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PILLET (Alain-Pierre) -
Morocco -
Genève : Îles Clèbes (chez l'auteur), 1986 - un volume 14,3x21,2cm agrafé, de 16 pages illustrées en noir - Tirage limité à 300 exemplaires - avec un envoi autographe signé de l'auteur adressé à René Alleau - bon état -
Reference : 42766
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Le Livre à Venir
Mme et Mr. Florine et Richard Jaillet
41 Place de l'Oscambre
03140 Chantelle
France
06 44 78 76 58
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Règlement accepté : chèque, paypal, virement bancaire ou mandat. Nous garantissons l'état de nos livres conformes à la description donnée sur nos notices. Envoi de photographies sur demande. Les prix indiqués sont nets, port en sus à la charge de l'acquéreur. A réception de votre commande, vous recevrez une demande de règlement détaillée. Nous envoyons les ouvrages dans un délai de trois jours maximum, à réception de votre règlement par chèque,paypal, espèces ou virement bancaire. <br />
5 book(s) with the same title
Les enluminures des manuscrits royaux au Maroc (Bibliothèque Al-Hassania).Royal illuminated manuscripts of Morocco.
1987 ACR, Courbevoie,1987 in-4 carré, reliure éditeur, toile orange, jaquette, 236-(34)pp. Préface de A. Miquel. Belle iconographie en couleurs.Texte en français, anglais et arabe.
bon etat Remise de 20% pour toutes commandes supérieures à 200 €
Morocco; Illustrated Travel,; Forrest, A. S. (illus) Bensusan, S. L. (text)
1904 London A. & C. Black 1904. First edition. 74 full-page colour illustrations from paintings by A. S. Forrest. 8vo, publisher's original tan cloth, lettered in gilt on the spine and upper cover and elaborately decorated with all-over pictorial designs in red, blue and green. xv, 230pp., 4 ads. A beautifully preserved copy, the exterior colors still very bright, the textblock secure, the plates all very fine and bright. A FINE COPY OF THIS VIBRANTLY ILLUSTRATED FIRST EDITION. One of the most difficult to obtain in the A. & C. Black series of beautifully illustrated and decorated travel books.
Remise de 20% pour toutes commandes supérieures à 200 €
Iagttagelser over Vextriget i Marokko. Förste Stykke (all issued). - [FIRST EDITION OF THE FIRST SYSTEMATIC DESCRIPTION OF THE FLORA OF MOROCCO]
(Copenhagen, 1800). 4to. Uncut without wrappers as issued in ""Det Kongelige danske Videnskabernes Selskabs Skrifter"". 204 pp. and 7 large folded engraved plates.
First edition of the first systematic description of the flora of Morocco. Schousboe was Danish consul-general in Morocco, and sponsored by the Dane Johann v. Bülow, he travlled round Morocco in the years 1791-93 to describe the flora. The catalogue descibes the plants in Danish and Latin. The work was translated the year after into German and many years later into French (1874). - Pritzel: 8343. - Jackson p. 351 (The French edition).
Matisse in Morocco. A Journey of Light and Color
Koehler, Jeff: Matisse in Morocco. A Journey of Light and Color. 2025. 311 pages, 29 colour illustrations. Hardback. 24 x 16cms. A look at Matisse's time in Morocco and his continued interest in Islamic art. Exploring how he divided his time between Tangiers, Issy-les-Moulineaux, Paris, and Nice, his changing relationship with patrons like Leo and Gertrude Stein, and collectors Shchukin and Morozov.
A look at Matisse's time in Morocco and his continued interest in Islamic art. Exploring how he divided his time between Tangiers, Issy-les-Moulineaux, Paris, and Nice, his changing relationship with patrons like Leo and Gertrude Stein, and collectors Shchukin and Morozov.
Harry Gruyaert Morocco
, Thames and Hudson, 2024 HB, 290 x 235 mm, 208 pages, 150 Color illustrations ENG edition. *new ISBN 9780500027950.
The vivid colors of Morocco as seen by master of color photography Harry Gruyaert. When Harry Gruyaert first visited Morocco in 1969, it was love at first sight. On every return visit, he has tried to relive that initial feeling of enchantment, the splendid harmony between form and color, people, and nature. From the High Atlas Mountains to the desert, from rural areas to the bustling streets of Marrakech and Essaouira, Gruyaert's photographs take us on a dreamlike cinematic journey through a reality that is nonetheless highly physical, its textures shaped by light and shadow. Each image has its own power, and all of them reflect the importance of family, community, and faith to the people of Morocco, as well as Gruyaert's own innate curiosity and desire to understand different realities.
