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PREVERT (Jacques) -
Spectacle.
Paris : Editions Gallimard (Collection "Le point du jour"), 1951. Cartonnage éditeur relié d'après la maquette de Jacques Prevert et de Pierre Faucheux (13,5x18,8 cm), 365 pages. Edition originale sur vélin Labeur. Un fac-siilé de poème. Cartonnage en bon état.
Reference : 48363
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5 book(s) with the same title
Spectacle Benefaction and the Politics of Appreciation Case Studies from Italy, Gallia Narbonensis and Africa Proconsularis
, Brepols - Harvey Miller, 2025 Paperback, Pages: 358 pages, Size:156 x 234 mm, Illustrations:21 col., 15 tables b/w., Language(s):English, French, Latin, *New. ISBN 9782503613703.
In the remotest corners of the Roman Empire, large crowds were as beguiled by spectacles as their Roman counterparts. Provincial spectacles however, did not share the technical wonders of flying machines, elephant dressage and synchronised swimming seen at imperial extravaganzas. Is it this lack of the sensational that accounts for the relative paucity of scholarly attention paid to regional spectacles and in particular, their sponsors? When spectacles are viewed purely as entertainment, the messy realities of institutionalized social, economic and political power that regulated them are obscured. A clearer understanding of the spectacle can therefore be achieved by contextualizing it in the big picture of regional and provincial life against the backdrop of Roman power and control. The spectacle itself was highly political in its aims and intent. Access to sponsorship of a spectacle similarly relied on hierarchies of political power and privilege, and consequently required strategic negotiation of candidacy, promises, expenditure and recognition. Rivalry, competition and emulation was endemic. This epigraphic analysis, focusing on the western Roman Empire (Italy, Gaul and North Africa) during the Imperial period, identifies the milieux of provincial sponsors, their strategies and quest for public honours. TABLE OF CONTENTS Acknowledgements Introduction Chapter 1. The Context of the Provincial Spectacle Chapter 2. Becoming a Sponsor: Negotiating the Socio-political Hierarchy Chapter 3. De sua pecunia: The Sponsor Makes his Mark Chapter 4. Hierarchies of Recognition Chapter 5. Beyond Honorific Statuary: Self-celebration of Elites in the Private Sphere Chapter 6. Options for the Non-elite Conclusion. De sua pecunia: Spectacles, Sponsors and Civic Prominence Appendices Ancient Sources Bibliography
temps que nous partageons. Reflexions a travers le spectacle vivant 1 introduction, 3 actes et 2 interludes
, [BE] Fonds Mercator/ Mercatorfonds , 2015 Paperback, 240x170mm, 400p, 200 colour illustrations, French edition . ISBN 9789462300705.
Expo: May 2015 -celebration des 20 ans du Kunstenfestivaldesarts, Kunstenfestivaldesarts, Brussels Tout en partant de la celebration des 20 ans du Kunstenfestivaldesarts, ce livre ouvre un ensemble de perspectives critiques sur la memoire des arts du spectacle vivant. Il s'articule autour de questions cruciales abordees par des spectacles phares presentes au festival ainsi que dans de nombreux autres theatres et festivals a travers le monde. Chaque chapitre reunit des projets artistiques, a l'instar de points epars qui constituent une constellation. Celle-ci laisse emerger des questions specifiques dont certaines etaient au coeur des preoccupations mondiales durant ces vingt dernieres annees, la ou d'autres ont subsiste a l'ombre des discours et ideologies dominants dans la societe contemporaine. Chaque question fait surface dans une juxtaposition de materiaux divers : contributions ecrites d'artistes, croquis et photographies, descriptions ou traces ecrites de spectacles, contributions externes autour de questions analogues de la part de figures eminentes du domaine de la philosophie ou de la sociologie. Ce livre est une tentative de retrospective generale de la relation entre les arts du spectacle vivant et la societe, il ouvre une perspective particulierement large sur la maniere dont differentes creations sceniques ont contribue a donner corps a des questions specifiques et globales. Plus qu'un outil de memoire, ce livre est un instrument d'etude, un atlas qui permet au passe de s'ouvrir vers l'avenir, un outil general d'analyse des arts du spectacle vivant et, en fin de compte, de leurs facons de se rapporter au present.
Harmony in the Universe. Spectacle and the Quest for Peace in the Early Modern Period
, Brepols, 2026 Hardback, Pages: 192, Size:178 x 254 mm, Illustrations:44 b/w, 16 col., Language: English. ISBN 9782503599670.
Summary This book is, sadly, a posthumous publication. It is the author's last work and offers a new approach to the study of Peace in early modern Europe. It explores the creations made by artists, poets, composers, and choreographers for festivals performed at court and in the cities of Europe which were specifically designed to make players and spectators aware of the significance of Peace, and to move them to actions which helped to guarantee its duration. Created in the context of war, these festivals were based on a conception of a world made up of harmony and controlled by an interplay between order and disorder. This view of the universe influenced writers in their opinions of political structures and diplomatic strategies for which festivals played an important role. Politics and spectacle are shown here to be mutually reinforcing, for ballets, intermezzi, masquerades, choral performances, and princely entries, while recognizing the potency of war, allsought to establish concord, and to bring civic unity to countries devastated by conflict. In spectacle, the Quest for Peace is complex, frail, yet rich in invention. TABLE OF CONTENTS Introduction Chapter I. Concordia discors: Sixteenth-Century Conceptions of the Universe Chapter II. War Chapter III. Music and Dance as Creators of Harmony Chapter IV. The Harmonious Magic of Festivals: Princely Entries Chapter V. The Role of Court Spectacle in the Creation of Harmony: Ballets, Masques, Intermezzi Chapter VI. The Installation of Peace Bibliography Index
Staging the Spectacle of Majesty. Ceremonial, Courtly Space, and Collecting under the Spanish Habsburgs
, Brepols, 2026 Paperback, Pages: 255, Size:156 x 234 mm, Illustrations:24 b/w, 2 tables b/w., Language: English. ISBN 9782503613482.
Summary From the sixteenth century onwards the Spanish Habsburg dynasty developed a complex practice of court ceremonial that was implemented across its network of Reales Sitios (royal palaces, residences, and, estates). In parallel, the Spanish Habsburgs amassed a world-renowned collection of sumptuary objects and artworks. Combinations of rituals, spaces and objects were deployed to stage a ceremonial spectacle that foregrounded the monarchy's power and transmitted an idea of regal magnificence. The purpose of this book is to analyse the representation of this idea of regal grandeur. It brings together a range of studies that focus on court ceremony, the Reales Sitios, collecting, and symbolic language as different facets of one and the same phenomenon. The monarchy's lavish, visual, and sensory concept of royal power was also transferred to the uppermost tier of the nobility, those closest to the monarch, and, likewise, this phenomenon was susceptible to the influence exerted by other European courts, especially within the peninsular, yet also at the Habsburg viceregal courts. TABLE OF CONTENTS An Overview of Studies on the Spanish Habsburg monarchy's Use of Ceremonial, the 'Reales Sitios', and Collecting Inmaculada Rodr guez Moya Part I: Majestic Ceremonials and Royal Sites The Significance of Royal Sites and Geographies for the Configuration of the Spanish Monarchy's Royal Ceremonial (1500-1700) Jos Eloy Hortal Mu oz The Evolution of the Palace Ceremonial and Ordinances in the Portuguese Royal Household During the Fifteenth and Sixteenth centuries F lix Labrador Arroyo Semiosis, Power and Festival Culture at the Infantado Palace in the Fifteenth and Sixteenth Centuries. Aristocratic Dialectics of the Burgundian and Andalusi Architectural Traditions Ra l Romero Medina Part II: Ceremonies and Royal Collections Magnificence, Ceremony and the Use of Tapestries During the Reign of Charles V Jes s F lix Pascual Molina The Display of Tapestries During the Ceremonies and Receptions Held for Philip II Miguel ngel Zalama Constructing Dynastic Identity: Adorning the Royal Monastery of El Escorial during the sixteenth and seventeenth centuries Matteo Mancini and Santiago Arroyo Esteban Part III: Continuities and Transformations in Royal Representations An Ephemeral Escorial in Honour of Philip II: Architecture and Ceremonial use of the 1798 Seville Catafalque through its Digital Reconstruction M Adelaida Allo Manero and Sergio Rom n Aliste Visual Echoes of Philip IV's Exequies in Spanish Funeral Ceremonial: Iconographic Continuity and Transformation Jos Javier Azanza L pez Charles II of Habsburg in Palermo. The Presence of an Absent King in the City as Theatre V ctor M nguez Cornelles
Ralph Dekoninck, Maarten Delbeke, Annick Delfosse, Caroline Heering, Koen Vermeir (eds)
Reference : 66063
Cultures du spectacle baroque. Cadres, exp riences et repr sentations des solennit s religieuses entre Italie et anciens Pays-Bas
, Brepols, 2019 Paperback, 364 pages, Size:190 x 255 mm, Language: French. ISBN 9789074461931.
Summary Le pr sent volume rassemble une s rie d' tudes qui ont t men es et/ou pr sent es dans le cadre du programme de recherche Cultures du Spectacle Baroque entre Italie et anciens Pays-Bas financ par la Politique scientifique f d rale belge. Il se donne pour ambition de renouveler l'analyse historique et th orique des solennit s spectaculaires en s'int ressant tout particuli rement aux effets produits par les dispositifs d ploy s lors de ce type de manifestations. Par ailleurs, soucieux d' largir le champ d j bien explor des rituels civiques ou monarchiques, il porte essentiellement l'accent sur les solennit s religieuses. Tout en tenant compte de la circulation l' chelle europ enne et m me mondiale des mod les festifs, il veille galement privil gier la comparaison entre deux espaces culturels, les anciens Pays-Bas et l'Italie, qui, bien qu'ils d veloppent des cultures festives propres ancr es dans des traditions locales, n'entretiennent pas moins des changes qui s'acc l rent partir du XVIe si cle. Il ne s'agit cependant moins d'envisager les traces de ces influences que de mieux comprendre la fa on dont ces deux cultures ont pu construire, ind pendamment l'une de l'autre et/ou au contact l'une avec l'autre, de m mes conceptions de l'exp rience festive, au-del de la diff rence des moyens mis en oeuvre.
