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GLUCK Michël - REDT-GUITTARD Catherine - BOURG Lionel
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Couverture souple. Cahier de 16 pages.
Reference : 140426
Livre. Editions Jacques Brémond, Mars 1991.
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5 book(s) with the same title
Jarres de Biot deux bois de Tavy Notton - édition non reliée pages non coupées
Lanauve de tartas 1951 in8. 1951. Non relié. illustrations polychrome de Tavy Notton
Très Bon Etat car pages non coupées sous papier de soie bords un peu frottés intérieur très frais petite mouillure sur le bords droit en bas de la page 61
Aristophane théâtre complet (complet en quatre volumes non coupé)
Union latine d'éditions 1947 in8. 1947. Non relié + emboîtage cartonné et chemise rigide. Non relié + emboîtage cartonné et chemise rigide traduction de Maurice Rat illustrations noir et blanc de Charles Clément; tome I: introduction les acharniens les cavaliers - Tome 2: les nuées les guêpes la paix - Tome 3: les oiseaux lysistrata; les thesmophories - Tome 4: les grenouilles l'assemblée des femmes; Ploutos
Très Bon Etat de conservation emboîtages ternies et défraîchis frottés sur les bords livres en parfaite condition très frais pages non coupées
Vite de' Pittori, Scultori, ed Architetti Napoletani. Non mai date alla luce da Autore alcano. 3 volumes in 2
Dominici, Bernardo De: Vite de' Pittori, Scultori, ed Architetti Napoletani. Non mai date alla luce da Autore alcano. 3 volumes in 2. Naples: Stamperia del Ricciardi, 1742; 1743; 1745 (the date 1743 has a printed paste over datad 1745. 3 volumes in 2, quarto. Early-19th century quarter calf, spines gilt in compartments, red morocco labels, marbled boards. Portrait frontispiece of the author to volume I, tailpieces. Bindings rubbed with a little wear at the extremities, front hinge of volume 3 cracked, significant browning and foxing to contents, lower corner of the title to volume II torn and repaired with loss of text. Very good condition. First edition of this important collection of Neapolitan art biographies compiled in response to Vasari's 'cursory reference' to the region's artistic traditions (Astarita, A Companion to Early Modern Naples, p. 318). Author Berndaro de Dominici (1683-1759) was the son of the painter Raimondo de Dominici and became an artist himself, living and working for many years in the household of the Duke and Duchess di Laurenzano, though no examples of his work have been identified. By 1721 he had begun compiling biographical notices on painters known to his father and to himself, and he published a life of Giordano that appeared as part of Bellori's Le Vitte de' Pittori, Scultori et Architetti Moderni in 1728. The Laurenzano household was a gathering place for the Neapolitan branch of the Accademia dell' Arcadia, a literary and philosophical society, which gave Dominici access to a number of scholars who influenced his philosophical outlook and assisted him with research for his books, particularly this, his major work. 'The Vite presents the history of art in Naples, from its mythic origins in late antiquity up to the mid-18th century, as a progressive development culminating in the work of Solimena⊠The material for the Vite was drawn from oral tradition, artists' memoirs, local guide books, histories, and many non-Neapolitan sources. There was little accurate information available for the period before the 16th century, hence the book is generally unreliable with regard to ancient, Medieval, and early Renaissance artists. Within ten years of his death de Dominici was accused of invention and in the late 19th century was deemed wholly unreliable. This attitude has been revised after new research on the later periods and especially on Solimena, and the Vite is now regarded as indispensable for any study of 17th and 18th-century art in Naples. Scholars are gradually exploiting the information the book provides on art collecting, art restoration, theatre and music' (Dictionary of Art. Vol. 9 p.120). Text in Italian.
First edition of this important collection of Neapolitan art biographies compiled in response to Vasari's 'cursory reference' to the region's artistic traditions (Astarita, A Companion to Early Modern Naples, p. 318). Author Berndaro de Dominici (1683-1759) was the son of the painter Raimondo de Dominici and became an artist himself, living and working for many years in the household of the Duke and Duchess di Laurenzano, though no examples of his work have been identified. By 1721 he had begun compiling biographical notices on painters known to his father and to himself, and he published a life of Giordano that appeared as part of Bellori's Le Vitte de' Pittori, Scultori et Architetti Moderni in 1728. The Laurenzano household was a gathering place for the Neapolitan branch of the Accademia dell' Arcadia, a literary and philosophical society, which gave Dominici access to a number of scholars who influenced his philosophical outlook and assisted him with research for his books, particularly this, his major work. 'The Vite presents the history of art in Naples, from its mythic origins in late antiquity up to the mid-18th century, as a progressive development culminating in the work of Solimena⊠The material for the Vite was drawn from oral tradition, artists' memoirs, local guide books, histories, and many non-Neapolitan sources. There was little accurate information available for the period before the 16th century, hence the book is generally unreliable with regard to ancient, Medieval, and early Renaissance artists. Within ten years of his death de Dominici was accused of invention and in the late 19th century was deemed wholly unreliable. This attitude has been revised after new research on the later periods and especially on Solimena, and the Vite is now regarded as indispensable for any study of 17th and 18th-century art in Naples. Scholars are gradually exploiting the information the book provides on art collecting, art restoration, theatre and music' (Dictionary of Art. Vol. 9 p.120). Text in Italian
Théâtre de Racine - 4 volumes (non relié numéroté 260 sur 700ex. tomes I à IV voir description) dont: La thébaïde Alexandre le Grand Andromaque Les plaideurs Britannicus
Éditions de l'image littéraire 1949 grand in8. 1949. Non relié. Le tirage de ce premier volume du Théâtre de Racine a été limité à sept cent exemplaires sur pur chiffon corvol l'orgueilleux numéroté 260 --- gravures noir et blanc dans les livres chaque livre est accompagné en plus d'un recueil de gravure à part sous papier de soie encore scellé. Tome I: La Thébaïde Alexandre le Grand Andromaque - Burins de Raoul Serres Tome II: Les plaideurs Britannicus Bérénice - Burins de mario Prassinos Tome III: Bajazet Mithridate Iphigénie Tome IV: Phèdre Esther Athalie - Burins de Paul Lemagny_
emboîtages en état correct bords frottés déchirés pour certains) intérieur en très bon état très frais livres non reliés gravures séparées encore protégées sous papier de soie
La veine d'argile- édition originale sur alfa pages non coupées avec emboîtage cartonné - 1928
Librairie plon 1928 in8. 1928. Relié. édition originale sur alfa pages non coupées avec emboîtage cartonné
Très bon état qq rousseurs sur tranche pages non coupées intérieur frais emboîtae en très bon état annotation sur le dos de la chemise cartonnée (titre)
