‎Album Cover Art of Soundtracks‎

‎New York, United States, Little, Brown & Company 1997, 1997 Paperback, 128 pages, English, 300 x 300 mm, fine copy, with illustrations in colour and b/w. ISBN 9780316482400.‎

‎This unique book presents the first visual history of today's most hotly collected records - the great movie and television soundtracks from the 1950s to the early 1970s, from Breakfast at Tiffany's and Thunderball to Mission: Impossible and Barbarella. The soundtrack albums of these and other classic movies are among the most prized collectibles today - recordings that summon up the secret agents, starlets, glamour and exotica of the past and set the mood for the "cool modern" lounge scene of today. The book showcases art, in brilliant full color, from nearly 300 of the greatest soundtrack covers, including many sought-after items by film music legends such as John Barry, Jerry Goldsmith, Henry Mancini, Ennio Morricone and Lalo Schifrin. It is a must for record collectors, graphic designers and anyone into the new easy listening scene.‎

‎1,2,3 Du Monde Maya. Avant, Pendant Et Apr s La Visite De Stephens Et Caterwood‎

‎Quebec, DANTE, 1984 Hardcover, 84 pages, Texte en Francais, 228 x 228 mm, Tres Bien Condition!. ISBN 9789706054623.‎

‎Mexique: Contient des reproductions de dessins en couleurs de Frederick Catherwood. Quatre reproductions incluses. Abondamment illustr de photographies, dessins, fac-simil s, cartes g graphiques et ac tates, tous en couleurs.‎

‎La explicación en las ciencias de la conducta‎

‎Alianza Editorial 1974 in8. 1974. Broché.‎

‎Bon Etat couverture défraîchie ternie intérieur propre‎

‎Belgicum Stephan Vanfleteren‎

‎, Hannibal, 2019 Hardcover, 212pp. tweede druk. nieuw. ISBN 9789492081834.‎

‎Belgicum is een fotoproject over Belgie. Het is geen objectieve weerspiegeling van een land maar een subjectief fotodocument in zwart-wit. Een ontdekkingstocht door een klein landje in het centrum van Europa tijdens de eeuwwisseling. Meer dan vijftien jaar heeft Stephan Vanfleteren door het territorium ?Belgicum? geslenterd, verdwaald en gejaagd door ontroering en liefde voor zijn moederland. Het werd een tocht door een land met littekens, op zoek naar een onvindbare identiteit maar met de melancholische ziel van een oude natie.‎

‎Les monographies du cca Wagram - Chirurgie du nerf facial - n°21‎

‎1994, cca, in folio cartonné. | Etat : Très bon état général. (Ref.: G9709)‎

‎CCA‎

‎Mes souvenirs 1806-1833.-‎

‎Paris. Calmann-Lévy. 1877. In-8 (144 x 219mm) dos veau citron à 5 nerfs pièce d'auteur maroquin rouge, de titre maroquin vert, fleurons or, plats et gardes marbrés, 2ff., X, 406 pages. Des rousseurs sinon bon exemplaire bien relié.‎

‎"La nature (Collection ""Comprendre"")"‎

‎Gründ. 1990. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎"Adaptation française de Nathalie Chaput, révision de Michel Cuisin. Collection ""Comprendre"". Classification Dewey : 570-Sciences de la vie"‎

‎Du cr ateur biblique au d miurge gnostique. Trajectoire et r ception du motif du blasph me de l'Archonte‎

‎, Brepols, 2021 Paperback, 864 pages, Size:156 x 234 mm, Illustrations:38 tables b/w., Language(s):French, Hebrew, Greek. ISBN 9782503584966.‎

‎Summary L'auteur de ce livre propose la comparaison critique de toutes les utilisations attest es du motif gnostique du blasph me de l'Archonte et l' tude de la transformation de la citation du texte d'Isa e dans les textes gnostiques en examinant les particularit s de chaque attestation. Cette approche permet, entre autres, de bien distinguer les diff rentes versions du blasph me de l'Archonte et de retracer, autant que possible, les diff rentes tapes de sa diffusion dans la litt rature gnostique. Toutes ces variantes sont pr cieuses, car elles permettent de pr ciser les destinataires vis s par les diff rentes oeuvres et les contextes socioreligieux sp cifiques chacune de celles-ci. L'Archonte appara t tant t comme un mod le de conversion imiter, tant t comme un anti-mod le rejeter, comme le type de l'impi t religieuse. Ces pr sentations impliquent des destinataires et des situations communautaires diff rents, si bien que les origines du motif du blasph me de l'Archonte sont diverses, mais doivent tre situ es l'int rieur du cadre de la construction du discours interreligieux. Le blasph me de l'Archonte appara t alors comme un des volets de la crise identitaire du christianisme au II me si cle, qui s'est cristallis e, entre autres, autour de la question de la v ritable connaissance de Dieu. TABLE OF CONTENTS Pr face par Paul-Hubert Poirier Avant-propos Table des mati res Partie I : Introduction Prologue Chapitre I : Fondement scripturaire du blasph me de l'Archonte Partie II : Les versions ophites du blasph me de l'Archonte Chapitre II : Le blasph me de Yaldaba th de la notice d'Ir n e sur les ophites Chapitre III : Le blasph me du Grand G niteur Yaldaba th dans l' crit sans titre Chapitre IV : Le blasph me de Sama l-Sakla-Yaldaba th dans l'Hypostase des archontes Chapitre V : Le blasph me du Grand G niteur dans la Sagesse de J sus-Christ Chapitre VI : Le blasph me du Cosmocrator dans le Deuxi me trait du Grand Seth Partie III : Les versions barb lo-s thiennes du blasph me de l'Archonte Chapitre VII : Le blasph me du Protarchonte de la notice d'Ir n e sur les barb liotes Chapitre VIII : Le blasph me du Protarchonte Yaldaba th dans l'Apocryphon de Jean Chapitre IX : Le blasph me du Grand D mon Sakla dans la Pr tennoia trimorphe Chapitre X : Le blasph me de Sakla dans le Livre sacr du Grand Esprit invisible Partie IV : Les versions valentiniennes du blasph me de l'Archonte Chapitre XI : Le blasph me du D miurge de la Grande Notice d'Ir n e et la r futation des livres II et IV Chapitre XII : Le blasph me du D miurge dans l'Adversus Valentinianos de Tertullien Chapitre XIII : Le blasph me du D miurge de la notice sur Valentin de l'Elenchos Partie V : Les autres versions du blasph me de l'Archonte Chapitre XIV : Le blasph me de l'Archonte dans L'Adversus Marcionem de Tertullien Chapitre XV : Le blasph me du Cosmocrator de la notice contre Marcion d'Eznik de Ko?b Chapitre XVI : Le blasph me d' lohim de la notice sur Justin de l'Elenchos Chapitre XVII : Le blasph me du Grand Archonte de la notice de l'Elenchos sur Basilide Chapitre XVIII : Le blasph me de l'Archonte de la notice d' piphane contre les nicola tes Chapitre XIX : Le blasph me de l'Archonte dans la Seconde Apocalypse de Jacques Partie VI : Conclusion pilogue Annexe I. La source commune l' crit sans titre et l'Hypostase des archontes Annexe II. Les mat riaux communs la Sagesse de J sus-Christ et Eugnoste Bibliographie Index des auteurs modernes Index des sources anciennes‎

‎l'aube de la photographie en Belgique: Guillaume Claine (1811-1869) et son cercle‎

‎, Cr dit communal, 1991 Paperback, 120 pages, Texte en Francais / Tres belle exemplaire, 295 x 210 mm, illustr. / fotos en n/b. ISBN 9782871830146.‎

‎Ren e Lorie Noctuary‎

‎, Posture Editions Nr 32, 2019 PB, 297 x 210 mm, 96 pages, Illustrated.ENG-NL edition. ISBN 9789491262333.‎

‎Noctuary ? the first publication of Ren e Lorie (b. 1989), a Brussels based photographer ? is a photografic journey into undefined landscapes and interiors. The black and white photographs are full of magical moments, uncertain feelings and surreal light. "A lot of images you see here were made during the end of a period of loss. Close beloved ones that passed away. When you go through this intense process of letting go, looking back, trying to hold on, forever is a strong compulsion. You want to latch onto these past certainties, in order to avoid the confrontation of constant change and dissociation, processes unique to life. Photography serves as a consolation to impossibly embrace what was."‎

‎BOOK TOWER IMAGES. Visualizing Henry van de Velde's Ghent University Library Tower‎

‎, A-S books, 2023 softcover , 270 x 200 mm, 168 pages , 210 colour illustrations, EN edition. ISBN 9789076714691.‎

‎The Ghent University library with its famous "Book Tower" was designed by Henry van de Velde in the 1930s. It re-opened recently after a long restoration process under the supervision of Robbrecht en Daem architecten. Book Tower Images focuses on the rich artistic imagery of the monument. Over the years, leading artists and photographers such as Frans Masereel, Lucien Herv , Candida H fer, and Carl De Keyzer have visualized it abundantly. Jan De Cock, Marie-Jo Lafontaine, Anne Teresa De Keersmaeker and others realized installations or dance performances in the building that were documented with the help of photographs and films. Juxtaposing multiple images of the same building, Book Tower Images deals with various models of architectural representation: from typical modernist architectural photographs by Emile Sergysels from the 1940s to recent explorations by Dirk Braeckman, Geert Goiris, Aglaia Konrad, and Walter Vorjohann among many others. Book Tower Images combines architectural photography with a myriad of other artistic and photographic practices such as documentary photography, street photography, fashion shoots, photojournalism, amateur photography, painting, drawing, video, film et cetera - with, of course, the Book Tower as leitmotiv. De Gentse Universiteitsbibliotheek met de beroemde Boekentoren, die door Henry Van de Velde in de jaren 1930 werd ontworpen, werd onlangs heropend na een lange restauratiecampagne. Hoewel de tentoonstelling Beelden van de Boekentoren inspeelt of dit heuglijke feit, schenkt zij niet zozeer aandacht aan het gebouw zelf maar eerder aan de rijke beeldvorming ervan. De bibliotheektoren werd in de loop der jaren immers uitvoerig gevisualiseerd door toonaangevende fotografen zoals Lucien Herv en Candida H fer terwijl kunstenaars als Jan De Cock en Anne Teresa De Keersmaeker er installaties of dansvoorstellingen realiseerden die met behulp van foto's en films werden geregistreerd. Door meerdere beelden van hetzelfde gebouw te confronteren maakt deze expositie een veelvoud aan architecturale representatietechnieken duidelijk: van de typische modernistische architectuurfoto's die Emile Sergysels in de jaren 1930 maakte tot de recente exploraties door Aglaia Konrad. Daarnaast koppelt de expositie architectuurfotografie aan een ruime waaier van andere artistieke en fotografische praktijken zoals documentaire fotografie, street photography, modefotografie, fotojournalistiek, amateurfoto's, schilderkunst, video, et cetera - met, uiteraard, de Boekentoren als rode draad. Met werk van Kristien Daem, Jan De Cock, Walter De Mulder, Carl De Keyzer, Geert Goiris, Lucien Herv , Candida H fer, Jan Kempenaers, Aglaia Konrad, Fran ois Schuiten, Emile Sergysels en vele anderen. Dit project werd gerealiseerd in samenwerking met de Centrale Bibliotheek van de Universiteit Gent en de Archives et Mus es de la litt rature te Brussel en met de genereuze steun van Art Mentor Foundation Lucerne‎

‎Werk in architectuur Paul Robbrecht en Hilde Daem ‎

‎BE, Ludion, 1998 Gebonden met stofomslagl, 156 pagina's ge llustreerd. ISBN 9055440906.‎

‎Prachtig ge llustreerd overzicht van het oeuvre van dit toonaangevende architectenduo dat met zijn realisaties de band tussen beeld en ruimte, tussen kunst en architectuur concretiseert.‎

‎Raoul De Keyser: Early Works. Catalogue of Paintings 1964-1980‎

‎, Walter Koenig Verlag , 2024 Hardcover, dusjacket, 256 pages, ca. 800 illustrations color and b/w. Language: English text ISBN 9783753305608.‎

‎This publication was made possible thanks to the generous support of Zeno X Gallery Antwerp, David Zwirner Gallery New York, Barbara Weiss Gallery Berlin, Ghent University Central Library, and the Dekeyser family---Het boek belicht het weinig bestudeerde vroege werk van De Keyser en omvat onder meer een rijk ge llustreerde catalogue raisonn van de schilderijen gemaakt tussen 1964 en 1980. Raoul De Keyser (1930-2012) start met schilderen als jongeman in de jaren 1940. Al in de vroege jaren 1950 breekt hij zijn artistieke loopbaan af voor een job als ambtenaar en journalist. Pas in 1964 manifesteert hij zich opnieuw als kunstenaar met werken die aanvankelijk de nieuwe trends in de figuratieve schilderkunst (Pop Art, nouveau r alisme) oproepen, terwijl ze later aansluiten bij het Amerikaans modernisme (Colorfield Painting, Post-Painterly Abstraction, Hard Edge). In de jaren 1970 vertoont De Keysers werk sterke overeenkomsten met zowel de Minimal Art als de Fundamentele schilderkunst. De tentoonstelling in VANDENHOVE focust op deze vroege periode in De Keysers werk en bestaat uit een twintigtal schilderijen die nooit eerder werden ge xposeerd of die niet meer werden getoond sinds de jaren 1960 en '70. Naast enkele jeugdwerken omvat de expositie een uitzonderlijke selectie schilderwerken uit priv -collecties, van werken uit de jaren 1960 die representatief zijn voor de zogenaamde Nieuwe Visie tot gelaagde schilderijen uit de jaren 1970. Zij vertonen de vertrouwde landschappen, kamers, krijtlijnen, tenten en wolken, soms in verrassende kleuren die afwijken van zijn meer bekende werken. Sommige schilderijen lijken bovendien bepaalde thema's of gevoeligheden aan te kondigen die later in zijn loopbaan verder werden uitgewerkt. Samen tonen ze een traject doorheen de motieven, variaties, hernemingen en overschilderingen die het hele oeuvre van De Keyser tekenen. Naast deze nooit of zelden getoonde werken, omvat de tentoonstelling stukken uit het archief van Raoul De Keyser, dat deel uitmaakt van de collectie van de Centrale Bibliotheek van de Universiteit Gent. Installatiezichten, posters, folders, schetsen en aantekeningen (waarvan vele nooit eerder werden gepubliceerd) werpen een nieuw licht op De Keysers vroege artistieke ontwikkelingen, met aandacht voor onder meer zijn activiteiten als sportjournalist en kunstcriticus, zijn connecties met Nederlandse musea en galeries, zijn affiniteiten met grafische vormgeving, zijn atelier als tentoonstellingsruimte en zijn niet aflatende belangstelling voor het 'object-karakter' van zijn schilderijen. De expositie Lang niet gezien: Raoul De Keyser 1946-1964-1980 grijpt plaats ter gelegenheid van het verschijnen van twee publicaties over de jonge De Keyser [EN] A leading exponent of European painting from the late 1980s to the early 2000s, Belgian artist Raoul De Keyser (1930-2012) started his career much earlier. This book focuses on De Keyser ?Ts hitherto understudied early works, including a catalogue raisonné of the paintings made between 1964 and 1980. De Keyser started painting in the 1940s but aborted his artistic career in the early 1950s, becoming a civil servant and journalist. Only in 1964, he took up painting again with works blending the in ,uence of Raveel, Dine, Held, and Noland. Soon, he developed his own idiom, evolving into a more subdued and abstract style in the 1970s. Based on extensive archival research, this book contains a wealth of artworks, photographs, posters, and documents that never have been published before.‎

‎Post ex sub dis Urban fragmentations and constructions‎

‎, 010 Publishers, 2002 Paperback, 312 Pagina's, ENG, 235 x 175 mm, illustrations in colour / b/w . ISBN 9789065404787.‎

‎Post, ex, Sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown, and disrubia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms demonstrates how difficult it has become to name, map and analyze contemporary cityscape. To many observers, urban evironments and urban society have come to evince a radically chaotic and fragmented structure. This book explores how in recent decades the notion of fragmentation - a mainstay already of reflextions on ruban modernity - has acquired new meanings and how, within the current decentralized and centrifugal context, the urban landscape is constantly being deconstructed and reconstructed, both materially and discursively. Richly illustrated with work by artists and photographers who have visualized various new kinds of urban fragmentation, the volume brings toghether a series of essays on spatial, social, and cultural issues written by distinguished scholars and practioners from unusual variety of disciplines. It wil be especially usefull to students of urban planning, architecture, sociology, literature and the arts.‎

‎Post ex sub dis Urban fragmentations and constructions **SIGNED‎

‎, 010 Publishers, 2002 Paperback, 312 Pagina's, ENG, 235 x 175 mm, illustrations in colour / b/w **** SIGNED Met handgeschreven opdracht en gesigneerd, gedateerd door de auteur . ISBN 9789065404787.‎

‎Post, ex, Sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown, and disrubia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms demonstrates how difficult it has become to name, map and analyze contemporary cityscape. To many observers, urban evironments and urban society have come to evince a radically chaotic and fragmented structure. This book explores how in recent decades the notion of fragmentation - a mainstay already of reflextions on ruban modernity - has acquired new meanings and how, within the current decentralized and centrifugal context, the urban landscape is constantly being deconstructed and reconstructed, both materially and discursively. Richly illustrated with work by artists and photographers who have visualized various new kinds of urban fragmentation, the volume brings toghether a series of essays on spatial, social, and cultural issues written by distinguished scholars and practioners from unusual variety of disciplines. It wil be especially usefull to students of urban planning, architecture, sociology, literature and the arts.‎

‎Science in the Monastery. Texts, Manuscripts and Learning at Saint-Bertin‎

‎, Brepols, 2020 Paperback, 352 pages, Size:216 x 280 mm, Illustrations:15 col., 6 tables b/w., Language: English. ISBN 9782503585635.‎

‎Summary The traditional view of monastic orders in late-medieval scholastic culture has been relatively muted. Beyond the Franciscan and Dominican orders, and to a far lesser extent, the Augustinians and Cistercians, the older monastic orders (and especially the Benedictines) played a smaller role in the university during the thirteenth through the fifteenth centuries. Yet if the library collection of Saint-Bertin is examined more carefully, one finds that many of the books were added by alumni of the University of Paris and Louvain, and in one instance, Cologne, and that as a whole, the monastery's collection reflected the changing currents within late medieval intellectual society. Science in the Monastery proposes to analyze Benedictine science using Saint-Bertin as a vehicle. TABLE OF CONTENTS Introduction Three celebrated manuscripts Leiden, Universiteitsbibliotheek, Voss.Lat.Q.94: Lucretius' De rerum natura Wolfenb ttel, Herzog August Bibliothek, Gud. lat. 105: Agrimensores veteres Boulogne-sur-Mer, Biblioth que des Annunciades 188: Aratea phaenomena Saint-Bertin and Eleventh-Century Christian Humanism Saint-Bertin at the University Networks of Bookmen: Pierre d'Allouagne Is there a Doctor in the House? Medical Books at Saint-Bertin New Alternatives: The University of Louvain Mathematics and Optics Benedictine Science at Saint-Bertin Plates Catalogue Boulogne-sur-Mer, Biblioth que Municipale des Annonciades Biblioth que d'Agglom ration du pays de Saint-Omer Appendices Saint-Bertin Manuscripts with Fifteenth-Century Secundo Folio References Concordance of Eighteenth-Century Inventory Numbers and Modern Shelflist Numbers Select Bibliography Indexes Index of Authors, Titles and Subjects Initia Index of Named Scribes and Artists Index of Previous Owners, Donors and Users Index of Watermarks Manuscripts cited‎

‎La Mémoire : Des molécules à l'esprit‎

‎Seuil 1989 403 pages 23 2x15 4x1 6cm. 1989. Broché. 403 pages.‎

‎Bon état tranche ternie et jaunie intérieur propre deux pages cornées‎

‎Encyclopédie Prisma du monde sous-marin.‎

‎ P., Prisma, 1957, fort in 8° cartonnage toilé de léditeur, 559 pages, nombreuses illustrations hors-texte ; cartonnage frotté avec tache dencre sur le premier plat. ‎

‎Publié, sous la direction de J.A. Stevens et la collaboration de la Marine Nationale, sous la forme de dictionnaire.PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................‎

‎L'acoustique‎

‎Laffont 1970 13x19. 1970. Broché. 190 pages. Très bon état‎

‎Dismantling the Medieval. Early Modern Perceptions of a Female Convent's Past‎

‎, Brepols, 2021 Paperback, 247 pages, Size:156 x 234 mm, Illustrations:1 b/w, 14 col., 2 tables col., Language: English. ISBN 9782503593470.‎

‎Summary Dismantling the Medieval studies the paradoxical relationship of the early modern canonesses of Bouxi res with the medieval past of their institution. While various documentary, material, spatial, and immaterial legacies of that past remained a crucial presence in the convent's narrative of self, the canonesses also used and manipulated them to pursue and justify drastic changes in their organization and lifestyle. Thanks to an unusually rich and varied body of evidence, we are able to reconstruct in unprecedented detail this elite convent's highly flexible memory culture over a period of more than two centuries. Guiding the reader back through time, the book gradually reveals how and why the canonesses' connection to the medieval past lived on throughout many crises and transformations, including even the abbey's dissolution in 1971. TABLE OF CONTENTS List of illustrations List of tables Acknowledgements Abbreviations Introduction Chapter 1: 1833 A Gift for an Emperor Chapter 2: 1801 St Gozelin's (Im)mortal Remains Chapter 3: 1784 The Death of a Medieval Convent Chapter 4: 1766 Retooling Religious Space and Identities Chapter 5: 1692 Old and New Memories of Origins Conclusions Appendices Index of people and places‎

‎Judith of West Francia, Carolingian Princess and First Countess of Flanders. Biographical Elements and Legacy‎

‎, Brepols, 2024 Hardback, 254 pages, Size:178 x 254 mm, Illustrations:22 col., 5 tables b/w., Language: English. ISBN 9782503604619.‎

‎Summary Judith of West Francia is one of the most enigmatic of Charlemagne's early descendants. The daughter of the king of West Francia and future emperor Charles the Bald and his wife Ermentrude, she was one of only a handful of Carolingian princesses who were destined for marriage. Over the course of her teenage years she married two successive kings of Wessex, became the first consecrated queen of England, was widowed twice, returned to Francia with an immense dowry, and sparked a major diplomatic incident when she eloped with a nobleman from Flanders called Baldwin. Eventually she married Baldwin in early 864, and together they established the dynasty of the counts of Flanders. In doing so the couple laid the groundwork for what would become one of the mightiest and most prestigious territorial principalities in north-western Europe in the tenth and eleventh centuries. But even in the tenth century, exceedingly few written memories of Judith's life survived. This explains why she was never the subject of a biography in the medieval or early modern eras, and why scholarship's understanding of her life and legacy remains highly fragmented. This volume sets the record straight, offering an accessible and interdisciplinary discussion of all relevant and documented aspects of Judith's life and legacy. TABLE OF CONTENTS Steven Vanderputten, Introduction: Judith of Flanders as a Historical Figure, Figurehead of Dynastic Legitimation, and Source of Literary Imagination Charles West, Judith's Elopement, set in the Context of Ninth-Century Politics and Ideology Brigitte Meijns, The Question of The Emergence and Early Development of the County of Flanders Els De Paermentier, The Early Countesses of Flanders: Profile and Power Lisa Demets, Judith in the Literary Imagination of the Late Medieval and Early Modern Eras Georges Declercq, Looking for Judith's Burial Site Geert Vermeiren and Marie-Anne Bru, The Discovery of Seven Elite Graves in the Narthex of Saint-Peter's abbey in Ghent Jessica Palmer, Isabelle De Groote, et al., Anthropological Analysis of 'Judith' and the Six Other Remains. Annex‎

‎kastelen in oost Vlaanderen‎

‎Hasselt, Concentra , 1976, gebonden, hardcover, linnen met stofomslag, in prima staat. 103 pag.‎

‎kastelen in oost Vlaanderen‎

‎Anton Henning: Great Hits. the first exhibition with Anton Henning at the gallery.‎

‎Antwerpen , Tim Van Laere Books, 2014, 2014 Gebonden, Hardcover,48 pagina's, Nederlands/Engels. *new‎

‎Anton Henning, born in Berlin in 1964, whose artistic career since the mid-eighties has taken him to Berlin, London and New York. The self-educated Anton Henning paints, photographs, films, sculpts, draws, makes music, designs and builds whole rooms. He virtually challenges the risk of provoking misunderstandings and polarising them without directly addressing the political side. In the figurative sense he is dismantling the entire history of art up to the present day, in order to completely reconstruct it. A kind of artistic synthesis. In his first exhibition at the Tim van Laere Gallery, which is also his first individual exhibition in Belgium since his much acclaimed exhibition at SMAK in 2007, Anton Henning tries to define the highly subjective oscillating approach, between distinct conceptualism and pure intuition, in an exhibition with an impressively broad spectrum. Anton Henning?s art combines long-time prejudged antipodes with the same naturalness, it knows how to seduce contemporary excellent gastronomy with the present day. Anton Henning is a master of good and bad taste, ruthless (self) irony, humorous ambiguity and virtually loving precision and this is in all lightness and virtuosity.‎

‎La conservation de l'énergie suivie d'une étude sur la nature de la force par P. De Saint-Robert‎

‎P., Alcan, 1879, un volume in 8 relié en cartonnage éditeur, (2), 2pp., 216pp., figures dans le texte‎

‎---- Troisième édition ---- DSB XIII pp. 51/53 ---- "On doit à B. Stewart, physicien écossais (1828/1887), la découverte de la loi de proportionnalité entre les puissances d'absorption et de rayonnement ainsi que des recherches sur la physique solaire". Qu'est-ce-que l'énergie (définition du travail, rapport entre vitesse et énergie, la résistance et le mouvement de l'atmosphère ne doivent pas être pris en considération, l'énergie est indépendante de la direction du mouvement, forces autres que la pesanteur) - Energie mécanique, sa transformation en chaleur - Forces et énergies de la nature, loi de conservation - Transformation de l'énergie - Etude historique ; dissipation de l'énergie - Place de la vie dans l'univers - Etude de M. P. De Saint-Robert : Qu'est-ce que la force**4891/7097/M5DE-4890/CAV.F5-7098/CAV.F5(3)‎

‎La conservation de l’énergie. Suivie d’une étude ssur la nature de la force par P. de Saint-Robert. Collection Bibliothèque scientifique internationale.‎

‎ Paris, Germer Baillière 1875, 215x135mm, II - 216pages, reliure d'éditeur. Percaline violette, titre au dos et sur le plat supérieur. ‎

‎ figures in texte, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎