‎Collectif - Revue l'Arc‎
‎Deleuze‎

‎Mélanges : pouvoir et surface. Avec six surfaces de Gilles Deleuze. [Faces et surfaces par Deleuze et Czerkinsky / Le Pouvoir et la norme par Michel Foucault]‎

‎ 1973 Sl [Paris ?], sn, sd [ca 1973]. 21 x 15 cm, deux cahiers agrafés dos à dos. Le premier cahier porte la couverture d'ensemble illustrée suivi du texte du dialogue entre Gilles Deleuze et Stéphane Czerkinsky ("Faces et surfaces") : (1) 9 (1 bl.) pp. (une page entre les pp. 8 et 9. n'est pas paginée), soit 6 ff. sur papier saumon avec 5 illustrations en noir à pleine page (celle entre les pp. 8 et 9, reprise en couverture, compte double). Le second cahier porte une couverture-titre distincte (Michel Foucault, "Le Pouvoir et la norme") : 7 (1 bl.) pp., soit 4 ff. sur papier blanc.‎

‎Deuxième édition en partie originale pour "Faces et surfaces". EDITION ORIGINALE et UNIQUE pour "Le Pouvoir et la norme" de Michel Foucault. Très rare. Rousseurs à la couverture, sinon très bon. ‎

‎Deleuze's Modern Baroque. The Fold, Leibniz, the Formless, and the Objectile‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 271, Size:220 x 280 mm, Illustrations:19 b/w, 91 col., Language: English. ISBN 9781915487667.‎

‎Summary Gilles Deleuze's The Fold (1988) is a vast reflection not only on Leibniz's monadology, but also on the present and future of a new culture informed by a neo-Leibnizian approach to philosophy and the arts. Deleuze's baroque is both a transhistorical epistemic model and an artistic manifesto. It proposes a "way of being" that thrives on a notion of "identity" as inherently manifold, potentially contradictory, open-ended, and contingent on infinity. It also outlines the principles of a contemporary aesthetics that relies on the work and theory of artists as varied as Paul Klee, Jean Dubuffet, and Simon Hanta . In a neo-baroque society, the work of art becomes an objectile, a self-modulating machine able to operate through the input, but without the intervention, of an author. Focusing also on Deleuze and Guattari's What is Philosophy? (1991), this book discusses theoretical questions crucial to artistic debates in the period 1950-1980: art as philosophy; artistic thinking as opposed or germane to philosophical (and scientific) thinking; painting and sculpture as metaphysical operations; the ground as both the origin and negation of art; color as the degree zero of painting; authorless art; and art as infinity. Interwoven with examples of works by Christian Bonnefoi, Fran ois Rouan, Robert Ryman, Martin Barr , and Robert Rauschenberg, these discussions shed light on the complexity of Deleuze's investigations. The final section of the book centers on the reception of American minimalism in 1980s France and on the folding in architecture trend in the United States at the beginning of the 1990s. Here, works by Robert Morris, Carl Andre, Tony Smith, and Donald Judd are scrutinized as "preparatory" to the objectile, and Peter Eisenman's theory and architectural projects in the aftermath of deconstructivism are assessed in light of Deleuze's "fold". TABLE OF CONTENTS Introduction: An Estranged Baroque Chapter One: A Twentieth-Century Monad Chapter Two: The Baroque and its Resurgences Chapter Three: The Logos of the Formless Chapter Four: The Self-Modulating Machine of Art Bibliography Index‎

‎Deleuze, Foucault : mélanges : pouvoir et surface : avec six surfaces de Gilles Deleuze [titre de la couverture]‎

‎Sans éditeur Sans lieu sans date [1973 ?] In-8 illustré en 2 parties (2 cahiers agrafés dos à dos) : Faces et surfaces [dialogue entre] Gilles Deleuze et Stefan Czerkinsky, 6 feuillets paginés de 1 à 9; et Le Pouvoir et la norme [par] Michel Foucault, 7p. Couverture illustré ‎

‎:: Edition en partie originale de Faces et Surfaces, et en EDITION ORIGINALE pour Le Pouvoir et la norme. Revised Bibliography of the Works of Gilles Deleuze by Timothy S. Murphy # 1973.13, et daté de 1973; Bibliography of Michel Foucault by Machiel Karskens, Radboud University Nijmegen, Nederland, no 92, à la date de 1975 (références détaillées sur demande) :: Agrafé. Bon état. ‎

‎Deleuze J. Cinema. Gilles Deleuze In Russian /Delez Zh. Kino. Zhil Delez‎

‎Deleuze J. Cinema. Gilles Deleuze In Russian /Delez Zh. Kino. Zhil Delez M Ltd Ad Marginem Press 2013. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb99af430c432f533d‎

‎Instruction pratique sur le magnétisme animal, par J.-P.-F. Deleuze; suivie dune lettre écrite à lauteur par un médecin étranger. ‎

‎ 1825 Paris, J.-G. Dentu, imprimur-librairie, rue des Petits-Augustins, no 5, 1825. Un volume in-12° (112 x 181 mm) en reliure de lépoque en demi-veau brun, avec un dos lisse orné de filets; accroc au haut de la charnière supérieure. Elève de Chastenet de Puységur, Deleuze lui succéda à la tête du mouvement mesmériste. Edition originale de louvrage.‎