‎Aux sources littéraires de Franz Liszt. Byron, Pétrarque, Dante, Hugo, Sainte-Beuve, Senancour, Lamartine, Goethe, Lenau, Huland, Freiligrath, Les Fioretti‎

‎La Revue Musicale, n° 292-293 1973 In-8 broché. 120 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Première anthologie vocale. ‎

‎ 1947 1947 Paris, Didier 1947 1 In 8 Cartonnagé éditeur 46[pp] Chants pour le certificat d'études primaires‎

‎ Très bon état. Frais de port inclus vers France métropole au tarif normal, délai d'acheminement sous 72h, pour les commandes > à 80 euros et poids < 1kg. Disponibilité sous réserve de vente en Boutique. Frais de port inclus vers France métropole au tarif normal, délai d'acheminement sous 72h, pour les commandes > à 80 euros et poids < 1kg. Disponibilité sous réserve de vente en Boutique. Disponibilité sous réserve de vente en boutique, prix valable frais de port inclus pour commande > 90 € et poids < 1 Kg‎

‎Haydn's Last Creative Period‎

‎, Brepols, 2021 Hardback, xiv + 365 pages, Size:210 x 270 mm, Illustrations:15 b/w, 87 musical examples, Language(s):English, German.*new ISBN 9782503594880.‎

‎Summary This volume focuses on one of the most crucial parts of Haydn's career-a key era in which the experiments of the 1770s arrived at the consolidation and definition of new compositional forms and practices in the 1780s. The 'mature' Haydn represents a musician marked by full creative ferment in all musical genres and reveals the profile of a composer at the peak of his career. Through new research, this book examines the views of Haydn's compositional practice as both self-aware and as adaptations based on the public's changing tastes. Such was an achievement that Haydn obtained without betraying the principles of balance, solidity and expressiveness that he developed during decades of musical practice at the Esterh zy court. TABLE OF CONTENTS Introduction, Federico Gon Biography and Reception J nos Malina, Orfeo and Armida, Don Juan and Figaro: New Light on the Busiest Decade of Haydn's Career Sterling E. Murray, Haydn and the Oettingen-Wallerstein Court: A Study in Musical Patronage and Stylistic Intent Nancy November, Late Haydn for the Home: Arrangements of the London Symphonies in the Nineteenth Century Bryan Proksch, Age, Infirmity, and Oldness in the Early Biographies of Haydn Christian Speck, Ein Haydn-Gem lde von Julius Schmid im Kontext der Korrektur der Haydn-Rezeption durch Guido Adler Musical Form and Analysis L. Poundie Burstein, Paths and Pauses within Haydn's Piano Trio No. 16 Lauri Suurp , New Path to Conventional Goals: Formal Reinterpretation in the First-Movement Recapitulations of Haydn's Symphonies Nos. 94 and 98 Floyd Grave, Convention, Reinvention, and the Play of Contraries in the First Movement of Haydn's Concerto for Keyed Trumpet Halvor K. Hosar, Sonata/Fugue Mixtures in Haydn's Late Masses: History and Form James S. MacKay, Baroque Polyphony and Intelligent Conversation: Joseph Haydn's String Quartets from Opus 20 to Opus 76 Rhetoric and Intertextuality Stephanie Klauk - Rainer Kleinertz, Haydn's String Quartet Production after Opus 33 Anatole Leikin, Performing Expressive Rhetorical Devices in the First Movement of Haydn's Piano Sonata in E-flat Major, Hob. xvi:49 Federico Gon, A Time for War and a Time for Peace : The Symphony No. 100 by Joseph Haydn and the Revolutionary Events of 1793 Bal zs Mikusi, The Spider and the Bee, or How Does Mozart Come into Haydn's The Seasons? John A. Rice, The Bergamasca Schema in Late Haydn‎

‎Sound of Empire. Soundscapes, Aesthetics and Performance between Ancien r gime and Restoration‎

‎, Brepols, 2024 Hardback, xv + 351 pages, Size:210 x 270 mm, Illustrations:16 b/w, Language(s):English, French, Italian. ISBN 9782503608495.‎

‎Summary The second half of the eighteenth century and the first half of the nineteenth century was a time of great historical and social upheavals ? a melting pot of events whose repercussions are still felt. The first industrial revolution, the American Revolution, the French Revolution, and the Napoleonic wars: such were events that gradually undermined the status quo of the Ancien r gime. Napoleon Bonaparte is the keystone of this period, given his role as an innovator of aspects of the military, political, civil, artistic and cultural life of his time. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. It focuses on the politicised dramaturgy at the Paris Opera, on the incredible diffusion of French opera in the German-speaking world, and on the question of national identity in Italian, Polish, Spanish and Portuguese contexts during this politically critical period. Beyond operas and cantatas in praise of Napoleon, this book also highlights the mechanical soundscape of the Empire, the repertoire of incidental music and the varied fortunes of the music business at that time. Finally, it analyses the place of female singers or composers from a gendered perspective. TABLE OF CONTENTS FEDERICO GON - EMMANUEL REBEIL, Preface POLITICS AND NATIONAL IDENTITY 1. GALLIANO CILIBERTI, Francesco Morlacchi, Napoleone I e il sound imperiale tra Italia e Germania 2. MAGDALENA OLIFERKO-STORCK, Napoleonic Warsaw: The Emperor's Sojourns and the French Culture in the Soundscape of the Capital of Poland before Chopin 3. ERIC BOARO, Non essendovi pi capelle in veruna chiesa? . Finanziamento e impiego musicale nella Modena giacobina e la stagione al Teatro Rangone tra il 1798 e il 1799 4. FEDERICO GON, 'Feast, Flour, and Gallows': Haydn's Creation in Naples (1821) and the Politics of Restoration 5. MATTHIEU CAILLIEZ, tude des transferts musicaux franco-allemands l' poque napol onienne travers le prisme de l' Allgemeine musikalische Zeitung OPERA, THEATRE AND PERFORMANCE 6. MARIA BIRBILI, The Sound of Empire: Politicised Dramaturgy in French Opera from the French Revolution to Napoleon 7. MARTIN BARR , Dans l'ombre de Paris. Circulation et diffusion de la musique de sc ne sous l'Empire: l'exemple du th tre de Versailles 8. ANNELIES ANDRIES, Caroline Branchu: A Model of Nineteenth-Century Womanhood? 9. CLAUDIA CHIBICI-REVNEANU, Moving towards Exclusion: A Case Study of the 'Female Viennese School' MUSIC PUBLISHING AND TEACHING 10. HENRI VANHULST, Les relations entre Jean-J r me Imbault et ses compositeurs d'apr s des lettres de Jean-Louis Duport et Ferdinando Pa r 11. DAVID ROWLAND, Music Publishing and Markets c. 1750-1830 SOUNDSCAPES AND AESTHETICS 12. EMMANUEL REIBEL, The Empire's Mechanical Musics: From Soundscape to Reception 13. INES THOMAS ALMEIDA, Imaginary Soundscapes: The Sounds of Portuguese Music as Captured by German Travellers at the End of the Ancien R gime 14. ALBAN RAMAUT, Le Napol on d'Hector Berlioz, proposition de lecture ‎

‎Der Futurismus in der italienischen Musik‎

‎Brussel, Paleis der Academiën 1977 68pp., softcover, 26cm., in the series "Mededelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" Jg.39 Nr.3, text in german, Very good condition, M45303‎

‎Numerus sonorus : Musikalische Proportionen und Zahlenästhetik in der Architektur der Jesuitenmissionen Paraguays am Beispiel der Chiquitos-Kirchen des P. Martin Schmid SJ (1694-1772)‎

‎Berlin, 1993 134pp. Text + 69pp. With bl/w illustrations (drawings), 30cm., softcover, text in German, Doctoral Dissertation (vom Fachbereich 8 Architektur der Technischen Universität Berlin zur Erlanguing des akademischen Grades eines Doktor-Ingenieurs genehmigte Dissertation), stamp at verso of title page, text is clean and bright, M111119‎

‎Le concerto. Collection : Que sais-je ?, N° 1717.‎

‎Paris, Presses Universitaires de France (PUF), 1978. 12 x 18, 128 pp., broché, très bon état.‎

‎Littérature Wallonne : Les R'culots - Cansons, Monologues, Faufes.‎

‎Mons, J. Bauduin-Levert, Editeur, 1908, in-8, broché, 25p. Illustré de deux portraits gravés. Rousseurs. ‎

7 Images

‎ NB. Les commandes et questions seront traitées dans les 48h et expédiées à partir du 7 octobre. Merci.‎

‎Les musiciens belges (2 tomes en 1 volume).‎

‎Bruxelles, Jamar, Editeur, ca 1850. "11 x 18, 2 tomes, 196 + 212 pp., 2 frontispices pour chaque tome; reliure dos toilé, bon état (dos insolé; cachets scolaires)."‎

‎Le théâtre (mystères, tragédie, comédie) et La musique (instruments, ballet, opéra) jusqu'en 1789. Collection : L'ancienne France.‎

‎Paris, Librairie de Firmin-Didot, 1887. 17 x 27, 304 pp., 228 figures, 1 chromolithographie, lettrines, reliure d'édition pleine toile, 3 tranches dorées, bon état.‎

‎Reliure signée : A. Giraldon et P. Souze.‎

‎Essays in Musicology. English translation by Carl Skoggard.‎

‎ New York, Tamara S.Evans 1989, 220x147mm, 189pages, paperbacked. Book in very good condition. ‎

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‎Studien zur Kompositionstechnik im Streichquartett von Witold Lutoslawski‎

‎Köln, 1994 185pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108850‎

‎"Napoléon et la musique. Collection : ""Au cur de l'histoire"", N° 16."‎

‎Bruxelles/Paris, Editions Brepols, 1965. 15 x 21, 362 pp., quelques illustrations, reliure d'édition pleine toile verte, très bon état.‎

‎Le tango de Buenos Aires, essai.‎

‎Paris, JC Lattès, 1979. 14 x 22, 131 pp., broché, bon état.‎

‎Mozarts Bearbeitungen eigener und fremder Werke‎

‎Amsterdam, 1969 104pp., with some music examples in text, 22cm., softcover, text in German, Doctoral dissertation (Universiteit van Amsterdam, the Netherlands), stamp at verso of title page, text is clean and bright, M109019‎

‎Bach's Treatment of the Subject of Death in His Choral Music. A Dissertation‎

‎Washington D.C., The Catholic University of America Press 1961 435pp., with music examples in text, 23cm., softcover, text in English, Doctoral Dissertation (submitted in the Faculty of the Graduate School of Arts and Science of the Catholic University of America, 1961), stamp at verso of title page, text and interior are clean and bright, good condition, M108925‎

‎Les lieux du souvenir de Mozart à Salzbourg, avec un répertoire des objets exposés dans la maison natale de Mozart.‎

‎Salzbourg, Fondation Internationale Mozarteum, s.d. (ca 1960). 12 x 19, 65 pp., plusieurs illustrations en N/B, reliure d'édition carton, bon état.‎

‎Jazz. Collection : Microcosme.‎

‎Paris, Seuil, 1982. 11 x 18, 349 pp., nombreuses illustrations en N/B, broché, très bon état.‎

‎Nouvelle édition.‎

‎Guide de la mélodie et du Lied‎

‎Paris, Fayard 1994 916pp., avec exemples de musique dans le texte, 20cm., brochure originale illustrée, texte imprimé en 2 colonnes, bon état, M95123‎

‎Esquisses musicales. Enjeux et approches du XIXe au XXe si cle‎

‎, Brepols, 2023 Paperback, 310 pages, Size:190 x 240 mm, Illustrations:6 b/w, 16 col., 9 tables b/w., 59 exemples musicaux, Language(s):French, English. ISBN 9782503601144.‎

‎Summary La fascination pour la gen se des oeuvres musicales s'est d velopp e progressivement la fin du XVIIIe si cle par l'acc s des compositeurs une reconnaissance de leur travail et de leur statut. Cette l gitimation les a conduits conserver pr cieusement les traces de leur activit cr atrice (brouillons, bauches et carnets, preuves corrig es, etc.). N anmoins, ce n'est que depuis quelques d cennies qu'a t pris en compte le potentiel que rec le l' tude attentive de telles sources. Si les esquisses musicales livrent de nombreuses informations sur les tapes de la composition, elles s'ins rent au sein d'une r flexion plus large sur les pratiques compositionnelles qui prend appui sur d autres types de sources (correspondances, crits th oriques, articles de presse, photographies, etc.). Cet ouvrage rassemble neuf tudes abordant l'esquisse musicale de plusieurs angles. Dans leurs contributions, les auteur(e)s examinent la sp cificit de l'esquisse musicale au regard de la production de compositeurs du XIXe et du XXe si cle tels que Saint-Sa ns, S verac, Satie, Debussy, Mahler, Schoenberg, Bart k, Ligeti, Nono. Cette diversit temporelle et esth tique englobe des probl matiques vari es qui s'articulent autour d'un m me objet, l'aune de la philologie, de l'histoire, de la sociologie et de la critique g n tique. TABLE OF CONTENTS Fran ois Del cluse ? Avant-propos Anna Stoll Knecht ? Le mythe face l'esquisse Alexandre Robert ? Un usage sociologique des esquisses musicales ? Socialisation, style de travail et sch mes d' criture chez D odat de S verac Caroline Potter ? Text-Music Relations in Erik Satie's Works Seen through His Sketches Yusuke Nakahara ? Transforming a Character Piece Into ?the Diary of a Fly?? A Case Study from Bart k's Piano Lessons Fran ois Del cluse et Thomas Lac te ? Une esquisse oubli e du Pr lude l'Apr s-midi d'un faune Fabien Guilloux ? Les esquisses et brouillons de Camille Saint-Sa ns : l'oeuvre instrumental Fran ois Del cluse ? Trois id es musicales pour une esquisse : l'art de commencer chez Debussy Ulrich Kr mer ? From Schoenberg's Workshop. The Sketch as a Laboratory of Musical Thought Paolo Dal Molin ? Le compositeur th oricien et les esquisses des autres. Essai sur les Wandlungen der musikalischen Form de Gy rgy Ligeti Les auteurs de l'ouvrage Index des noms et des oeuvres‎

‎Performing Rites: On the Value of Popular Music‎

‎Oxford University Press 1996 360 pages 16 4x2 8x23 2cm. 1996. Cartonné. 360 pages.‎

‎bon état de conservation avec sa jaquette intérieur propre‎

‎Musical Improvisation in the Baroque Era‎

‎, Brepols, 2019 Hardback, xvi + 405 pages, Size:210 x 260 mm, Illustrations:15 b/w, 110 musical examples, Languages: English, Italian, Spanish.*new ISBN 9782503583693.‎

‎Summary In the Baroque period there is a large discrepancy between sound entity and musical notation. In a context where the musical tradition, handwritten and printed, at times suggests the possible execution of a passage, at times indicates a specific mode of execution often adapted by the ability of the performer or the musical occasion, the margin for improvisation is wide. The in-depth and possibly comparative study of musical sources, their historical contextualization, their evaluation on the basis of documentary and theoretical testimonies, allows us to shed light on the real aural rendering of the synthetic written page. This volume aims to investigate the role and forms of improvisation in Baroque music under many of its multifaceted aspects, in a study that will define the links between creative process and executive practice. TABLE OF CONTENTS Fulvia Morabito Introduction Improvisation into Composition David Chung, French Harpsichord doubles and the Creative Art of the 17th-Century Clavecinistes Massimiliano Guido, Sounding Theory and Theoretical Notes Bernardo Pasquini's Pedagogy at the Keyboard: A Case of Composition in Performance? Javier Lupia ez - Fabrizio Ammetto, Las anotaciones de Pisendel en el Concierto para dos violines RV 507 de Vivaldi: una ventana abierta a la improvisaci n en la obra del 'Cura rojo' Josu Mel ndez Pel ez, Cadenze per ?nali: Exuberant and Extended Cadences in the 16th and 17th Centuries Marina Toffetti, Written Outlines of Improvisation Procedures in Music Publications of the Early 17th Century: The Second (1611-1623) and Third (1615-1623) Book of Concerti By G. Ghizzolo and the Motet Iesu Rex Admirabilis (1625-1627) by G. Frescobaldi Issues of Performance Practice Giovanna Barbati , Il n'ex cute jamais la Basse telle qu'elle est crite : The Use of Improvisation in Teaching Low Strings Anthony Pryer, On the Borderlines of Improvisation: Caccini, Monteverdi and the Freedoms of the Performer Laura Toffetti, Sostener si pu la battuta, etiandio in aria . Testi e contesti per comprendere l'invenzione e la disposizione del discorso musicale nel repertorio strumentale italiano fra Seicento e Settecento Rudolf Rasch, Improvised Cadenzas in the Cello Sonatas Op. 5 by Francesco Geminiani Contemporary Treatises, Pedagogical Works, and Aesthetics Valentina Anzani, Il mito della competizione tra virtuosi: quando Farinelli s?d Bernacchi (Bologna 1727) John Lutterman, Re-Creating Historical Improvisatory Solo Practices on the Cello: C. Simpson, F. Niedt, and J. S. Bach on the Pedagogy of Contrapunctis Extemporalis Francesca Mignogna, Accompagnamento e basso continuo alla chitarra spagnola. Una cartogra?a della diffusione dei sistemi di notazione stenogra?ci in Italia, Spagna e Francia tra xvi e xvii secolo e loro implicazioni teoriche Guido Olivieri, Naturalezza o arti?cio: ri?essioni su improvvisazione e virtuosismo italiani in Francia nel Settecento Neal Zaslaw, Adagio de Mr. Tartini. Vari de plusieurs fa ons diff rentes, tr s utiles aux personnes qui veulent apprendre faire des traits sous chaque notte de l'Harmonie? The Art of Partimento Simone Ciolfi, Cantata da camera e arte del partimento in Alessandro Scarlatti. An Historical Link between Baroque Recitatives and Development Section of the Sonata-Form Movements? Marco Pollaci, Two New Sources for the Study of Early Eighteenth-Century Composition and Improvisation Giorgio Sanguinetti, On the Origin of Partimento: A Recently Discovered Manuscript of Toccate (1695) by Francesco Mancini Peter van Tour, Taking a Walk at the Molo : Partimento and the Improvised Fugue Abstracts Biographies Index of Names‎

‎Entretiens sur la musique.‎

‎Paris, Albin Michel, 1953. 15 x 20, 160 pp., broché, couverture à rabats, bon état (couverture défraîchie).‎

‎Traduction de J.-G. Prod'homme et F. G.‎

‎Wilhelm Furtwängler.‎

‎Paris, JC Lattès, 1983. 14 x 22, 227 pp., broché, très bon état.‎

‎"Traduit de l'allemand par Michel Cresta; discographie établie par Henri-Jean Testa."‎

‎Musique et Verbe. Collection : Le Livre de Poche, N° 8348/Pluriel.‎

‎Paris, Albin Michel/Poche, 1979. 11 x 17, 413 pp., broché, bon état.‎