‎Les grandes heures de la cuisine Française‎

‎Le club français du livre ,1964, in-8 de 281 pages ,illustrations hors-texte ,relié pleine toile éditeur ,Très bon état , .(4 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

‎Business of Pleasure A History of Paid Sex in the Heart of Europe.‎

‎, UPL - KU Leuven, 2024 Paperback, 182 pages, 23.4 x15.6cm. 16 illustrations, black & white. ISBN 9789462704107.‎

‎In 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe ? and the second globally ? to abandon the hypocrisy of tolerance. But this was not the first time paid sex in Belgium gained international notoriety. The medieval bathhouses and ?frows of Flanders? were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Yet while Belgians were accused of forcing white women into prostitution, they were left alone when it came to the inclusion of any suspect woman in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Transcending stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present. Elwin Hofman is a cultural historian and writer. He teaches at Utrecht University and has (co)authored several books on cultural history, including a history of homosexuality in Belgium. Magaly Rodríguez García is an authority on the history of international labour organisations and subaltern history. She is a professor at KU Leuven and collaborates with Belgian and foreign colleagues on projects regarding, inter alia, sex work and prostitution policy at the local, national and supranational levels. In the context of oral history projects, she became closely involved with advocacy groups for vulnerable persons such as sex workers and homeless people. Pieter Vanhees is a social historian and has researched the history of prostitution in the nineteenth and twentieth centuries at KU Leuven. ‎

‎New French Couture: Icons of Paris Fashion‎

‎, Harper, 2016 Hardcover, 280 pages, 10.63 x 1.18 x 12.6 inches, English text. New . ISBN 9780062215994.‎

‎With more than 175 color high-fashion photographs, this stunning, comprehensive, and authoritative handbook on modern French couture, covering the finest Parisian houses of couture?including Chanel, Dior, Balenciaga, Yves Saint Laurent, Lanvin, and more?and the creative directors who are redefining their legacies for the twenty-first century. While trends emerge from New York, London, and Tokyo, the fashion capital of the world remains the City of Light. From Coco Chanel to Karl Lagerfeld, Christian Dior to Raf Simons, Hubert de Givenchy to Riccardo Tisci, the evolutionary arc of French fashion and its most revered houses grows richer with each season and with a continuous infusion of imaginative new talent. The New French Couture identifies the fashion leaders whose longstanding ateliers have endured, and the creative pioneers who continue to reinvent and reinterpret their signature iconography, including Karl Lagerfeld at Chanel, Raf Simons at Christian Dior, Riccardo Tisci at Givenchy, Alber Elbaz at Lanvin, Alexander Wang at Balenciaga, and Hedi Slimane at Saint Laurent. Though haute couture remains the exclusive domain of a few houses, the Parisian fashion panorama is rife with gifted luxury establishments who specialize in hand-craftsmanship, exquisite design, precious materials, impeccable production, and a celebrity clientele. The New French Couture provides a dazzling tour through the advertising, editorial, runway, and behind-the-scenes lives of these exclusive ateliers, revealing the evolution of each brand, their definitive looks, and fashion ?moments.? Here, too, are profiles of those who have made Paris their home, reimagining contemporary French luxury more independently of the fashion conglomerates, such as Hussein Chalayan, Jean Paul Gaultier, Azzedine Alaïa, and Phoebe Philo for Céline. Breathtaking in scope and vision, beautiful, sophisticated, and informative, The New French Couture provides a comprehensive glimpse at the breadth of the Paris?s impressive and abiding fashion authority.‎

‎ATLAS DE MICROBIOLOGIE .‎

‎J.B.BAILLIERE ET FILS. 1898. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. XII + 60 planches imprimées en couleurs d'après les dessins de M.Christ Doctoroff ou d'après des photos avec texte explicatif en regard - coins frottés - plats tâchés - adhésif transparent sur le dos allant légèrement sur les plats - déchirures sur la page table des matière et errata ayant des conséquence sur la lecture - petite annotation sur la page de titre - 2 photos disponibles.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Regnum animale, sectionibus III. Physicè, Medicè, Anatomicè, Harmonicè, Mechanicè, Théoreticè, Practicè. Evisceratum, enumeratum & emedullatum. Hominis scillicet & brutorum machinam hyfrolico-pneumaticam comparatè, item V. classes universals, ac usum cibarium & medicinalem curiosis quibusvis proponens‎

‎Apud Emanuelem König | Coloniae munatianae (Bâle) 1682 | 20.20 x 15 cm | relié‎

‎Edition originale. Reliure en pleine basane marbrée havane, dos à nerfs janséniste, pièce de titre noire. Reliure milieu XIXème. Emanuel König (1658-1731) était un physicien et médecin allemand de Bâle. Etrangement cette description classique du règne animal comprenant une approche anatomique et mécanique rigoureuse est classée dans les ouvrages de magie spirituelle dans la bibliothèque des sciences occultes au XVIIème, par ailleurs cet ouvrage servira de base à Swedenborg dans ses travaux. Ex libris Picard Avenionsis gravé en médaille. Une mouillure au milieu sur l'ensemble de l'ouvrage, plus ou moins marquée. Absent à Brunet. - Photographies et détails sur www.Edition-Originale.com -‎

‎Botanique et Biologie végétale. PONS Armand : Contribution palynologique à l'étude de la flore et de la végétation pliocènes de la région RhodanienneAnnales Des Sciences Naturelles. Masson et Cie. 12e série - Tome V - Fascicule 3 juillet-septembre 1964.‎

‎1 vol. in-8° br., des pages 499 à 713 + fig. Très bon état. ‎

‎Subjects from History (2 vols.), Corpus Rubenianum Ludwig Burchard vol. 13.1‎

‎Turnhout, Brepols, 1997 Hardback, 690 pages., 228 b/w ill., 180 x 265 mm. set in 2 volumes, fine condition. ISBN 9780905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Subjects from History volume two only, Corpus Rubenianum Ludwig Burchard vol. 13.1‎

‎Turnhout, Brepols, 1997 Hardback,398 pages., 228 b/w ill., 180 x 265 mm.only volume 2., fine condition. ISBN 0905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015‎

‎, Brepols - Harvey Miller, 2021 Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en français ou en anglais. * new. ISBN 9782930054407.‎

‎The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.‎

‎Willy Boers 1905-1978‎

‎Naarden, V+K Publishing 1995, 1995 Hardcover, 392 pagina's, Nederlands, 300 x 250 mm, boek als nieuw, met illustraties in kleur, . ISBN 9789066110441.‎

‎Monografie van de kunstschilder en stimulator van behoudende kunstenaarsgroepen.‎

‎bladen voor de grafiek nr.2 jrg 1- TOM PAYOT‎

‎, Lier, 1968., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎TOM PAYOT De bladen voor de grafiek nr.2 jrg.1‎

‎Expressionism in Belgium‎

‎, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.‎

‎Kunst > Expressionisme - Fauvisme‎

‎SUR UN PHENOMENE TERATOLOGIQUE OBSERVE CHEZ QUELQUES MOUSSES - EXTRAIT DU BULLETIN DE LA SOCIETE BOTANIQUE DE FRANCE (SEANCE DU 8 FEVRIER 1861)‎

‎IMP. DE L. MARTINET. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 4 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Brief van Ed. de Nève met boek Ed. de Nève. Schrijver, journalist, verzetsman, 1889-1961‎

‎Tilburg, Uitgeverij De Schaduw, 1953-89 Handgeschreven brief met enveloppe + softcover boek, 287 pagina's, 21.5 x 14 cm, Nederlandstalig. Goede staat. ISBN 9789050830096.‎

‎Brief van Ed. de Nève aan jazz-pianist Jacques van Poll.‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

‎Carlo Scarpa The Complete Buildings‎

‎, Prestel, 2024 Hardback, 324 x 216 mm, 280 Illustrations col., 352 Pages, English ed. ISBN 9783791377148.‎

‎Featuring exquisite photographs of every structure the architect designed from scratch or incorporated into a historical building, this elegant volume is as sumptuous and inviting as a Scarpa interior. Although he was not widely known during his lifetime, Carlo Scarpa has in the past-half century become one of the most revered of modern architects. ‎

‎Être femme sans être mère: Le choix de ne pas avoir d'enfant.‎

‎ Robert Laffont 2007, collection "Réponses", in/8 broché, 190 pages.‎

‎"Partout dans le monde, un nombre croissant de femmes osent affirmer et assumer leur choix de ne pas vouloir d'enfant alors que l'air du temps irait davantage dans le sens " d'un enfant à tout prix ". Qui sont ces femmes qui nous rappellent qu'on ne peut réduire le désir d'enfant à une simple question d'instinct et d'horloge biologique ? Quelles sont les raisons profondes de leur choix ?Loin des clichés réducteurs - elles n'arrivent pas à trouver d'homme pour faire leur enfant, elles sont probablement homosexuelles, aigries ou immatures -, Émilie Devienne, elle-même sans enfants, nous donne à voir des femmes qui, chaque jour, doivent affronter la pression sociale et familiale. Brisant avec humour et parfois dérision ce sujet encore tabou, elle partage avec nous sa vision de femmes modernes, responsables, créatives et... heureuses, même sans être mères !" ‎

‎Scotland's Royal Women and European Literary Culture, 1424-1587‎

‎, Brepols, 2024 Hardback, 448 pages, Size:156 x 234 mm, Illustrations:9 b/w, 37 col., Language: English. ISBN 9782503600291.‎

‎Summary Scotland's Royal Women and European Literary Culture, 1424-1587 seeks to fill a significant gap in the rich and ever-growing body of scholarly work on royal and aristocratic women's literary culture in the fifteenth and sixteenth centuries. There has, to date, been no book-length study of the literary activities of the female members of any one family across time and little study of Scotland's royal women in comparison to their European and English counterparts. This book adopts the missing diachronic perspective and examines the wives and daughters of Scotland's Stewart dynasty and their many and various associations with contemporary Scottish, English, and European literary culture over a period of just over 150 years. It also adopts a timely cross-border and cross-period perspective by taking a trans-national approach to the study of literary history and examining a range of texts and individuals from across the traditional medieval/early modern divide. In exploring the inter-related lives and letters of the women who married into the Scottish royal family from England and Europe ? and those daughters who married outwith Scotland into Europe's royal families ? the resultant study consistently looks beyond Scotland's land and sea borders. In so doing, it moves Scottish literary culture from the periphery to the centre of Europe and demonstrates the constitutive role that Scotland's royal women played in an essentially shared literary and artistic culture. TABLE OF CONTENTS Select Genealogy / Key Figures Introduction Part 1: The Wife and Daughters of James I of Scotland Chapter 1. Joan Beaufort Chapter 2. Margaret Chapter 3. Isabella Chapter 4. Eleanor Part 2: Queens Consort, James II-V Chapter 5. Mary of Gueldres Chapter 6. Margaret of Denmark Chapter 7.Margaret Tudor Preface to Chapters 8 and 9. The Wives of James V Chapter 8. Madeleine of Valois Chapter 9.Mary of Guise Part 3: Queen Regnant Chapter 10. Mary Queen of Scots Bibliography Index‎

‎European Contexts of Ramism‎

‎, Brepols, 2019 Hardback, xii + 353 p., 156 x 234 mm, Illustrations:13 b/w, English. *NEW . ISBN 9782503574998.‎

‎Pierre de la Ramée or Petrus Ramus (1515-1572) has long been a controversial figure in educational reform and innovation, from the moment of his first public academic statements in the 1530s, to his reception among scholars in the twentieth and twenty-first centuries. What is beyond dispute, however, is the vast reach of his influence throughout Europe. Ramus?s ideas were disseminated through copious editions and translations of his own textbooks, and in wave after wave of adaptations and re-imaginings of his ideas that swept across the continent. This volume embarks on a European tour of Ramism, using a wide range of previously unpublished or untranslated archival evidence from throughout the continent to examine the dissemination of Ramus?s works and his intellectual influence in geographic and in disciplinary terms. The ten chapters explore the spread of Ramism from his home country of France to Protestant strongholds in Germany, Holland, and Britain, and in the Catholic context of the Iberian peninsula. The book also examines Ramism in the less familiar territories (to most Anglophone readers) of Scandinavia and Hungary, and considers the preceding and contemporary Dutch and German educational reform movements from which Ramus borrowed to forge his own distinctive intellectual method.‎

‎What is Medieval? Decoding Approaches to the Medieval and Medievalism in the 21st Century‎

‎, Brepols, 2024 Hardback, 288 pages, Size:178 x 254 mm, Illustrations:26 b/w, 24 col., Illustrations:26 b/w, 24 col., Language: English. ISBN 9782503600680.‎

‎Summary The Middle Ages and Medievalism have been used and abused throughout history-and this continues. This narrative deserves a reassessment. But, what is Medieval? This is the central question that unifies the contributions in this volume. 'Medievalism', or the study of the Middle Ages in its broadest sense, refers to the perception, conceptualisation and movement towards the era post the fifteenth century. Its study is therefore not about the period otherwise referred to as the 'Middle Ages', but rather the myriad ways it has since been conceived. And the field of medievalism is still in its relative infancy which has led to the emergence of various existential questions about its scope, remit, theoretico-methodological and pedagogical underpinnings, interpretation, periodization, and its relationship to established disciplines and more emerging subdisciplines and specialised fields?both within and without the academy. In turn, neomedievalism has allowed insight into and a response to the medieval often dominated by the modern. This has provoked debate over the nature of neomedievalism as a discipline, subdiscipline, genre, field or offshoot in direct or contrasting relation to the more traditional medievalism. Featuring interdisciplinary contributions from academics, educational practitioners as well as museum, digital and heritage professionals, this volume provides a fresh reflection on past methods to emerging pedagogies as well as new avenues of enquiry into the ways we think about the medieval. It is by reconciling these seemingly disparate forms that we can better understand the continual, interconnected, and often politicised, reinvention of the Middle Ages throughout cultures and study.‎

‎1925 Quand L'art Deco: Seduit Le Monde.‎

‎, Norma editeur, 2017 softcover 288 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. bon etat. ISBN 9782915542585.‎

‎aking the emblematic Exposition des arts décoratifs de Paris of 1925 as its starting point, this catalog traces the development of the Art Deco movement around the globe in every domain - France, Serbia, Brazil, Belgium, to name just a few countries ?Includes a variety of topics such as architecture, jewels, fashion, books The Exposition des arts décoratifs de Paris of 1925, constitutes a milestone in the history of the Art Deco movement, and had a decisive influence on the world. Over the following decade, many French architects and decorators were called upon to work on major international projects. French embassies and ocean liners were their Trojan horse. In 1925, things had to be modern. The development of aviation and the automobile demanded it, and for the first time garages and aerodromes were being built in large numbers. Although Art Deco is often associated with luxury, it also influenced the design of low-cost housing and garden cities, while department stores and shops created their own home decoration lines to meet demand.‎

‎RENÉ BUTHAUD Céramiste art déco‎

‎, Norma editeur, 2023 HB, 305 x 230 mm, 192 pages, 200 illustraties, FR edition. neuf!. ISBN 978237666078.‎

‎Figure marquante des arts décoratifs de l'entre-deux guerres, René Buthaud (1886-1986) s'intéresse à la céramique, mais aussi à la peinture et à la gravure ,dès la fin de ses études à l'École des Beaux-Arts de Paris et à l'École nationale supérieure des Arts Décoratifs, avant d'être mobilisé. Tantôt figuratifs et peuplés de figures historicisantes ou d'animaux, tantôt géométriques ou abstraits, ses vases et sculptures rencontrent un grand succès dès le salon d'Automne et le Salon des artistes décorateurs de 1920, aux côtés de ses amis Jean Dunand et Alfred Janniot. Excellent technicien, il devient directeur technique de Primavera et de la Faïencerie d'art de Sainte-Radegonde et est notamment connu et apprécié du public pour sa grande maîtrise du craquelé qu'il fait redécouvrir en France. Il est en outre l'auteur d'une trentaine de remarquables fixés sous verre qui témoignent de sa dextérité avec d'autres matériaux. Diffusé par la galerie Rouart et participant à la plupart des Salons comme aux grandes expositions (Exposition internationale des Arts décoratifs de 1925, Exposition coloniale internationale de 1931 et Exposition des arts et techniques de 1937), il connaît également un vrai succès outre-Atlantique, grâce au Prix Florence Blumenthal dont il a été lauréat en 1921 ou à ses vases signés Doris.‎

‎Reconstruire les villes. Modes, motifs et récits‎

‎, Brepols, 2019 Paperback, 345 pages, Size:216 x 280 mm, Illustrations:64 b/w, 29 col., 4 tables b/w., 13 maps b/w, Languages: French, English. ISBN 9782503586311.‎

‎Summary Le dixième anniversaire de la revue Semitica & classica a donné lieu, à Paris, les 18 et 19?octobre 2017, à un colloque international sur le thème de la reconstruction des villes en Méditerranée du troisième millénaire avant notre ère au Moyen Âge. Archéologues, philologues, historiens, historiens de l'art et épigraphistes y ont traité de la reconstruction des villes, tantôt d'un point de vue général, tantôt à partir d'études de cas, dont Mari, Ougarit, Sélinonte, Athènes, Milet, Rome, Jérusalem, Antioche, Hermopolis, Byzance, Gaza ou Alep. Issu de ce colloque, le présent volume, s'appuyant sur les sources antiques, textes ou vestiges archéologiques, étudie les rapports entre destruction et reconstruction, qu'elles soient le fait des habitants eux-mêmes ou de l'envahisseur, que la destruction soit un fait de guerre, une catastrophe naturelle ou qu'il s'agisse, dans un cas comme dans l'autre, d'une volonté de rénovation partielle ou totale. Les modes de destruction d'une ville, tout ou partie, et les modalités de reconstruction, remplois architecturaux, formes de restauration et de rénovation sont appréhendés à l'aide des données archéologiques et des récits antiques, comme autant de souvenirs de ces illustres cités, témoignages de ce qu'elles furent réellement, mais aussi parfois récits littéraires et reconstructions fictives du passé. TABLE OF CONTENTS Introduction (Renée Koch-Piettre) Méthodologie archéologique pour une approche de la ville mésopotamienne (Jean-Claude Margueron) Les modalités de reconstruction de Mari, Ville?II, et Mari, Ville?III (Jean-Claude Margueron) Reconstruire des villes et des bâtiments : perspectives de l'Anatolie hittite (Susanne Görke) Échos de la reconstruction de la ville d'Ougarit au XIIIe?s. av. J.-C. dans la littérature locale (Robert Hawley) La mémoire des bâtiments aux mains des scribes en Mésopotamie (Carole Roche-Hawley) La reconstruction d'Athènes après les guerres médiques (Despina Chatzivasiliou) Copy and paste? Miletos before and after the Persian Wars (Alexander Herda) Reconstruire la ville à la mode punique : le cas de Sélinonte en Sicile (Hedi Dridi) La prétendue reconstruction de Rome après la catastrophe gauloise (390 av. J.-C.) (Dominique Briquel) Les reconstructions augustéennes à Rome (John Scheid) Ælia Capitolina, ville reconstruite?? (Dominique-Marie Cabaret) Gaza deserta (ou délaissée) : la concurrence d'Anthédon (Jean-Baptiste Humbert) Les empereurs romains et la reconstruction des cités dans la Chronique de Malalas (Charles Davoine) Reconstruire Antioche?? (Cathérine Saliou) Hermopolis?: son paysage monumental pendant l'Antiquité tardive (l'incidence de la christianisation) (Jean Gascou) Réparer les brèches : monuments littéraires et théologie politique dans les villes syriaques des frontières (Muriel Debié) Modes of reconstruction in Byzantine Constantinople (Paul Magdalino) Reconstructions imaginaires : une note sur Byzance et l'Islam du VIIe au Xe?siècle (Federico Montinaro) L'Arabie méridionale antique : la société tribale plus forte que la ville (Christian Julien Robin) Alep après Tamerlan : la reconstruction de l'enceinte (1401-1430) (Élodie Vigouroux) Notes de synthèse (Manar Hammad) Résumés‎

‎SUPERSTUDIO MIGRAZIONI - FR ED- Expo: 15/01/2021 - 16/05/2021, CIVA, Brussels‎

‎, Walter Koenig Verlag, 2021 BOX, 240 x 170 mm, 400 pages, 140 colour illustrations, 114 b/w illustrations, Texte en Francais. ISBN 9783960989288.‎

‎Situé au carrefour de l'architecture, du design, de l'art et de l'anthropologie, le travail de Superstudio demeure étonnamment contemporain. L'ouvre radicalement imaginative de ses membres a été redécouverte à la fin des années 1990 et s'avère être une source d'inspiration importante pour les jeunes architectes et artistes d'aujourd'hui.‎

‎Un trésor dévoilé, Le Retable de l'Adoration des Mages du XVe siècle conservé à la Basilique San Nazaro Maggiore à Milan. Un chef-d'oeuvre bruxellois de Jan Borman‎

‎, Brepols - Harvey Miller, 2025 Hardcover, Pages: 278 p. Size:230 x 290 mm, Language(s):French, Italian, English. *new. ISBN 9782930054469.‎

‎Summary Découvert dans une église de Milan, un retable se révèle être un chef-d'oeuvre de la sculpture bruxelloise de la fin du xve siècle. Commandé par un riche marchand milanais actif dans le commerce avec le Nord de l?Europe, ce retable consacré à l?Adoration des Mages déploie une mise en scène savante composée de costumes somptueux, d?ornements d?inspiration orientale, et de saynètes issues de la littérature populaire alors en vogue à Bruxelles. La restauration de l??uvre, confiée à l?Institut royal du Patrimoine artistique, a permis de retrouver sous un épais vernis sombre la qualité extraordinaire de sa sculpture magnifiée par une polychromie d?un raffinement peu égalé. L?étude stylistique et technique appuie l?attribution du retable à Jan II Borman, célèbre sculpteur bruxellois, à l?apogée de son art. De prouesses techniques en finesse d?exécution, l?artiste livre ici une ?uvre, où la polychromie se lie si intimement au décor sculpté qu?il semble avoir ?uvré de concert avec le polychromeur pour produire un jeu subtil de textures dans le rendu des étoffes et des accessoires vestimentaires. Cette monographie dévoile les découvertes inattendues rendues possibles par une étroite collaboration interdisciplinaire entre la Belgique et l?Italie. Le retable s?impose désormais comme un jalon incontournable de l?histoire de l?art des anciens Pays-Bas méridionaux. TABLE OF CONTENTS Abréviations Un projet de conservation inhabituel: le retable de San Nazaro à Milan/Un insolito progetto di conservazione : il retablo di San Nazaro di Milano Giorgio Bonsanti Introduction Catheline Périer-D?Ieteren et Emmanuelle Mercier Per un?introduzione ai rapporti tra arte italiana e arte fiamminga nel secolo Francesca Bottacin L?ancona dei Magi nella Basilica di San Nazaro : una storia milanese Paola Strada Protasio Bonsignori da Busto, committente d?arte tra la Germania e le Fiandre Carlo Cairati Entre tradition biblique et écrits vernaculaires: l?originalité iconographique Hans Nieuwdorp et Sacha Zdanov Les inscriptions sur les sculptures: approche liturgique et essai d?attribution de la polychromie Claire Dumortier Les pièces d?orfèvrerie Philippe d?Arschot L'étude stylistique du retable et sa place dans la production des Borman Catheline Périer-D?Ieteren Sur les traces de Jan Borman: étude technique comparative des retables de Milan et de saint Georges Emmanuelle Mercier L?étude dendrochronologique des éléments en chêne par le laboratoire de l?IRPA Pascale Fraiture, Christophe Maggi et Armelle Weitz De Milan à Bruxelles: la restauration à l'IRPA Emmanuelle Mercier et Violette Demonty Le plus beau des retables: la polychromie Emmanuelle Mercier et Jana Sanyova Les brocarts appliqués et le polychromeur Ingrid Geelen Conclusion Catheline Périer-D?Ieteren et Emmanuelle Mercier Les auteurs Bibliographie Crédits photographiques‎