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TODRANI Jean.
Studio.
Introduction de Alain Coulange, directeur de la collection. Saint-Julien-du-Sault : François-Pierre Lobies (Collection « Gramma »), 1982. Un volume 11,9x20,4cm broché sous couverture à rabats, 115 pages. Edition originale.
Reference : 41361
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5 book(s) with the same title
Paolo Roversi: Studio
Gottingen, Steidldangin, 2008 Half-linen, pages not numbered, 32.5 x 28 cm, b/w photographic reproductions. *very fine condition ISBN 9783865217585.
ISBN 10: 3865217583 / ISBN 13: 9783865217585 Studio features nearly two decades of Paolo Roversi's hugely influential studio portraiture. Now released in an unlimited edition, Studio promises a closer look at this distinctive body of work, as striking as it is hauntingly familiar. Within the confines of his Paris studio, Roversi photographs subjects in 8x10 Polaroid format, often allowing his images to fade before fixing them to their substrate. His long exposures at close range harness an aesthetic from the earliest days of studio photography, but with a renewed urgency that wavers somewhere between history and apparition. Stripped of the usual accoutrements of studio portraiture, Roversi's subjects push back with a vulnerable intensity that reveals as much of the photographer as of the model. The ccollected here function not only as a series of individual portraits, but also as a collective self-portrait of the artist and the place that stands at the center of his work. Beautiful images - Roversi looks deeply into his model's soul This is a simple demonstration of his studio design and a reflection of his skill and philosophy, expressive and honest.
Paolo Roversi: Studio (limited edition)
Gottingen, Steidldangin, 2005 Softcover, foldout images, pages not numbered, 33 x 30 cm, b/w photographic reproductions. (757/1000) *very fine condition, missing slipcase ISBN 386521164x.
Studio features nearly two decades of Paolo Roversi's hugely influential studio portraiture. Now released in an unlimited edition, Studio promises a closer look at this distinctive body of work, as striking as it is hauntingly familiar. Within the confines of his Paris studio, Roversi photographs subjects in 8x10 Polaroid format, often allowing his images to fade before fixing them to their substrate. His long exposures at close range harness an aesthetic from the earliest days of studio photography, but with a renewed urgency that wavers somewhere between history and apparition. Stripped of the usual accoutrements of studio portraiture, Roversi's subjects push back with a vulnerable intensity that reveals as much of the photographer as of the model. The ccollected here function not only as a series of individual portraits, but also as a collective self-portrait of the artist and the place that stands at the center of his work. Beautiful images - Roversi looks deeply into his model's soul This is a simple demonstration of his studio design and a reflection of his skill and philosophy, expressive and honest.
Bohemian Visual Culture in fin-de-siècle Norway. Scenes from Christian Krohg's Studio
, Brepols, 2024 Hardback, 212 pages, Size:216 x 280 mm, Illustrations:13 b/w, 109 col., Language: English. ISBN 9782503606187.
Summary The Norwegian painter, author, and journalist Christian Krohg (1852-1925) is known for his naturalist paintings about the sick and the poor and prostitution. Lesser known are his many studio paintings, portraits of artist friends, and late self-portraits from his studio. This book shows the importance of Krohg's studio as a space not only for art making but also as a place where some of the most pioneering and radical artists, authors, playwrights, and actors met. The circle of friends and colleagues meeting in Krohg's studio were part of the scandalous artist group known as the Kristiania Bohemians. In this study the reader will meet not only Krohg, but also his painter wife, the mythical Oda Krohg, the young Edvard Munch, the anarchist Hans Jæger, playwright Gunnar Heiberg, and the forgotten muse Constance Bruun - one of Henrik Ibsen's favorite actresses. The close and complex relationship between Krohg and Munch will surprise many readers. This book will be a necessary read for anyone interested in Scandinavian nineteenth-century art and culture. TABLE OF CONTENTS Foreword Introduction. Setting the Scene: Bohemianism in Kristiania Chapter 1. Kristiania as a City of Free Love Chapter 2. A Corner in My Studio as an Allegory of Norwegian Modernism Chapter 3. The Image of Oda Krohg as une vraie princesse de la Bohême Chapter 4. Free Love On and Off the Stage Chapter 5. Back to the Studio, 1912-25 Afterword. Krohg and Munch Bibliography Index
The Studio, London,1896,april to winter 1896/7,9 numeros relies en un volume,Contains Whistler’s original lithograph "Savoy Pigeons."
London: The Studio,May. Vol.7 No.38 with original etching by E.W. Charlton,May. Vol.7 No.38 June 15, 1896. Good in original wraps, which are detached. Contains Whistler’s original lithograph "Savoy Pigeons." Way 188; Levy 164. Also contains a design in four colours by R. Anning Bell entitled "Herodias." Over 100 illustrations. The Whistler lithograph has very good,London: The Studio, June 15, 1896 Grasset E : studio winter 1896/7 The Studio, London,1896;Bound without advertisements. Many illustrations. All Complete. Includes supplements (plates) by - E Aman-Jean, R Anning Bell, E Borough Johnson, Mortimer Menpes, J Pennell, F Skarbina, P Sturdee, and J McNeil Whistler. Articles include - Charles Dana Gibson - with 1 full-page and 4 small b+w illustrations, Works of J J Shannon, Posters of Louis Rhead, English Domestic Architecture - featuring "Redroofs" Streatham; Buchan Hill, Sussex; Shiplake Court, Henley; North Mimms, Hertfordshire; and Rawdon House, Hoddesdon; and lots more. A Mountain Town in France: Some Lead-Pencil Drawings Made in the Neighbourhood of Monastier, France, by Robt. Louis Stevenson The Studio, 1896. published in THE STUDIO (Special Winter Number 1896-97), pp. 1-24; other contributions include Some French Artists at Home by Gabriel Mourey; Bushey Models by R. Morton Nance; Art at the Champs Elysees,
texte complet,dos reliure manquant,rare,qques rousseurs- Eugène Grasset (Lausanne, 1845-Sceaux 1917) Remise de 20% pour toutes commandes supérieures à 200 €
STUDIO PIETER STOCKMANS,
Tielt, Lannoo, 2008 Gebonden, paars karton en dito papieromslag, foto-frontispice, 250 x 315mm., 128 niet genummerde pp., uitgebreide foto-illustratie in kleur en z/w. ISBN 9789020979817.
Tweetalige uitgave Nl/ Eng. Design en ceramiekkunst van Studio Pieter Stockmans. Dit boek presenteert de collectie van Studio Pieter Stockmans. De studio werd opgericht in 1987 en creeert op ambachtelijke wijze experimenteel design in beperkte reeksen. Eigenzinnig tafelservies, juwelen, relatiegeschenken en installaties, ontworpen door Pieter Stockmans, zijn dochter Widukind Stockmans en Frank Claesen. Nieuw boek.
