‎Traité de la paix intérieure - édition nouvelle‎

‎Notre-dame de la trinité 1962 in8. 1962. Broché.‎

‎couverture défraîchie dos frotté intérieur propre‎

‎Dix siècles de Philosophie - Le rôle historique des idées générales‎

‎ Editions de Flore 1946, in/8 broché, avec des rousseurs sur la couverture, 143 pages, non coupé.‎

‎L'analyse psycho-énergétique, la thérapie du mouvement essentiel‎

‎Retz 1979 1979, ed Retz, coll'la psychologie dynamique'. in-8 broché de 191 pages, couv rouge et jaune. | Etat : ABE général. Occasion. Tampon personnel en page de garde. Nombreux passages surlignés en jaune, n'empêchant pas la lecture. (Ref.: ref8018-1)‎

‎Introduzione alla linguistica storica‎

‎1 vol. in-8 br., Libreria Editrice Athenaeum, 1976, VIII-251 pp. ‎

7 Images

‎Bon état‎

‎Traité élémentaire d'histoire naturelle‎

‎1804 chez Deterville, libraire reliure dos cuir, 394p. Bon état, coins usés, reliure solide, cahiers serrés, quelques rousseurs, ex libris manuel et probablement maconnique.‎

‎"Table des matières : épitre dédicatoire ""au citoyen Cuvier"" - but de l'histoire naturelle - division de la nature en corps bruts ou inorganiques et en corps vivans ou organisés - des corps bruts ou inorganiques en général, de leur classification et de leur histoire en particulier - idée de la vie, différences entre les animaux et les végétaux - des végétaux en général et de leur fonction - de la manière d'étudier les végétaux ou des méthodes de botaniques - usages principaux et singularités des plantes étudiées suivant l'ordre des familles naturelles - des animaux en général et de leur classification - de la neuvième classe du règne animal ou des zoophytes - de la huitième classe du règne animal ou des insectes - de la septième classe du règne animal ou des crustacés - de la sixième classe du règne animal ou des vers - de la cinquième classe du règne animal ou des mollusques - des animaux à vertèbres en général et de leur organisation - de la quatrième classe du règne animal ou des ou des poissons - de la troisième classe du règne animal ou des reptiles - de la seconde classe du règne animal ou des oiseaux - de la première classe du règne animal ou des mammifères - de l'homme." ‎

‎Sur les épaules de Darwin sur les épaules des géants- Les battements du temps‎

‎France inter/Les liens que libèrent. 2012. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 443 pages. Notes et phrases soulignées au crayon, dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎"Ecrire la science (Collection : ""Les Actes"")"‎

‎Les Presses de l'ENSTA. 2010. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎"Collection : ""Les Actes"" Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES"‎

‎Commercial production of table wines‎

‎ ,Berkeley, University of California Agricultural experiment station 1940, 143 pp., 1 vol. in 8 br. illustrations in texte‎

‎LES MERVEILLES DE LA VIE - INTRODUCTION A LA BIOLOGIE‎

‎EDITIONS DES DEUX COQS D'OR. 1963. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 147 pages - nombreuses illustrations couleur dans et hors texte - jaquette en bon état. Avec Jaquette. . . Classification Dewey : 570-Sciences de la vie‎

‎illustrations de Charles Harper - Texte français de C. Roux de Bézieux - préface de Jean Rostand Classification Dewey : 570-Sciences de la vie‎

‎Bepaling van D <r2> voor de Mossbauerovergang in 57 Fe, door middel van levensduurveranderingen in 52 Fe.‎

‎, Brussel, Paleis der Academien, 1981., Gebrocheerd, originele uitgeversomslag, 18x26cm, 47 p., fig. 4.5, tab. 4.2.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 164.‎

‎Hammacher - Silhouette De Seurat ‎

‎, Kroller-Muller Museum, 1994 Hardcover, 83 pages, Texte en Francais / Tres belle exemplaire, ill. en couleur / n/b, 230 x 220 x 10 mm. ISBN 9789074453134.‎

‎Hammacher - Silhouette De Seurat ‎

‎Technique et Poésie de la Montagne.-‎

‎Ouvrage orné de 16 héliogravures. 12°éd. Grasset. 1936. In-8 br. couverture illustrée, 252pp.‎

‎Leçons nouvelles de géométrie descriptive‎

‎ Paris chez Guiraudet et Jouaust, 1853. 2 volumes in/8 reliure demi-basane havane, dos lisse, vol. 1 : 190 p. - vol.2 : 21 planches dépliantes. Auréole claire dans l’angle inférieur des 3 premiers feuillets de l’atlas ; rousseurs éparses.‎

4 Images

‎Résumé des conférences sur la télégraphie électrique. [Suivi de:] Conférences sur la photographie.‎

‎ Ecole Nationale des Ponts et Chaussées, 1885 et 1888. 2 ouvrages en un vol. in-4, demi-percaline verte, titre doré sur dos lisse, 197 et 190 pp., 144 et 17 fig. en noir. Edition lithographiée. ‎

‎ Percaline un peu frottée. Bonne cond. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608) 2 VOLS.‎

‎, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.‎

‎This is Volume I of the three-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6-volumes catalogue raisonn of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates‎

‎, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.‎

‎This is the 6 -volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Discours sur quelques proprietez de l'air, & le moyen d'en connoître la temperature dans tous les climats de la terre.‎

‎(Paris, Jean Boudot, 1704). 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences. Année 1702"". Pp. 155-174 a. textillustrations.‎

‎First appearance of this paper in which Amontons describes his invention, construction and function of his air thermomer. He thus improves on Gallileo's design by using air pressure instead of volume. The paper is the earliest study in this field, and Amontions concludes ""that unequal masses of air under equal weights invcrease equally the force of their spring for equal degrees of heat"" Fifteen years later Gay-lussac performed the same experiments with better technique and results - the Gay-Lussac laws.The paper ""contains Amontons' account of the first thermometer with which temperature was measured by the pressure of air.""(Magie ""A Source book in Physics"", pp. 128 ff.).""His first scientific production was a Hygrometer in 1687....The other was an air thermometer independent of the atmospheric pressure. Air occupied the top of one of the branches of a U-shaped tube, and by its dilation it pushed down one of the mercury columns so that the other end ofthe branch formed a barometric chamber.""(DSB I, p. 138 a).Parkinson ""Breakthroughs"", 1702 M).‎

‎Institut de France. Histoire des cinq académies‎

‎Perrin In-8 Couverture souple Paris 1995 ‎

‎Très bon 464 pages. Publié à l'occasion du bicentenaire de l'Institut de France.‎

‎Les possibilités des matières Plastiques dans les industries mécaniques. Dessins de Jules Routy. Publié sous la direction de Jean Delorme.‎

‎ Toulouse, Editions Amphora (Collection "Arts et Techniques des Matières Plastiques"), 1947, grand in 8° broché, 382 pages ; 62 figures ; complet du signet publicitaire ; quelques rousseurs ; couvetrure un peu fanée. ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande .......................... ‎

‎Correspondance du Grand Ampère publiées par L. de Launay avec le concours de l'Académie des Sciences (Fondation Loutreuil) et du Ministère de l'Education Nationale).‎

‎Paris: Gauthier-Villars, 1936-1943 3 vol. in-4, xii-974 pages (pagination continue), 17 planches h.-t., dessins dans le texte, bibliographie, index. Broché, couv. un peu défr., dos brunis, bon état intérieur.‎

‎Correspondance du Grand Ampère publiées par L. de Launay avec le concours de l'Académie des Sciences (Fondation Loutreuil) et du Ministère de l'Education Nationale). (Paris: Gauthier-Villars, 1936-1943). [M.C.: sciences]‎

‎Extraits du mémoire de l'action exercée sur un courant électrique par un autre courant, le globe terrestre ou un aimant présentés par Louis Poudensan.‎

‎ P., Gauthier-Villars, 1964, in 8° broché, 64 pages. ‎

‎PHOTOS SUR DEMANDE. ...................... Photos sur demande .......................... ‎

‎Essai sur la philosophie des sciences ou exposition analytique d'une classification naturelle de toutes les connaissances humaines -- EDITION ORIGINALE‎

‎P., Bachelier, 1834, un volume in 8 relié en demi-chagrin noir, couvertures conservées (reliure de l'époque), 70pp., 272pp., 2 tableaux dépliants‎

‎---- EDITION ORIGINALE ---- BON EXEMPLAIRE ---- "En 1834, deux ans avant sa mort, AMPERE fait paraître un OUVRAGE GIGANTESQUE intitulé Essai sur la philosophie des sciences, ou exposition analytique d'une classification naturelle de toutes les connaissances humaines. (En Français dans le texte N° 240) ---- "AMPERE's philosophical analysis also provided him with the key for his classification of the sciences, which he considered the capstone of his career. Like Kant, he was concerned with relating precisely what man could know with the sciences that dealt with each part of man's ability to know. The chart appended to his Essai sur la philosophie des sciences (1834) seems, at first glance, to be a fantastic and uncorrelated list of possible objects of investigation... In Ampère's classification this is divided into two second-order sciences - elementary general physics and mathematical physics. Each of these, in turn, has two divisions. Elementary general physics consists of experimental physics and chemistry ; mathematical physics is divided into stereonomy and atomology. Experimental physics deals with phenomena. Chemistry deals with the noumenal causes of the facts discovered by experimental physics... This classification reveals Ampère's far-ranging mind and permits us to understand his occasional excursions into botany, taxonomy and even animal anatomy and physiology... In his Essai sur la philosophie des sciences, he maintained that the fit was too good to be coincidence ; the classification must reflect truth. Once again he had found certainty where his predecessors had not... ". (DSB I p. 142) ** 81.ARM1D + 82.ARM5 + 83.ARB CART TENE‎

‎Mémoires sur l'électromagnétisme et l'électrodynamique‎

‎P., Gauthier-Villars, 1921; un volume in 12, broché, 14pp., 111pp.‎

‎---- Réimpression dans la collection des maîtres de la pensée scientifique de deux mémoires de A.M. Ampère. De l'action exercée sur un courant électrique, par un autre courant, le globe terrestre ou un aimant - Sur la détermination de la formule qui représente l'action mutuelle de deux portions infiniment petites de conducteurs voltaïques - Additions au mémoire précédent - Notice biographique ** 76.M7DE+CAV G2 (2ex)‎

‎Théorie mathématique des phénomènes électro-dynamiques uniquement déduite de l'expérience. Nouveau tirage augmenté d'un avant-propos de M. E. Bauer et d'un portrait de l'auteur‎

‎P., Blanchard, 1958; un volume in 8, broché, (4), 164pp., 2 planches dépliante‎

‎---- Réimpression de L'ouvrage le plus important d'AMPERE. Il y est fait la somme de tous ses travaux antérieurs. La première édition est quasiment introuvable ** 75.M5DE+CAV.F5‎

‎Essai sur la philosophie des Sciences.-‎

‎Ou Exposition analytique d'une classification naturelle de toutes les connaissances humaines. Paris. Bachelier. 1834. In-8 (126 x 210mm) dos lisse vélin, pièces verte et rouge (reliure de l'époque), LXX, 272 pages, 3 tableaux dépliants. Rousseurs, sinon bon état. Edition originale du 1°texte de cette gigantesque entreprise dont la 2°partie ne sera publiée qu'en 1843 après la mort de l'auteur (1836) par son fils.‎