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Lemoine, Serge (dir.)
Kurt Schwitters
Editions du Centre Georges Pompidou, Paris, 1994. In-4, broché sous couverture illustrée en couleurs, 397 pp. 1887-1918 : François Barré : En attendant Schwitters. - Ernst Schwitters : Kurt Schwitters, le père de Merz, mon père. - Serge Lemoine : Schwitters, maintenant. - Chronologie 1887-1910. - Beatrix Nobis : Mettre en relation toutes les choses du ...
Reference : 4862
Nombreuses illustrations en noir in texte et planches en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
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Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
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Vente uniquement par correspondance. Conditions de vente conformes aux usages de la librairie ancienne et moderne. Les prix indiqués sont en euros. Les frais de port sont à la charge de l'acquéreur.
5 book(s) with the same title
Kurt Schwitters in Exile : The Late Work 1937-1948
Marlborough Fine Art Ltd, London, 1981. In-4, broché sous couverture illustrée en couleurs, 160 pp. Extrat from "Kurt Schwitters in England", Stefan Themerson - Kurt Schwitters, Werner Schmalenbach - A tribute to Kurt Schwitters, Anni Albers - "A few ill chosen words", Ernst Schwitters - The years in exile : A biographical outline, Nicholas Wadley ...
Nombreuses illustrations et planches en noir, 16 planches couleurs en hors texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
PER KIRKEBY retrospective , Per kirkeby and the forbidden paintings of Kurt Schwitters / ENG.
Brussel, Bozar, 2012 Hardback with dusjacket 285x225mm, 200pages., illustrations English text *NEW ISBN 9789085866275.
The Centre for Fine Arts presents a retrospective of the work of Per Kirkeby (born in 1938), one of the key painters of the Danish avant-garde. But just what does avant-garde mean: rupture, minimalism, abstraction, borrowings, subversion? One can find all of those in a prolific body of work that began in the 1960s in the wake of the Fluxus movement. But that is only one aspect of a very diverse oeuvre that draws just as much on the figuration of Danish classicism and the experiments of 19th-century French masters such as Eugene Delacroix. Kirkeby cannot be pigeonholed, nor does he want to be: he prefers to relentlessly question the position and the perceptions of the observer. An artistic process that has seen him turn to different media (canvas, blackboards, paper, bronze, etc.) in an assertion of the freedom he finds, as a trained geologist, in the omnipresence of nature. It is in this context that the Kurt Schwitters room in the exhibition is so relevant. Here, Kirkeby is not confronted with the Dadaist, but with an unfamiliar, figurative Schwitters, in love with landscape. ''Forbidden paintings'' - from the point of view of the modernist mainstream that is. The Danish artist recognises in this work his own credo: a visceral assertion of his freedom as an artist. Bozar, Brussel. Expo: 10/02/2012 - 20/05/2012
Kurt Schwitters en de avant-garde
, Dumont, 2007 Hardcover, 248 pag. NL, 280 x 210 mm, illustr. in kleur , klein scheurtje onderaan, verder in prima staat. ISBN 9783832177362.
In deze publicatie wordt het oeuvre van Kurt Schwitters voor het eerst binnen de context van het Europese modernisme geplaatst. Schwitters komt naar voren als effectief ?netwerker' tussen kunstenaars, architecten, typografen, kunstverzamelaars, uitgevers en galeriehouders. Met haar talrijke afbeeldingen en annotaties is dit een aantrekkelijke publicatie over de bronnen van de Europese kunst in de jaren twintig en dertig van de vorige eeuw. Met essays van onder andere Isabel Schulz, Karin Orchard en Sjarel Ex.
[Kurt Merz Schwitters] - Lemoine, Serge et al.
Reference : 124005
(1999)
ISBN : 9782858507993
Kurt Schwitters
Lemoine, Serge et al.: Kurt Schwitters. Editions Du Centre Pompidou, 1999. 397 pages, illustrations throughout some colour. 28x28cms.
Kurt Schwitters.
Amsterdam Stedelijk Museum 1956 1 vol. broché plaquette gr. in-8, agrafée, non paginée (32 pages y compris la couverture). Joli catalogue d'exposition conçu et mis en page par Willem Sandberg avec le texte sur papier kraft et les reproductions sur papier couché. Infimes piqûres à deux feuillets, mais bel exemplaire.
