‎De la nature, Tome II : (IV-VI).‎

‎Socité d'édition "Les belles lettres" / Guillaume Budé, 1942. In-8 broché, texte latin et traduction française en regard. Dos passé, sinon bon état.‎

‎De la nature, tome II (livre IV-VI)‎

‎1971, Les belles lettres, in-12 broché non paginé, couverture orangée, titrage et calligraphies noirs, collection des universités de France, texte latin avec traduction française en regard, texte établi et traduit par Alfred ERNOUT, nouvelle édition revue et corrigée, 3ème tirage | Etat : bon état, couverture défraîchie, dos insol, quelques annotations au crayon (Ref.: ref90655)‎

‎Les Belles Lettres‎

‎De la nature des choses. Tome 2 seul. Livre IV à VI. Suivi d'un exposé du système physique d'Epicure par Ajasson de Grandsagne.‎

‎Couverture souple. Broché. 404 pages. Nombreuses rousseurs. Couverture défraîchie, dos factice.‎

‎Livre. Editions C.L.F. Panckoucke (Collection : Bibliothèque latine-français), 1832.‎

‎Creative Homes Interiors and Design in Belgium‎

‎, Gestalten Verlag, 2025 Hardback, Dimensions 260 x 210 mm, Illustrations throughout col.ill., 224 Pages, Language; English ed. *new. ISBN 9783967041897.‎

‎Creative Homes: Interiors and Design in Belgium offers a compelling exploration of 20 distinctive residences, each reflecting the individuality and creativity of Belgium's most imaginative minds. From jewelers to painters, architects to chefs, the book highlights how design becomes a form of personal and cultural expression.‎

‎Amerikanische Photographie : 1890 - 1965‎

‎, Schirmer-Mosel (1995), 1995 Hardcover, 255 seiten, Deutsch, 300 x 260 mm, in sehr guten condition,mit illustrationen und fotos, . ISBN 9783888147548.‎

‎ ; aus der Sammlung des Museum of Modern Art, New York ; [anl sslich der Ausstellung "American Photography 1890 - 1965 from The Museum of Modern Art, New York" ; Staatliche Museen zu Berlin, Kunstbibliothek, Preussischer Kulturbesitz, 24. April - 11. Juni 1995 . Victoria & Albert Museum, London, 14. November 1996 - 26. Januar 1997]. The Museum of Modern Art, New York. Peter Galassi. Mit einem Text von . [Aus dem Amerikanischen bersetzt von J rg Trobitius.‎

‎verboden rijk wereldbeelden van Chinese en Vlaamse meesters‎

‎, Mercatorfonds 2007, 2007 Hardcover, 207 pagina's, Nederlands, 330 x 250 mm, veel illustraties van Vlaamse en Chinese kunstenaars, boek in Nieuwstaat !. ISBN 9789061537137.‎

‎Hoe geven de kunstenaars beweging weer? Hoe gaan ze om met afstand en detail? Met schaal en diepte? Wat is het belang van het verhalende element? Van kalligrafie en iconografie? Hoe zit het met de weergave van schaduw, van naakt? Twee continenten, vijf eeuwen kunst, bekeken op twee manieren van beelddenken. Luc Tuymans, de internationaal gerenommeerde Belgische kunstenaar, en Yu Hui, de curator van het Palace Museum in de Verboden Stad in Beijing, brengen een dialoog op gang tussen kunst uit de Zuidelijke Nederlanden en kunst uit China. Tekeningen en schilderijen van onder anderen Van Eyck, Brueghel, Rubens, Van Dyck, Jordaens, Ensor, Mellery, Spilliaert en Magritte gaan een verhelderende confrontatie aan met werken op papier en zijde uit de Ming- en Qingdynastie en het begin van de Chinese Republiek. Ter verbreding van de context zijn ook verluchte handschriften, boekdrukwerken, drukken en cartografie opgenomen. Het Verboden Rijk reactiveert de oude meesters en brengt niet alleen ons roemrijk n berucht verleden tot leven, maar slaat ook een brug naar de hedendaagse kunst. Luc Tuymans: De begrippen waardigheid en waarachtigheid kunnen worden gezien als sleutels die de deur openen naar het begrip van Chinese kunst. De toeschouwer wordt verzocht verder te kijken dan het beeld zelf om de betekenis te achterhalen. Het beeld is een schets van het begrip van een idee.‎

‎Tuymans. Budapest. Warszawa.‎

‎BE, Stockmans, 2007 Softcover, 99pp., 22x16cm., ills. in col. Very good condition. English text. . ISBN 9789077207185.‎

‎Luc Tuymans was born in Mortsel (BE) in 1958. To this day he still lives and works in Antwerp (BE). Tuymans works in his studio every day, perusing books to research his subjects. Nearly all his paintings are based on existing material such as drawings, personal photographs, found artefacts and movie stills. Tuymans almost always focuses on specific meanings reaching beyond what is shown, often founding the content on historical facts and materials.Often Tuymans will study one subject at length and spread it over several paintings. His self-willed way of painting has madeTuymans one the most respected painters of his generation. His work can be found in prominent international museums as well as in major collections. This publication appears on the occasion of Luc Tuymans" retrospective exhibition in Hungary. With innumerable analyses by arthistorians to precede us, we thought the most fitting and exciting accompaniment to this display would be a collection of writers" reflections on Tuymans" work. Since one of the things to make this retrospective display special is its being the artist"s debut in Central-Europe -Hungary and Poland -, we madea point of inviting authors from the region to comment on his art. A writer"s perspective will always be more uninhibited than an art historian"s. We gave complete liberty to our authors to decide what to reflect on: a picture, Tuymans" activity as a painter, or some other aspect of his personality. The narratives, which share the spirit of the pictures, there fore display a number of personal traits. Exhibitions: Budapest (Dec-jan. 2008, Munchen Haus der Kunst (March, April, May), Warschau (June, July)‎

‎ LUC TUYMANS Good Luck SPOTLIGHT SERIES:‎

‎, David Zwirner , 2020 hardcover, dusjacket, 241 x 171 mm, 76 pages, 30 colour illustrations, English edition. ISBN 9781644230336.‎

‎Widely credited with having contributed to the revival of painting in the 1990s, Belgian painter Luc Tuymans continues to expand our understanding of the medium. Sourcing imagery from books, magazines, films, the internet, and increasingly his own iPhone photos, Tuymans's unique selection of subject matter reveals his fascination with moral complexities. Exploring diverse and sensitive topics, many of which include historic references from World War II to more contemporary events such as 9/11, Tuymans presents imagery that at first seems innocuous or approachable but upon deeper inspection can be entirely unsettling. Achieved through his masterful handling of paint, his works are often suggestive of memories or familiar people, places, and things. The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Tuymans continues to take on increasingly complex subject matters in his primarily muted palette. Published on the occasion of the artist's 2020 solo exhibition at David Zwirner Hong Kong, this book features an essay by art critic Su Wei, who approaches Tuymans's newest paintings and how they expand his oeuvre. Luc Tuymans (b. 1958) is known for a distinctive style of painting that demonstrates images' power to simultaneously communicate and withhold. Emerging in the 1980s, Tuymans pioneered a decidedly non-narrative approach to figurative painting, instead exploring how information can be layered and embedded within certain scenes and signifiers. Based on preexisting imagery culled from a variety of sources, his works are rendered in a muted palette that is suggestive of a blurry recollection or a fading memory. Their quiet and restrained appearance, however, belies an underlying moral complexity. They engage equally with questions of history and its representation as they do with quotidian subject matter. Tuymans's canvases, which are typically executed on a large scale, both undermine and reinvent traditional notions of monumentality through their insistence on the ambiguity of meaning. Su Wei is a curator and art critic based in Beijing. He is the senior curator of Inside-Out Art Museum (IOAM), Beijing. His curatorial projects include the 7th Shenzhen Sculpture Biennale, China (2012)‎

‎Architectures industrielles en Belgique et ailleurs‎

‎, Labor , 1990 Softcover, 207 pages, Texte en Francais, 280 x 245 x 15 mm, Tres belle exemplaire, Illustrations en n/b. ISBN 9782804008031.‎

‎T moins na fs ou savants de l'invention technique et du d veloppement conomique, les constructions industrielles sont aussi des ?uvres d'architecture l' tat naissant. Suscit es parfois par l'urgence, toujours par la n cessit , elles frappent le spectateur par une simplicit qui se traduit dans des formes directes, pures, d barrass es de tout artifice ornemental, ou par le jeu complexe des structures. Cet ouvrage est la rencontre de cette architecture et de la vision photographique ou po tique: une compr hension sensible qui ne se veut ni arch ologique ni technique.‎

‎Herman Vanspringel @ Herman Vanspringels Diamond Diamonds For ever.‎

‎, Bij de auteurs, s.d. , 2021 Gebonden, hardcover, 207 pagina's, 25.5x33cm., talrijke ills. in kleur, In nieuwstaat.‎

‎In dit boek Herman Vanspringel @ Herman Vanspringels Diamond, Diamonds For Ever? worden alle belangrijke overwinningen van Monsieur Bordeaux-Paris beschreven. Als supporter was het voor Luc Wuyts de logica zelve om enkel en alleen de succesmomenten van zijn wielerheld te beschrijven. In het boek zijn woordelijk de interviews met Herman weergegeven -met af en toe een sappig woordje Kempens dialect- om zo een beeld te geven hoe de Grobbendonkenaar zijn succesrijke wielercarri re heeft beleefd en hoe hij als mens in elkaar zit. In zijn zeventien profjaren won Herman 136 koersen, de meeste met een duidelijke meerwaarde. Hij haalde het eindpodium van de drie grote ronden, won in zijn topjaar 1968 de Giro di Lombardia zes weken nadat hij in ? Imola vice-wereldkampioen werd. In 1971 werd hij in Martelange kampioen van Belgi .Vanspringel vooral als "monsieur Bordeaux-Paris" opvoeren is hem schromelijk tekort doen. Die mooie zevenledige vlag is nog te klein om de immense lading te dekken. Herman won vooral ook Gent-Wevelgem 1966, de Omloop Het Volk 1968, Paris-Tours 1969, de G.P. des Nations 1969 & 1970, de Trofeo Baracchi 1969, de groene trui in de Tour van 1973, de E3 Harelbeke 1974, ? naast dagzeges in rittenkoersen nu meetellen in de World Tour. Luc van Lin van Sus Kab , is de zoon van Celine Dockx, de oudste dochter van Frans Dockx, in de volksmond Sus Kab genoemd. Moeder en grootvader zijn beiden geboren en getogen in Lille en zo wil Luc Wuyts met zijn pseudoniem de verbondenheid met Kempenaar Herman Vanspringel accentueren. Luc Wuyts is sinds zijn 10 jaar trouw supporter van Herman Vanspringel en werd later als wielerorganisator de geestelijke vader van de Herman Vanspringels Diamond. In die hoedanigheid liet hij in 1999 door Robert Janssens, gerenommeerd wielerjournalist bij Het Laatste Nieuws, een eerste boek over Herman Vanspringel schrijven. Toen Luc Wuyts met de camera?s van ATV het eerste exemplaar van het boek van Robert Janssens kwam overhandigen ten huize Herman Vanspringel, ontsnapte hem de ontgoocheling niet van zijn idool, die een veel groter formaat en een veel luxueuzere uitvoering had verwacht. Dit was voor de auteur de reden waarom er een vierde boek over Herman Vanspringel moest verschijnen. Het tweede gedeelte van het boek schetst de evolutie van de wielersport tussen 1945 en 2030. Luc Wuyts doet dit aan de hand van zijn betrokkenheid met de wielersport sinds 1974 als bestuurslid en latere voorzitter van het Koninklijk Wieler-Sportcomit Kalmthout. De Wisselbeker Herman Vanspringel die in 2002 omgedoopt werd tot Herman Vanspringels Diamond is daarbij een bijzonder item. Deze nieuwelingenwedstrijd werd 25 jaar in Kalmthout georganiseerd om daarna tussen Duffel en Vorselaar zijn verloop te kennen. De intense samenwerking tussen de Duffelse Wielervrienden en Wielercomit Vorselaar bracht de Herman Vanspringels Diamond naar ongekende successen met als motors het enthousiasme en de werkkracht van Jan Vervoort en de stuwende kracht van burgemeester Lieven Janssens. In het boek brengt Mark Uytterhoeven ook nog een schitterend hoofdstuk voor zijn wielerheld zoals alleen Mark Uytterhoeven dit kan.‎

‎monast res grecs sous domination latine (XIIIe-XVIe si cles). Comme un loup poursuivant un mouton‎

‎, Brepols, 2021 Hardback, 452 pages, Size:156 x 234 mm, Illustrations:1 b/w, 1 maps b/w, Language(s):French, Greek, Latin. ISBN 9782503591315.‎

‎Summary Le sac de Constantinople, en 1204, a convaincu des historiens que le monachisme grec ne peut survivre dans un environnement domin par l' l ment latin, Constantinople et ailleurs. L'extension chronologique et g ographique de la domination latine au Moyen ge permet de s'interroger sur la validit du mod le constantinopolitain dans les autres pays gr co-latins et de poser la question du maintien de l'identit monastique grecque apr s 1204. L'int gration d'une multitude de fondations dans une analyse comparative grande chelle temporelle et g ographique met en vidence des volutions et des strat gies communes. Alors que le monachisme grec d'Italie du Sud d cline aux XIIe et XIIIe si cles et que les monast res de Constantinople ne se rel vent pas, le mouvement monastique rena t partout ailleurs et de mani re continue. L'identit institutionnelle des fondations monastiques est aussi maintenue apr s 1204. Une volution est toutefois notable : comme en Occident, les pouvoirs religieux et civils tentent de r duire les pouvoirs des la cs sur les tablissements monastiques. Le projet pontifical de constitution d'une glise libre se manifeste aussi par la volont de faire des clercs des individus lib r s des obligations f odales, ce qui pose probl me pour les Grecs, majoritairement d pendants. Finalement, la tradition monastique est respect e : aucune restriction de statut n'emp che l'entr e en religion des Grecs. La correspondance pontificale d montre que le monachisme grec fait partie de l' glise universelle, sans modifier son identit . La vitalit , notamment conomique, et l'identit du monachisme grec ne sont pas alt r es par la pr sence latine. TABLE OF CONTENTS Introduction Chapitre premier Des croisades la conqu te ottomane : la structuration religieuse, sociale et juridique des soci t s gr co-latines Chapitre II Le statut, l'administration et l'organisation des monast res grecs : une rupture institutionnelle ? Chapitre III Le patrimoine conomique des fondations grecques Chapitre IV Le monachisme grec dans les soci t s gr co-latines Chapitre V L'ancienne ou la nouvelle rome : Les monast res grecs et l'autorit universelle aux XIIIe-XVIe si cles Bibliographie Index‎

‎Democratieen sterven liggend kritiek van de tactische rede‎

‎, Houtekiet, 2014 Paperback 214 pagina's. ISBN 9789089242839.‎

‎Aan het einde van de 18de eeuw stelde Immanuel Kant een aantal pertinente vragen. Wat kunnen we weten? Wat mogen we hopen? Wat kunnen we doen? Na twee eeuwen zijn die actueler dan ooit: wat kunnen we met zekerheid weten, vooral nu de Grote Verhalen van het christendom, het liberalisme, het socialisme en zelfs de democratie hun aantrekkingskracht verloren hebben? Mogen we nog hopen op een andere, betere samenleving, zowel lokaal als internationaal? Anders gezegd: kunnen we nog nieuwe maatschappijmodellen ontwerpen die het beste van de emancipatietraditie bewaren en toch vernieuwend zijn? En zo ja, kan deze vernieuwing voor de eerste keer in de geschiedenis gedragen worden door een meerderheid van gewone burgers? En wat zijn daar de noodzakelijke voorwaarden van? Democratie n sterven liggend begint daarom met een aantal reflecties over de betrouwbaarheid van onze kennis. Daarna pleit Ludo Abicht voor 'een christendom zonder God' en 'een communisme zonder leiders'. Tot slot schetst de auteur een geloofwaardige en haalbare tactiek om een stap naar een ondubbelzinnig democratisch project te zetten.‎

‎Dr. h.c. Andreas Ludwig 1865-1934. Lehrer, Alpinist, Naturforscher (& Molasseforscher).‎

‎St-Gallen, Zollikofer & Co., 1934, in-8vo, Frontispiz (A. Ludwig, Aufnahme v. H. Renz 1930) + 31 S. + 2 Abb., Flecken, Original-Broschüre.‎

‎Dem andenkebn....seiner S.A.C. Freunde gewidmet v.d. Sektion St.Gallen ‎

‎ Aachener Kunstbl tter. Band 39/1969 ‎

‎, Schwann Verlag , 1969 Softcover, 238 seiten, Deutsch, 300 x 210 mm, mit abbildungen, .‎

‎Les religions tout simplement !: Catholicisme Orthodoxie Protestantisme Judaisme Kabbale Islam Bouddhismes‎

‎Eyrolles Group 2006 386 pages 16x2 6x21 8cm. 2006. Broché. 386 pages.‎

5 Images

‎Très bon état‎

‎Geographies of Sound. Sounding and Listening to the Urban Space of Early Modern Italy with a Contemporary Perspective‎

‎, Brepols, 2023 Hardback, x + 286 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language(s):English, Italian. ISBN 9782503606767.‎

‎Summary Sound is an essential element of human experience. It is part of the complex semiotic system that enables human communities to orient themselves in time and space, to be informed, to participate in social life as conscious listeners, capable of deciphering and giving meaning to the collective action of the urban space in which they live. Deeper sound horizons reverberate at different levels on the sonic dimension of reality, contributing to a more complex semantic process of the collective civic rituality and the construction of institutional and individual sound identities. In order to investigate the urban soundscape, it is important to define the nature of the sound phenomena to be examined, but also the dynamics concerning their perception as part of complex anthropological processes. These perspectives can be considered from a historical point of view. The studies collected in this volume aim to investigate sound as an element of urban space in early modern Italy. They consider different phenomenologies investigated through innovative methodological perspectives. Particular importance is given to the sound of urban rituality, to its declinations and local connotations, to its ability to interact with public and private dimensions, to the social and aesthetic dynamics that regulate it, and to the definition of the sonic identity of early modern urban space. TABLE OF CONTENTS LUIGI COLLARILE & MARIA ROSA DE LUCA, Introduction VALERIA DE LUCCA, Regulating Sound and Noise in Seventeenth-Century Rome LUIGI COLLARILE, Ephemerides itineris romani : Experiencing the Sound of Italy in two Swiss Travel Diaries of the Seventeenth-Century UMBERTO CECCHINATO, Suoni pericolosi. Musica sacra, emozioni e disciplinamento dello spazio sonoro nelle chiese venete della prima et moderna ANGELA FIORE, Suoni, spazi, identit della Modena estense GIOVANNI FLORIO, Celebrating the Prince from Afar: Echoes of the Jubilant Terraferma in the Orations to the Newly Elected Doges (XVI-XVII Century) NICOLA USULA, Traditional Music in Seventeenth-Century Operas 'alla Veneziana': Intersections in the Italian Soundscape ELIA PIVETTA, Forms of Circulation of Musical Knowledge in Eighteenth-Century Italy: Giambattista Martini's Risposta to abate Pavona friulano ANGELA FIORE, Urban Spaces and Sound Practices in Neapolitan Female Monasteries Between the Seventeenth and Eighteenth Centuries MARIA ROSA DE LUCA, Ritualizing a Resilient City: Soundscape, Collective Performances and Construction of Urban Imaginary GIUSEPPINA LA FACE BIANCONI, La musica come persecuzione. L'inquinamento musicale nelle citt odierne‎

‎Piranesi The Complete Etchings ENG / FR / D‎

‎, Taschen 2022, 2022 Hardcover, 788 pages, ENG / FR / D, , 350 x 260 mm, NEW, dustjacket, illustrations in colour and b/w. ISBN 9783836587617.‎

‎Explore the complete etchings of Giovanni Battista Piranesi, the 18th-century engraver famed for his architectural views of Rome and his imaginary prisons. In this edition, you?ll find all the extraordinary detail and fantasy with which Piranesi shaped not only the European image of Italy, but also an impressive artistic legacy, from Edgar Allan Poe to the moving staircases at Hogwarts.‎

‎Spazio, Rassegna delle Arti e dell'Architettura - Luigi Moretti SPAZIO NRS. 1 7 complet.‎

‎, Luigi Moretti , 1950-1953 NRS. 1 7 complet, 33x25cm .‎

‎SPAZIO NRS. 1 7 complet. 1950-1953 Rome. R d. : Luigi Moretti. Textes importants de Moretti (Eclecticism and unity of language, Structures and sequences of spaces, Transfigurations of wall structures, etc.). S rie des 7 num. publi s between 1950-1953 qui rendirent c l bre la revue, qui paru ensuite de mani re plus sporadique. // Spazio, Rassegna delle Arti e dell'Architettura una rivista d'arte edita dal 1950 al 1953 a Roma con l'intento di proporre collegamenti fra le diverse forme d'arte (dall'architettura alla scultura, dalla pittura al cinema e al teatro). Fu fondata dall'architetto romano Luigi Walter Moretti, che non a caso apriva il primo numero con l'articolo Eclettismo e unit di linguaggio. Attraverso di essa pubblic i suoi saggi pi importanti: oltre al gi citato Eclettismo e unit di linguaggio del 1950, Genesi di forme della figura umana (1950), Forme astratte nella scultura barocca (1950), Colore di Venezia (1950), Trasfigurazioni di strutture murarie (1951), Discontinuit dello Spazio in Caravaggio (1951), Valori della modanatura, (1951), Strutture e sequenze di spazi (1953). La rivista, stampata a Milano prima dalla tipografia E. Barigazzi e quindi dalla tipografia Lucini, aveva la sede amministrativa a Roma e uffici a Milano e Parigi. Luigi Moretti ne fu direttore e principale redattore, direttore responsabile era Felicia Abruzzese, collaboratrice dello studio Moretti. La rivista ebbe una certa continuit dal 1950 al 1953, periodo in cui uscirono i sette numeri che resero celebre la testata tra gli addetti ai lavori. Nei decenni successivi Moretti fece uscire la rivista in maniera sporadica, in un numero del 1957 pubblic il suo saggio Forma come struttura; nel gennaio febbraio 1959 usc un numero contenente articoli di Fernand L ger, Alberto Gatti, Giampiero Giani e un'Antologia di Spazio dedicata allo scultore Pietro De Laurentiis, articolo che venne poi estratto e pubblicato - sempre a cura delle edizioni Spazio - come catalogo di una mostra tenutasi quello stesso anno; nell'aprile del 1963 pubblic il saggio Strutture di insiemi e, nel 1964, il saggio Significato attuale della dizione architettura. del luglio del 1968 un numero in cui compare il saggio Capogrossi dedicato al celebre pittore romano.‎

‎Hemba, master carvers of the Hemba culture in southeastern Congo ‎

‎, 5 Continents, 2017 Hardcover with dusjacket, 144 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. TEXT ENGLISH/ French, *NEW. ISBN 9788874398034.‎

‎Expressing one of many Luba sub-styles, the tall, standing male figures created by master carvers of the Hemba culture in southeastern Congo since at least the mid-1800s arguably rank among the noblest sculptural depictions of the human figure in sub-Saharan Africa. With their serene gaze and meditative expression, they exude a tranquillity and dignity that befits these idealized likenesses memorializing esteemed leaders of the past. Infused with a life-force or vital energy, these spirit-invested objects were able to communicate between the living and the dead. Thanks to their inner power they had the capacity to impact the material sphere by allowing the ancestors to positively influence the well-being of their surviving relatives. In this publication, through the perceptive lens of art photographer Luigi Spina, we discover nine of the most accomplished Hemba creations whose classical style has triggered comparisons with some kouroi sculptures of ancient Greece. Spina?s photographic interpretations help us understand why these proportionally balanced and symmetrically conceived ancestral figures have earned the admiration of African art lovers around the world. These personal readings of the beloved Hemba commemorative portraits also confirm why these sensitive renderings of the human anatomy deserve inclusion in the universal history of artistic creativity and a place in Andr Malraux?s ?Museum Without Walls.? After a tenure of more than fourteen years at the Cleveland Museum of Art, Constantine (Costa) Petridis joined the Art Institute of Chicago on November 1, 2016, as Curator of African art and Chair of the Department of the Arts of Africa and the Americas. A prolific editor and writer specialized in arts of Central Africa, Petridis most recently also contributed various essays to Frank Herreman?s Mumuye Sculpture from Nigeria: The Human Figure Reinvented, which was published by 5 Continents Editions in 2016. Luigi Spina (b. 1966) is a photographer from Naples. He participated in the ninth International Photography Festival in Rome and at MIAFAIR 2013 with his book-project The Buchner Boxes. With 5 Continents Editions he has published: The Buchner Boxes, The Dancers from the Villa dei Papyri, Memorie del Vaso Blu, Amazzonomachia, and Centauri He began his photographic portrayal of the Farnese collection of Classical sculptures for the Archaeological Museum of Naples in 2002.‎

‎Jacopo Bassano Renaissance Painter of Venetian Country Life‎

‎, Mercatorfonds, 2024 PB+, 280 x 240 mm, 176 pages, 125 colour illustrations, ENG edition. ISBN 9789462303768.‎

‎This publication presents a new perspective on Jacopo Bassano (c. 1515-1592) and the remarkable success of his workshop. Bassano, although widely appreciated in his lifetime, was later overshadowed by the immense fame of the Venetian masters Titian, Tintoretto, and Veronese. Located outside the artistic center of Venice, Jacopo Bassano and his sons were able to produce masterpieces of outstanding quality. They achieved widespread popularity in a variety of genres including biblical-pastoral paintings, portraits, and altarpieces. The purpose of this book is to present a fresh insight into the innovative, artistic practices of Jacopo Bassano and his workshop. The volume consists of insightful essays by specialists on Jacopo Bassano, including Luisa Attardi, Alessandro Ballarin, Claudia Caramanna, and Kirsi Eskelinen. Special attention is given to Jacopo Bassano's career in his native town Bassano and his strategies for expanding the activities of his workshop in Venice. Furthermore, the articles highlight his relationship to nature and the Venetian countryside and his pioneering work in depicting the changing light during different times of the day. Through interdisciplinary research on two paintings in the collection of the Sinebrychoff Art Museum, Finnish National Gallery, the book offers a deeper understanding of Jacopo Bassano's working methods and painterly techniques. The book accompanies the exhibition organized by the Sinebrychoff Art Museum / Finnish National Gallery‎

‎Felipe II: Un monarca y su epoca. La monarquia Hispanica‎

‎, Los Centenarios de Felipe II y Carlos V, 1998 Hardcover, 615 pages, SPA, 300 x 250 x 55 mm, dustjacket , illustrations in colour / b/w, in Good Condition, ISBN 9788495146014.‎

‎exposici n celebrada en el Museo Nacional de Escultura. Palacio de Villena. Valladolid del 22 de octubre de 1998 al 10 de enero de 1999 Libro Tela editorial sin sobrecubierta. Esta publicaci n la edita Sociedad Estatal Para La Acci n Cultural Exterior, S.a.. y actualmente se encuentra en Madrid. La editorial tiene m s de 100 publicaciones en cat logo. Sociedad Estatal Para La Acci n Cultural Exterior, S.a. tiene libros sobre todo de Revistas Museos, Cultura De Espa a y Arte De Espa a.‎

‎ Felipe II -Un Monarca y su Epoca - Las tierras y los hombres del rey.‎

‎, Sociedad Estatal para la Conmemoraci n, 1998 Hardcover , 587 pages; SPA, 300 x 250 x 55 mm, dustjacket, illustrations in colour / b/w, in Good Condition. ISBN 9788495146090.‎

‎exposici n celebrada en el Museo Nacional de Escultura. Palacio de Villena. Valladolid del 22 de octubre de 1998 al 10 de enero de 1999 Libro Tela editorial sin sobrecubierta. Esta publicaci n la edita Sociedad Estatal Para La Acci n Cultural Exterior, S.a.. y actualmente se encuentra en Madrid. La editorial tiene m s de 100 publicaciones en cat logo. Sociedad Estatal Para La Acci n Cultural Exterior, S.a. tiene libros sobre todo de Revistas Museos, Cultura De Espa a y Arte De Espa a.‎

‎Felipe II. Luis Rubio Gil Guia Historica Ilustrada-Luis Rubio Gil ‎

‎, Celeste Ediciones, 1998 Paperback, 71 pages,30x21cm Spanish, Illustrated. ISBN 9788482111612.‎

‎Esta obra est editada por Celeste Ediciones, S.a.. en Madrid. Tiene m s de trescientos setenta textos en cat logo. Arquitectura, M sica, Astronom a, Ficcion, No Ficci n... son las especialidades de la editorial. Celeste Joven, Comer Para Sanar, Guias Para Viajeros Tranquilos, Letra Celeste. Min scula., Pioneros De La Ciencia... son algunos ejemplos de colecciones de Celeste Ediciones, S.a.. Amado Nervo, Alberto Manzano, James Ackerman, Emilio Calderon, Jos Ram n G mez Fern ndez entre otros son algunos de los escritores que han publicado en dicha editorial.‎

‎peinture du Duecento en Italie Centrale.‎

‎Paris, Picard, 1987 Relie, toile sous jaquette d'editeur, 297pp., 28x20cm., nombr. ills. n/b., belle exemplaire. ISBN 2708403257.‎

‎La peinture du Duecento en Italie centrale ‎

‎Le roman historique‎

‎1972, éditions Payot, in-8 broché de 408 pages, couverture argentée, collection Payothèque, traduction française de Robert Sailley, préface de Claude-Edmonde Magny | Etat : Bon état général (Ref.: Ref89677)‎

‎Payot‎