Antverpiae [Antwerpen], Apud Ioannem Moretum 1606 96 + [ ] + [1bl.] pp., illustrated with 19 copper-engravings in text and 1 full-page engraving, with engraved printer's mark on title page and last leaf (woodcut), "Editio ultima serio castigata", 26x18cm., solid modern hardcover, two library stamps on title page, paper browned, with some occasional small stains, text always well readbale, one modern ill. tipped-in on empty space of page 78, text in Latin, overall good, R121049
Reference : R121049
Antiquariaat Pieter Judo (De Lezenaar)
Mr. Pieter Judo
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3500 Hasselt
Belgium
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Lutetia Parisiorum , Apud Christophorum Beys, Plantini Nepotem, via Iacobaea, sub signo Circini Aurei Coronati, 1598, in-8°, 136 pp + (4)nn pp (index) + (4)nn pp (blank). ( complete) With 20 copper engraved illustrations ( one full page ) and some wood-engraved vignets. Bound in somewhat later full calf with a raised spine with gilt decoration, marbled endpapers, edges painted red ( French 17th c. binding). One corner of the binding with some small loss of leather, interior with at some pages minor worming ( not interfering with the legibility nor the engravings). In all still a very good copy. This Paris edition by the son in law of the Antwerp printer-publisher Christophe Plantin appeared 4 years after the first authorised Plantin edition ( 1594 - Imhoff L-17 ). The son in law ( Beys ) based this edition entirely on the Antwerp imprint. At the end he even reprints the ''Approbatio'' which is signed by Henricus Cuyckius, Dean of the University of Louvain and Royal book censor, dated in Louvain 12th december 1592. USTC N° 146628 ..
All: Antwerpen, Plantin" I: Balthasar Moretus, 1639, II: Apud Viduam & Filios Io. Moreti, 1636, III:Apud Balthasarem Moretum, & Viduam Ioannis Moreti, & Io. Meursium, 1630, IV: Johannes Moretus, 1610. 4to. Bound together in one contemporary full vellum binding with handwritten title to spine. Old crossed-out owner's name to first title-page and a few leaves with a few tears and creases to upper margin, far from affecting text, otherwise all works are very nice and clean, in very fine condition. I: Beautiful engraved printer's devise to title-page, beautiful woodcut vignettes and initials, and 17 excellently executed large (one small) engravings in the text (one full-page), most of which depict crucifications, a few of which depict coins. Woodcut printer's devise to last leaf. 96, (8) pp.II: Beautiful engraved title-vignette, beautiful woodcut initials, and two excellent engraved plates. Woodcut printer's devise to last leaf. (8), 86, (10) pp.III: Beautiful engraved title-vignette, beautiful woodcut initials. Woodcut printer's devise to last leaf. (8), 69, (11) pp.IV: Beautiful engraved printer's devise to title-page, beautiful woodcut vignettes and initials, 1 full-page engraving, woodcut printer's devise to last leaf. (8), 121, (7) pp. + 2 large folded engraved maps (""Lovanium"" and ""Hervelea"").
Antverpiae, Ex Officina Plantiniana, apud Viduam et J. Moretum, 1594. In-4 de (16)-120-(8) pp., vélin de l'époque sous étui moderne.
Second tirage de l’édition originale plantinienne, publié à Anvers par la veuve de Christophe Plantin (Jeanne Rivière) et son gendre Jean Moretus. Ce tirage se distingue de l'émission datée 1593 par l'adjonction d'un « I » supplémentaire à la fin du millésime en chiffres romains au bas du titre (MDXCIV au lieu de MDXCIII) ainsi que par d’importantes retouches et corrections apportées sur le cuivre de plusieurs gravures, d'après la bibliographie de Ferdinand van der Haeghen.Composé par l'humaniste et philologue flamand Juste Lipse (1547-1606) pour marquer publiquement son allégeance à la foi catholique, ce traité érudit constitue la première étude archéologique et historique exhaustive consacrée au supplice de la croix dans l'Antiquité romaine et barbare. Divisé en trois livres, l’ouvrage analyse avec précision la morphologie des instruments de torture (comme la furca servant à châtier les esclaves), les différentes méthodes de crucifixion (tête en bas, membres écartés), la nature des bois utilisés et la topographie des lieux d'exécution, avant de s'achever sur les honneurs rendus au signe de la croix sous l'empereur Constantin.L'illustration, d'une grande force dramatique, comprend une vignette de titre (la marque plantinienne au compas) et 22 gravures sur cuivre insérées dans le texte, dont une à pleine page (p. 67), gravées par le maître anversois Pieter Van der Borcht. Les notes de Lipse fournissent un témoignage précieux sur la République des Lettres en mentionnant ses collaborateurs directs pour cet ouvrage, tels que l'érudit Martin Delrio, l'imprimeur François Raphelengien ou le chanoine Denis de Villers. Ex-libris armorié du marquisat de Verthamon contrecollé sur un ex-libris gravé (Olivier-Hermal-Roton, planche 1817-1818). Ex-libris manuscrit sur la garde supérieure « J.O. 1811 », ex-dono manuscrit Marguerite Valon 1944 sur le contreplat supérieur.Vélin légèrement fripé et bruni, feuillets légèrement roussis. Coupe latérale du plat supérieur légèrement accidentée.Van der Haeghen, Bibliographie lipsienne, I, 187 ; Brunet, Supplément, I, 872 pour le premier tirage.