‎Primordial ferm cells in the chordates, embryogenesis and phylogenesis‎

‎Cambgride University Press. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187p, illustré de figures ets chémas dans le texte, cartonné vert.. . . . Classification Dewey : 570-Sciences de la vie‎

‎En anglais.The xtra-gonadal and one -time origin of the primordial germ cells, réferences. Classification Dewey : 570-Sciences de la vie‎

‎COURS DE GEOMETRIE ANALYTIQUE‎

‎3 VOLUMES SUR 5‎

4 Images

‎3 VOLUMES SUR 5 3 volumes in-8 (240x130mm), relié demi-basane brun de l’époque, dos à nerfs filetés, titres et tomaisons dorés TOME 1 – SECTIONS CONIQUES – 1894 -483 pp, nombreuses figures dans le texte TOME 2 – CONSTRUCTION DES COURBES PLANES, COMPLEMENTS RELATIFS AUX CONIQUES – 1895 -292 pp, nombreuses figures dans le texte. TOME 3 – GEOMETRIE DANS L’ESPACE, avec une note sur les transformations en géométrie, par Emile Borel – 1896 – 572 pp, nombreuses figures dans le texte. ‎

‎TRAITE ELEMENTAIRE DE PHOTOGRAPHIE PRATIQUE.‎

‎Paris Garnier Frères 1917. In-12 broché couverture illustrée VI 420pp. Illustré de 189 figures dans le texte. Bon exp.‎

‎Principes de photographie, matériel, surfaces sensibles, laboratoire, préparation des bains, tirage sur papiers différents, choix des sujets...‎

‎Les rayons X et le radium. Bibliothèque des Merveilles.‎

‎Paris, Librairie Hachette, 1924. 12 x 19, 105 figures, 31 planches, broché, bon état (couverture légèrement défraîchie)‎

‎Exposition de la méthode de Riemann pour la détermination des surfaces minima de contour donné -- EDITION ORIGINALE‎

‎P., Gauthier-Villars, 1880, un volume in 4, broché, couverture imprimée, (dos cassé, manque de papier dans l'angle inférieur du premier plat de couverture), 76pp.‎

‎---- EDITION ORIGINALE de la thèse de doctorat ès sciences mathématiques présentée le 27 Mai 1880, par B. Niewenglowski à la Faculté des sciences de Paris - Cajori p. 241**3885/L7AR.Doss‎

‎Au coeur du sujet - La théorie de l'Instance et des Cohérences‎

‎Editions de Poliphile. 1986. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 350 augmentées de quelques schémas en noir et blanc dans le texte. Coiffe en pied légèrement abîmée.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Joie et santé par les fleurs et le miel, préface du Dr. René Moreaux. Flore mellifère. Diffusions nouvelle du livre. Soissons. 1973.‎

‎1 volume in-8° broché, 199 p. Bon état. ‎

‎Great Palace in Constantinople: An Architectural Interpretation‎

‎, Brepols, 2020 Paperback, 333 pages, Size:220 x 280 mm, Illustrations:55 b/w, 11 col., Language: English. ISBN 9782503568355.‎

‎Summary The Byzantine Great Palace, located adjacent to the Hagia Sophia, is arguably the most important Western complex to have disappeared from the architectural archive. Despite this absence, it may be argued that the representational halls of the palace - crown halls, basilicas, and reception halls or triclinia - served as models for the ascription of imperial symbolism, and for emulation by rival political centres. In a later phase of its existence, Byzantine emperors, in turn, looked to the example of Islamic palaces in constructing settings for diplomatic exchange. While the Great Palace has been studied through the archaeological record and Byzantine texts, its form remains a matter of conjecture, however in this study, a novel focus upon the operation of ascription of meaning applied to architectural forms, and their emulation in later architecture will enable a sense of how the forms of the palace were understood by their inhabitants and their clients and visiting emissaries. Through comparative analysis of both emulative models and copies, this study proposes a hypothesis of the layout of the complex both in its physical and social contexts.‎

‎kluizen en kluizenaars in limburg‎

‎Brussel : , Algemeen Rijksarchief ,, 2002 Oorspronkelijk uitgevers omslag, 108 pag 30cm. met illustraties, kleur en z/w.‎

‎In Limburg zijn er verschillende historische kluizen en kluizenaarswoningen, vaak gelegen in een bosrijke omgeving en met een kapel. Deze kluizen speelden een rol in de lokale volksdevotie en werden soms bewoond door kluizenaars die bekend stonden om hun teruggetrokken leven en hun inzet voor de gemeenschap.‎

‎L'Enseignement du Français dans les Ecoles polonaises au XVIIIe siècle [ Avec : ] La littérature française pour la jeunesse au Siècle des Lumières [ Avec : ] Un examen public de langue française à Cracovie en 1783 [ Avec : ] Histoire d'une animosité littéraire : Mme de Genlis contre Mme de Staël [ Avec : ] Madame de Staël, auteur comique [ Avec : ] Le théâtre d'Alexandre Duval et ses succès sur les scènes polonaises[ Avec : ] Une romancière oubliée : Mademoiselle de Lussan [ Lot de 7 ouvrages ou tirés-à-parts dont plusieurs dédicacés ]‎

‎7 vol. à savoir : L'Enseignement du Français dans les Ecoles polonaises au XVIIIe siècle, 1 vol. in-8 br., Travaux de la Société des Sciences et des lettres de Wroclaw, 1962, 112 pp. [ Avec : ] La littérature française pour la jeunesse au Siècle des Lumières, 1 vol. in8 br., La Société des Sciences et des Lettres, Wroclaw, 1975, 1973, signé par l'auteur [ Avec : ] Un examen public de langue française à Cracovie en 1783, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1968, pp. 29-41 [ Avec : ] Histoire d'une animosité littéraire : Mme de Genlis contre Mme de Staël, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1972, pp. 81-96, signé par l'auteur [ Avec : ] Madame de Staël, auteur comique, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1970, 17 pp. [ Avec : ] Le théâtre d'Alexandre Duval et ses succès sur les scènes polonaises, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1971, pp. 23-40, signé par l'auteur [ Avec : ] Une romancière oubliée : Mademoiselle de Lussan, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1972, 18, signé par l'auteur ‎

‎Intéressant lot réunissant 7 articles et ouvrages de l'universitaire polonaise Anna Nikliborc consacrés à l'histoire de la littérature française au siècle des Lumières et à sa réception dans la Pologne de l'époque. Bon ensemble. Prix du lot, non séparable‎

‎L'attrait des mathématiques. Traduction et préface de L. Lamorlette‎

‎P., Payot, 1946, un volume in 8, broché, 255pp.‎

‎---- Le secret du thermomètre - Quelques nombres fantomes - Une baguette magique - La langue des mathématiques - Représentation graphique - Sphère et pseudosphère - Les affres de la quatrième dimension - etc**3888/P7DEP‎

‎L'attrait des mathématiques, traduction et préface de L. Lamorlette‎

‎ Payot, Bibliothèque Scientifique 1946 83 figures dans le texte broché In-8 ,1 vol.- 255 pp. main chapters : secret du thermomètre - quelques nombres fantômes - multiplication de sorcières - baguette magique - nous présentons : monsieur Cosinus - langue des mathématiques - représentation graphique - qui a donc peur du calcul intégral - du défaut, de l'inégalité, de l'excès, et d'un cercle à 3 angles - combat contre infini - sphère et pseudosphère - chose qui n'a qu'un côté - affres de la quatrième dimension - dernières notes‎

‎fente charniére,dos décollé, Remise de 20% pour toutes commandes supérieures à 200 €‎

‎L'ATTRAIT DES MATHEMATIQUES‎

‎ 1946 broché (paperback) in-octavo, dos marron clair défraîchi (brown spine lightly damaged) , couverture imprimée (cover printed), tranches lisses (edges smooth), illustrations : 83 figures in texte (pictures in text), 255 pages, 1946 à Paris Payot Editeur,‎

‎traduction et préface par L. Lamorlette (translation and preface by) - avant-propos de l'auteur (author's foreword) - bon état (very good condition) ‎

‎Sanam Khatibi Cyanide‎

‎, Posture Editions Nr 40, 2020 HB, 297 x 210 mm, 96 pages, EN-FR-NL edition, Illustrated. ISBN 9789491262418.‎

‎This publication focuses on Sanam Khatibi?s meticulously painted small still lifes. With the finest brush she applies light and shadow in oil paint to various miniature shapes. The compositions themselves are quite unassuming. Objects loom haphazardly from the golden or black background and seem to sing in polyphony in the vein of Orlando di Lasso, Johannes Ockeghem and other masters of polyphony. (?) The highly detailed objects come from a golden age that has yet to come. In contrast with the Dutch Golden Age of the 1600s, hers is a century of self-flagellation, cosmology, human sacrifice, femininity, prestige and decapitation. A century in which all forms surrounding us mysteriously shrink. This futuristic universe will reduce the human footprint. The world will shrink to the scale of a postcard of a still life painted by Sanam Khatibi. (Text Nikolaas Demoen)‎

‎Oreficeria sacra nella Cattaro medievale‎

‎, Brepols, 2019 Paperback, 116 pages, Size:200 x 280 mm, Illustrations:7 b/w, 138 col., 1 maps b/w, Language: Italian. ISBN 9789538250057.‎

‎Summary N. Jaksic, esperto conoscitore dell'oreficeria veneziana, dalmata, con questo volume ci accompagna alla scoperta dell'attivita degli orafi che sono vissuti a Cattaro, Zara e Ragusa. I reliquiari a forma di gamba, braccia, teste o le grandi pale auree sono inseriti nel contesto storico in cui sono stati prodotti e venerati per le loro reliquie. Sono svelate importanti personalita di artisti e committenti, comme Iohannes Teutonicus, Trifone palma? Attraverso una puntuale ricognizione sulle fonti scritte e una rigorosa analisi delle iscrizioni sui reliquiari, Jak?i? ha scritto importanti pagine per la storiografia orafa europea. TABLE OF CONTENTS 1. Reliquiari di epoca medievale della citt di Cattaro 2. Un gruppo dei reliquiari trecenteschi da Cattaro a Venezia e Chioggia 3. La pala "aurea" di Cattaro 4. Bibliografia‎

‎Passione copta di san Filoteo di Antiochia‎

‎, Brepols, 2020 Paperback, 114 pages, Size:180 x 265 mm, Languages: Coptic, Italian. ISBN 9782503588407.‎

‎Summary Sur la base du manuscrit M 583 de la biblioth que Pierpont Morgan de New York et tenant compte de neuf t moins suppl mentaires, ce fascicule pr sente pour la premire fois l' dition critique de la Passion en copte sa dique de saint Philoth e d'Antioche, dont le martyre aurait eu lieu sous Diocl tien qui est un des personnages cl s du r cit. Le texte copte est accompagn d'une traduction italienne, avec des notes critiques.‎

‎New Testament Acts, Letters, and Revelation in Manichaean Tradition. The Sources in Syriac, Greek, Coptic, Middle Persian, Parthian, Sogdian, Bactrian, New Persian, and Arabic‎

‎, Brepols, 2022 Hardback, xix + 362 pages, Size:210 x 297 mm, Language(s):English, Syriac, Greek. ISBN 9782503601052.‎

‎Summary Biblia Manichaica is a reference work citing all biblical quotations and allusions in the Manichaean sources as far as they are available in editions. The third volume of the Biblia Manichaica series continues the two previous volumes, covering Manichaean quotations and allusions of the remaining New Testament; that is, Acts, The Pauline letters, the Letter to the Hebrews, the catholic letters, and Revelation, in Semitic languages, Greek, Coptic, and Iranian languages.‎

‎Medici Series Corpus Rubenianum Ludwig Burchard XIV.1 The Medici Series 14.1‎

‎, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.‎

‎The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.‎

‎Portrait of Emperor Servius Sulpicius Galba : Peter Paul Rubens (1577-1640) and the Series of Roman Emperors‎

‎, Phoebus Focus XXIV, 2021 Paperback, 80 pages, ENG, 210 x 145 mm, New, illustrated in colour / b/w. Phoebus Focus 24 ISBN 9789464366129.‎

‎Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this ?Phoebus Focus? Nils B ttner places the extraordinary emperor portrait that Peter Paul Rubens (1577-1640) painted of him in its context. B ttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens? support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, B ttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors.‎

‎Portret van keizer Servius Sulpicius Galba Peter Paul Rubens (1577-1640) en de Romeinse-keizerreeksen‎

‎, Phoebe Focus XXIV, 2023 Softcover, 80 pag. NL.,210 x 150 mm, Quadrichromie, Nieuw, illustr. in kleur / z/w. ISBN 9789464366112.‎

‎Servius Sulpicius Galba (kortweg Galba) is een Romeins senator en generaal die Nero in het Vierkeizerjaar, 68-69 n.Chr., ten val brengt en opvolgt. In deze editie van ?Phoebus Focus? plaatst Nils B ttner het bijzondere keizersportret dat Peter Paul Rubens (1577-1640) van hem maakte in zijn context. B ttner neemt de lezer niet alleen mee naar het Rome van de eerste eeuw, maar analyseert ook de drager en de schilderwijze van Rubens, zijn fascinatie voor de oudheid, zijn inspiratiebronnen en zijn vele inventies. Daarnaast gaat hij dieper in op de lange beeldende traditie van heersersportretten en hun plaatsing in barokke interieurs. In de reeks Phoebus Focus gaan experts en wetenschappers in op topstukken uit de rijke collectie van kunststichting The Phoebus Foundation.‎

‎Rubens a Genova‎

‎, Electa, 2022 Paperback, 416 pages, ITA., 280 x 240 x 35 mm, in good condition, illustrated in colour / b/w. ISBN 9788892822795.‎

‎The volume is the catalogue of the homonymous exhibition held in Genova at Palazzo Ducale from 6 October 2022 to 22 January 2023, an extraordinary exhibition to tell the greatness of the most important Baroque painter ever: Peter Raul Rubens and his relationship with the city. The project was born on the occasion of the fourth centenary of the publishing in Antwerp of the Rubens? famous volume of Palazzi di Genova (1622). Rubens stayed on several occasions in Genova between 1600 and 1607 and thus had direct contacts relations ? in some cases very close ? with the city?s richest and most influential aristocrats. In exhibition and in the catalogue are presented more than 150 works, including more than twenty Rubens works, playing the role of protagonists, from European and Italian museums and collections (with some very significant ?re-entries?), which sum up to the ones present in the city, reaching a number such as there has not been since the end of the 18th century in Genova; since, that is, the crisis of the aristocracy with the repercussions of the French Revolution triggered an inexorable diaspora of masterpieces towards the collections of the world. From the Rubensian nucleus, the story of the cultural and artistic context of the city in the period of its utmost splendour is completed by paintings by artists whom Rubens certainly saw and studied (Tintoretto and Luca Cambiaso); whom he met in Italy and in particular in Genoa during his stay (Frans Pourbus the Younger, Sofonisba Anguissola and Bernardo Castello) or with whom he collaborated (Jan Wildens and Frans Snyders). Drawings, engravings, tapestries, furnishings, antique volumes, even clothes, feminine accessories and jewels allow to celebrate the grandeur of an artistic capital visited by one of the major artists of all times and confirm that appellation of Superb, given to Genoa. The catalogue is richly illustrated and gives account of the long path of studies and scientific insights by the curators and the thematic essays see contributions from a consistent number of international scholars. The exhibition guide and the guide to the Rubens? Genoa, a fascinating urban itinerary on the trail of Rubens? masterpieces, complete the proposal for the visitors and enthusiasts.‎

‎WERKBERICHT Nils Holger Moormann‎

‎, Gestalten Verlag, 2015 HB, 284 x 222 mm, slipcase, 200 pages, throughout colour illustrations, E/ F/ G/ SP/ IT edition. ISBN 9783899555639.‎

‎Werkbericht presents 51 pieces of furniture from the current collection of Nils Holger Moormann, one of the leading protagonists of "New German Design." This book is not a mere product catalog, but rather a focused exploration of each piece showcased within. The presentation of the products-consequently disassembled into their individual parts-is a stylistic device that directs the attention of the reader to precise individual solutions and concise formal expressions. Details truly come to the fore. Nils Holger Moormann's furniture is inspired by the central themes of intelligence, innovation, simplicity, and mobility. It can, for the most part, be disassembled and is designed for assembly without tools. Thus, the individual connecting elements gain an even greater significance. Werkbericht (literally "work report") also highlights their functional and aesthetic form.‎

‎GROS PLANS SUR LA NATURE - UNE EXPLORATION DU MICROCOSME DE LA NATURE.‎

‎FLAMMARION / LA MAISON RUSTIQUE. 1986. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 77 pages augmentées de nombreuses photos en couleurs et noir et blanc in et hors texte - Frontispice et jaquette en couleurs.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎L'infiniment petit - Les frontieres de l'invisible‎

‎HACHETTE. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages illustrées en couleur - jaquette correcte. Avec Jaquette. . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Christophe Plantin 1520-2020 : studies of the Officina Plantiniana at the quincentennial of Plantin's birth ‎

‎Antwerp, Plantin / Bibliofielen Gulden Passer, 2021 Hardcover with dusjacket, 319 pages, ill. *new ISBN 9789080885578.‎

‎the 500th anniversary of Christopher Plantin's birth (circa 1520-1589) Originally from Touraine, Plantin was trained as a bookbinder, but around 1549/50, he moved to Antwerp, a hub for international trade. In 1555, he laid the foundations for the largest printing company that has ever existed in Europe during the Ancien R gime. Plantin was a business genius and a talented typographer. In 1570, Philips II, king of Spain, bestowed on him the title of architypographer. Although Plantin was at times also involved in illicit activities, his company, bearing the device The Golden Compasses, became one of the most important supporters of the Counter Reformation. After his death, the business was passed on to his son-in-law Jan Moretus I, and remained in the hands of the family until the 19th century. From the outset, Plantin?s production was marked by its quality. Both his correspondence and the surviving business documents give testimony of his great ambitions, his understanding of the different buyers and markets, and his extreme care for book design. Christopher Plantin and his successors transformed the aesthetics of the Renaissance book and inaugurated the Baroque era in terms of its mise en page by mobilizing new typographical and ornamental materials and by promoting copperplate illustrations. In addition, they set up a privileged collaboration with the artist Pieter Paul Rubens. During this golden century of the Officina Plantiniana, which gave birth to more than 5,000 editions, visual temptation is combined with readability and efficiency in the shaping of the texts and book design. Published in 2021 in Antwerpen by Vereniging van Antwerpse bibliofielen. Volume 98, Nummer 2 van Gulden Passer/The Golden Compasses‎