Paris Galerie de France 1990 1 vol. broché in-folio, broché, couverture à rabats, non paginé, nombreuses reproductions en noir et en couleurs. Bonne condition.
Reference : 107228
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Grovier, Kelly: Inner: The Collected Writings and Selected Interviews of Sean Scully. Ostfildern: 2016. 336 pages; 122 illustrations. Hardback. 26 x 19cms. The volume is accompanied by key images illustrating Scully's words as well as facsimile reproductions of handwritten pages by the artist into which drawings have been integrated.
The volume is accompanied by key images illustrating Scullys words as well as facsimile reproductions of handwritten pages by the artist into which drawings have been integrated.
Sean Scully: Catalogue Raisonné Volume II: 1980-1989. vol 2. Ostfildern: 2018. 256 pages; illustrated. Hardback. 30.5x26.7cms.
, Richter Verlag, 2001 Hardcover, 272 pages, ENG, 300 x 240 x 30 mm, dustjacket, As New, illustrated in colour / b/w. ISBN 9783933807359.
The Irish-born artist Sean Scully has created a painterly oeuvre that, in this volume, reveals itself as vitally important in the ongoing dialogue about painting. Horizontal and vertical stripes are the sole motif in his work. He alternately groups strips of paint together and lays multiple stripes of color over one another, which produce visually irritating clashes. It is a working method that is revealed in the works themselves, in the places where these dueling lines meet; edges tell the story of process. The seemingly endless number of neutral stripes leave these paintings open to a variety of interpretations; they allow the viewers freedom to imprint their own visions on them. Usually in a large format, they recall landscapes, facades, buildings, and ornaments. Along with 254 color reproductions, this book includes a complete biography, several critical essays, and an illuminating interview with the artist. Sean Scully was born in Dublin, Ireland, in 1945. Since moving to the United States in the mid-1970s, Scully has taught at major institutions including Princeton University, received a Guggenheim Fellowship, and been the subject of a major touring exhibition organized by the High Museum in Atlanta in 1996. He is represented in virtually every major public collection of 20th-century art.
, Hatje Cantz, 2016 Hardcover, 336 pages, ENG, 265 x 195 x 33 mm, New, illustrated in colour / b/w. ISBN 9783775741644.
Sean Scully (born 1945) is among the greatest abstract painters of our age. He is also one of the most outspoken. Since the late 1960s, Scully's visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections to essay-length meditations on artists such as Van Gogh, Morandi and Rothko, Scully's writings are distinguished by a brutal lyricism and an effortlessly aphoristic turn of phrase. The nearly 200 texts that comprise this collection provide a unique perspective on one of the most engaging artistic imaginations of the past half-century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history and what it means to be a creator in the contemporary world. The texts are illustrated by images including facsimile reproductions of handwritten pages which also feature drawings.
P., Galerie Lelong, 1997, in-4, br., couv. ill. à rabat, 24 pp., photo, 11 ill. en couleurs. (SD71A)
Publié à l'occasion de l'exposition Sean Scully à la Galerie Lelong, 1997. Textes en français et en anglais. Collection Repères, cahiers d'art contemporain, n° 91.