‎Interieur Design Biennale Since 1968.‎

‎, MER Paper Kunsthalle, 2010 Hardcover with 4 catalogues, complet in folie. Language ENG. ISBN 9789490693053.‎

‎ The Catalogue published on the occasion of the Interieur Design Biennale 2010 at Kortrijk, from October 15 to October 24, 2010. ‎

‎Gaston De Mey Monografie.‎

‎, Stichting Kunstboek, 2025 Hardback, 208 pages, Dimensions 300 x 240 mm, Language(s) Dutch (NL) ed. Illustrated. ISBN 9789058567208.‎

‎Gaston De Mey (1933-2015) volgde van 1952 tot 1963 les aan de Kunstacademie in Eeklo. Vanaf 1968 koos hij ervoor om zijn kunstwerken op te bouwen met lettertekens en deze te groeperen in letterbanen en letterstructuren. In zijn werk verviel de leesbare taal - zoals bij de deconstructie in de filosofie - in een essentiëlere maar onleesbare ordening van lettertekens in diverse geometrische vormen en formaten. Een selectie van zijn omvangrijk oeuvre werd gebundeld in een aantrekkelijk kijkboek.‎

‎Sophie Nys ?Not To Be Fed But To Be Famous‎

‎, Posture Editions Nr 26, PB, 200 pages, Illustrated. ENG-NL edition. ISBN 9789491262265.‎

‎Curating the Library In 2003, the Antwerp art centre deSingel, starts the project Curating the Library, initiated by Moritz Küng. One evening a month there will be two lectures with a variety of individuals???writers, architects, choreographers, composers, artists, philosophers, scenographers, scientists???presenting their favourite books: publications that have inspired their work or that have played a decisive role in their life. The lectures are recorded on DVD and together with the books, they are part of a steadily growing archive that is stored in the Curating the Library space: a mobile, seemingly hermetically closed, mirroring sculpture that was designed by visual artist Richard Venlet in 2002 for the twenty-fifth São Paulo Art Biennial. In 2009 Curating the Library ends. In the course of six years, 110 guest speakers have presented 1,557 books to the public. Reading Curating the Library In 2016-17, at the request of LUCA School of Arts and KU Leuven, Faculty of Architecture, the book collection and the reflective sculpture move to Sint-Lucas Ghent. From January to June 2017 they become the backdrop of bustling events and lectures under the heading Reading Curating the Library.‎

‎Portable Panel Paintings at the Angevin Court of Naples. Mobility and Materiality in the Trecento Mediterranean‎

‎, Brepols, 2022 Hardback, 292 pages, Size:216 x 280 mm, Illustrations:11 b/w, 132 col., 2 tables b/w., 1 maps b/w, Language: English. ISBN 9782503596952.‎

‎Summary This book explores the mobilities and materialities of panel painting at and beyond the Angevin court of Naples in the context of objects, materials, patrons, and painters on the move through the fourteenth-century world. It asks how panel paintings participated in and thematized patterns of circulation and exchange; how they extended the artistic and political geography of the court far beyond Naples itself; how their materialities intersected with other mediums from woven silk to precious metalwork to stone; and how painters' formal and technical experimentation combined with painted panels' real and imagined itineraries to create meaning. The volume traces a series of painted panels through networks of patronage, production, gift giving, transport, and replication. It locates the making, movement, and meaning of these works in the overlapping contexts of Angevin dynastic and territorial ambitions, including the family's stakes in the Holy Land; patterns of collecting and adapting authoritative icons; practices of royal female patronage; and painters' engagement with the limits of the medium of panel painting itself. Each chapter weaves together sustained analysis of paintings' pictorial and material structures, close reading of primary sources, and questions of art's materialities and mobilities. Moving between single objects and larger patterns, between the local and the global, this study presents new research on individual works even as it reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world. TABLE OF CONTENTS Chapter 1. Panel Painting in and beyond Fourteenth-Century Naples: Mobility and Materiality Chapter 2. Mobility and Materiality in Simone Martini's Saint Louis of Toulouse Crowning Robert of Anjou Chapter 3. Icons in Angevin Naples between Past and Present, the Monumental and the Mobile Chapter 4. Artists, Patrons, and Objects on the Move: Diptychs for the Angevin Court Chapter 5. Paint, Stone, Flesh: Portable Multipart Panel Paintings with Porphyry Exteriors Chapter 6. Portable Panel Paintings, Royal Women as Patrons, and Court Art beyond the Court Chapter 7. Materiality, Mobility, and Revelation in the Stuttgart Apocalypse Panels Conclusion Bibliography‎

‎Stijn Van Dorpe a Bookcase‎

‎, Posture Editions Nr 15, 2015 PB, 297 x 210 mm, 32 pages, NL edition, Illustrated. ISBN 9789491262159.‎

‎Stijn Van Dorpe (b. 1970) got the idea for the work A Bookcase while assembling three bookcases at home and at the same time listening to music. He found it interesting that the music had no influence on the ultimate form of the assembled bookcase. With this premise established, he invited students of a vocational school for woodworking to take part in a performance during a residency at Hotel Charleroi. Van Dorpe asked them to assemble a bookcase in an old shopping arcade in Charleroi, while a rap group performed alongside them. A film of this performance was shown at the exhibition in Aalst. At the exhibition, the artist first provides an explanation of the images in the form of subtitles on a black screen. Then the filmed performance is shown. In the projection space, there is also a wooden panel with photos of the performance mounted on it. During the exhibition at Netwerk Aalst, the performance was also repeated, again with local rappers and students from a vocational school. All that remains of this performance is the bookcase in the corridor of the arts centre. Van Dorpe's explanation of the film shows his fascination for the difference between, on the one hand, the rappers who give their creativity free rein and, on the other hand, the mechanical, repetitive actions involved in assembling the bookcase: the difference between art and work, between 'a music concert that is seen by the rappers as a stand against a normative society' and, by contrast, the manufacture of a mass-market product within a capitalist system. From: 'Mechanical labour - creative labour' Sarah Késenne, in: a Bookcase.‎

‎Textual Communities, Textual Selves: Essays in Dialogue with Brian Stock‎

‎, Brepols -PIMS, 2024 Hardback, xii + 272 pages, Size:152 x 229 mm, Illustrations:9 col., Language: English. ISBN 9780888448378.‎

‎Summary The essays in this volume investigate ways that textual practices in the classical and medieval periods generated collective and individual expressions of identity. Engaging in dialogue with Brian Stock's seminal contributions to the history of literacy, especially Augustine the Reader, The Implications of Literacy, and Myth and Science in the Twelfth Century, the essays initiate new conversations about models of interpretation, habits of reading, textual communities, and forms of self-writing. TABLE OF CONTENTS List of Plates Abbreviations Acknowledgements Sarah Powrie and Gur Zak Introduction Aviad Kleinberg A Life of Brian Seth Lerer The Textualized Augustine and Late Antique Communities Paul Saenger Augustine as Reader: Prospects for Collaboration between Palaeography and the Neurosciences Sarah Spence Augustine, Virgil, and the Landscape of Memory John Magee Boethius and the Legacy of Alexander of Aphrodisias: The Elementary Commentary on De interpretatione 10, 19b22-24, and Related Texts Constant J. Mews Rereading The Twelve Abuses of the Age: From Seventh-Century Ireland to Twelfth-Century France Marcia l. Colish Self-Baptism in the Middle Ages? Willemien Otten Nature's Mediation: William of Conches and Hildegard of Bingen on Creation and the Cosmos Sarah Powrie Allegories of the Formless Self in Augustine's Confessions and Bernardus Silvestris's Cosmographia Gur Zak After Petrarch: Writing and Self-Care in Giovanni Conversini's Rationarium vite Jane Tylus Listening for the Ending Catherine Conybeare Augustine and Wittgenstein: The Inner Dialogue Continued Natalie Zemon Davis A Scholarly Friendship: In Tribute to Brian Stock Publications of Brian Stock Contributors Index‎

‎La mission de Reims en 1821 et la création du Square de la Mission.‎

‎ Reims, Matot-Braine, 1925. In-8 broché, 52 pp., 3 pl. en phototypie. Envoi de l'auteur aux religieuses visitandines de Reims. ‎

‎On joint : J. LEFLON, Le cardinal de Lorraine et la fondation du Séminaire de Reims en 1564. Reims, 1965, in-8 agrafé, 15 pp. (couv. défraîchie). Bonne condition. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎NOUVELLES ILLUSIONS D'OPTIQUE.‎

‎FRANCE LOISIRS. 2006. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 160 pages. Nombreuses illustrations en couleur dans le format texte et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Nouvelles illusions d'optique‎

‎Editions France loisirs. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 160 pages augmentées de nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎LE CHAOS SANS ASPIRINE.‎

‎FLAMMARION. 2001. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 171 pages illustrées de nombreuses photos et dessins en noir et blanc dans le texte - 1er palt illustré d'un dessin en couleurs.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Homéopathie‎

‎ Editions Masson, collection abrégés, 1991. In/8 broché, couverture imprimée, 229 p. Exemplaire “service de presse” avec des feuillets perforés en bas des 5 derniers feuillets.‎

‎Bases de l’homéopathie (origines, principes de base, médicament homéopathique, recherche en homéopathie, concept de terrain, sémiologie homéopathique, rédaction de la première ordonnance, temps de la deuxième consultation) - questions cliniques (états fébriles aigus, affections oto-rhino laryngologues, trouble de l’appareil respiratoire, troubles gastro-duodénaux, troubles du transit digestif, troubles hépatiques, troubles cardo-vasculaires, douleur, pathologies cutanées, traumatises, pathologies gynécologiques, comportement perturbé. ‎

‎Manuel du géomètre souterrain‎

‎ Dunod Dunod, 1868. 2 volumes In-8 brochés, texte + atlas. 144 pages pour le volume de texte comprenant 63 figures et 6 planches dépliantes pour l'atlas. Les 2 volumes sont recouvert d'un papier kraft avec titre manuscrit sur le plat. Bon état, peu courant‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎NOTIONS SUR LA THEORIE DES QUATERNIONS‎

‎In 8° relié demi veau 46 pp ‎

‎Notions sur la théorie des quaternions -- EDITION ORIGINALE‎

‎P., Gauthier-Villars, 1889, un volume in 8, broché, 46pp.‎

‎---- EDITION ORIGINALE**4666/O5AR-CAV.G3(2)‎

‎Le retour des Atlantes.‎

‎Montréal, Editions Louise Courteau, 1984. 15 x 23, 155 pp., broché, bon état.‎

‎La Réussite Professionnelle - Editions du Centre d'Étude et de Promotion de la Lecture Paris 1971 ‎

‎ grand in-8 carré reliure éditeur skyvertex sans la jaquette, 256 pages, très bon état, collection "Comprendre Savoir Agir" ‎

‎BANDIT D'HONNEUR . De Chautemps à Daudet, vingt ans dans le maquis parisien .‎

‎ Editions de l'Empire Français, Paris, 1941, 1er plat illustré par S. PAVIS, reproduction d'articles de Presse, illustrations satyriques dans le texte, broché non coupé, 448pp. très bon état, 240x190 . (p5) ‎

‎Bonfanti Exposition, Galerie Numaga, Auvernier,‎

‎, Galerie Numaga, Auvernier,, 1970 25x35cm, ill. bibliographie. 6 pages.‎

‎Bonfanti Exposition, Galerie Numaga, Auvernier, 5 decembre 1970 au 10 janvier 1971‎

‎La Cellule‎

‎Aristide Quillet. 1923. In-8. Relié. Bon état, Couv. défraîchie, Dos satisfaisant, Papier jauni. 210 pp., reproduction de gravures - 1 PHOTO DISPONIBLE.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎La Cellule (Encyclopédie illustrée des actualités scientifiques)‎

‎Edition Quillet Encyclopédie illustrée des actualités scientifiques Cartonnage souple In-12 (12,8 x 19 cm), cartonnage souple, 210 pages, sans date ; papier bruni, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Augustijnen op de pastorij: de augustijnenparochie Sint-Stefanus te Gent van 1803 tot 1914‎

‎, Heverlee : Augustijns Historisch Instituut, 1997, Oorspronkelijk uitgevers omslag,358 p. : ill. ISBN 9074829058.‎

‎Instrumenta augustiniana / Augustijns Historisch Instituut [Leuven] - Leuven; vol. 3 Taal ‎

‎Henri Bol 1945-2000‎

‎, picture Publishing, 2001 Gebonden, Hardcover met stofomslag compleet, 156 pagina's, 171 afbeeldingen in kleur, 300 x 300 mm. ISBN 9789073187405.‎

‎Het boek is rijk geillustreerd met schilderijen van Henri Bol. De tekst is onderverdeeld in drie hoofdstukken. Als eerste komt de broer van Henri Bol, Peter, aan het woord. Zijn tekst geeft ontroerend weer hoe ze samen opgroeiden in het kunstenaarsgezin te Tongelre. De tekst van Tom van der Aalst vertelt de geschiedenis van het stadje Heusden, waar Henri de laatste 27 jaar van zijn leven woonde en waar hij sinds 1985 als zelfstandig kunstschilder werkte. Eerst in het woonhuis van Het Blaauw Laaken in de Engstraat en sinds 1986 in zijn atelier in de Waterpoort. Het derde hoofstuk is een kunsthistorische beschouwing geschreven door kunsthistorica dr. Saskia de Bodt.‎

‎ARROWS OF THOUGHT Michèle Matyn‎

‎, Posture Editions Nr 07, 2014 PB, 297 x 210 mm, 16 pages, EN-NL edition. ISBN 9789491262074.‎

‎Many projects serve as licenses for adventurous travels and rambles through the most desolate of places in extreme circumstances. Michèle Matyn (b. 1978) uses her camera in a very intense and personal experience of the landscape, and in a fashion highly contrasting to the usual documentary approach of distance and objectivity. Her sensitivity for nature is stimulated by a research in age-old folk tales en customs, anthropological myths and sagas, but also popular comics and films about the narrow, supposed boundaries between man and animal, between human and demon. These animistic thoughts, folktales, and charged places are triggers for Michèle Matyn's travels. She uses traveling as an atelier. The way of dealing with her surroundings can be read as 'participative observation'. It connects Matyn's photography to her performances. "To become a beast To wander loose To buy a leash To seek a tamer To get stuck on thoughts To get caught To go feral To breed mistakes To seek a tamer To speak to no one To seek a tamer To withold no one To seek a tamer To leave no stone unturned To seek a tamer To ignore every opposition For centuries the master For centuries the beast" From: 'Arrows of Thought' Saskia De Coster ‎

‎DUBBELS TASCHENBUCH FUR DEN MASCHINENBAU. (2 BANDE).‎

‎, Berlin, Springer - Verlag, 1956., Gebunden, Original - Leinen, Original - Schutzumschlag, 13x20,5cm, 796pp + 882pp, illustriert s/w.‎

‎Zweiter berichtigter Neudruck der elften vollig neuarbeiteten Auflage. Das Taschenbuch fur Praxis. Das Lehrbuch fur Unterricht und Fortbildung des Maschineningenieurs. Mit etwa 3000 Abbildungen.‎