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BARILIER, Etienne.
Passion.
Lausanne, L’Age d’Homme 1974, 210x135mm, 210pages, broché. Couverture à rabats. Bel exemplaire.
Reference : 3236
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Bouquinerie du Varis
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5 book(s) with the same title
[Sir Peter Paul Rubens] - Bulckens, Koen
Reference : 116014
(2017)
ISBN : 9781909400863
The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Corpus Rubenianum Ludwig Burchard. 5.2
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
Marvellous Science. Passion for Porcelain in Baroque Vienna.
Koja, Stephan: Marvellous Science. Passion for Porcelain in Baroque Vienna. 2025. 208 pages, 284 colour illustrations. Hardback. 28 x 24cms. A look at Claudius Innocentius du Paquier's early 18th century Vienna porcelain factory. 14 essays discuss Baroque Vienna and the history of the Du Paquier porcelain factory, travel and experiments to simulate Asian porcelain, the economic policies of the Princes of Liechtenstein from 1600 to 1750, Chinese and Japanese porcelain in the Liechtenstein collections, the introduction of chocolate, tea and coffee to Europe, and the art of Baroque dining.
A look at Claudius Innocentius du Paquier's early 18th century Vienna porcelain factory. 14 essays discuss Baroque Vienna and the history of the Du Paquier porcelain factory, travel and experiments to simulate Asian porcelain, the economic policies of the Princes of Liechtenstein from 1600 to 1750, Chinese and Japanese porcelain in the Liechtenstein collections, the introduction of chocolate, tea and coffee to Europe, and the art of Baroque dining. Text in English
Russo, Emilio., Tosini, Patrizia., Zezza, Andrea.
Reference : 124846
(2025)
ISBN : 9788833673004
Poetry and Painting in the 17th Century. Giovan Battista Marino and the 'Marvelous' Passion
Russo, Emilio., Tosini, Patrizia., Zezza, Andrea.: Poetry and Painting in the 17th Century. Giovan Battista Marino and the 'Marvelous' Passion. Exhibition: Rome, Galleria Borghese, 2025. 240 pages, 116 colour illustrations. Hardback. 28 x 23cms. Catalogue for the exhibition at the Galleria Borghese dedicated to the poet Giovan Battista Marino and his close involvement with the visual arts. 7 essays discuss Cavalier Marino's relationship with the Galleria Borghese, Marino's Rome, his personal collection of paintings and drawings, the history of his poem 'La Galeria', his other works 'L'Adone' and 'La strage degli innocenti', and Marino's influence on Poussin. The catalogue is divided into 7 parts: 17th century poetry and painting, 'La Galeria' and Marino's dialogue with contemporary artists, 'the Massacre of the Innocents', 'the Adonis', the discovery of Poussin, and printed books of Marino's poems in the exhibition.
Catalogue for the exhibition at the Galleria Borghese dedicated to the poet Giovan Battista Marino and his close involvement with the visual arts. 7 essays discuss Cavalier Marino's relationship with the Galleria Borghese, Marino's Rome, his personal collection of paintings and drawings, the history of his poem 'La Galeria', his other works 'L'Adone' and 'La strage degli innocenti', and Marino's influence on Poussin. The catalogue is divided into 7 parts: 17th century poetry and painting, 'La Galeria' and Marino's dialogue with contemporary artists, 'the Massacre of the Innocents', 'the Adonis', the discovery of Poussin, and printed books of Marino's poems in the exhibition
Paul Mellon's Legacy. A passion for British Art
Allen, Brian et al: Paul Mellon's Legacy. A passion for British Art. Exhibition: New Haven, Yale Center for British Art, 2007. 335pp with 346 colour illustrations. Hardback. 30x24cms. To celebrate the centenary of his birth, this catalogue examines Mellon's collecting activity and his role in creating the Yale centre for British Art as well as the Paul Mellon Centre for Studies in British Art in London. With 150 works in the catalogue including Gainsborough, Reynolds, Stubbs Constable and Turner, this represents the largest collection of British art outside the United Kingdom.
To celebrate the centenary of his birth, this catalogue examines Mellon's collecting activity and his role in creating the Yale centre for British Art as well as the Paul Mellon Centre for Studies in British Art in London. With 150 works in the catalogue including Gainsborough, Reynolds, Stubbs Constable and Turner, this represents the largest collection of British art outside the United Kingdom. Text in English
Porcelain Pugs: A Passion. The T. & T. Collection
Porcelain Pugs: A Passion. The T. & T. Collection. 2020. 224 pages, 170 pages. Hardback. 28 x 24cms. Collection of more than 100 porcelain pugs, most of which were designed in the mid-18th century by Johann Joaquim KÀndler, modeler in the Meissen porcelain factory in Germany. Pugs were introduced to Europe in the late 16th or early 17th century and quickly gained popularity among the European aristocracy. In 1740, a secret society called the Order of the Pug was established as an offshoot of the Freemasons; the pug was selected to represent the society due to its reputation for reliability, trust, and steadfastness. Also featured here is a survey of pug imagery in contemporary European decorative arts, including on snuff-boxes, flasks, and cane handles.
Collection of more than 100 porcelain pugs, most of which were designed in the mid-18th century by Johann Joaquim KÀndler, modeler in the Meissen porcelain factory in Germany. Pugs were introduced to Europe in the late 16th or early 17th century and quickly gained popularity among the European aristocracy. In 1740, a secret society called the Order of the Pug was established as an offshoot of the Freemasons; the pug was selected to represent the society due to its reputation for reliability, trust, and steadfastness. Also featured here is a survey of pug imagery in contemporary European decorative arts, including on snuff-boxes, flasks, and cane handles.
