"11. Amsterdam, Anthoni Schoonenburg, 1730, in-8°, engraved title + typographical title (printed in red and black) + (12)nn pp + 298 pp + (14)(index) ; with 27 copper-engravings. ( engravings signed in the plate: J. van Viaenen ). Bound in contemporary vellum over boards, vellum with gilt decoration andf central arms on both covers. Traces of ties. The arms are unidentifiable because they are worn ( perhaps the binder applied not enough pressure ?). There is a worm gallery at pages 260-284 ; mostly in the blank inner margin and thus rarely affecting the text. Still a fine copy in a handsome binding. (See De Backer-Sommervogel Vol. VI col. 975-978. Pomey ( 1618 - 1673) first published this very popular work in Lyon in 1658. This Amsterdam edition from 1730 is the first in the reworked version of Pitiscus. It was reprinted 6 times until 1741.."
Reference : 52580
Antiquariaat Wim de Goeij
M. Wim de Goeij
Max Temmermanlaan 15 - Postbox 39
2920 Kalmthout
Belgium
0032 496 381 439
according the rules of I.L.A.B. suivant les règles du CLAM
Utrecht (Ultrajecti), Apud Guilielmum vande Water, 1717.
8vo. (XVI),298,(14) p., frontispiece & 26 engraved plates. Calf. 16 cm "Prize copy' (Ref: STCN ppn 20819178X; Brunet 4,793; Michaud 34 p. 12: 'la meilleure édition est celle qu'a publiée Sam. Pitiscus') (Details: Prize copy, probably of a Belgian Jesuit College. Back with 5 raised bands between gilt fillets & floral rolls. Black morocco gilt lettered shield in the second compartment. Boards with gilt fillet borders. Within the fillet border a gilt row consisting of ears of corn and quadrangles. A gilt lyre in all 4 corners. A gilt oval laurel wreath with in its center the gilt text PRAEMIUM. Edges of the boards gilt. Marbled endpapers. Title in red & black. Woodcut printer's mark on the title. Engraved frontispiece depicting deities. 26 engraved plates with mythological scenes) (Condition: Wear to extremes, back somewhat rubbed. Prize gone. Front hinge cracking, but still hanging on 2 ties) (Note: This is the 6th edition of the most popular and authoritative mythology manual of the 17th and 18th century. It was first published in Lyon in 1659. There are more than 40 editions, and it was translated into English, French, Spanish and Polish. The manual was produced by the French Jesuit schoolmaster François Antoine Pomey, 1618-1673, who lectured humanities and rhetoric at several colleges. He is also the author of a number of schoolbooks and dictionaries. His 'Pantheum Mythicum' became to be regarded as an essential work which provided the indispensable ornaments of formal discussion. It was also popular as a schoolbook, for the stories formed a body of moral precepts, hidden under the mask of agreable fiction. 'Perinde quasi, alius esse debeat, cum omnibus, tum mihi maxime, ac studium & propagatio Divinae gloriae?'; In the praefatio to this 6th edition the Dutch classicist of German origin, Samuel Pitiscus (Samuel Petiski), 1636-1727, tells the reader that the publisher had sold within 4 years 1300 copies of the 5th edition of 1697. To surpass this tremendous success he asked him to produce a new edition purged from all erroneous inventions and extensions of later editors, and mistakes of ignorant printers. Pitiscus really was the expert for the job. He produced editions of several Roman historians, and did also lexicographic work. He was well acquainted with the 'Romanae Antiquitates' of Rosinus and Dempster, and in 1713 he published an encyclopaedic 'Lexicon Antiquitatum Romanarum') (Collation: *8, A-T8 V4 (Photographs on request)
Utrecht (Ultrajecti), Apud Guilielmum vande Water, 1717.
8vo. (XVI),298,(14) p., frontispiece & 26 engraved plates. Calf. 16 cm 'Prize copy, including the manuscript prize' (Ref: STCN ppn 20819178X; Brunet 4,793; Michaud 34 p. 12: 'la meilleure édition est celle qu'a publiée Sam. Pitiscus'; Spoelder p. 635, Maastricht 3) (Details: Prize copy, with the prize. 5 thongs laced through the joints. Boards with gilt borders, corner pieces, and the gilt coat of arms of the city of Maastricht. Title-page printed in red & black. Woodcut printer's mark on the title. Engraved frontispiece depicting a number of deities. 26 engraved plates with mythological scenes) (Condition: Vellum age-tanned. Gilt slightly fading. All 4 decorative silk fastening ribbons at the rims of the boards worn away. Library stamp on the front pastedown. Paper yellowing) (Note: This is the 7th edition of the most popular and authoritative mythology manual of the 17th and 18th century. It was first published in Lyon in 1659. There are more than 40 editions, and it was translated into English, French, Spanish and Polish. The manual was produced by the French Jesuit schoolmaster François Antoine Pomey, 1618-1673, who lectured humanities and rhetoric at several colleges. He is also the author of a number of schoolbooks and dictionaries. His 'Pantheum Mythicum' became to be regarded as an essential work which provided the indispensable ornaments of formal discussion. It was also popular as a schoolbook, for the stories formed a body of moral precepts, hidden under the mask of agreable fiction. 'Perinde quasi, alius esse debeat, cum omnibus, tum mihi maxime, ac studium & propagatio Divinae gloriae?'; In the praefatio to this 7th edition the Dutch classicist of German origin, Samuel Pitiscus (Samuel Petiski), 1636-1727, tells the reader that the publisher had sold within 4 years 1300 copies of the 5th edition of 1697. To surpass this tremendous success he asked him to produce a new edition purged from all erroneous inventions and extensions of later editors, and mistakes of ignorant printers. Pitiscus really was the expert for the job. He produced editions of several Roman historians, and did also lexicographic work. He was well acquainted with the 'Romanae Antiquitates' of Rosinus and Dempster, and in 1713 he published an encyclopaedic 'Lexicon Antiquitatum Romanarum') (Provenance: The prize was awarded for his diligence to Matt. Brull, by the curators of the Maastricht Protestant Gymnasium (Reformatae religionis Trajecti ad Mosam) on August 13, 1726. It is signed by the curators P. Hermes, H. Pesters, and ? Ghijsen, and the rector Jan Jacob Levericksvelt. On the internet we found a Matthaeus Brull, who was from 1708 until 1763 notary at Maastricht. Perhaps the father of our Matthaeus? One Mat(t)hijs Brull was ca. 1756 drossaerd (bailiff) van Pais en Nederein, probably a village near Beek in Limburg. On the pastedown the stamp: 'Bibliotheca C.SS.R Trudonopoli, Armarium'. This book once was property of the Seminary Library of the Roman Catholic Congregation of the Most Holy Redeemer (Congregatio Sanctissimi Redemptoris; CSSR), also known as the Redemptorists, of Sint Truiden in the Belgian province Limburg, not far from Maastricht. An 'armarium' is a book chest. The Congregations established itself in Sint Truiden in 1833, and organised an Seminary for the education of future priests. On the pastedown also in ink 'ex lib. ?.?.T. van Brienen') (Collation: *8, A-T8, V4 (Photographs on request)
Amstaelodami [Amsterdam], apud Antonium Schonenburg 1730 [12] + 298 + [12] + [3bl] pp. illustrated with frontispiece & 27 engraved plates out of text (of which 4 folding, all depicting ancient Gods, by J. Van Vianen), 8th edition ("Editio octava, denuo recensita, a quamplurimis erroribus repurgata, & aeneis figuris ornata"), 16cm., 19th cy. cart. cover, spine in vellum, title in red and black, text in Latin, with ex-dono on verso of first board, binding of title page repaired, text clean and bright, good condition, G96183