‎La souche enchantée -‎

‎L'école des loisirs. 1997. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 35 pages. Texte sur 2 colonnes. Nombreuses photographies en couleurs dans et hors texte. Quelques salissures sur les contre plats. Couverture avec film plastique adhésif et etiquettes de code collées sur le 1er plat.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎PIERRE QUI MOUSSE SUR LA PISTE D'ANIMAUX SAUVAGES‎

‎ARCHIMEDE / L'ECOLE DES LOISIRS. 2004. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 45 pages. Nombreuses photos en couleurs dans le texte et hors texte de l'auteur. Ouvrage de bibliothèque avec une couverture plastique transparente sur la couverture originale.Tampons de bibliothèque sur la page de titre. Une étiquette de code en pied du dos et en pied de la première de couverture. Légères mouillures sans taches en marges des pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Poésie et musique à l'âge de l'Ars subtilior. Autour du manuscrit Torino, BNU, J.II.9‎

‎, Brepols, 2021 Paperback, 256 pages, Size:190 x 290 mm, Illustrations:12 col., 7 tables b/w., 20 musical examples, Language(s):French, English. ISBN 9782503596211.‎

‎Summary Remarquable par son exceptionnelle qualité - que l'on considère son ampleur, la variété de ses pièces, la complexité de son agencement ou la richesse de son ornementation -, le manuscrit Torino, BNU, J.II.9 constitue un « monument » poético-musical qui, à bien des égards, reste intriguant. Si son lien avec Janus de Lusignan, roi de Chypre durant le premier tiers du XVe siècle, a été souligné de longue date - et plus récemment remis en question -, de nombreuses inconnues demeurent quant à son objet réel, son contexte de production et sa relation aux traditions continentales. Tandis que celles-ci relèvent autant de l'histoire de la musique que de l'histoire littéraire ou politique, seule la musicologie a jusqu'à ce jour tenté d'y répondre. Prenant acte de cette lacune, le projet scientifique et artistique Une voix plurielle. Approche performative des pratiques musicales et littéraires dans les milieux curiaux et cléricaux en Chypre vers 1430 a voulu, au cours de son colloque conclusif organisé à Montpellier en 2015 sur le thème Poésie et musique à l'âge de l'Ars subtilior. Autour du manuscrit Torino, BNU, J.II.9, réunir des spécialistes de tous domaines. Sans chercher à proposer une interprétation définitive du manuscrit J.II.9, les contributions réunies dans ces actes ambitionnent d'en éclairer certains aspects : d'abord son environnement historique caractérisé par d'importantes circulations d'hommes et d'idées ; ensuite les poétiques du recueil qui témoignent de la continuité d'un héritage ; enfin les fondements de son répertoire où l'on décèle des enjeux à la fois politiques, religieux et arithmologiques. TABLE OF CONTENTS Illustrations Exemples musicaux Tableaux Abréviations Introduction Gisèle Clément, Isabelle Fabre, Gilles Polizzi et Fañch Thoraval L'environnement historique : circulations, cultures, milieux Résonances humanistes à la cour de Nicosie (1411-1423) Gilles Grivaud La rhétorique humaniste au service des élites chypriotes dans l'Italie septentrionale de la première moitié du XVe siècle Clémence Revest Dans le sillage de Charlotte de Bourbon (1386/1390-1422) : contacts et relations entre le royaume de Chypre et la France Philippe Trélat King Janus of Cyprus and the Great Schism Apostolos G. Kouroupakis Les Lusignan de Chypre à l'époque du premier humanisme français : le cardinal Hugues et la bibliothèque d'Anne et Louis de Savoie 67 Evelien Chayes Les poétiques du recueil : tradition, héritages, modèles « A paines puis congnoistre joye d'ire » : de Gace Brulé au recueil de Chypre Isabelle Fabre Memories of the mainland in the Songs of the Cyprus codex Yolanda Plumley Les rondeaux du codex de Chypre, entre tradition et innovation Christelle Chaillou-Amadieu Raison contre Fortune: ordering and structure in the first ballade gathering of the manuscript Torino J.II.9 Virginia Newes (?) Les fondements du répertoire : politique, religion, arithmologie Dévotion, liturgie, performativité : « religion royale » et « géographie religieuse » dans les motets du manuscrit Turin J.II.9 et les offices du Saint-Sépulcre Fañch Thoraval La « liturgie chypriote » et la tradition liturgique hiérosolymitaine Fedon Nicolaou Proportions et structures dans les pièces profanes du manuscrit de Chypre Cécile Beaupain Trasgressione e pentimento di David (Paris, Bibliothèque Sainte-Geneviève, ms. 3354). Un oratorio volgare de Pietro de Nores, mis en musique par Bartolomeo Grassi et dédié à Louis XIII Angel Nicolaou-Konnari et Kenneth Owen Smith Bibliographie Manuscrits et archives Études, ressources et documents imprimés Index Index des incipits Index des noms Index des lieux‎

‎Current Gastroenterology and Hepatology: v. 1‎

‎Imprint unknown 1980 528 pages in4. 1980. Cartonné. 528 pages. iconographie en noir et blanc‎

6 Images

‎Bon état général cependant présence d'annotations passages soulignés et pages cornées‎

‎Massimo Listri. Cabinet of Curiosities. 40th Ed.‎

‎, TASCHEN, 2023 Hardcover | Duits, Engels, Frans | 40th Edition , 163 mm x 224 mm , 448 pages, . ISBN 9783836593786.‎

‎The Wunderkammer, or "cabinet of curiosities," saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind's knowledge in a single room. From the Grand Duke Francesco I de' Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world--spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history. Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed "Coburg ivories," an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born. These marvelous cabinets of curiosities can now be explored by all in this collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeous photographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe.‎

‎Futuristic Fiction, Utopia, and Satire in the Age of the Enlightenment. Samuel Madden's 'Memoirs of the Twentieth Century' (1733)‎

‎, Brepols, 2024 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:10 b/w, Language: English. ISBN 9782503606026.‎

‎Summary Published anonymously in 1733, Memoirs of the Twentieth Century is one of the earliest futuristic novels known in Anglophone and Euro-American literature. It foregrounds an acceleration of history brought about by an increasing degree of global interconnectedness, and the exclusion of prophetism and astrology as credible ways to know the future. The work of Samuel Madden, an Irish writer and philanthropist of Whig sympathies, it consists of a collection of diplomatic letters composed in the 1990s, which the narrator claims were brought to him from the time to come by a supernatural entity. Through these correspondences, twentieth-century world scenarios are spread out before the reader, in which British naval power rules the waves and international commerce, while the transnational scheming of the Jesuits threatens the independence of weaker European courts. This book - which includes a study followed by an annotated edition of the text - assesses the cultural significance of this literary work, as an apt observatory on how historical time as a cultural construction was shaped, during the eighteenth century, by new forms of transnational circulation of information, and by the dubious space carved out in European culture by seventeenth- and early eighteenth-century debates on the nature of historical knowledge. Through and by means of the Memoirs case study, this volume aims to contribute to a wider cultural history of the future and speculative fiction. The novel's ironic distancing of beliefs considered to be superstitious and absurd - such as divination techniques and occult and magical disciplines - offers an exceptional testimony to the negotiation of the boundaries of verisimilitude and credibility within a religious enlightenment. TABLE OF CONTENTS Introduction: Knowledge, Power, and Time in the Age of the Enlightenment Part I. Samuel Madden's Eighteenth-Century Memoirs from the Future I. Where was the Future? II. When was the Future? III. An Irish Whig between Philanthropism and Literature IV. An Eighteenth-Century Twentieth Century V. An (Unreliable) Historian of the Future VI. A 'good genius' and the 'scene of things below' VII. Empirical Science, Global Consciousness, and 'the History of Future Times' VIII. Blurring the Dichotomy between History and Fiction IX. Satirising Past Futures X. 'Publishing' the Letters XI. 'This prodigious society': Anti-Jesuit Satire XII. Whose Credulity, whose Credibility XIII. Bookish Mysteries and an 'alternate George VI' XIV. Concluding Remarks Part II. Memoirs of the Twentieth Century A Note on the Text Samuel Madden, Memoirs of the Twentieth Century Notes to the Text Bibliography Index ‎

‎Bibbia a Montecassino / The Bible at Montecassino‎

‎, Brepols, 2021 Hardback, 483 pages, Size:216 x 280 mm, Illustrations:121 b/w, 140 col., Language(s):Italian, English. ISBN 9782503593098.‎

‎Summary For manuscript historians, the Bible in the form of a codex represents a handcrafted object of the utmost importance: it was the sacred text par excellence and served as a vital reference point in the lives of medieval monks. In addition, it functioned as an indispensable tool for daily liturgical celebration, and as a study text and individual reading book for the purpose of moral edification. The manuscript collection of the Montecassino Abbey presents an exemplary case study, both for the total number of biblical manuscripts it preserves (just under a hundred, and for the diversity of types (complete 'monolithic' Bibles, Old and/or New Testament sequences of varying size and physiognomy, and individual glossed books with commentary beside the text), as well as for the presence of a significant group of codices in Beneventan minuscule produced for internal use within the same Abbey or in its dependencies in a period centered around the eleventh century (with sporadic extensions into the twelfth and thirteenth). The present catalogue aims to deepen our current knowledge of the presence, transmission and reception of the Bible in one of the most important and emblematic medieval Benedictine monasteries. TABLE OF CONTENTS La Bibbia a Montecassino Preface Montecassino e la Bibbia. Forme, contenuti, decorazione / Montecassino and the Bible. Forms, content and decoration Le Bibbie di Montecassino. Protocollo catalografico / The Montecassino Bibles. Cataloguing protocol Abbreviazioni dei libri biblici / Abbreviations of Bible books Bibbie. Catalogo / Bibles. Catalogue Bibbie glossate. Censimento / Glossed Bibles. Census Compactiones Bibliografia / Bibliography Indices Indice dei contenuti non biblici / Index of non Biblical contents Indice dei manoscritti / Index of manuscripts Indice delle Illustrazioni / Index of illustrations Tavole / Plates‎

‎maiolica italiana del Rinascimento: Studi e ricerche. Atti del convegno internazionale, Assisi, 9-11 settembre 2016‎

‎, Brepols, 2020 Hardback, 406 pages, Size:240 x 340 mm, Illustrations:61 b/w, 556 col., Languages: English, Italian. ISBN 9782503582856.‎

‎Summary Resulting from the international conference "The Italian Maiolica in the Renaissance. Studies and Research" (Assisi, 9-11 September 2016), this volume brings together contributions by experts from various national and international institutions, and in particular from museums housing dedicated collections of Renaissance ceramics. The volume, edited by Giulio Busti, Franco Cocchi e Mauro Cesaretti, thus provides a state of the art on historical and ceramological research about Italian Renaissance majolica. Two opening essays by professor emeritus Bruno Toscano and professor Timothy Wilson (Ashmolean Museum, Oxford) set the stage for the three thematic sections that follow. The contributions gathered in these sections respectively offer (1) a new interpretation of collections, collectors and museums, (2) a discussion of current tendencies in the research, and (3) an exploration of ceramic production before and after the Renaissance. Risultato del convegno internazionale La maiolica italiana del Rinascimento. Studi e ricerche (Assisi, 9-11 settembre 2016), questo volume raccoglie contributi di specialisti provenienti da numerose istituzioni nazionali e internazionali, e in particolare da musei che hanno specifiche sezioni di ceramica rinascimentale. Il volume, curato da Giulio Busti, Franco Cocchi e Mauro Cesaretti, fornisce pertanto lo stato dellarte della ricerca storica e ceramologica relativa alla maiolica italiana rinascimentale. Due saggi di apertura del professore emerito Bruno Toscano e del professore Timothy Wilson dellAshmolean Museum di Oxford introducono alle tre sezioni tematiche successive. I contributi raccolti in queste sezioni offrono rispettivamente: (1) una nuova interpretazione delle collezioni, dei collezionisti e dei musei; (2) un dibattito sulle attuali tendenze della ricerca; (3) un'analisi della produzione ceramica prima e dopo il Rinascimento. TABLE OF CONTENTS Prefazioni / Forewords Giorgio Bonamente Giampiero Bianconi Interventi di apertura / Opening lessons Dieci immagini del Cinquecento (Bruno Toscano) Riflessioni sull'attbribuzione e datazione della maiolica istoriata rinascimentale (Timothy Wilson) I musei dell'Umbria per la ceramica (Antonella Pinna) Sessione I: Collezioni, Collezionisti e musei: una rilettura / Session I: Collections, collectors and museums reviewed (Franco Cocchi) Ancora sull'Orsini Colonna: qualche nuova idea da sviluppare in un contesto internazionale, dall'Aquila a Campli, da Bucciarelli ai Lazzarelli, nella stagione del governo di Margherita d'Austria (Lucia Arbace) A curiosity from the Calamelli workshop. A recent acquisition in the context of the British Museum's collection (Dora Thornton) Frammenti di maiolica italiana dalle raccolte didattiche del MIC di Faenza (Valentina Mazzotti) Maioliche del Rinascimento nei Musei della Fondazione Lungarotti (Maria Grazia Marchetti Lungarotti) Una saliera derutese per i Reali d'Inghilterra (Elisa P. Sani) Maiolica veneziana nelle collezioni polacche. Nuove attribuzioni, iconografia, interpretazioni (Ewa Katarzyna Swietlicka) Valorizzazione e svalutazione del Museo della Ceramica di Montelupo: una lezione per il presente e per il futuro (Fausto Berti) La raccolta di maiolica rinascimentale nel Museo Regionale della Ceramica di Deruta (Giulio Busti) Sessione II: Nuove emergenze: studi e ricerche dai territori / Session II: New findings: Studies and research from the production territories (Franco Cocchi) Maioliche di Faenza dal Rinascimento al Manierismo. Un breve profilo attraverso opere inedite (Carmen Ravanelli Guidotti) Majolica made in Spoleto finally identified. A preliminary report (Sir Timothy Clifford) Trasmissioni, contaminazioni e innovazioni nei decori a lustro di area fiorentina (Marino Marini) Francesco Durantino e Fedele Fulmine (Luca Pesante) Note sugli istoriati "a due orizzonti" (Ettore A. Sannipoli) Un'inedita maiolica roveresca: il calamaio del Duca (Claudio Paolinelli) Ceramica per l'architettura nella Orvieto del Cinquecento (Alberto Satolli) Perugia nel primo Cinquecento: il commercio della ceramica in città (Alberto Maria Sartore) Sessione III: Rinascimenti: prima e dopo / Session III: Renaissances: before and after (Franco Cocchi) Dopo il primato della maiolica: una riconversione industriale nel Valdarno (Hugo Blake) Due interessanti maioliche bassanesi del Seicento nelle collezioni del Musée national de Céramique di Sèvres (Raffaela Ausenda) "Alcuni cenni storici delle maioliche di Deruta". Un manoscritto inedito di Giuseppe Fabretti (Clara Menganna) La ceramica di Esanatoglia: considerazioni su alcuni recenti ritrovamenti (Clarissa Sirci) Maioliche liguri istoriate: vasi di farmacia policromi con scene tratte dall'Antico Testamento (Cecilia Chilosi) Girolamo Diruta e la Madonna della Navicella di Chioggia (Giulio Busti, Franco Cocchi) La rappresentazione della musica nella ceramica italiana del Rinascimento (Pier Maurizio Della Porta) Estratti / Abstracts Apparati / Annexes Bibliografia / Bibliography Indice dei nomi / Index of names Indice dei maestri vasai, botteghe/famiglie/manifatture, ceramisti, decoratori e pittori di oggetti ceramici / Index of master potters, workshops/families/manufactures, ceramists, decorators and painters of ceramic objects Indice dei luoghi / Index of places‎

‎L'arte e l'ambiente del Sahara preistorico: dati e interpretazioni - Volume XXVI - Fascicolo II‎

‎Edité par Museo Civico di Storia Naturale, Milan, 1993. In-4 broché. 556pp. Reliure fragile. Inscription manuelle sur le dos (titre). Bon état. Passages en langues italienne, anglaise et française. Published by Museo Civico di Storia Naturale, Milan, 1993. In-4 paperback. 556pp. Fragile binding. Handwritten inscription on spine (title). Good condition. Passages in Italian, English and French. Pubblicato dal Museo Civico di Storia Naturale, Milano, 1993. In-4 brossura. 556pp. Legatura fragile. Iscrizione manoscritta sul dorso (titolo). Buono stato. Passi in italiano, inglese e francese.‎

7 Images

‎Correggio. Pittore universale.‎

‎, Silvana, 2007 Softcover, 192 pages, 24.8 x 1.5 x 29 cm, ITALIAN TEXT. Fine condition . ISBN 9788836609772.‎

‎Correggio fu innovatore straordinario delle arti. L'estrema bellezza della sua pittura, la sapienza e la molteplicità espressiva che egli genialmente esercitò, sono meritevoli di gioiosa conoscenza. Le sue opere donano l'appagamento ai sensi e sanno nutrire l'intelletto. Storicamente Correggio è stato il primo pittore compiutamente emozionale dell'arte italiana: colui che nel momento creativo ha saputo entrare nello stato d'animo di ogni suo personaggio, rivelandolo; colui che chiede intensamente all'osservatore una partecipazione non soltanto di intelletto, ma di profondi sentimenti e commozioni. Per tali affascinanti novità, per la vivezza delle forme e dei colori, per la libertà spaziale, fu il padre artistico delle generazioni successive, alle quali trasmise i moti dei cuori e le trepidazioni delle carni. Questa monografia, che spiega soprattutto i contenuti, vuoi essere uno strumento informativo e invitante per apprezzare un artista realmente altissimo.‎

‎I Capitoli di conoscenza. Centurie I-V. Testo siriaco e traduzione italiana‎

‎, Brepols, 2023 Paperback, 288 pages, Size:180 x 265 mm, Language(s):Syriac, Italian. ISBN 9782503606491.‎

‎Summary Déjà considéré anciennement comme le grand théoricien de la mystique syro-orientale, Joseph Hazzaya (VIIIe siècle) est né en Perse d'une famille mazdéenne, puis s'est converti au christianisme et s'est fait moine. Fils de la réforme d'Abraham de Kashkar, il est spirituellement apparenté à Isaac de Ninive et Jean de Dalyatha. Sur la base d'une quinzaine de manuscrits, les Chapitres de connaissance édités et traduits en italien dans ce fascicule font partie d'une ?uvre dans laquelle Hazzaya déploie son enseignement sous une forme expressive qui, depuis Évagre le Pontique, a connu une grande diffusion. TABLE OF CONTENTS Introduzione Abbreviazioni e sigle Bibliografia Testo e traduzione - Centuria I (Primo discorso) - Centuria II (Secondo discorso) - Centuria III (Terzo discorso) - Centuria IV (Capitoli di conoscenza disposti in ordine alfabetico e per ogni lettera dieci capitoli) - Centuria V (Secondo discorso [posto] secondo le lettere dell'alfabeto. [Dalla] lettera Lamed) Indice biblico Indice dei termini siriaci Indice degli autori antichi Indice onomastico e tematico‎

‎Giuseppe Penone Thoughts in the Roots ‎

‎Köln, Walther & Franz Koenig Verlag, 2025 Hardcover, 168 pages, 30.5 x 22 cm, English text. *New. ISBN 9783753308821.‎

‎Expo: 03/04/2025 - 07/09/2025, Serpentine Gallery, London Edited by Claude Adjil, Alexa Chow, Text by Federico Campagna, Ludovico Einaudi, Hans Ulrich Obrist, Precious Okoyomon, Giuseppe Penone, Elif Shafak The catalogue brings together works from almost five decades by Giuseppe Penone, one of the leading figures of the Arte Povera movement, highlighting the relationship between art and nature that is at the core of his work. Designed by Atelier Dyakova, the publication also includes an extended interview between Penone and Hans Ulrich Obrist discussing the artist's inspiration and practice.‎

‎Elio Luxardo Nudes‎

‎, Silvana Editorale, 2025 Hardcover, 121 pages, 24.5 x 33 cm, Italian, English. *NEW. ISBN 9788836662937.‎

‎An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 ? Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time. A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecittà film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en scène, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography. The volume presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil. The man?s strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a woman?s body far removed from the rhetoric of ?home, country, family? and the icon of the ?angel of the hearth?. This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist. Contents Introductory texts Nicola Del Roscio Enrico Praloran Following the Thread of History Giuseppe Vanzella Theatre of the Nude Davide Pellicciari Elio and the ideal of beauty: noble simplicity and quiet grandeur Carlotta Spinelli The Myth of Manliness in Elio Luxardo?s Photographs Federica Muzzarelli Biography Exhibited works Bibliography‎

‎Cours de cryptographie. Deuxième édition.‎

‎Paris, Éditions Berger-Levrault, 1932. 221 x 143 mm, IX-(1)-304 pp. Reliure cartonnage, dos muet, coins ouverts, coupes frottées, ex-libris manuscrit sur page de faux-titre.‎

‎ VACANCES D'ÉTÉ : la librairie sera fermée du samedi 11 juillet au lundi 3 août 2026 inclus, vous pouvez toujours passer vos commandes, elles seront traitées dès notre retour.‎

‎Korte tydrekenkundige geschiedenis tot gebruyk der jongheyd ‎

‎Antwerpen , G.J. Bincken, 1781 Papieren band, 87 pagina's, NL, gedrukt in Romeins en Civilité lettertypes. *goede staat.‎

‎Korte tydrekenkundige geschiedenis tot gebruyk der jongheyd ‎

‎Dit moet u niet onverschillig wezen! De vaderlandse literatuur in het Noord-Nederlandse voortgezet onderwijs 1800-1900,‎

‎Nijmegen, Vantilt, paperback, rijk geillustreerd 224 pagina's. ISBN 9789077503812.‎

‎Culturele verscheidenheid is iets moois. Toch we willen ook weten wat ons bindt. Daarom vinden we dat kinderen moeten kennismaken met de grote namen en gebeurtenissen uit het vaderlandse verleden. En dan komt de literatuur eveneens aan bod, met de wens dat er weer gedegen literatuuronderwijs moet komen, -zoals vroeger-. Waar hebben we het dan over? Gert-Jan Johannes laat zien dat het onderwijs in de vaderlandse letterkunde pas rond 1800 ontstond. Maar toen ging het ook snel. Literatuurgeschiedenis rukte op in klaslokalen, met lucide titels als Schets van de geschiedenis der Nederlandsche letterkunde, Beknopte geschiedenis van de Nederlandsche letterkunde of zelfs Schets van de beknopte geschiedenis der Nederlandsche letterkunde. Tientallen bloemlezingen presenteerden de teksten uit heden en verleden. Kreten als 'Jantje zag eens pruimen hangen', 'Constantijntje, saligh kijndje' of 'Hoofden van Lebak!' galmden uit talloze jonge monden. Intussen was het vaak niet zo duidelijk wat het literatuuronderwijs nu eigenlijk beoogde. Wat moesten de kinderen weten en waarom? Feitelijk duurt die onduidelijkheid tot op de dag van vandaag voort. Het is daarom hoog tijd dat er helderheid wordt geschapen. Dit moet u niet onverschillig wezen! ‎

‎Hoekverdeling van resonant verstrooide remstraling aan het 2.21 MeV niveau in Al27.‎

‎, Brussel, Paleis der Academien, 1963., Gebrocheerd, originele uitgeversomslag, 18x26cm, 84 p., 48 fig., 5 tab.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n?° 71.‎

‎Bijdrage tot de studie van cycloaditie- en dipooladditiereacties : Cycloadditiereacties van aziden met carbonylgestabiliseerde fosforyliden.‎

‎, Brussel, Paleis der Academien, 1972., Gebrocheerd, originele uitgeversomslag, 18x26cm, 49 p., tab., schema??s.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n?° 125.‎

‎Cahiers Fundamenta Scientiae n°67: La didactique de la modélisation.‎

‎Université Louis Pasteur. 1977. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 20 pages dactylographiées agrafées, quelques illustrations en noir et blanc dans et hors texte - tampon sur le 1er plat.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Développement des Papiers noir et blanc et couleur‎

‎Paul Montel 1977 in8. 1977. Cartonné.‎

‎Bon état de conservation couverture défraîchie intérieur propre‎

‎Les Volcans d'Auvergne. Leurs caractères. Leur genèse. Leur évolution. 2e édition, revue et augmentée‎

‎Clermont-Ferrand, S.A. du "Moniteur du Puy-de-Dôme" et des imprimeries Mont-Louis, 1910 gr. in-8, 57 pp., ill. in-t., planche dépliante, broché. ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Studie van elektrische veldgradienten in Te met behulp van het Mossbauer-effekt.‎

‎, Brussel, Paleis der Academien, 1978., Gebrocheerd, originele uitgeversomslag, 18x26cm, 62 p., 5 tab., 13 fig.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n?° 148.‎

‎Traité de la Chymie.‎

‎ Paris, Gutenberg Reprint 1980, 180x113mm, 394pages, broché. Réédition de l’édition de Paris, Jean d’Houvry, 1668. Très bel exemplaire.‎

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‎Traité de la chymie enseignant par une briève et facile méthode toutes ses plus nécessaires préparations.‎

‎Paris, Chez Jean d'Houry, 1668. In-12 relié pleine peau noire, dos à 5 nerfs orné de fleurons dorés, tranches mouchetées, 394 pp. 2e édition en fac-similé sur papier vergé réimprimée à l'identique par Gutenberg. Reprint en 1980. Il s'agit là d'un des 80 exemplaires reliés, numérotés de 1 à 80, celui-ci N° 39. Un des ouvrages classiques d'alchimie conservé à l'état de neuf. ‎

‎Le mystère de la vie. Traduit et adapté par H. Bloch.‎

‎ P., Hachette, 1935, in 12 broché, 243 pages. ‎

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