Pasadena Art Museum 1965 1 vol. relié in-4, cartonnage éditeur illustré, 144 pp., nombreuses reproductions en noir et en couleurs. Bonne condition.
Reference : 99282
Vignes Online
M. Henri Vignes
La Font Macaire
87120 Eymoutiers
France
05 55 14 44 53
conformes aux usages de la Librairie ancienne et moderne et, pour l'étranger, aux règlements en matière de paiement. Les prix indiqués sont nets, en euros. Frais de port en sus à la charge du destinataire.
California Design Publication 1974 1 vol. broché in-4, broché, couverture illustrée, 148 pp., nombreuses reproductions en noir. Bonne rétrospective du design californien du début du XXe siècle. Bonne condition.
California Design Publication 1971 1 vol. relié in-4, cartonnage éditeur illustré, 175 pp., nombreuses reproductions en noir et en couleurs. Bonne condition.
Pasadena Art Museum 1968 1 vol. relié in-4, cartonnage éditeur illustré, 159 pp., nombreuses reproductions en noir et en couleurs. Bonne condition.
Madison Square Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1997 Book condition, Etat : Bon hardcover, under illustrated dust-jacket In-4 1 vol. - 232 pages
over 500 exhibits 1st edition Contents, Chapitres : Adams Moriaka Inc. - Kimberly Bear Design - Bielenberg Design - Black Dog - Tom Bonaura Design - Bright Strategic Design - Curtis Design - Stan Everson Design - Wayne Hunt Design - Ingalls + Associates - Lisa Levin Design - Louey / Rubino Design - Luxon-Carra - Mauk Design - Norman Moore Design - Michael Osborne Design - Yashi Okita Design - Ph. D - Profile Design - Sackett Design - Sargent & Berman - Michael Schwab Studio - Shimokochi / Reeves - Patrick SooHoo Design - Vrontikis Design - The Warren Group - White Design - Zimmerman Crowe Design - NB: sur l'Ecole californienne de Design, ouvrage abondamment illustré de créations artistiques dans le domaine du design contemporain en Californie near fine copy, no markings, very small wear on the corner of the jacket and on the spine, else fine copy
, Balcony Press, ISBN 9781890449131.
Practically unknown today, William Kesling and his design/build firm, Kesling Modern Structures, played an important role in the development and acceptance of modern architecture in Southern California. For one year, beginning in November 1935, William Kesling was by far Los Angeles's most prolific and successful practitioner of Streamline Moderne design, breaking ground on more than 20 projects. His better-known peers, Schindler, Neutra, and other modernists could not so easily desert the principles of economy and austerity. The unschooled Kesling was not bound by such dogma but nevertheless was driven by the noble goal of bringing high-quality modern design within easy reach of the everyday home-buying public. Today his houses and small-apartment buildings are considered collectors items for Los Angeles's cognoscenti and while many have been ruthlessly remodelled, many others are being carefully restored to their original elegance. This is an exploration of Kesling's work. Kesling was one of Julius Shulman's first clients, and the images in this volume were taken with Shulman's first vest-pocket camera.