Paris, La Colombe, 1954, in-8, br., 124 p., frontispice. Bande annonce jointe.
Reference : 24423
J.-F. Fourcade - Livres anciens et modernes.
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Paris Citadelles & Mazenod 2017 Reliure éditeur
Édition en fac-simile de l'exemplaire des poèmes de Gray enluminés d'aquarelles par William Blaque. Cet exemplaire a été commandé vers 1797 par un ami de Blake, le sculpteur John Flaxman, pour en faire cadeau à son épouse. Il compte 116 grandes illustrations couleurs encadrant le texte imprimé. Il est accompagné d'un volume comprenant la traduction française des poèmes par Irene Tayler et d'une étude sur cet oeuvre de Blake. Tirage limité à 999 exemplaires numérotés, sous reliure éditeur : demi maroquin bleu-gris, dos titré en long, plats illustrés. >Bel exemplaire encore dans sa boite carton d'origine. Très bon 0
[William Blake] - Alice Insley, et. al
Reference : 126139
(2026)
ISBN : 9786156982049
Alice Insley, et. al: The Marriage of Heaven and Hell: William Blake and his Contemporaries. 2026. 290 pages, illuatrated in colour. Hardback. Catalogue for the exhibition at the Museum of Fine Arts Budapest in collaboration with the Tate. Discussing Blake in the context of the romantic movement, six essays look at his association with contemporaries like J.M.W. Turner, Fuseli, and George Romney, illuminated poetry, and 20th and 21st century responses to Blake in the works of Belá Kondor and Borsos LÃrinc. Plates of all 129 works are divided into themes including horror, fantasy, and the underworld, followed by a list of pieces with provenance.
Catalogue for the exhibition at the Museum of Fine Arts Budapest in collaboration with the Tate. Discussing Blake in the context of the romantic movement, six essays look at his association with contemporaries like J.M.W. Turner, Fuseli, and George Romney, illuminated poetry, and 20th and 21st century responses to Blake in the works of Belá Kondor and Borsos LÃrinc. Plates of all 129 works are divided into themes including horror, fantasy, and the underworld, followed by a list of pieces with provenance. Text in English
Première année. Tome 1, N° 1, 1939. In-8 br. Numéro spécial William Blake. Sommaire : J. Lescure, J. Vagne, D. Saurat, J. Wahl, Textes et traductions de W. Blake, deux hors texte. Bibliographie, etc. E.O.
MONNIER (Adrienne). BLAKE (William). SYMONS (Arthur). SWINBURNE. BRION (Marcel).
Reference : 45544
Paris, À La Maison des Amis des Livres ; directrice : Adrienne Monnier ; secrétaire de rédaction : Jean Prévost. Un volume broché (16,8x22,8 cm), (90) pages. Choix de poèmes de William Blake traduits par Annie Hervieu et Auguste Morel, textes de A. Symons, Swinburne et M. Brion. Illustré d'un portrait et d'un dessin inédit de William Blake. Importante revue littéraire dirigée par la libraire Adrienne Monnier qui tint boutique à la Maison des Amis des Livres à Paris, rue de l'Odéon de 1915 à 1951. Rousseurs sur la couverture, petit manque de 0,5 cm en haut et en bas du dos sinon bon état intérieur.
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, G.P. Putnam's Sons, New York / Thames &Hudson, 1978 Hardcover, 492 pages, English, 340 x 250 x 48 mm, illustrated dustjacket , brown cloth with goldcolored imprint, book is in Very good order, with 765 illustrations in b/w., large format , ISBN 9780500091234.
William Blake (28 November 1757 - 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language".[2] His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced".[3] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[4] While he lived in London his entire life, except for three years spent in Felpham,[5] he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God"[6] or "human existence itself".[7]