrea Emiliani - Guido Reni in the Eyes of his Contemporaries, Charles Dempsey - Literature in Bologna in the Age ...
Figures en noir et blanc in texte et planches couleur en hors texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
[Guido Reni] - Cappelletti, F., et al
Reference : 121858
(2022)
ISBN : 9791254630464
Guido Reni and Rome. Nature and Devotion
Cappelletti, F., et al: Guido Reni and Rome. Nature and Devotion. Exhibition: Rome, Galleria Borghese, 2022. 272 pages, fully illustrated in colour. Paperback. 25 x 20cms. Catalogue of 36 works in the exhibition. Occasioned by the reappearence of 'Landscape with a Country Dance', the display reasseses the influence of the Roman context in Reni's oeuvre, the patronage of the Aldobrandini, the Borghese and Odobardo Farnese and the invention of landscape painting.
Catalogue of 36 works in the exhibition. Occasioned by the reappearence of 'Landscape with a Country Dance', the display reasseses the influence of the Roman context in Reni's oeuvre, the patronage of the Aldobrandini, the Borghese and Odobardo Farnese and the invention of landscape painting. Text in English
[Guido Reni] - Ebert-Schifferer, Sybille et al
Reference : 039983
(1988)
ISBN : 8877790628
Guido Reni und Europa. Rhum und Nachruhm
Ebert-Schifferer, Sybille et al: Guido Reni und Europa. Rhum und Nachruhm. Exhibition: Frankfurt, Schirn Kunsthalle, 1988. 822pp with hundreds of colour and monochrome illustrations. Hardback. 28.5x23cms. Fully illustrated descriptive catalogue of 48 works by Reni and 84 by his contemporaries, arranged by area, with full-page colour reproductions, provenance and bibliography for each. With essays, select bibliography. Text in German.
Fully illustrated descriptive catalogue of 48 works by Reni and 84 by his contemporaries, arranged by area, with full-page colour reproductions, provenance and bibliography for each. With essays, select bibliography. Text in German
Guido Reni Opera Completa. Classici dell'Arte
Garboli, Cesare: Guido Reni Opera Completa. Milan: Rizzoli, 1971. Series: Classici dell'Arte. 120 pp., with 64 colour plates and c. 220 monochrome illustrations. Cloth. 31.5 x 24cms. Text in Italian.
Text in Italian
Carlo Cesare Malvasia, Elizabeth Cropper (ed), Lorenzo Pericolo (ed)
Reference : 65997
Felsina Pittrice: Volume IX: Life of Guido Reni
, Brepols - Harvey Miller, 2019 Hardback, 2 vols, 1152 pages, Size:220 x 280 mm, Illustrations:9 b/w, 367 col., Languages: English, Italian. ISBN 9781909400696.
Summary Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575-1642) introduces the fourth age of painting: a period marked by an original and sometimes bold elaboration of the notion of artistic perfection developed by the Carracci and embodied more specifically by Ludovico's "synthesis of styles." Art in Italy could have declined once again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, painting is restored to its full blossoming, and, as a result, the Carracci lesson spreads and triumphs throughout Italy. In assessing Guido's role in promoting this artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guido's work. Endowed with spellbinding powers, Guido's paintings constitute the greatest luxury of modernity insofar as they reflect an endless search for aesthetic refinement and transcendental beauty both in the representation of the human body and in the orchestration of light, color, and impasto. On the other hand, Malvasia balks at embracing Guido's "last manner." In Malvasia's eyes, Guido's final production is both exceedingly sophisticated and tainted by its very sophistication: delicacy verges on feebleness, transcendence coalesces into purposeless abstraction, divine vision engenders incompleteness, and sprezzatura turns into apparent negligence. Furthermore, for Malvasia Guido is both a paragon of virtue and the self-indulgent victim of the gambling demon. With acuity, Malvasia praises Guido the money maker, the self-confident artist able to overhaul the mechanisms of the art market by exponentially increasing the value of painting. And yet, Malvasia cannot help but condemn Guido the money squanderer, the indebted painter who gambles away his reputation and jeopardizes the quality of his sublime output. Illustrated with numerous color images, these two volumes provide a critical edition and annotated translation of Malvasia's life of Guido. Based on a radical reassessment of the historical documentation and a profound investigation of Malvasia's art criticism, these volumes offer the most thorough treatment to date of the artist's work.
