‎Détermination du nombre des intégrales abéliennes de première espèce‎

‎P., Gauthier-Villars, 1876, un volume in 4, broché, couverture imprimée, 48pp. ‎

‎---- EDITION ORIGINALE de la thèse de doctorat ès sciences mathématiques soutenue le 29 Juillet 1876 par M. Elliot devant la Faculté des Sciences de Paris**1965/L7AR(dossier)‎

‎ETUDES DE PSYCHOLOGIE SEXUELLE .‎

‎Préface et notes établies par le professeur HESNARD 1966 . Cercle du Livre précieux ,Tchou Quinze volumes in 8° carré reliés toile rouge de l'éditeur illustré d'un médaillon ovale sur le premier plat .Série complète en excellent état .‎

‎Bon exemplaire .‎

‎Essai sur l'Histoire naturelle des Corallines, et d'autres productions marines du même genre qu'on trouve communément sur les côtes de la Grande-Bretagne et d'Irlande; auquel on a joint une description d'un grand polype de mer. Traduit de l'anglois.‎

‎La Haye, Pierre de Hondt, 1756. In-4 de XVI-125-(3) pp., 1 frontispice et 39 planches numérotées en couleurs, veau porphyre, dos orné à nerfs, pièce de titre en maroquin brun, fleurons aux angles et triple filet doré d'encadrement sur les plats, gardes de papier dominoté doré, tranches dorées (reliure de l'époque). ‎

‎Première édition française établie par Jean-Nicolas-Sébastien Allamand de la précieuse étude sur les algues corallines du naturaliste irlandais John Ellis remarquablement illustrée et enluminée d’un frontispice et 39 planches hors texte dont 5 dépliantes, gravés par James Kirk, J. Mynde et H. Roberts d’après les dessins d’Ehret. Correspondant de Carl Von Linné, John Ellis (1710-1776) publia à Londres An Essay Towards a Natural History of the Corallines en 1755, un an après son élection à la Royal Society. Un des rares exemplaires avec les planches en couleurs. Bel exemplaire. Provenance : bibliothèque du Marquis de Vichy avec ex-libris armorié ; étiquette gravée Catalogue des Frères Périsse, Imprimeurs-libraires à Lyon. Ex-libris manuscrit à l'encre du temps au verso de la première garde n°57- Bourneville. Brunet, II, 963 ; Nissen, BBI 590. ‎

‎Les animaux préhistoriques, L'extraordinaire histoire de la vie avant l'homme.‎

‎GRUND. 1975. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages. Nombreuses illustrations couleurs hors texte. Reliure éditeur. Couverture toilée.. . . . Classification Dewey : 570-Sciences de la vie‎

‎Dinosaures, poissons, mammifères. Classification Dewey : 570-Sciences de la vie‎

‎Le gaz dans la vie moderne . Avec 33 figures dans le texte. Deuxième édition revue‎

‎ ,Paris, Félix Alcan 1933, 231 pp., 1 vol. in 12 br. défraîchi. La fabrication du gaz, la distribution, les installations intérieures, les applications du gaz, les sous-produits de la distillation, les concessions gazières, l'industrie du gaz et l'économie nationale.‎

‎ETUDES SUR LA BONTE .‎

‎Etude philosophique et graphologique . 1905 . Paris ,Aux Bureaux de la Graphologie , Plaquette grand in 8° br. 40 pp.(Qq. Rouss.)‎

‎Non coupé .‎

‎Materiality of Sound in Chant Manuscripts in the West. Scriptor, Cantor & Notator (Volume I)‎

‎, Brepols, 2023 Paperback, 328 pages, Size:216 x 280 mm, Illustrations:107 b/w, 33 tables b/w., 2 maps b/w, Language(s):English, Italian, French. ISBN 9782503606149.‎

‎Summary Scriptor, Cantor & Notator is an innovative multi-author project dealing with the complex interconnections between learning, writing and performing chant in the Middle Ages. A number of different methodological approaches have been employed, with the aim of beginning to understand the phenomenon of chant transmission over a large geographical area, linking and contrasting modern definitions of East and West. Thus, in spite of this wide geographical spread, and the consequent variety of rites, languages and musical styles involved, the common thread of parallels and similarities between various chant repertoires arising from the need to fix oral repertories in a written form, and the challenges involved in so doing, are what bring this wide variety of repertoires and approaches together. This multi-centric multi-disciplinary approach will encourage scholars working in these areas to consider their work as part of a much larger geographical and historical picture, and thus reveal to reader and listener more, and far richer, patterns of connections and developments than might otherwise have been suspected. Scriptor, Cantor & Notator is published in two books. The first, The Materiality of Sound in Chant Manuscripts in the West, brings together articles on several different families of early music scripts in the Latin West and provides a vividly diverse picture of some of the best current scholarship on the various types of ancient and medieval musical notation. TABLE OF CONTENTS Methodology Concepts and Taxonomies of Music Scripts (Rankin, Susan) Design, and the Historiography of Early Music Scripts (Varelli, Giovanni) Appunti metodologici sullo studio del canto liturgico (Albiero, Laura) Indeterminacy. New Aspect of Meaning in Gregorian Chant (Mascare as Garza, scar) Guiding Silence. The Function of Melodic Interruptions in Medieval Chant (Lousberg, Leo) Et gloriosus in saecula . Pal ographie des notations franques nord-occidentales (970-1120) (Goudesenne, Jean-Fran ois) Manuscripts and Manuscript Fragments Reuniting Fragments and Reconsidering the Scribal History of the Beneventan Zone (Nardini, Luisa) Frammenti di un antifonario in notazione nonantolana (Roncroffi, Stefania) Notation in Transition? A Palaeographical Study of the Insular Missal EXcl 3515 (Mannion, Anne) Regional Scripts and Repertories Notazioni neumatiche dei secoli XI-XII nella Biblioteca Capitolare di Verona. Riflessioni e spunti di ricerca (Cunego, Giovanni) La notation musicale dans la Catalogne m di vale. Autour des origines et son volution (Garrigosa i Massana, Joaquim) The Scribe and the Notator as the Bearer of Identity. Bohemian Notation in Late Mediaeval Manuscripts of Central Europe (Veselovska, Eva)‎

‎Elsevier dictionnaire de la mesure, du calcul et du reglage electroniques, en six langues, anglais-americain, francais, espagnol, italien, hollandais et allemand, = Elsevier's dictionary of automation computiers control and measuring‎

‎Dunod 1961 In-8 relié 848 pp.‎

‎ Bon état d’occasion ‎

‎Tweede Wereldoorlog in Stabroek, Hoevenen, Putte‎

‎, Heemkring Molengalm, 2020 softcover, 464 pagina's met talrijke afbeeldingen.‎

‎ATLAS DE MICROBIOLOGIE .‎

‎J.B.BAILLIERE ET FILS. 1898. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. XII + 60 planches imprimées en couleurs d'après les dessins de M.Christ Doctoroff ou d'après des photos avec texte explicatif en regard - coins frottés - plats tâchés - adhésif transparent sur le dos allant légèrement sur les plats - déchirures sur la page table des matière et errata ayant des conséquence sur la lecture - petite annotation sur la page de titre - 2 photos disponibles.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎L 'Electricien d'usine ‎

‎ 1956 Utilisation, entretien, réparations des machines électriques Editions Eyrolles , Paris l'enseignement technique et professionnel 1956 382 pages nombreuses figures in texte et huit planches photos Couverture très lèg salie et quelques piqûres sur les tranches sinon bon état port en plus‎

‎Subjects from History (2 vols.), Corpus Rubenianum Ludwig Burchard vol. vol. 13.1‎

‎Turnhout, Brepols, 1977 Hardback, 690 pages., 228 b/w ill., 180 x 265 mm. set in 2 volumes, fine condition. ISBN 9780905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Subjects from History volume two only, Corpus Rubenianum Ludwig Burchard vol. vol. 13.1‎

‎Turnhout, Brepols, 1977 Hardback,398 pages., 228 b/w ill., 180 x 265 mm.onky volume two., fine condition. ISBN 0905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Flesh, Gold and Wood. The Saint-Denis altarpiece in Li ge and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015‎

‎, Brepols - Harvey Miller, 2021 Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en fran ais ou en anglais. ISBN 9782930054407.‎

‎The impressive altarpiece in the church of Saint-Denis in Li ge is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Li ge painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Li ge revived by Prince-Bishop rard de La Marck.‎

‎Willy Boers 1905-1978‎

‎Naarden, V+K Publishing 1995, 1995 Hardcover, 392 pagina's, Nederlands, 300 x 250 mm, boek als nieuw, met illustraties in kleur, . ISBN 9789066110441.‎

‎Monografie van de kunstschilder en stimulator van behoudende kunstenaarsgroepen.‎

‎Les grands froids‎

‎ Librairie Hachette, “Bibliothèque des merveilles”, sous la direction d'Édouard Charton, Paris, 1888. 291 pages. In/12 reliure en demi-chagrin, dos orné, illustrations 31 gravures d'après les dessins de Th. Weber.‎

5 Images

‎LA SUCCESSION DU PREMIER CONSUL ET DE L'EMPEREUR, séance annuelle de l'Académie des Sciences Morales et Politiques du lundi 11 décembre 1944‎

‎ 1944 Firmin-Didot, Institut de France, Paris, 1944. Un volume in 4° broché sous couverture verte à la Minerve, 20 pages non coupées, très bon état.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎DISCOURS prononcés dans la séance publique tenue par l'ACADEMIE FRANCAISE pour la réception de M. EMILE HENRIOT le jeudi 24 janvier 1946‎

‎ 1946 Firmin-Didot, Institut de france, paris, 1946. Un volume in 4° broché sous couverture verte à la Minerve, un portrait en frontispice, 60 pages, bon état.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎Expressionism in Belgium‎

‎, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.‎

‎Kunst > Expressionisme - Fauvisme‎

‎SUR UN PHENOMENE TERATOLOGIQUE OBSERVE CHEZ QUELQUES MOUSSES - EXTRAIT DU BULLETIN DE LA SOCIETE BOTANIQUE DE FRANCE (SEANCE DU 8 FEVRIER 1861)‎

‎IMP. DE L. MARTINET. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 4 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎John Williams Music for Films, Television, and the Concert Stage‎

‎, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.‎

‎This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.‎

‎Comment recycler les oiseaux mazoutés : Et autres bons conseils d'écologie horripilante‎

‎Editions Plume de carotte 2010 155 pages 21x15x2cm. 2010. Broché. 155 pages.‎

‎French édition - Livre n'ayant jamais été lu mais pouvant présenter des marques de stockage sur la couverture et/ou les pourtours mais reste en état très proche du neuf dans l'ensemble. Expédié soigneusement dans un emballage adapté depuis‎

‎Scotland's Royal Women and European Literary Culture, 1424-1587‎

‎, Brepols, 2024 Hardback, 448 pages, Size:156 x 234 mm, Illustrations:9 b/w, 37 col., Language: English. ISBN 9782503600291.‎

‎Summary Scotland's Royal Women and European Literary Culture, 1424-1587 seeks to fill a significant gap in the rich and ever-growing body of scholarly work on royal and aristocratic women's literary culture in the fifteenth and sixteenth centuries. There has, to date, been no book-length study of the literary activities of the female members of any one family across time and little study of Scotland's royal women in comparison to their European and English counterparts. This book adopts the missing diachronic perspective and examines the wives and daughters of Scotland's Stewart dynasty and their many and various associations with contemporary Scottish, English, and European literary culture over a period of just over 150 years. It also adopts a timely cross-border and cross-period perspective by taking a trans-national approach to the study of literary history and examining a range of texts and individuals from across the traditional medieval/early modern divide. In exploring the inter-related lives and letters of the women who married into the Scottish royal family from England and Europe ? and those daughters who married outwith Scotland into Europe's royal families ? the resultant study consistently looks beyond Scotland's land and sea borders. In so doing, it moves Scottish literary culture from the periphery to the centre of Europe and demonstrates the constitutive role that Scotland's royal women played in an essentially shared literary and artistic culture. TABLE OF CONTENTS Select Genealogy / Key Figures Introduction Part 1: The Wife and Daughters of James I of Scotland Chapter 1. Joan Beaufort Chapter 2. Margaret Chapter 3. Isabella Chapter 4. Eleanor Part 2: Queens Consort, James II-V Chapter 5. Mary of Gueldres Chapter 6. Margaret of Denmark Chapter 7.Margaret Tudor Preface to Chapters 8 and 9. The Wives of James V Chapter 8. Madeleine of Valois Chapter 9.Mary of Guise Part 3: Queen Regnant Chapter 10. Mary Queen of Scots Bibliography Index‎

‎What is Medieval? Decoding Approaches to the Medieval and Medievalism in the 21st Century‎

‎, Brepols, 2024 Hardback, 288 pages, Size:178 x 254 mm, Illustrations:26 b/w, 24 col., Illustrations:26 b/w, 24 col., Language: English. ISBN 9782503600680.‎

‎Summary The Middle Ages and Medievalism have been used and abused throughout history-and this continues. This narrative deserves a reassessment. But, what is Medieval? This is the central question that unifies the contributions in this volume. 'Medievalism', or the study of the Middle Ages in its broadest sense, refers to the perception, conceptualisation and movement towards the era post the fifteenth century. Its study is therefore not about the period otherwise referred to as the 'Middle Ages', but rather the myriad ways it has since been conceived. And the field of medievalism is still in its relative infancy which has led to the emergence of various existential questions about its scope, remit, theoretico-methodological and pedagogical underpinnings, interpretation, periodization, and its relationship to established disciplines and more emerging subdisciplines and specialised fields?both within and without the academy. In turn, neomedievalism has allowed insight into and a response to the medieval often dominated by the modern. This has provoked debate over the nature of neomedievalism as a discipline, subdiscipline, genre, field or offshoot in direct or contrasting relation to the more traditional medievalism. Featuring interdisciplinary contributions from academics, educational practitioners as well as museum, digital and heritage professionals, this volume provides a fresh reflection on past methods to emerging pedagogies as well as new avenues of enquiry into the ways we think about the medieval. It is by reconciling these seemingly disparate forms that we can better understand the continual, interconnected, and often politicised, reinvention of the Middle Ages throughout cultures and study.‎

‎Paniska; avec un dessin de James Ensor‎

‎Antwerp - Anvers , a ira, 1933 cartonnage illustre de l'editeur original; 35 pages.-[1] f. de pl. en coul. ; 19 cm *cinquante exemplaires marqu s E. L. NO; 10. .‎

‎Achev d'imprimer le 15 mars 1933 pour les ditions " a Ira" 62 Avenue Cruys, Deurne-Anvers. Les ditions " a Ira" se r servent tous droits. Il a t tir de cet ouvrage 100 exemplaires sur papier Featherweight num rot s de 1 100, dix exemplaires sur Hollande Van Gelder num rot s de I X et deux exemplaires marqu s A et B, hors commerce. Il a t tir , en outre, cinquante exemplaires marqu s E. L. NO; 10. a ira : revue mensuelle d'art et de critique a ira (1920-1923) : revue anversoise d'avant-garde‎