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‎Elias, Willem Van Mulders, W. Meewis Bekkers, Ludo Stegeman, Elly De Bare, B. Fuchs, R. [Fuchs, Rudi] Hoet, J. [Hoet, Jan] Van Isacker, Philip Debanterl , R.‎

Reference : 67499

‎3 x 3 op papier : drie generaties Vlaamse kunstenaars = 3 x 3 on paper : three generations pf Flemish artists‎

‎Gent, Snoeck-Ducaju & Zoon, 1996 Oorspronkelijk uitgevers omslag, 80pag illustr. text NL/ENG.‎


‎expo Yan-Huang Art Museum o.a. Cox, Jan Copers, Leo van Severen, Dan Heyvaert, Ren Van Isacker, Philip Minder... Vandenberghe, Philippe Raveel, Roger Bervoets, Fred Dierickx, Karel ‎

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‎Elie Barnavi ; Benoit Remiche ; traduction : Steve Blackah‎

Reference : 62622

‎21, rue de la Bo tie - D'apr s le livre d'Anne Sinclair.‎

‎, Tempora / La Boverie, 2016 Softcover, 287 pages Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. Texte en Francais., 260 x 210 x 25 mm. ISBN 9782960065855.‎


‎ 21 rue la bo tie d'apr s le livre d'Anne Sinclair: Picasso, Matisse, Braque, L ger. . .]‎

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‎Elie Bil ‎

Reference : 68605

‎Blankenberge door de eeuwen heen. Uit de archieven van Maria de Meulenaere en anderen.‎

‎, Brugsch Handelsblad, Geniet, 63 pagina's, 27.5 x 21 cm, NL, met talrijke z/w foto's. *Mooie staat.‎


‎Blankenberge door de eeuwen heen. Uit de archieven van Maria de Meulenaere en anderen.‎

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‎Elie LAZERGES‎

Reference : LFA-126731647

(1938)

‎SCIENCES NATURELLES‎

‎Un ouvrage de 172 pages, format 120 x 185 mm, illustré, relié cartonnage, publié en 1938, Librairie Armand Colin, bon état‎


‎Classe de 5e‎

Phone number : 04 74 33 45 19

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‎ELIE RABIER‎

Reference : R240009692

‎DISCOURS DE LA METHODE pour bien conduire sa raison et chercher la vérité dans les sciences suivi des médiations en latin et en français‎

‎LIBRAIRIE CH. DELAGRAVE 12e édition. NON DATE. In-12. Broché. Bon état, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 272 pages. Manque coiffes en tête et en pied, mors fendus. Pages non coupés.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎


‎Nouvelle collection classique d'ouvrages philosophiques Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

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‎Elie Saegeman‎

Reference : 45483

‎Octave Landuyt. Ricorso.‎

‎, Stichting Kunstboek, Hardcover, 28 x 24.5 cm, 304 p., 300 illustraties, Nederlands, Fine copy. Including an index. ISBN 9789058562388.‎


‎Octave Landuyt (Gent, 1922), schilder, graveur, beeldhouwer, designer, ontwerper van toneeldecors, juwelen en wandtapijten, behaalde vele prijzen voor zijn plastisch oeuvre en voor industrieel design. Zijn werken zijn te vinden in talrijke binnen- en buitenlandse musea.‎

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‎Elie Saegeman‎

Reference : 64816

‎Octave Landuyt. Ricorso. FR.‎

‎, Stichting Kunstboek, 2007 Hardcover, 28 x 24.5 cm, 304 pages ., 300 illustraties, Texte en Francais Fine copy. Including an index.*NEUF. ISBN 9789058562395.‎


‎Octave Landuyt (Gand, 1922), peintre, graveur, sculpteur, designer, cr ateur de d cors de th tre, de bijoux et de tapisseries, a remport de nombreux prix pour son travail plastique et pour le design industriel. Ses ?uvres sont expos es dans de nombreux mus es nationaux et trangers.‎

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‎Eline Vansteenkiste in conversation with Tim Van Laere‎

Reference : 67197

‎ELINE VANSTEENKISTE expo‎

‎, Tim Van Laere Books , 2025 hardcover, 144 pages, illustrations,full color, 26x21.5cm, quadrilingual: English, Dutch, French, Italian *new. ISBN 9789464004359.‎


‎Eline Vansteenkiste ( 1991, Gent) is een hedendaagse Belgische kunstenares die bekend staat om haar kleine olieverfschilderijen op houten panelen. Ze bouwt surrealistische en cinematografische landschappen waarin groteske wezens, strijdende vrouwen en cartografisch ge nspireerde sc nes samenkomen . Haar werk is visueel rijk en psychologisch geladen, met duidelijke referenties naar middeleeuwse meesters zoals Jeroen Bosch, Pieter Bruegel en Joachim Patinir. Tegelijkertijd echoot het de filmische sfeer van regisseurs als Andrei Tarkovsky, waarbij de landschappen een diepzinnige narratief en emotionele gelaagdheid bieden. Vansteenkiste had haar eerste solotentoonstelling bij Tim Van Laere Gallery in Antwerpen (10 april 17mei 2025), waar haar werk in een verfijnde tentoonstelling zichtbaar was ________________________________________ Kortom: Vansteenkiste maakt kleine, maar rijk gelaagde landschappen vol mythologische en psychologische verwijzingen. Haar werk nodigt uit tot zowel verhalende als symbolische interpretatie, waarbij ze een moderne echo geeft aan middeleeuwse cartografie en cinematografie. ------Eline Vansteenkiste (b. 1991, Ghent) is a contemporary Belgian artist known for her small oil paintings on wooden panels. She builds surreal and cinematic landscapes in which grotesque creatures, warring women and cartographically inspired scenes come together . Her work is visually rich and psychologically charged, with clear references to medieval masters such as Hieronymus Bosch, Pieter Bruegel and Joachim Patinir. At the same time, it echoes the cinematic mood of directors such as Andrei Tarkovsky, with the landscapes offering profound narrative and emotional layering. Vansteenkiste had her first solo exhibition at Tim Van Laere Gallery in Antwerp (April 10 - May 17, 2025), where her work was visible in a sophisticated exhibition ________________________________________ In short, Vansteenkiste creates small but richly layered landscapes full of mythological and psychological references. Her work invites both narrative and symbolic interpretation, giving a modern echo to medieval cartography and cinematography. . ‎

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‎Elisabeth Antoine-K nig ‎

Reference : 66174

‎Figures du fou: Du Moyen ge aux romantiques‎

‎, Gallimard, 2024 Hardcover, Couverture reliee, 456 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. 28-26CM. ISBN 9782073073037.‎


‎"Infini est le nombre des fous" Eccl siaste, chapitre I, 15 Au commencement tait "l'insens ", pauvre fou d pourvu de sagesse qui se d tourne de Dieu. Rel gu dans les marges, il sort de la sph re religieuse au cours du Moyen ge pour s' panouir dans le monde profane et devenir tour tour celui qui divertit, met en garde, d nonce, inverse les valeurs, voire renverse l'ordre tabli. Reconnaissable ses attributs embl matiques - capuchon oreilles d' ne ou cr te de coq, grelots, clochettes, marotte, costume bariol -, cette figure volue au fil des si cles et s'incarne en de multiples avatars : fous de cour, fous d'amour ou bouffons envahissent alors tout l'espace artistique occidental. Du Moyen ge la Renaissance et jusqu' l' poque moderne, un parcours exceptionnel dans l'art de l'Europe du Nord r unit ici pr s de 350 oeuvres aussi diverses que les personnages qu'elles mettent en sc ne : manuscrits enlumin s, livres imprim s, gravures, tapisseries, sculptures, objets pr cieux ou du quotidien et peintures d'illustres artistes, tels que Bosch, Bruegel, G ricault, Courbet... Sous le regard expert des plus grands sp cialistes, cet ouvrage nous invite r fl chir ce que la norme conserve comme ce qu'elle rejette. Il propose de reconsid rer quelques articulations majeures de l'histoire et de l'histoire de l'art, l'aune de cette figure qui cristallise les inqui tudes et les passions. Une plong e dans un monde de folie qui nous renvoie nous-m mes et notre rapport l'Autre.‎

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‎ELISABETH DALBY‎

Reference : R240015382

(2003)

ISBN : 0746065442

‎MYSTERE ET MERVEILLES DE LA NATURE avec liens internet‎

‎USBORN. 2003. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 pages. Nombreuses illustrations en couleur, dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎


‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

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‎Elisabeth De Bruijn (Redacteur), Marie-Charlotte Le Bailly (Redacteur), Steven Van Impe (Redacteur)‎

Reference : 57674

‎Helden in harnas. gedrukte ridderverhalen uit de vijftiende en zestiende eeuw‎

‎, Sterck & De Vreese, 2021 Paperback,128 pp Illustrated. tekst Nederlands. ISBN 9789056157951.‎


‎Elisabeth de Bruijn, Marie-Charlotte Le Bailly, Steven Van Impe (red.) Ridders roepen bij jong en oud beelden op van heldhaftige avonturen, zwaardgevechten, magi rs, draken en hoofse liefde. Niet alle ridderverhalen zijn bewaard gebleven. Terwijl Karel ende Elegast terechtkwam in de literaire canon, verdwenen de verhalen over de vrouw met de vissenstaart Melusine, Helias de Zwaanridder of ridder Parijs en de mooie Vienna. De auteurs gaan op zoek naar die fascinatie voor de helden in harnas. De opkomst van de boekdrukkunst in de vijftiende en zestiende eeuw veranderde veel. Middeleeuwse verhalen werden gecommercialiseerd, aangepast en internationaal verspreid. De gebruikte verteltechnieken doen denken aan de verhaallijnen van soapseries en droegen bij aan het succes van ridderverhalen.// Elisabeth de Bruijn, Marie-Charlotte Le Bailly, Steven Van Impe (eds.) Knights evoke images of heroic adventures, sword fights, magicians, dragons and courtly love in young and old. Not all knight's stories have survived. While Karel ende Elegast ended up in the literary canon, the stories about the fish-tailed woman Melusine, Helias the Swan knight or knight Paris and the beautiful Vienna disappeared. The authors go in search of that fascination for the heroes in armor. The rise of the printing press in the fifteenth and sixteenth centuries changed a lot. Medieval stories were commercialized, adapted and distributed internationally. The storytelling techniques used are reminiscent of the storylines of soap operas and contributed to the success of chivalric stories.‎

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‎Elisabeth de Lestrieux‎

Reference : 54947

‎Jan des Bouvrie ‎

‎, Holkema en Warendorf, 1985 paperback, 100 pagina's met prachtige illustraties z/w.‎


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‎Elisabeth Dhanens‎

Reference : 69001

‎kwartierstaat en het graf van Jan Van Eyck. (mededelingen van de koninklijke academie voor wetenschappen, letteren en schone kunsten van Belgi . Klasse der Schone Kunsten - Jaargang XXXIX - 1977 n 4)‎

‎, mededelingen van de koninklijke academie voor wetenschappen, letteren en schone kunsten van Belgi Klasse der Schone Kunsten, 1977 Softcover, 80 pagina's, 26 x 18 cm, Nederlandstalige tekst. *prima staat.‎


‎De kwartierstaat en het graf van Jan Van Eyck. (mededelingen van de koninklijke academie voor wetenschappen, letteren en schone kunsten van Belgi . Klasse der Schone Kunsten - Jaargang XXXIX - 1977 n 4)‎

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‎Elisabeth Dhanens‎

Reference : 57741

‎Onze-Lieve-Vrouwkerk te Ninove, Inventaris van het kunstpatrimonium in Oost-Vlaanderen‎

‎Gent, Provincie Oost-Vlaanderen 1980, 1980 Paperback, 129 paginas + 100 afbeeldingen, Nederlands, 240 x 160 mm, Nieuwstaat, .‎


‎Na een historische inleiding en bibliografie volgt nog wat uitleg over de voormalige parochiekerk van Ninove, die gesloopt werd begin 19de eeuw. Dan komt de volledige inventaris aan bod van de huidige parochiekerk, die eigenlijk de voormalige abdijkerk is.‎

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‎Elisabeth Dumont-le Cornec‎

Reference : 55224

‎ Les routes mythiques‎

‎, Belin 2009, 2009 Hardcover, 119 pages, Texte en Francais, 295 x 240 mm, Tres belle exemplaire. ISBN 9782701153575.‎


‎Charg es d'histoire, riches en d couvertes, un grand nombre de routes ont acquis une renomm e plan taire. C'est le cas de la Route de la soie ou de la Route 66 aux tats-Unis. D'autres, presque oubli es au fil du temps, connaissent une renaissance, comme les chemins de St Jacques de Compostelle ou la via Domitia romaine. Enfin, la faveur du tourisme vert, des itin raires ont t remis au go t du jour. Ils sont destin s mettre en valeur un patrimoine naturel (GR20 en Corse) ou historique comme la route Napol on ou le circuit du Souvenir qui traverse les champs de bataille de la Grande Guerre dans le Somme.‎

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‎Elisabeth Foch-Eyssette‎

Reference : 54687

‎Montagne des photographes : La Montagne est tout un art.‎

‎, Bordas, 1989 Hardcover, 239 pages, Francais, Illustrations/ Photo's en n/b, 360 x 270 x 38 mm, Grand Format , jaquette, Prima Conditions !., gaine en carton ISBN 9782040184704.‎


‎Cette cha ne de montagnes a t cr e il y a environ 300 millions d'ann es. Les Romains d couvrirent que cette zone tait riche en filons d?or et d?argent. C'est pourquoi ils ont construit ici plusieurs forts et tabli plusieurs routes commerciales dans cette r gion. Au Moyen ge, cette zone constituait la fronti re entre le royaume des Francs et celui des Wisigoths. Plusieurs ch teaux, comme le ch teau du Hautpoul et le ch teau de Lastours, datent de cette poque. Gr ce l'enclavement de cette zone, la Montagne Noire a t largement pargn e par les effets d vastateurs de la Guerre de Cent Ans. Pendant des si cles, l?exploitation des m taux pr cieux a t la principale source de revenus de cette r gion. Apr s l' puisement des filons d'or, d'argent et de cuivre au XVe si cle, cette zone fut de plus en plus abandonn e. En partie gr ce ce d veloppement, la Montagne Noire est devenue au fil des si cles l'une des plus belles r serves naturelles du sud de la France.‎

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‎Elisabetta Neri, David Strivay‎

Reference : 66348

‎Polychroma. The meaning of colours in roman sculptures‎

‎, silvana, 2024 Paperback, Dimensions 240 x 170 mm, 202 Illustrations col.ill., 256 Pages, Language(s) Eng/ French edition.*NEW ISBN 9788836656035.‎


‎Cet ouvrage pr sente les r sultats du projet Horizon 2020 MSCA-IF PolyCRoMA, qui concerne l' tude de la polychromie l' poque romaine et romaine tardive. Documenter des traces de couleurs non imm diatement visibles par analyse physico-chimique sur un corpus d' l ments sculpturaux et architecturaux de quelques grands mus es europ ens, c'est initier la premi re tude syst matique de la polychromie romaine, avant que le temps ne rende la perte des couleurs d finitive. ----- This book presents the results of the Horizon 2020 MSCA-IF PolyCRoMA project, which focuses on the study of polychromy in the Roman and Late Roman periods. Documenting traces of color not immediately visible through physico-chemical analysis on a corpus of sculptural and architectural elements from some of Europe's major museums, it initiates the first systematic study of Roman polychromy, before time renders the loss of color definitive.‎

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‎Elisa De Wyngaert, Claire Marie Healy, Morna Laing e.a.‎

Reference : 67543

‎GIRLS On Boredom, Rebellion, and Being In-Between ‎

‎, Hannibal Books, 2025 Softcover met flappen, 26 x 21 cm, 192 pagina's, illustraties Quadrichromie, Engelstalige editie . ISBN 9789493416161.‎


‎Een interdisciplinair project dat beeldend kunstenaars, modeontwerpers en filmmakers samenbrengt in hun verkenning van opgroeien GIRLS verkent de schoonheid en complexiteit van girlhood en de emotionele reis naar volwassenheid. Hoe wordt het ?meisje-zijn? verbeeld? Hoe wordt het herinnerd? En hoe be nvloedt ?het meisje? de beeldcultuur en mode? Centraal staan dochters, zussen en vriendschap, en de ervaringen van verveling, rebellie en opgroeien. Met werk van verschillende kunstenaars uit diverse vakgebieden, zoals Veronique Branquinho, Louise Bourgeois, Sofia Coppola, Jenny Fax, Roni Horn, Jas Knight, Alice Neel, Meret Oppenheim, Frida Orupabo, Simone Rocha, en vele anderen. Tekstbijdragen van onder anderen Elisa De Wyngaert (curator MoMu Antwerpen), Claire Marie Healy, Wim Mertens (conservator MoMu Antwerpen), Morna Laing en Alex Quicho. Interviews met onder meer Nancy Steiner (kostuumontwerper voor de films van Sofia Coppola), Leticia Valverdes en Lauren Greenfield. Publicatie bij de gelijknamige tentoonstelling in MoMu ? ModeMuseum Antwerpen van 27 september 2025 tot 1 februari 2026.An interdisciplinary project that brings together visual artists, fashion designers, and filmmakers in their exploration of growing up GIRLS explores the beauty and complexity of girlhood and the emotional journey to adulthood. How is 'being a girl' portrayed? How is it remembered? And how does 'the girl' influence visual culture and fashion? Central themes are daughters, sisters, and friendship, along with experiences of boredom, rebellion, and growing up. Featuring work by various artists from different fields, including Veronique Branquinho, Louise Bourgeois, Sofia Coppola, Jenny Fax, Roni Horn, Jas Knight, Alice Neel, Meret Oppenheim, Frida Orupabo, and Simone Rocha. Text contributions by Elisa De Wyngaert (curator at MoMu Antwerp), Claire Marie Healy, Wim Mertens (curator at MoMu Antwerp), Morna Laing, Alex Quicho and others. Interviews with Nancy Steiner (costume designer for Sofia Coppola?s films), Leticia Valverdes, Lauren Greenfield... Published on the occasion of the eponymous exhibition at MoMu ? ModeMuseum Antwerp, from 27 September 2025 to 1 February 2026.‎

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‎Elise Meier‎

Reference : 62904

‎scheppende kracht van papier Duurzaam, innovatief en sociaal‎

‎, , 2023 softcover, 127 pp. met prachtige illustraties. 26 18,7 cm. ISBN 9789083189451.‎


‎Meester papierschepper Leo Hoegen uit Utrecht heeft een lange staat van dienst als papierschepper. Ruim veertig jaar ervaring in experimenteren en innoveren, meedoen aan kunstprojecten, advies geven aan buitenlandse bedrijven en vooral heel veel les geven. ?De scheppende kracht van papier? bestaat uit de interessantste hoogtepunten van Leo?s carri re, die lezen als een avonturenboek. Elk hoofdstuk biedt praktijkoefeningen om te leren papierscheppen, met een QR-code voor een film waarin Leo laat zien hoe u dat doet. Stap voor stap wordt u ingewijd in de geheimen van dit eeuwenoude, maar nog springlevende ambacht. Een lesboek dat ook prima geschikt is als leesboek. Auteur Elise Meier heeft diverse boeken over ambachten op haar naam staan zoals Gouden Handen, Kunst& Ambacht, Op zoek naar het nieuwe ambacht. Ook schrijft zij regelmatig in tijdschriften over ambachten en immaterieel erfgoed.‎

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‎ELISKA FUCIKOVA‎

Reference : 54671

‎RODOLPHE II Monarque et mecene‎

‎, Cercle d'Art, 1990 Hardcover, 271 pages, Francais, Illustrations. ISBN 9782702202555.‎


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‎ELITES ET RESPONSABILITES ‎

Reference : 68388

(1966)

‎Elites et responsabilités. Panorama de la pensée scientifique contemporaine.‎

‎Couverture souple. Broché. 128 pages.‎


‎Livre. Cahiers du centre économique et social de perfectionnement des cadres. Elites et Responsabilites, 1966.‎

Librairie et Cætera - Belin-Beliet

Phone number : +33 (0) 5 56 88 08 45

EUR10.80 (€10.80 )

‎Elizabeth Austin Ph.D.‎

Reference : 58251

‎Treading on Thin Air: Atmospheric Physics, Forensic Meteorology, and Climate Change : How Weather Shapes Our Everyday Lives‎

‎, Pegasus Books 2016, 2016 Hardcover, 273 pages, EN , 235 x 165 mm , with pictures / illustrations in colour and b/w, in very fine condition !. ISBN 9781605988221.‎


‎Weather, water, and climate. How we feel, how productive we are, even our sheer existence, depends on these three things. The United States economic activity varies annually by 1.7% due to weather-that is more than $500 billion dollars each year! Weather applications on mobile devices are the second most popular 'apps' - more popular than social networking, maps, music,and news. In Treading on Thin Air, Dr. Elizabeth Austin, a world-renowned atmospheric physicist, reveals how the climate is intimately tied to our daily lives. The effects and impacts of weather on humans, society and the planet are changing with the times. Dr. Austin will demystify climate change, revealing what is really happening with our climate and why, whether it is El Nino, tornadoes, floods or hurricanes. Weather and society are at its most fascinating at extremes, and as Dr. Austin is one of a handful of forensic meteorologists around the globe. She has been called upon to investigate plane crashes, murders, wildfires, avalanches, even bombing cases. Drawing upon her rich experiences, Austin's Treading on Thin Air promises to be an enlightening and informative journey through the wild word of weather.‎

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EUR21.95 (€21.95 )

‎Elizabeth Dawson‎

Reference : 63184

‎Lives and Afterlives. The Hiberno-Latin Patrician Tradition, 650?1100‎

‎, Brepols, 2023 Paperback, 179 pages, Size:156 x 234 mm, Illustrations:6 tables b/w., Language: English. ISBN 9782503606040.‎


‎Summary Saint Patrick is a central figure in the medieval Irish Church. As the converter saint he was a central anchor through which Irish people came to understand their complicated religious past as well as their new place in the wider Christian world. This study considers some of the earliest and most influential writings focused on Saint Patrick, and asks how successive generations forged, sustained and redirected aspects of the saint's persona in order to suit their specific religious and political needs. In this book Elizabeth Dawson, for the first time, treats the Hiberno-Latin vitae of Patrick as a body of connected texts. Seminal questions about the corpus are addressed, such as who wrote the Lives and why? What do the works tell us about the communities that venerated and celebrated the saint? And what impact did these Lives have on the success and endurance of the saint's cult? Challenging the perception that Patrick's legend was created and sustained almost exclusively by the monastic community at Armagh, she demonstrates that the Patrick who emerges from the Lives is a varied and malleable saint with whom multiple communities engaged. TABLE OF CONTENTS Acknowledgements List of Abbreviations Preface Chapter 1. Beginnings Chapter 2. T rech n Chapter 3. Muirch Chapter 4. Beyond the seventh century Chapter 5. Expanding the Tradition: Vita Secunda, Vita Tertia & Vita Quarta Epilogue Appendix Bibliography Index‎

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‎Elizabeth Haines ‎

Reference : 64031

‎Heide Hinrichs Morning Change‎

‎, Posture Editions Nr 33, 2019 PB, 297 x 210 mm, 160 pages, Illustrated. ENG-NL-GE edition. ISBN 9789491262340.‎


‎Morning Change is a book on movement, location and nomadism in the oeuvre of the Brussels based German artist Heide Hinrichs (b. 1976). It is an invitation to follow different lines that are directed east ? east of Kassel, east of Busan, east of Seattle, east of London. The lines are drawn over continents and oceans, against the Earth?s own movement we unconsciously witness with each sunrise. Within the traces of these lines, static objects are put back into motion and they are made to leave their recommended positions of meaning. The publication brings together three groups of works, developed over different periods of time between 1999 and 2018, exploring the artist?s recurring interest in these topics. the horse ? a story that starts 10 year after the fall of the Iron Curtain, Silent Sisters?/?Stille Schwestern together with a series of drawings and installations that were conceived in response to DICTEE ? a text written by the Korean-American artist Theresa Hak Kyung Cha and On Some of the Birds of Nepal (Parting the Animal Kingdom of the East) ? an installation that Hinrichs created in the context of the first Kathmandu Triennale 2017. An essay by Elizabeth Haines is woven through Morning Change‎

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‎Elizabeth McGrath, Bert Schepers, Nils B ttner, Gerlinde Gruber, Fiona Healy, Eveliina Juntunen, Gregory Martin, Jeremy Wood‎

Reference : 60700

‎Hercules to Olympus Part XI, 2: Mythological Subjects Hercules to Olympus / 2 volumes.‎

‎, Brepols - Harvey Miller, 2023 hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867.‎


‎One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world.‎

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