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L on Spilliaert oeuvre au noir.
, Autrement , 2020 softcover, 109 pages Illustrated. 15X20CM. ISBN 9782746756403.
Spilliaert et moi sommes fr res de noir. Ce qui nous diff rencie, c'est qu'il a du talent, une oeuvre et une moustache. Ses paysages sont des asiles, ses portraits, les effigies de nos mes sombres. Avec ses natures mortes, il transcende le r el et rend le banal fantastique. C'est un alchimiste : de la boue et la sombreur, il fait du sublime. Spilliaert donne du panache au spleen. Pour le c toyer davantage, j'ai voulu crire sur lui en partant sur ses traces. Ostende, Bruxelles, Paris. Ce n' tait pas si loin. J'esp re que vous prendrez le m me plaisir que moi faire sa connaissance. E. B.
Pritt.Stift.Lippe
, De Windroos, 2005 Softcover, 31 pagina's, 19.5 x 12.5 cm, NL. *uitstekende staat. ISBN 9789025109486.
De bundel Pritt.stift.lippe laat zich lezen als een papieren stemtest. We horen hoe de dichteres zich langs de donkerste sporten van haar toonladder uit zichzelf tevoorschijn zingt, om uiteindelijk uitbundig te wankelen op de kruin van dit polyfone klimrek.
Netsuke Japanese Miniature Carvings.Collections Ferenc Hopp Museum of Eastern Asiatic Arts
Budapest,, The Museum of Eastern Asiatic Arts, 2001 Hardcover, 198 pages , 20,5 x 30,2 cm. English, Illustrated. ISBN 9789637098772.
This volume is a comprehensive catalogue of the Netsuke Collection and is the first of the series devoted to the museum's East Asiatic Collection. Including a brief description of each piece and excellent photographs, this volume will be an important addition to every netsuke collector's library.
'My God, my God, why have you abandoned me'. The Experience of God's Withdrawal in Late Antique Exegesis, Christology and Ascetic Literature
, Brepols, 2021 Paperback, 217 pages, Size:156 x 234 mm, Language: English. ISBN 9782503593609.
Summary The motif of Gods turning away his face still matters in theology as a direct aftermath of the horrors that the world experienced during WWII and also in the wake of the promotion of an excessive reading of theology, called kenotic. It even appears in unexpected places with no discernible association to the historical development of the Christian doctrine (Caputo, ?i?ek and C.S.Lewis). This book provides a historical supplement to current approaches and explores the way that late antique theology laid out the theoretical substratum on which modern approaches could anchor themselves. It presents the nuanced ways in which the motif of divine abandonment developed in late antiquity, displays the various threads of thought that theology pursued in different contexts (exegesis, Christology and ascetic desert literature), and raises three points: - the extent to which parallel lines were drawn in late antique theology between the experiences of the bride in the Song of Songs, Jesus on the cross and the early ascetics; - the normativeness of divine abandonment in early Christian thought and its association to sinfulness; - the possibility that late antique theology had introduced a Jesus-like 'kind' of abandonment.
Pourquoi l'amour fait mal. L'expérience amoureuse dans la modernité.
La couleur des idées, 2012, in/8 broché, 384 pages. Traduit de l'anglais par Frédéric Joly.
"Si le mal d’amour a toujours existé, il y a une manière spécifiquement moderne d’aimer et de souffrir de l’amour, que ce livre entend éclairer. À partir de nombreux témoignages et d’exemples issus de la culture populaire, Eva Illouz dresse le portrait de l’individu contemporain et de son rapport à l’amour, ainsi que des pathologies qui lui sont associées : incapacité de choisir, refus de s’engager, évaluation permanente de soi et du partenaire, psychologisation à l’extrême des rapports amoureux, tyrannie de l’industrie de la mode et de la beauté, marchandisation de la rencontre, etc. Tout cela dessine une économie émotionnelle et sexuelle qui laisse l’individu désemparé, pris entre une hyper-émotivité paralysante et un cadre social qui tend à standardiser, dépassionner et rationaliser les relations amoureuses."
Episcopal Power and Patronage in Medieval Europe, 998?1503
, Brepols, :2026 Hardback, 380 p., 156 x 234 mm, Illustrations:11 b/w, 50 col., 1 tables b/w., Language(s):English. *New . ISBN 9782503617312.
The essays in this volume derive from the third and fourth installations of a conference dedicated to examining the ?Power of the Bishop? in the Middle Ages: ?Bishops as Diplomats? and ?The Bishop as Patron?. Taken as a collection, the volume encourages us to seek the power of the bishop in his role as a fulcrum. The essays demonstrate how the medieval bishop was asked, and sometimes used, to balance institutional and individual forces as well as being a person around whom a community revolved. In each of the examples offered here, the acts and the duties of the bishops must be balanced against the needs and the expectations of their communities. This volume also takes into consideration how the community perceived and reacted to the patronage of the bishop, as he was understood to be an arbiter of power, favour, and influence. As patrons, clients, diplomats, allies, and adversaries, bishops were required to act or be acted upon in ways that aligned with, defined, or even defied historical, social, and personal expectations of the office.
HISTOIRE NATURELLE DES SOTTISES
PLON. 1961. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 426 pages. Quelques illustrations en noir et blanc, hors texte.Jaquette abîmée.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
A la découverte de la science- 96 expériences amusantes pour les scientifiques en herbe
DK. Non daté. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 120 pages augmentées de nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Le noyau atomique; traduit par A. Bussière, C. Stephan, J. Vernotte.
P., Dunod, 1961, grand et fort in 8° relié pleine toile grise de l'éditeur, XIV-752 pages.
PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
LES (D S)HABILLEUSES, Eva Rossie Les (D s) Habilleuses
BE, Stichting Kunstboek/ Kasteel van Laarne, 2023 softcover,, 300 x 240 mm, 112 pages. ENG-NL edition. fine!. ISBN 9789058567055.
Voor Les (D s)Habilleuses, liet fotografe Eva Rossie zich inspireren door genderrollen en het Kasteel van Laarne. Kamer per kamer worden de vroegere bewoners van het kasteel visueel onderzocht door haar eigen lens. Daarbij fungeert de kleedster als spilfifiguur: de panoptische bewakingscamera avant la lettre die tegelijk in een kwetsbare positie zat. Er wordt gespeeld met het contrast tussen zij die bedekken en blootgeven, zij die alles zien en horen, zij die klein gehouden worden en zij die vriendelijk bedanken voor de ketenen van het keurslijf. Rossies personages ondersteunen een hedendaagse kijk op de invulling van gender, zonder de geschiedenis uit het oog te verliezen. Want het is net deze geschiedenis die dienst doet als uitgangspunt om op zoek te gaan naar een alternatieve, hedendaagse blik op wat mensen mogen en kunnen zijn. Het resultaat zijn gelaagde foto's die aandoen als fifilmstills met een kwetsbaar randje. For Les (D s)Habilleuses, photographer Eva Rossie was inspired by gender roles and Laarne Castle. The former inhabitants of the castle are visually explored, room by room, through her own lens of the female gaze. The dresser is the main character. Because of her rather intimate position, she used to hear and see everything. There lies a contradiction within the dresser; she was like a panoptic security camera, but she found herself in a vulnerable position at the same time. Rossie plays with the disparity between those who cover and reveal, those who see and hear everything, those who are kept small, and those who refuse the confifinement of their shackles. Rossie's characters invite a contemporary view on gender, without losing sight of history, since it is precisely what has been that serves as a starting point in the search for an alternative, contemporary view of what people can be. Presented to you are layered pictures like fifilm stills with a vulnerable edge.
LES (D S)HABILLEUSES / Les (D s) Habilleuses
, Stichting Kunstboek, 2023 Softcover, 112 pages , NL / ENG, 300 x 240 x 12 mm, NEW, coloured photographs / foto's in kleur. ISBN 9789058567055.
Voor Les (D s)Habilleuses, liet fotografe Eva Rossie zich inspireren door genderrollen en het Kasteel van Laarne. Kamer per kamer worden de vroegere bewoners van het kasteel visueel onderzocht door haar eigen lens. Daarbij fungeert de kleedster als spilfifiguur: de panoptische bewakingscamera avant la lettre die tegelijk in een kwetsbare positie zat. Er wordt gespeeld met het contrast tussen zij die bedekken en blootgeven, zij die alles zien en horen, zij die klein gehouden worden en zij die vriendelijk bedanken voor de ketenen van het keurslijf. Rossies personages ondersteunen een hedendaagse kijk op de invulling van gender, zonder de geschiedenis uit het oog te verliezen. Want het is net deze geschiedenis die dienst doet als uitgangspunt om op zoek te gaan naar een alternatieve, hedendaagse blik op wat mensen mogen en kunnen zijn. Het resultaat zijn gelaagde foto's die aandoen als fifilmstills met een kwetsbaar randje. For Les (D s)Habilleuses, photographer Eva Rossie was inspired by gender roles and Laarne Castle. The former inhabitants of the castle are visually explored, room by room, through her own lens of the female gaze. The dresser is the main character. Because of her rather intimate position, she used to hear and see everything. There lies a contradiction within the dresser; she was like a panoptic security camera, but she found herself in a vulnerable position at the same time. Rossie plays with the disparity between those who cover and reveal, those who see and hear everything, those who are kept small, and those who refuse the confifinement of their shackles. Rossie's characters invite a contemporary view on gender, without losing sight of history, since it is precisely what has been that serves as a starting point in the search for an alternative, contemporary view of what people can be. Presented to you are layered pictures like fifilm stills with a vulnerable edge.
Hans Hartung : Und Die Fotografie / Et La Photographie / And Photography
, Hirmer Verlag Gmbh 2016, 2016 Hardcover, 128 pages, French / Deutsch/ ill photo's, New copy, 325 x 235 mm, . ISBN 9783777426495.
Hans Hartung (1904-1989), indisputably one of the most important representatives of non-representational painting during the twentieth century, experimented with the medium of photography from childhood. His series of portraits and landscapes as well as his abstract photographs and his experiments with light and shade are presented here in public for the first time. //// Hans Hartung (1904-1989), incontestablement l'un des plus importants repr sentants de la peinture non figurative du XXe si cle, a exp riment le m dium photographique d s son enfance. Ses s ries de portraits et de paysages ainsi que ses photographies abstraites et ses exp rimentations d'ombre et de lumi re sont pr sent es ici pour la premi re fois au public.
Alte Goldschmiedekunst in Luxemburg.
, Luxembourg : MNHA,, 2004, Hardcover with dusjacket, 411 pages, ill. Text Deutsch+ resume en Fran ais. ISBN 28079859964.
Alte Goldschmiedekunst in Luxemburg : Meister, Marken, Werke ; [anl lich der Ausstellung "Tr sors Insoup onn s. Orf vriere Ancienne au Luxembourg" im Nationalmuseum f r Geschichte und Kunst Luxemburg vom 1. Oktober bis zum 28. November 2004]
LIFE AND WORK OF JOHN TYNDALL WITH A CHAPTER ON TYNDALL AS A MOUNTAINEER BY Lord SCHUSTER and a preface by GRANVILLE PROBY -- EDITION ORIGINALE -- BEL EXEMPLAIRE
London, MacMillan, 1945, un volume in 8 relié en pleine toile bleue éditeur, 1 PORTRAIT DE TYNDALL en frontispice, 32pp., 404pp., 24 PLANCHES hors texte
---- EDITION ORIGINALE ---- BEL EXEMPLAIRE ---- Childhood and youth (1820-1840) - He becomes a surveyor (1840-1847) - Queenwood college and the university of Marburg (1847-1853) - The royal institutin (1853-1855) - Mountains and galciers (1855-1857) - Friends old and new (1855-1857) - Widening activities (1858-1861) - The second bakerian lecture (1860-1862) - The championship of MAYER (1862-1865) - The third Bakerian lecture (1863-1865) - Death of FARADAY and a visit to ITALY (1866-1868) - An accident, a proposal and a solar eclipse (1869-1870) - More books (1871-1872) - The american visit and a great controversy (1872-1873) - The Belfast adress (1874) - Incursions into biology and medicine (1874-1876) - Courtship and marriage (1876) - Early years of married life (1876-1881) - Radiation, medicine and lighthouses (1881-1884) - Closing years at the Royal institution (1885-1887) - Life at Hilndhead (1888-1890) - Nearing the end (1891-1893) - The great tragedy and after (1893-1894) - Contributions to physics and biology - TYNDALL as a lecturer and writter - TYNDALL as a mountainer**8937/K6
Physique. Classes de Première A - A'et B et baccalauréat (1ère partie).
Couverture souple. Broché. 270 pages.
Livre. Programme du 30 avril 1931. Editions Magnard, Vers 1930.
Physique. Classes de Seconde A - A'et B.
Couverture rigide. Cartonnage de l'éditeur. 222 pages.
Livre. Programmes de 1931. Editions Ecole et Collège, 1940.
Physique. Classes de Seconde A et B.
Couverture souple. Broché. 174 pages.
Livre. Programme de 1945. Editions Magnard, 1954.
Physique. Classes de Seconde C et moderne.
Couverture souple. Broché. 276 pages.
Livre. Programmes de 1945. Editions de l'école, 1948.
Physique. Classes de Seconde C et moderne.
Couverture souple. Broché. 276 pages.
Livre. Programmes de 1945. Editions de l'école, 1955.
Physique. Cours complémentaires et enseignement moderne court.
Magnard Magnard 1948, In-8 broché de 336 pages.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Sciences physiques. Classe de philosophie.
Couverture souple. Broché. 349 pages. Papier légèrement bruni.
Livre. Programme d'avril 1947. Editions Magnard, 1947.
Evelien Hauwaerts, Emma De Nil, Caroline Van Cauwenberge (ed.) e.a.
Reference : 66940
Boek van Troost, Boek van Hoop - Middeleeuwse getijdenboeken en hun lezers
, Hannibal Books, 2025 hardcover, 23 x 17 cm, 160 pagina's, Hardcover, Nederlandstalige editie, Quadrichromie, *Nieuw. ISBN 9789464941944.
Rijkge llustreerde publicatie over getijdenboeken in de laatmiddeleeuwse samenleving en hun frequente weergave in Vlaamse portretten Getijdenboeken waren de bestsellers van de late middeleeuwen. Boek van Troost, Boek van Hoop biedt een helder en toegankelijk antwoord op de intrigerendste vragen over het gebruik en de betekenis van deze devotieboeken: wat stond erin, wie waren de makers en lezers, waar leerde men lezen, gebruikte men brillen of lampen, wat betekenen de humoristische figuurtjes in de marges, en waarom verschijnen getijdenboeken zo vaak in portretten door bijvoorbeeld de Vlaamse primitieven? Van luxueuze meesterwerken met bladgoud tot bescheiden, doorleefde exemplaren met kaarsvetvlekken of persoonlijke notities ? stuk voor stuk vertellen ze een verhaal. Getijdenboeken komen voor in bijna alle lagen van de samenleving, van de hertog en de gravin tot de metselaar en de meid. Niet alleen als pronkstuk, maar vooral als trouwe metgezel van hun eigenaars, gekoesterd en intensief gebruikt. Deze uitgave, rijkelijk ge llustreerd met topstukken uit de collecties van de Openbare Bibliotheek Brugge en Musea Brugge, is onmisbaar voor wie zich wil onderdompelen in de fascinerende, middeleeuwse boekcultuur. Uitgave bij de tentoonstelling Trots & Troost ? Middeleeuwse getijdenboeken en hun lezers in het Groeningemuseum in Brugge van 4 april tot 7 oktober 2025.
Evelien Hauwaerts, Emma De Nil, Caroline Van Cauwenberge (ed.) e.a.
Reference : 66941
Books of Hours, Books of Hope, Medieval Books of Hours and their Readers.
, Hannibal Books, 2025 hardcover, 23 x 17 cm, 160 pages, Richly illustrated English edition, Quadrichromie, *New. ISBN 9789464941951.
Richly illustrated publication on Books of Hours in late medieval society and their frequent depiction in Flemish portraits Books of Hours were the bestsellers of the late Middle Ages. Books of Hours, Books of Hope provides unambiguous and accessible answers to the most intriguing questions about the use and significance of these devotional books: what were they about, who were the makers and readers, where did people learn to read, did they use reading glasses or lamps, what do the humorous figures in the margins symbolise, and why do Books of Hours feature so frequently in portraits by, for example, the Flemish Primitives? From sumptuous masterpieces embellished with gold leaf to modest, well-thumbed copies dotted with candle-wax stains or personal notes ? each one has a story to tell. Books of Hours were popular among all levels of society, from dukes and countesses to bricklayers and maids. Not only as showpieces, but above all as their owners? faithful companions, cherished and used intensively. Lavishly illustrated with masterpieces from the collections of the Bruges Public Library and Musea Brugge, this publication is a must-have for those who wish to immerse themselves in the fascinating book culture of the medieval era. Publication accompanying the exhibition Pride & Solace ? Medieval Books of Hours and Their Readers at the Groeningemuseum in Bruges from 4 April until 7 October 2025.
Laurens Legiers. Echoes of the Unseen. Works on Paper.
Antwerp., PLUS-ONE Gallery, Paperback 56 pages, 30X22CM NEW. Text in English. ISBN 9789464946116.
Belgian artist Laurens Legiers (b.1994) is renowned for his serene and introspective art. He transforms elements of nature like ships, snails, and tree branches into geometric forms, creating tranquil scenes that encourage reflection. His pieces, often depicting a harmonious blend of light and mood, invite viewers into a world of peaceful contemplation. In this volume, the artist presents his latest series of works on paper. In this new body, Legiers encourages the viewers to engage in peaceful contemplation, blending elements of serenity and subtle humour. This book was published on the occasion of the exhibition A Whimsy Odyssey at PLUS-ONE Gallery in Antwerp from 13.01 to 18.02.2024
