(Paris), Gallimard, 1944. 8vo. Original carboard binding. Numbered 268 out of 1000 copies printed with the design of Mario Prassinos (1916-1985). Very fresh and clean copy. 214, (1), (1).
Reference : 63401
First edition of two plays by one of the most famous French writers: Camus' Le Malentendu (""The Misunderstanding"", also translated as ""Cross Purpose"") and Caligula, first performed in 1944 and 1945, respectively. The two plays are landmarks in the Theatre of the Absurd, and, together with the novel L'Étranger (1942) and the essay Le Mythe de Sisyphe (1942), they form Camus' ""cycle of the absurd"", which he had planned as a so-called triptych, originally consisting of: ""a novel which became The Stranger, a philosophical essay, eventually titled The Myth of Sisyphus, and a play, Caligula. These were completed and sent off from Algeria to the Paris publisher in September 1941. Although Camus would have preferred to see them appear together, even in a single volume, the publisher, for both commercial reasons and because of the paper shortage caused by war and occupation, released The Stranger in June 1942 and The Myth of Sisyphus in October. Camus kept working on the play, which finally appeared in book form two years later"" (Aronson 2022"" see also Lottman, p. 428) Camus began writing Caligula in 1938, at approximately the same time as the essay and the novel of the same cycle. It was a lifetime work, as he revised and rewrote it throughout the years, ""perhaps only premature death prevented the appearance of a final version"" (Lottman: 207). Throughout the successive versions, ""[...] the Emperor Caligula's deeds and his underlying character and motivation change little, and these are of course the principal features of a play at once intriguing and repelling. One thing is proved by the presence of Caligula at virtually every step of Camus' writing life: its importance to him as a symbol (of absurd man, the absurd world)."" (Lottman: 364). Camus considered the title ""Le Jouer"" (""The player"") both for Caligula and his first novel La Mort hereuse (only published posthumously in 1971). Camus was planning Le Malentendu already in 1941, under the tentative title ""Budejovice"", the name of a town he had passed through during his journey through Czechoslovakia in 1936 (Lottman: 241)"" ""L'Exilé"" was another early title (Lottman: 273). It was, together with La Peste, to represent what he was calling ""his second series"", a triptych on revolt, but ended up being published together with Caligula and can be counted as part of the first cycle on the absurd. Indeed, its plot is tied to The Stranger: Camus clipped a true crime story reported in Algerian newspapers from January 1935 and saved it for later use, first as an anecdote in the essay and later as the plot for the play (Lottman: 85). While not thesis plays – plays which develop or defend a particular thesis – both works represented a ""theater of the impossible"", according to Lottman, Camus wrote: ""Thanks to an impossible situation (Le Malentendu) or character (Caligula), they try to give life to apparently insoluble conflicts through which all thought must pass before producing the only valid solutions. This theater suggests, for example, that each of us bears in himself his part of illusion and misunderstanding which is destined to be killed..."" (Lottman: 313). After WWII, Albert Camus (1913-1960) became, as a novelist and playwright, moralist and political theorist, ""the spokesman of his own generation and the mentor of the next, not only in France but also in Europe and eventually the world"" (Cruickshank 2026). Sources and further reading: Aronson, Ronald. (Winter 2022 Edition). Albert Camus. In Edward N. Zalta & Uri Nodelman (eds.), The Stanford Encyclopedia of Philosophy. https://plato.stanford.edu/archives/win2022/entries/camus/ Britannica Editors (2026, July 15). Theatre of the Absurd. Encyclopedia Britannica. https://www.britannica.com/art/Theatre-of-the-Absurd Cruickshank, J. (2026, July 31). Albert Camus. Encyclopedia Britannica. https://www.britannica.com/biography/Albert-Camus Lottman, H. R. (1979). Albert Camus: A biography. Weidenfeld & Nicolson. Todd, O. (1998). Albert Camus: A life (B. Ivry, Trans.). Vintage.
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1954 Paris, Gallimard, 1947, in 8 couronne, cart. d'éditeur d'après la maquette de Mario Prassinos, dos lég. jauni, sinon bel ex.
Éd. augmentée du 29 avril 1947, un des 2080 ex. num. châtaigner. (Huret, 102 b).
P., Gallimard, 1944, In-12, br., 214 pp., non coupé.
P., NRF Gallimard, 1947, 1 vol. in-8 couronne (180 x 113) sous cartonnage papier éditeur, décoré d'après une maquette de Mario Prassinos, de 211 pp. + table. Dos insolé, bel exemplaire par ailleurs.
Réédition augmentée parue le 29 avril 1947. Tiré à 2080 exemplaires sur châtaignier Condat (N°2036) reliés d'après la maquette de Mario Prassinos. Huret 102b.
Couverture souple. Broché. 228 pages. Rousseurs.
Livre. Editions Gallimard, 1960.
Paris, éd. Gallimard, 20 mai 1944, Première Edition sur papier ordinaire après 13 expl. sur grands papiers, fausse mention de 3e édition sur la page de titre, in-12, br., 216 pp., non rogné, Ce roman fait partie du cycle de l'Absurde, avec l'Etranger et le Mythe de Sisyphe. En ce qui concerne l'édition, la mention de 3e édition pourrait être une fausse mention" pour bouster les ventes, soit une réelle troisième édition mais éditée la même date que l'originale ! Etat moyen; couverture défraîchie et la papier jauni, mors fendus au niveau des coiffes,