‎LES MERVEILLES DE LA VIE - INTRODUCTION A LA BIOLOGIE‎

‎EDITIONS DES DEUX COQS D'OR. 1963. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 147 pages - nombreuses illustrations couleur dans et hors texte - jaquette en bon état. Avec Jaquette. . . Classification Dewey : 570-Sciences de la vie‎

‎illustrations de Charles Harper - Texte français de C. Roux de Bézieux - préface de Jean Rostand Classification Dewey : 570-Sciences de la vie‎

‎Bepaling van D <r2> voor de Mossbauerovergang in 57 Fe, door middel van levensduurveranderingen in 52 Fe.‎

‎, Brussel, Paleis der Academien, 1981., Gebrocheerd, originele uitgeversomslag, 18x26cm, 47 p., fig. 4.5, tab. 4.2.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 164.‎

‎Hammacher - Silhouette De Seurat ‎

‎, Kroller-Muller Museum, 1994 Hardcover, 83 pages, Texte en Francais / Tres belle exemplaire, ill. en couleur / n/b, 230 x 220 x 10 mm. ISBN 9789074453134.‎

‎Hammacher - Silhouette De Seurat ‎

‎Technique et Poésie de la Montagne.-‎

‎Ouvrage orné de 16 héliogravures. 12°éd. Grasset. 1936. In-8 br. couverture illustrée, 252pp.‎

‎Leçons nouvelles de géométrie descriptive‎

‎ Paris chez Guiraudet et Jouaust, 1853. 2 volumes in/8 reliure demi-basane havane, dos lisse, vol. 1 : 190 p. - vol.2 : 21 planches dépliantes. Auréole claire dans l’angle inférieur des 3 premiers feuillets de l’atlas ; rousseurs éparses.‎

‎Résumé des conférences sur la télégraphie électrique. [Suivi de:] Conférences sur la photographie.‎

‎ Ecole Nationale des Ponts et Chaussées, 1885 et 1888. 2 ouvrages en un vol. in-4, demi-percaline verte, titre doré sur dos lisse, 197 et 190 pp., 144 et 17 fig. en noir. Edition lithographiée. ‎

‎ Percaline un peu frottée. Bonne cond. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608) 2 VOLS.‎

‎, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.‎

‎This is Volume I of the three-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6-volumes catalogue raisonn of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates‎

‎, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.‎

‎This is the 6 -volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Discours sur quelques proprietez de l'air, & le moyen d'en connoître la temperature dans tous les climats de la terre.‎

‎(Paris, Jean Boudot, 1704). 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences. Année 1702"". Pp. 155-174 a. textillustrations.‎

‎First appearance of this paper in which Amontons describes his invention, construction and function of his air thermomer. He thus improves on Gallileo's design by using air pressure instead of volume. The paper is the earliest study in this field, and Amontions concludes ""that unequal masses of air under equal weights invcrease equally the force of their spring for equal degrees of heat"" Fifteen years later Gay-lussac performed the same experiments with better technique and results - the Gay-Lussac laws.The paper ""contains Amontons' account of the first thermometer with which temperature was measured by the pressure of air.""(Magie ""A Source book in Physics"", pp. 128 ff.).""His first scientific production was a Hygrometer in 1687....The other was an air thermometer independent of the atmospheric pressure. Air occupied the top of one of the branches of a U-shaped tube, and by its dilation it pushed down one of the mercury columns so that the other end ofthe branch formed a barometric chamber.""(DSB I, p. 138 a).Parkinson ""Breakthroughs"", 1702 M).‎

‎Institut de France. Histoire des cinq académies‎

‎Perrin In-8 Couverture souple Paris 1995 ‎

‎Très bon 464 pages. Publié à l'occasion du bicentenaire de l'Institut de France.‎

‎Les possibilités des matières Plastiques dans les industries mécaniques. Dessins de Jules Routy. Publié sous la direction de Jean Delorme.‎

‎ Toulouse, Editions Amphora (Collection "Arts et Techniques des Matières Plastiques"), 1947, grand in 8° broché, 382 pages ; 62 figures ; complet du signet publicitaire ; quelques rousseurs ; couvetrure un peu fanée. ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande .......................... ‎

‎Correspondance du Grand Ampère publiées par L. de Launay avec le concours de l'Académie des Sciences (Fondation Loutreuil) et du Ministère de l'Education Nationale).‎

‎Paris: Gauthier-Villars, 1936-1943 3 vol. in-4, xii-974 pages (pagination continue), 17 planches h.-t., dessins dans le texte, bibliographie, index. Broché, couv. un peu défr., dos brunis, bon état intérieur.‎

‎Correspondance du Grand Ampère publiées par L. de Launay avec le concours de l'Académie des Sciences (Fondation Loutreuil) et du Ministère de l'Education Nationale). (Paris: Gauthier-Villars, 1936-1943). [M.C.: sciences]‎

‎Extraits du mémoire de l'action exercée sur un courant électrique par un autre courant, le globe terrestre ou un aimant présentés par Louis Poudensan.‎

‎ P., Gauthier-Villars, 1964, in 8° broché, 64 pages. ‎

‎PHOTOS SUR DEMANDE. ...................... Photos sur demande .......................... ‎

‎Essai sur la philosophie des sciences ou exposition analytique d'une classification naturelle de toutes les connaissances humaines -- EDITION ORIGINALE‎

‎P., Bachelier, 1834, un volume in 8 relié en demi-chagrin noir, couvertures conservées (reliure de l'époque), 70pp., 272pp., 2 tableaux dépliants‎

‎---- EDITION ORIGINALE ---- BON EXEMPLAIRE ---- "En 1834, deux ans avant sa mort, AMPERE fait paraître un OUVRAGE GIGANTESQUE intitulé Essai sur la philosophie des sciences, ou exposition analytique d'une classification naturelle de toutes les connaissances humaines. (En Français dans le texte N° 240) ---- "AMPERE's philosophical analysis also provided him with the key for his classification of the sciences, which he considered the capstone of his career. Like Kant, he was concerned with relating precisely what man could know with the sciences that dealt with each part of man's ability to know. The chart appended to his Essai sur la philosophie des sciences (1834) seems, at first glance, to be a fantastic and uncorrelated list of possible objects of investigation... In Ampère's classification this is divided into two second-order sciences - elementary general physics and mathematical physics. Each of these, in turn, has two divisions. Elementary general physics consists of experimental physics and chemistry ; mathematical physics is divided into stereonomy and atomology. Experimental physics deals with phenomena. Chemistry deals with the noumenal causes of the facts discovered by experimental physics... This classification reveals Ampère's far-ranging mind and permits us to understand his occasional excursions into botany, taxonomy and even animal anatomy and physiology... In his Essai sur la philosophie des sciences, he maintained that the fit was too good to be coincidence ; the classification must reflect truth. Once again he had found certainty where his predecessors had not... ". (DSB I p. 142) ** 81.ARM1D + 82.ARM5 + 83.ARB CART TENE‎

‎Mémoires sur l'électromagnétisme et l'électrodynamique‎

‎P., Gauthier-Villars, 1921; un volume in 12, broché, 14pp., 111pp.‎

‎---- Réimpression dans la collection des maîtres de la pensée scientifique de deux mémoires de A.M. Ampère. De l'action exercée sur un courant électrique, par un autre courant, le globe terrestre ou un aimant - Sur la détermination de la formule qui représente l'action mutuelle de deux portions infiniment petites de conducteurs voltaïques - Additions au mémoire précédent - Notice biographique ** 76.M7DE+CAV G2 (2ex)‎

‎Théorie mathématique des phénomènes électro-dynamiques uniquement déduite de l'expérience. Nouveau tirage augmenté d'un avant-propos de M. E. Bauer et d'un portrait de l'auteur‎

‎P., Blanchard, 1958; un volume in 8, broché, (4), 164pp., 2 planches dépliante‎

‎---- Réimpression de L'ouvrage le plus important d'AMPERE. Il y est fait la somme de tous ses travaux antérieurs. La première édition est quasiment introuvable ** 75.M5DE+CAV.F5‎

‎Essai sur la philosophie des Sciences.-‎

‎Ou Exposition analytique d'une classification naturelle de toutes les connaissances humaines. Paris. Bachelier. 1834. In-8 (126 x 210mm) dos lisse vélin, pièces verte et rouge (reliure de l'époque), LXX, 272 pages, 3 tableaux dépliants. Rousseurs, sinon bon état. Edition originale du 1°texte de cette gigantesque entreprise dont la 2°partie ne sera publiée qu'en 1843 après la mort de l'auteur (1836) par son fils.‎

‎Essai sur la philosophie des sciences, ou exposition analytique d'une classification naturelle de toutes les connaissances humaines-Tome 2 seul, ‎

‎ Paris, Bachelier; Mallet-Bachelier, 1843.tome 2 seul,:XCVI-180 pp., 2 tableaux repliés, plein chagrin estampé,dos orné (reliure de l'époque). Édition originale 2e volume.Mort deux ans après avoir entrepris ce gigantesque travail (1834) - établir une classification de toutes les connaissances humaines, puis faire l'état de chacune des sciences - Ampère ne put publier de son vivant que le tome 1,‎

‎bon éxemplaire trés frais,1er plat décoré”prix du lycée impérial de Montpellier”, ouvrage de prix,tranches marbrées,rare, Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

‎Journal et correspondance r ecueillis par Mme H. C.-‎

‎Paris. Hetzel. 1873. In-12 (118 x 181 mm) dos chagrin rouge-brun à 5 nerfs, filets, fleurons et titre dorés, plats et gardes marbrés, 368 pages. Petits défauts à la reliure sinon bon état.‎

‎THEORIE MATHEMATIQUE des phénomènes ELECTRO-DYNAMIQUES uniquement déduite de l'expérience.‎

‎Editions Jacques Gabay Paris 1990 In-8 ( 240 X 160 mm ) de 387 pages, broché sous couverture imprimée. Très bel exemplaire bien complet des 2 planches dépliantes in-fine.‎

‎Correspondance et souvenirs (de 1805 à 1864) recueillies par Madame H. C. Tomes 1 et 2. 2 volumes‎

‎ 1875 A Paris, J. Hetzel et Cie, Libraires-Editeurs. 1875 ( deuxième édition). 2 vol in12. Demi chagrin noir à coins, titre, auteur et tomaison en doré. Couverture originale conservée. 508 + 461 pages‎

‎Bon état. Minimes marques de frottements aux coins ‎

‎Correspondance et souvenirs. tome 1 & 2 (de 1793 à 1805) & (de 1805 à 1864)‎

‎ Paris, Hetzel et cie éditeurs, s.d. (4é édition). 2 volumes in/8 reliure à la bradel demi-toile grise avec pièce de titre noire, 368 p. & 508 p. Rousseurs éparses. ‎

‎André-Marie Ampère, né à Lyon1 le 20 janvier 1775 et mort à Marseille le 10 juin 1836, mathématicien et physicien français. Il inventa le premier télégraphe électrique et, avec François Arago, l'électroaimant, et il énonça en 1827 la théorie de l'électromagnétisme. Son nom a été donné à l'unité internationale de l'intensité du courant électrique : l'ampère. ‎

‎La vie et les travaux d'André-Marie Ampère. Nouvelle édition.‎

‎ 1886 Lyon, Vitte et Perrussel, 1897, in 8° relié demi-veau vert, dos à nerfs orné, IV-403 pages ; portrait en frontispice ; dos éclairci. ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande .......................... ‎

‎Essai sur la philosophie des sciences ou exposition analytique d'une classification naturelle de toutes les connaissances humaines‎

‎P., Mallet-Bachelier, 1856/1843, 2 volumes in 8 reliés demi-chagrin rouge, fers dorés sur les plats (reliure de l'époque) - Exemplaire de prix offert par le lycée impériale de Nice (qq. rousseurs), T.1 : 62pp., 272pp., T.2 : 10pp., 96pp., 180pp., 1 grande planche comprenant : "Optimo et carissimo filio carmen pnemonicum" et "classification des connaissances humaines ou tableaux synoptiques des sciences et des arts" (ces deux tableaux réunis dans cet exemplaire en une seule planche se trouvent parfois avoir été séparés dans d'autres exemplaires) ‎

‎---- Seconde édition AUGMENTEE D'UN VOLUME ---- BEL EXEMPLAIRE DE PRIX bien complet des deux tableaux réunis dans cet exemplaire en une grande planche dépliante---- "En 1834, deux ans avant sa mort, AMPERE fait paraître un OUVRAGE GIGANTESQUE intitulé Essai sur la philosophie des sciences, ou exposition analytique d'une classification naturelle de toutes les connaissances humaines". (En Français dans le texte N° 240 1st ed.) ---- "AMPERE's philosophical analysis also provided him with the key for his classification of the sciences, which he considered the capstone of his career. Like Kant, he was concerned with relating precisely what man could know with the sciences that dealt with each part of man's ability to know. The chart appended to his Essai sur la philosophie des sciences (1834) seems, at first glance, to be a fantastic and uncorrelated list of possible objects of investigation... In Ampère's classification this is divided into two second-order sciences - elementary general physics and mathematical physics. Each of these, in turn, has two divisions. Elementary general physics consists of experimental physics and chemistry ; mathematical physics is divided into stereonomy and atomology. Experimental physics deals with phenomena. Chemistry deals with the noumenal causes of the vacts discovered by experimental physics... This classification reveals Ampere's far-ranging mind and permits us to understand his occasional excursions into botany, taxonomy and even animal anatomy and physiology... In his Essai sur la philosophie des sciences, he maintained that the fit was too good to be coincidence ; the classification must reflect truth. Once again he had found certainty where his predecessors had not... ". (DSB I p. 142)**78/K2 + 80/ARB3 + 7980.ARB3 + 7648.CART 8‎

‎Le grand Ampère d'après des documents inédits. Ouvrage orné de gravures. Troisième édition.‎

‎ P., Perrin, 1925, in 8° broché, XV-277 pages ; petite déchirure sans manque à la couverture . ‎

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