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Le mécanisme de la nature. Exposé simple des idées modernes concernant la structure de la matière et les radiations. Traduit de l'anglais par G. Malgorn.
P., Dunod, 1932, in 8° broché, VIII-163 pages ; des rousseurs ; couverture un peu fanée.
...................... Photos sur demande ...................
Phone number : 04 77 32 63 69
Le mouvement. Mesures de l'étendue et mesures du temps -- EDITION ORIGINALE
P., Alcan, 1911, un volume in 8 relié en pleine toile bordeaux éditeur, 6pp., 228pp., 46 figures dans le texte, 36pp. (catalogue de l'éditeur)
---- EDITION ORIGINALE ---- "J. Andrade enseigna la mécanique rationnelle et appliquée à l'Université de Besançon. Ses travaux se rapportent tout d'abord à des sujets variés d'analyse, de géométrie et de mécanique physique, mais, à partir de 1902, il se trouve orienté vers la mécanique envisagée dans ses rapports avec l'horlogerie et le chronométrie et concernent plus particulièrement les organes réglant des mouvements vibratoires strictement isochrones. Il a fondé l'Ecole de chronométrie de Besançon" ---- Notions et expériences spatiales fondamentales. Modèles des mouvements - Triangles et trièdres. Symétrie. Déplacement de rotation et de pivotement - Etendues polyédriuqes fondamentales - Les fondateur de l'astronomie et de la mécanique - Les deux absolus de dynamique, l'HORLOGE et l'orientation. Les machines et les générales de l'équilibre - Mouvements oscillatoires simples ou uniformément amortis - Les ressorts - Les mesures physiques et le concept de la mesure - Apparition des lunettes - Les lunettes au point de vue du grossissement et de la visibilité - Canevas géodésiques et reconnaissances - Signaux optiques - Les mesures mécaniques du temps et leur controle - La machine horaire - le régulateur des montres - Les échappements - Les perturbations de l'isochronisme - Quelques mots sur les chronographes - Les observatoires chronométriques - L'horloge astronomique et le controle des montres - etc ** (8946.P6AR)
Clinique Médicale ou Choix d'Observations recueillies à l'Hôpital de la Charité (Clinique de M.Lherminier) Tomes 3ème et 4ème : Maladies de Poitrine
Deville cavellin 1834 572+600 pages in8. 1834. Relié. 572+600 pages. 3e édition revue corrigée et augmentée
Etat Correct bords frottés intérieur globalement propre qq rousseurs
[ANDRA] - ANDRA, Observatoire National de l' [ Agence Nationale pour la gestion des Déchets RadioActifs ]
Reference : 26936
(2000)
Où sont les déchets radioactifs en France , Rapport de l'Observatoire National de l'ANDRA édition 2000
1 vol. in-4 br., ANDRA, Chatenay Malabry, 2000, 686 pp.
Bon exemplaire (très bon état) pour ce rapport très documenté. Peu courant.
Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Exploring Iconographic Flexibility and Permeability
, Brepols, 2025 Paperback, 189 pages, Size:216 x 280 mm, Illustrations:31 b/w, 39 col., 1 maps b/w, Language: English. *new ISBN 9782503608853.
Summary Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations. TABLE OF CONTENTS List of Illustrations List of Contributors List of Abbreviations Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period: Iconographic Flexibility and Permeability Andrea-Bianka Znorovszky 1. The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari: Iconographic and Ideological Aspects Nina Chichinadze 2. The Anna Selbdritt and the Cult of the Three Maries: An Early Fourteenth-Century Wall Painting in the Medieval Kingdom of Hungary Mihnea Alexandru Mihail 3. The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations: Between Iconographic Appropriation and Iconographic Development Andrea-Bianka Znorovszky 4.'Worthy Vestment for the Sovereign Priest': Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy Elliott D. Wise 5. In Mente Dei, in Gremio Annae: The Source and the Receptacle of Marian Immaculacy in Sixteenth-Century Piacenza Fiammetta Campagnoli 6. Moving with Saint Anne: Representations of Anna Selbdritt between Central Europe and the Tyrolean Region Stefanie Paulmichl 7. Images of Saint Anne in the Ionian Islands (Fifteenth - Eighteenth Centuries) Eirini Panou 8. Arbor Anna Fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption Letícia Martins de Andrade Conclusions Andrea-Bianka Znorovszky Appendix 1: Saint Anne - Primary Sources Appendix 2: Family Tree Appendix 3: Map Appendix 4: Short Timeline of Mariological Doctrines and Debates
Knowledge of Humanities A Comparative Epistemology of Historiography, Literary Criticism, History of Art, and History of Architecture
, , 2026 Paperback, 323 p., 178 x 254 mm, Language(s):English. *New . ISBN 9782503618746.
Are humanities scientific disciplines? This book offers compelling arguments for reopening the issue of the relations between humanities and natural sciences. It criticizes the current trend of defending humanities on the basis of their expected social or economic impact, in terms of cultural heritage, wellness, mass culture or democratic habits. The book vigorously calls for a new epistemological reflection, which addresses the issues left open by the XX century: Do humanities produce valid knowledge or just culture and informed opinion? How do researchers in humanities advance explanations and causal statements? How do they build up the proofs for their statements, given that they deal with objects and events buried in the past? Do we have science for individual cases? The author suggests a novel approach, based on the comparative analysis of various disciplines in humanities. They deal with historiography in the first place and with the main historical objects of investigation: the text (literary criticism), the image (history of art), the building (history of architecture). The book dives deep into some of the most authoritative works of researchers of the XX century in these fields, reading them from the perspective of epistemology. It then identifies a number of scientific principles and procedures that meet the highest requirements for reliability and validity. Recent epistemological developments in theories of causality, nature of scientific laws, and history-dependent natural sciences suggest that a new type of dialogue between humanities and hard sciences is possible. A dialogue between peers.
Andrea Branzi: Wood and Stones (160/250)
Knokke, Argentaurum Gallery, 1997 Hardcover, edition of 250, this is 160, pages not numbered, 15.5 x 11 cm, EN. *Fine condition.
This book has been published for the opening of the exhibition 'wood and stones' at Galleria Seno, Milano in April 1997.
caduta di Acri 1291. Raccolta delle imprese legate allo sterminio di Acri - Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa
, Brepols, 2023 Paperback, 168 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: Italian. ISBN 9782503602646.
Summary La caduta di San Giovanni d'Acri nel 1291, che segna la fine degli stati crociati d'Oltremare, rappresenta un punto di svolta nella storia medievale, già percepito come tale dai contemporanei. Sulla scia immediata dell'evento, due scritti narrano e commentano la battaglia: l'anonima Excidii Aconis gestorum collectio (composta probabilmente nel Nord della Francia) e l'Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte di Taddeo di Napoli, venata di influssi gioachimiti. Entrambi ripercorrono con impressionante vividità le vicende che hanno portato allo scontro e soprattutto la disperata resistenza della città, mettendo in scena una molteplicità di personaggi nelle loro dinamiche di collaborazione e dissenso: i maestri degli Ordini Militari, i governanti e il patriarca, la folla dei combattenti e delle vittime inermi; dall'altra parte, i due sultani che si succedono nel corso degli eventi con il loro popolo di ?infedeli?, sinistri eppure valorosi. Lo stile adottato dall'Anonimo e da Taddeo è improntato a un preziosismo al limite talvolta della comprensibilità, che rende ardua la lettura nell'originale latino. La traduzione italiana mette a disposizione in modo più facilmente accessibile due fonti fondamentali per la storia delle crociate e della percezione di esse nella cultura del tempo. La versione latina originale dei testi qui tradotti è pubblicata nella collana Corpus Christianorum, Continuatio Mediaeualis con il titolo Excidii Aconis gestorum collectio; Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte (CC CM, 202), a cura di R.B.C. Huygens (2004). I rimandi alle pagine corrispondenti dell'edizione sono forniti a margine di questa traduzione. TABLE OF CONTENTS Introduzione Bibliografia Raccolta delle imprese legate allo sterminio di Acri Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa Appendice 1: Gli ordini militari Appendice 2: Armi e macchine d'Assedio notevoli. Il lessico della guerra medievale Indici
Briefe aus der Schweiz nach Hannover geschrieben in dem Jahre 1763. Zweiter (2.) Abdruck.
Zürich und Winterthur, bei Joh. Caspar Füessli Sohn; und in Commission bei Heinrich Steiner und Comp. Buchhändlern, 1776, in-4to, Mit gest. Titelvign. (Karte der Schweiz), 10 großen Textvignetten und 18 (tls. gefalt., num. 1-16, 12-b und 1 n.numm.) Kupfertafeln (gest. von J.R. Schellenberg, Pfenninger, Vogler und Holzhalb). XXII + 344 S. (statt 346; ohne S. 259- 260, in Kopie beigebunden) + 1 Bl. Erklärung der Tafeln, farbiges Ex Libris ‘Dr. Iur Josef Müller’, Pappband. des 19. Jhd. mit Rsch. (etwas berieb. u. best.).
Erste Buchausgabe. - Der Text war zuvor im Hannoverschen Magazin 1764 ff. erschienen. Die Tafeln zeigen die Rheinbrücke bei Schaffhausen, zwei Tafeln den Rheinfall bei Schaffhausen, den Gipfel des Gotthards, Kristalle, Versteinerungen, Lämmergeier, die übrigen Tafeln meist naturwissenschaftliche Details. Die dekorativen Textvignetten mit Ansichten. - Tls. leicht fleckig, S. 93/94 mit repar. Einriß. Lonchamp 118; Barth 17539; ADB I, S. 447; NLM, S. 14. ; Haller I, 984; Wäber, 37; Holzmann-Bohatta 7570.; Blake-NLM 14. Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Briefe aus der Schweiz nach Hannover geschrieben in dem Jahre 1763. Zweiter (2.) Abdruck.
Zürich und Winterthur, bei Joh. Caspar Füessli Sohn; und in Commission bei Heinrich Steiner und Comp. Buchhändlern, 1776, in-4to, Mit gest. Titelvign. (Karte der Schweiz), 10 großen Textvignetten und 18 (tls. gefalt., num. 1-16, 12-b und 1 n. numm.) Kupfertafeln (gest. von J.R. Schellenberg, Pfenninger, Vogler und Holzhalb). XXII + 346 S. + 1 Bl. Erklärung der Tafeln, Zettel auf Spiegel „F.L. Albanus Buchhändler in Berlin Bruderstralse 19“, Halbleder d. Zeit mit Ecken d. Zeit.
Der Text war zuvor im Hannoverschen Magazin 1764 ff. erschienen. Die Tafeln zeigen die Rheinbrücke bei Schaffhausen, zwei Tafeln ,den Rheinfall bei Schaffhausen, den Gipfel des Gotthards, Kristalle, Versteinerungen, Lämmergeier, die übrigen Tafeln meist naturwissenschaftliche Details. Die dekorativen Textvignetten mit Ansichten. - Tls. leicht fleckig. Lonchamp 118; Barth 17539; ADB I, S. 447; NLM, S. 14. ; Haller I, 984; Wäber, 37; Holzmann-Bohatta 7570.; Blake-NLM 14. Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
NUEVA VISION: Graphic Design for the Arts in Argentina 1940-1976
, Hopper & Fuchs, 2025 paperback,19.5 x 28 cm, 320 pages, English/Spanish text. *New. ISBN 9789464002683.
NUEVA VISION presents a comprehensive study of Argentina?s dynamic visual culture during a period of transformation in the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, printed matter and other ephemera, and exhibitions? communication in the visual arts. The book highlights the creativity and innovation of designers who, in a first period until the late 1940s, fused European avant-garde influences with local artistic traditions, producing visually striking, socially engaged and culturally resonant works. As from the 1950s Argentine graphic designers developed their own visual language that even inspired and stimulated cross-continent colleagues and the arts scene. With over 200 images, including posters, exhibition catalogues and ephemeral graphics, this book offers a nuanced understanding of the intersection between design, performance and institutional identity. Featuring contextual essays by academic Andrea Gergich and designer Rubén Fontana, NUEVA VISION offers a critical examination and testimonial of mid-20th-century Argentine design within its social, political, and artistic context. It is an essential resource for anyone interested in Latin American modernism and the global history of graphic arts. Jelle Jespers is a Brussels-born graphic designer, curator, and researcher specializing in Latin American graphic arts. Andrea Gergich is an Argentine graphic designer, lector, curator and design historian focused on modern and contemporary design practices. Rubén Fontana is an acclaimed Argentine designer and visual researcher with expertise in typographic innovation and graphic culture. Together, they bring decades of experience documenting and analyzing design history, with collaborations including exhibitions, academic publications, and institutional research projects across Europe and Latin America.
Gaspar van Weerbeke. New Perspectives on his Life and Music
, Brepols, 2019 Paperback, 332 pages, Size:190 x 290 mm, Illustrations:6 b/w, 14 col., 18 tables b/w., 39 music examples, Language: English. ISBN 9782503584546.
Summary In memoriam Gerhard Croll (1927-2019) Gaspar van Weerbeke was one of the most successful Franco-Flemish musicians of the second half of the fifteenth century, holding prestigious positions in the Sforza court in Milan, the Burgundian court chapel, and the papal chapel in Rome. His compositions were widely transmitted in manuscript and print sources throughout Europe, and he was one of the best represented composers in the early Italian music prints of Ottaviano Petrucci. Despite the high esteem of his contemporaries, Gaspar has up to now played only a peripheral role in Renaissance music historiography. This book is the first collection of research articles dedicated exclusively to the life and works of Gaspar. While the basic facts of Gaspar's life have long been known, the book fleshes out the details, presenting a more differentiated and complex picture of his biography. Analysis of a wide range of Gaspar's compositional output leads to new interpretations of his approach to different genres: masses, motets, and motet cycles. His relatively small quantity of songs is revisited in light of the confusion-both then and now-over the meaning and validity of their attributions. This book seeks to promote further research on this composer and place him in his appropriate place in music history. TABLE OF CONTENTS Andrea Lindmayr-Brandl & Paul Kolb, Introduction Part I. Biographical aspects Klaus Pietschmann, Seven Reasons for Italy: Gaspar van Weerbeke's Career between Flanders, Milan, and Rome Paul A. Merkley, Weerbeke in Milan: Court and Colleagues Sean Gallagher, Belle promesse e facti nulla: A Letter to Weerbeke and the Treatment of Singers in Florence and Milan Laurence Fagnart, Gaspar Depicted? Leonardo's Portrait of a Musician Grantley McDonald, Gaspar van Weerbeke as a Member of the Burgundian Chapel Jeannette DiBernardo Jones, Gaspar van Weerbeke and France: The Poetic Witness of Guillaume Crétin Part II. Masses and Motets Fabrice Fitch, 'Under the Radar' or 'Caught in the Crossfire'? The Music of Gaspar van Weerbeke and its Reception History Agnese Pavanello, Weerbeke's Stylistic Repertoire: New Insights from the Marian Motets Fabrice Fitch, The Cycle as Modular Composition: The Motetti missales of Gaspar van Weerbeke Wolfgang Fuhrmann, Another 'Most laudable competition'? Gaspar, Josquin, Regis, and the Virgin in Distress Paul Kolb, A New Mass and its Implications for Gaspar's Late Mass Style Andrea Lindmayr-Brandl, Petrucci's Gaspar: Sources, Editing, and Reception Part III. Secular Music David Fallows, Gaspar and Japart: The Secular Works, with Particular Reference to Basevi 2442 and a Word about Fridolin Sicher Carlo Bosi, Caught in the Web of Texts: The Chanson Family Bon vin/Bon temps and the Disputed Identity Eric Jas, La stangetta Reconsidered: Weerbeke, Isaac, and the Late Fifteenth-Century Tricinium Bibliography, General Index, Index of Works
Markus Lupertz Mythos und Metamorphose
Koln, Andrea Madesta. Ausst'publikation. , 2010 310 x 250 x 20 mm. 144 S. mit zahlr. Abb. Biografie, Bibliografie und Werkliste. Fester Einband. Text in englischer und deutscher Sprache. dustjacket, NEW. ISBN 9783940953643.
Statt sich der grossen Gemalde und Skulpturen, die Lupertz' Werk pragen, zu widmen, stellt dieser Band die Zeichnungen in den Vordergrund. Wer genau hinsieht, dem fallt auf, dass diese zeichnerischen Arbeiten mit zum Schonsten gehoren, was wir von Markus Lupertz kennen lernen durfen. Das oft Grobe und Heroische, die bewusst zugefugte Verstummelung oder Antikisierung seiner ?»grossen Werke?« fehlt hier, das Formenrepertoire scheint eher unmittelbar aus der Hand gekommen zu sein. Und auch die Bozzetti besitzen eine im korperlichen Mass verankerte Anschaulichkeit, die so selten zu finden ist. Zeichnung und Skulptur fuhren einen intimen Dialog, der mitunter praziser uber die innere Spannung des Werkes von Markus Lupertz Auskunft erteilt, als es andere seiner Werke vielleicht tun wollen. Insofern ist Andrea Madesta in ihrer Auswahl ein ganz eigener besonders ein aktualisierter, Blick auf die Arbeiten Markus Lupertz' gelungen.
Tractatus contra Graecos
, Brepols, 2020 Hardback, xcv + 248 pages, Size:155 x 245 mm, Illustrations:2 col., Language: Latin. ISBN 9782503588742.
Summary Das 13. Jahrhundert stellt eine zentrale Epoche für die Geschichte der Beziehungen Ost- und Westkirche dar. Die Eroberung Konstantinopels durch die Kreuzfahrer im Jahr 1204 und die daran anschließende Etablierung eines sogenannten Lateinischen Kaiserreichs (1204-1261) gilt heute sowohl in der Forschungslandschaft, als auch in den Erinnerungskulturen der Kirchen als signifikantes Ereignis auf der Bruchlinie zwischen dem lateinischen Westen und dem griechischen Osten. Den gerade erst neu gegründeten Mendikantenorden kam vor dem Hintergrund ihres missionarischen Ordensauftrags und wesentlich unterstützt durch ihre flächendeckenden Ordensstrukturen eine gewichtige Rolle innerhalb der literarisch-theologischen Kontroverse mit den Byzantinern zu. Als Meilenstein dieser Kontroverse präsentiert die vorliegende kritische Edition das Dossier eines anonymen, in Konstantinopel tätigen Dominikaners unter dem Titel Tractatus contra Graecos (1252). Dieses Werk, das weite Verbreitung vor allem im Umkreis der (Unions-)Konzilien des 15. Jahrhunderts erfahren hat, stellt auf lateinischer Seite die erste systematische und griechisch-patristisch untermauerte Behandlung jener vier Konfliktpunkte dar, die in dieser Form von nun an standardmäßig auf der Agenda der ost-westlichen Debatten standen (Filioque, Azymen, Purgatorium/Eschatologie und Primat Roms). Zudem bietet der Traktat in Form eines Appendix einen reichen Schatz an klassischen und zeitgenössischen Quellen, die zum Teil singuläre Überlieferungszeugen sind. Vor diesem Hintergrund ist der Tractatus contra Graecos ein wertvolles Dokument nicht nur für die Beziehungsgeschichte zwischen östlich und westlich geprägter Theologie, sondern zudem ein Baustein zur Geschichte und Theologie des Dominikanerordens in der noch jungen Randprovinz "Graecia".
Opera IV. Expositio super Ysaiam
, Brepols, 2021 Hardback, lxviii + 355 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503589831.
Summary Andrew of Saint Victor was one of the most prominent biblical scholars of the twelfth century. He was a regular canon of the Parisian abbey of St Victor, which in the twelfth century had developed into a prestigious center of spiritual learning, closely connected to the nascent university in Paris. Because of his frequent use of Jewish exegetical materials, Andrew's commentaries are a rich source for the history both of biblical hermeneutics and of inter-religious dialogue during the Middle Ages. His Isaiah commentary caused outrage among medieval Christian scholars because it eschewed traditional christological interpretations, and instead offered a reading "secundum Hebraeos." Scholars have seen Andrew of St Victor as standing at the cradle of a scholarly interest in the Biblical text, which influenced scholars such as the fourteenth-century Franciscan Nicholas of Lyra, and, in the long run, reformers such as John Wycliff, Martin Luther, and John Calvin.
Middle and Late Byzantine Poetry: Texts and Contexts
, Brepols, 2019 Paperback, vii + 413 pages, Size:156 x 234 mm, Illustrations:1 b/w, Language: English. ISBN 9782503578866.
Summary It is only in recent years that Byzantine poetry - a long-neglected aspect of Byzantine literature - has attracted the attention of philologists, literary and cultural historians. This holds true especially for the poetry written in middle and late Byzantium.Though many collections of poems are available in modern critical editions, a considerable amount of texts still remains completely unedited or accessible only in outdated and unreliable editions. Moreover, many works of this period have never been studied thoroughly with regard to their cultural impact on society. Issues of authorship and patronage, function, literary motives, generic qualities, and manuscripts still await further study. This volume aims to take a step to fill this gap. Although it includes studies on poetry from the early tenth to the fifteenth centuries, the main focus is placed on the Komnenian and Palaeologan times. It presents editions of completely unknown texts, such as a twelfth-century cycle of epigrams on John Klimax. It includes studies on various types of poetry, including didactic, occasional, and even poetry written for liturgical purposes. By analysing these works and placing them within their literary and socio-cultural context, we can draw conclusions about the cultural tastes of the Byzantines and acquire a more nuanced picture of middle and late Byzantine poetry. TABLE OF CONTENTS Nikos Zagklas & Andreas Rhoby, Introduction Part I: Studies in the Poetry of the Middle and Late Byzantine Period Section I: Forms, Perceptions & Functions Floris Bernard, Rhythm in the Byzantine Dodecasyllable: Practices and Perceptions Nikos Zagklas, Metrical Polyeideia and Generic Innovation in the Twelfth Century: The Multimetric Cycles of Occasional Poetry Section II: Authors & Texts Maria Tomadaki, The Reception of Ancient Greek Literature in the Iambic Poems of John Geometres Przemys?aw Marciniak & Katia Warcaba, Theodore Prodromos' Katomyomachia as a Byzantine Version of Mock-Heroic Epic Andreas Rhoby, The Poetry of Theodore Balsamon: Form and Function Krystina Kubina, Manuel Philes - A Begging Poet? Requests, Letters and Problems of Genre Definition Marina Bazzani, The Art of Requesting in the Poetry of Manuel Philes Section III: Hymnography & Its Contexts Theodora Antonopoulou, Imperial Hymnography? The Canons Attributed to Emperor Constantine VII Porphyrogenitus. With the critical edition of the First Canon on St John Chrysostom Dimitrios Skrekas, Translations and Paraphrases of Liturgical Poetry in Late Byzantine Thessalonica Part II: The Editio princeps of a Completely Unknown Text Renaat Meesters and Rachele Ricceri, A Twelfth-Century Cycle of Four Poems on John Klimax: Editio princeps, Translation and Commentary Renaat Meesters, A Twelfth-Century Cycle of Four Poems on John Klimax: A Brief Analysis
ANDRE BONNEFIS ( Pharmacien , Secrétaire Adjoint de la société des Lettres, Sciences et arts de l'Aveyron )( membre de la commission des Archives Historiques du Ropuergue )
Reference : 14693
SAINT-ROME -DE-TARNMonographie de Saint Rom de Tarn
broché - 14 x 22,5 - 173 pp - année 1971 - imprimerie Carrere - illustrations -
ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES
clé des champs
Paris, Les Éditions du Sagittaire, 1953 broché, sous jaquette illustré par Miro, 286 pages, 23 x 14.5 cm, FR. *en bon état.
illustrée de nombreuses planches hors texte. Bon exemplaire
Entretiens : 1913-1952
Paris, Gallimard - le point du jour, 1952 Softcover, 317 pages, 19.5 x 14.5 cm, FR. *en bon état.
Andre Breton - Entretiens : 1913-1952
BIBLIOTHEQUE ET ARCHIVES COMMENT SE DOCUMENTER ? - GUIDE PRATIQUE A L U SAGE DES ETUDIANTS, DES PROFFESSEURS, DES DOCUMENTALISTES ET ACHRIVISTES, DES CHERCHEURS...
INSTITUT NATIONAL DE LA RECHERCHE PEDAGOGIQUE. 1980. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 334 pages - Trace d etiquette sur le 1 er plat. Couverture contrepliée.. . . . Classification Dewey : 20-Bibliothéconomie et sciences de l'information
2 E EDITION Classification Dewey : 20-Bibliothéconomie et sciences de l'information
LISEZ MIEUX ET PLUS VITE
DU CENTURION. 1975. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 71 pages. Quelques illustrations en noir et blanc dans le texte. Etiquette sur la deuxième de couverture.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
"Collection ""Formation Humaine"". Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES"
Développements en séries des fonctions elliptiques et de leurs puissances. Terme général d'une série déterminée à la façon des séries récurrentes
P., Gauthier-Villars, 1877; un volume in 4, broché, couverture imprimée, (quelques rousseurs), (1), 67pp.
---- EDITION ORIGINALE de thèse de doctorat ès sciences mathématiques présentée par D. André, ancien élève de l'Ecole Normale, le 28 Mars 1877, à la Faculté des sciences de Paris ** 103.L7AR doss
A. Maes, paintings, works on paper, sculptures, Gallery Maghi Bettini, 1988
, , 1988 Softcover, pagina's niet genummerd, 30 x 21 cm, English text. Good condition.
A. Maes, paintings, works on paper, sculptures, Gallery Maghi Bettini, 1988
Mythologie et Maniérisme aux Pays-Bas, 1570-1630 : peinture, dessins
Antwerpen , Anvers Fonds Mercator, 1985 Hardcover, 328 pages, Texte en Francais, 340 x 260 x 40 mm, dans un manteau solide ,illustrations en couleur / n/b , Nouveau condition ! jaquette illustreé, . ISBN 9789061531456.
Le «maniérisme» fait référence au style issu du style Renaissance au XVIe siècle, qui à son tour a précédé le baroque. Le maniérisme est né en Toscane, sous l'impulsion de Michel-Angelo. Rome prend le relais et devient le centre de la nouvelle école, mais Venise lui donne sa sublime sophistication. Avec la Réforme et le Caravagisme apparaît le «troisième» maniérisme si fécond pour les Pays-Bas. Le but de cet ouvrage est de définir les trois maniérismes tels qu'ils se sont développés au XVIe siècle dans un vaste contexte européen: l'Italie, Fontainebleau, la Cour de Bavière et la Cour de Prague, aux Pays-Bas. En particulier, la dernière période de ce style est discutée, qui coïncide avec la division entre le Nord et le Sud. Une étude approfondie, illuminée de nombreux chefs-d'?uvre en couleur.
Economie du sport n°2294
QUE SAIS JE 1990 128 pages 1x18x12cm. 1990. Broché. 128 pages.
Bon état
