Uitgeverij W Van Hoeve NV 1970 1970.
Reference : 500167705
Bon état
Démons et Merveilles
M. Christophe Ravignot
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Turnhout, Brepols, 2009 Hardback, VIII 472 p., 141 b/w ill. 40 colour ill. ills., 190 x 250 mm. ISBN 9782503515106.
This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. New book.
Turnhout, Brepols, 2009 Hardback, VIII+472 p., 141 b/w ill. + 40 colour ill. + + ills., 190 x 250 mm. ISBN 9782503515106.
This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. Languages: English.
New York HOLLAND HOUSE Kinsley & Baumann 1892 -in-12 broché un petit catalogue publicitaire broché (agraphé) in-douze Editeur (paperback in-12 Editor)(18,2 x 13,7 cm), dos bleu gris (spine) muet, première de couverture cartonnée sur papier velin ligné bleu gris orné d'un titre gauffré argenté avec des Armes gauffrées argentées (armoiries d'Henry Rich), texte en anglais, orné de 20 gravures et photographies in et hors-texte en noir sur papier couleur parme ( trace d'humidité en marge centrales des pages 16 à 22, 1ère de couverture légèrement tachée), 37 pages, 1892 New York HOLLAND HOUSE Kinsley & Baumann Editeurs,
L'HÔTEL HOLLAND HOUSE a ouvert ses portes en 1892. C'était un grand bâtiment en calcaire de l'Indiana, de 100 pieds sur 150 (30 m × 46 m). Un intérêt particulier lui était attaché car il s'agissait d'une reproduction soignée de Holland House de Londres. Il contenait les armoiries d'Henry Rich, le premier comte de Hollande, avec les décorations et les caractéristiques historiques du manoir de Kensington. La maison était l'une des caractéristiques architecturales de la Cinquième Avenue. La façade, peu décorée, était interrompue par un portique de 50 pieds (15m) de longueur, appuyé sur quatre colonnes, quatre rangées de baies vitrées et d'autres fenêtres disposées en meurtrières et en arcs. Deux caractéristiques de l'intérieur étaient la grande salle à manger et une longue promenade au deuxième étage. La maison avait dix étages et comptait 350 pièces ...... RARETE ....... en bon état malgré les légers défauts signalés (good condition in spite of the light defects indicated). bon état
Berkeley / Los Angeles / London, University of California Press, 1985 Bound, brown dustjacket with gold print, original editor's cover, 14.4x21.6 cm., 277 pp. ISBN 0520054253.
Reference : alb778b66a5963fbecc
Short description: Holland-Merten E.L. Holland-Merten E.L. Handbuch der Vakuumtechnik, die Grundlagen der Vakuumverfahrenstechnik, Anwendungsbereich und Argeitsweise der Vakuumapparate. In German /Holland-Merten E.L. Kholland-Merten E.L. Handbuch der Vakuumtechnik, die Grundlagen der Vakuumverfahrenstechnik, Anwendungsbereich und Argeitsweise der Vakuumapparate.In German.Vacuum Technique Manual, Basics of Vacuum Technology, Scope and Applications of Vacuum Devices. In German. Halle (Saale) GDR 1953. 836 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb778b66a5963fbecc