Fribourg (Suisse), 1987 209pp., illustré d'exemples de musique, 30cm., br., texte en français, Dissertation de Doctorat (Thèse de doctorat présentée devant la Faculté des Lettres de l'Université de Fribourg en Suisse, pour obtenir le grade de docteur ès lettres), cachet au verso de la p.d.t., texte frais, bon état, M109507
Kiel, 1937 viii + 100pp., 23cm., text in German in Gotich Script, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel), ex-library copy (stamp at verso of title page, label on spine), text is clean and bright, M109522
, Brepols, 2022 Hardback, 384 pages, Size:210 x 270 mm, Illustrations:31 b/w, 26 tables b/w., Language: English. ISBN 9782503600789.
Summary Many new and exciting kinds of popular song emerged in the 19th century, and the contributors to this volume place the development and reception of these songs in their social and cultural context. The chapters are grouped into four parts. Part I investigates border crossings: an internationally known gondola song, popular songs in the Southern United States, the impact of American music in Germany, and Brazilian music in Europe. Part II concentrates on public and private spaces: the cabarets of Montmartre, salons in Berlin and Prague, popular songs and the church organ, and theatre songs in Portugal and Spain. Part III takes up the subject of social struggle: German protest songs, Hussitism and Czech songs, and Antebellum American popular songs. Part IV is concerned with matters of cultural identity: songs of Flanders, songs of the Russian 'Slavic spirit', urban songs in Greece after the War of Independence (1821), and rural and urban Serbian songs. Taken as a whole, the chapters reveal the importance of understanding different historical and cultural environments when investigating the subject matter, structure and meaning of 19th-century popular song. TABLE OF CONTENTS Derek B. Scott Introduction: The New Popular Songs of the Nineteenth Century Part I: Cultural Transfer Henrike Rost 'La Biondina in Gondoletta': The Transnational Success Story of a Popular Gondola Song Chloe Valenti Between Opera and Popular Song: The Transformation of 'Va pensiero' in Victorian Britain Candace Bailey Opera, Lieder, or Stephen Foster? Popular Song in the Antebellum US South Tobias Fasshauer «Wenn das Banjo zittert»: Americanism in Popular Songs of the Wilhelmine Era Flávia Camargo Toni The Twenty modinhas for Voice and Piano by Sigismund Neukomm and Joaquim Manoel Gago da Câmara: A 'Transatlantic' Partnership Part II: Private and Public Spaces Michela Niccolai Montmartre in Its Songs: Between Café-concert and Cabaret (c. 1860-1914) Anja Bunzel Popular Song in the (Semi-)Private Domain? Considering the Nineteenth-Century Salon within the Context of Popular Culture Eva-Maria de Oliveira Pinto Popular Songs in the Ecclesiastical Context: Discoveries in European and North American Organ Music of the 19th Century Catarina Ribeiro Braga The Portuguese Chansonnette at the End of the Nineteenth Century: The New Popular Song or a Mini-comic Scene? María Encina Cortizo - Ramón Sobrino Popular Dance Songs in the 19th Century beyond the Spanish Borders: La cachucha and Las habas verdes Part III: Social Struggle David Robb Popular Protest Songs of the German Vormärz and 1848 Revolution Viktor Velek Master Jan Hus and Hussitism as the Subject of Czech Social Songs in the First Half of the 19th Century Wojciech Bernatowicz «He's Gone to Be a Soldier in the Army of the Lord»: Politics in the Antebellum American Popular Song Part IV: Cultural Identity Jan Dewilde «I Know a Song»: Two Popular Flemish Songs about Singing a Song Áine Mulvey Dialect Verse and Songwriting during the Irish Cultural Revival (1891-1922) Mirella Di Vita Pesnja e Romans: The Forms of the Russian Art Song at the Beginning of the 19th Century Avra Xepapadakou Popular Song in 19th-Century Greece Marijana Kokanovi? Markovi? Serbian Popular Song in the 19th-Century: Their Cultural and Social Role Abstracts and Biographies Index of Names
Sion, Editions Gessler 1957, 230x160mm, 99pages, broché. Dédicacé par le traducteur sur la page de faux-titre. Non coupé. Bel exemplaire.
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Paris, Robert Laffont 2009, 200x130mm, LXVII - 895pages, broché. Bel exemplaire.
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Paris, Editions Papiers/Sacem, 1986. 19 x 20, 172 pp., quelques notations musicales, quelques illustrations, broché, couverture à rabats, très bon état.
Paris, GM Editions, 2019. 16 x 24, 253 pp., nombreuses illustrations en N/B, broché, couverture à rabats, très bon état.
Préface de Mathias Malzieu.
Bordeaux, 2003, William Blake and Co. Edit., 12 p, 19x32 cm, titre typo 2 coul ; ISBN: 2841031225
ex. neuf. Remise de 5% sur le prix neuf accordé par la librairie Art & Arts pour toute commande de ce titre.
Roma, 2007 99pp., 24cm., text in Italian, Doctoral Dissertation (Universita Pontificia Salesiana, Facolta di Letter Cristiane e Classiche, no.634), stamp at verso of t.p., text is clean and bright, good condition, M109357
Paris, Librairie Académique Didier et Cie. 1875, 190x120mm, XI - 424pages, broché. Déchicures sur le haut et le bas du dos, autrement bon état.
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Paris, Christian Bourgois, 1986. 14 x 23, 147 pp., 14 figures, broché, très bon état.
Préface de Jean-Jacques Nattiez.
Erakleion [Heraklion], 1976 231pp., signed with handwritten dedication by the author, 21cm., text in Greek, softcover, good condition, M114498
Salzburg, Universität Salzburg 2005 iii + [406] pp. (i.e. pp.181 to 586), containing music scores for Gregorian chant, text in French, in the series "Analecta Cartusiana" volume 228, 24cm., original softcover, text clean and bright, good condition, R119574
Salzburg, Universität Salzburg 2005 iii + [164] pp. (i.e. pp.587 to 752), text in French, in the series "Analecta Cartusiana" volume 228, 24cm., original softcover, text clean and bright and in very good condition, R117810
Salzburg, Universität Salzburg 2005 iii + [166] pp. (i.e. pp.753 to 920), containing music scores for Gregorian chant, text in French, in the series "Analecta Cartusiana" volume 228, 24cm., original softcover, text clean and bright, good condition, R119573
Salzburg, Universität Salzburg 2005 v + 286pp., containing music scores for Gregorian chant, text in French, in the series "Analecta Cartusiana" volume 228, 24cm., original softcover, text clean and bright, good condition, R119575
Glasgow - London, R. L. Allan & Son - Alfred Holness no year, about 1914, 280x215mm, 95pages, editor's binding. Caps slightly damaged.
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Paris, Desclée de Brouwer 1936 xiv + 527pp. + frontispice & quelques planches hors-texte, texte illustré d'exemples de musique, 26cm., brochure originale, peu de rousseurs, bon état, M99739
Paris, JC Lattès, 1987. 14 x 23, 272 pp., broché, très bon état.
Textes choisis et présentés par Béatrice Durand-Sendrail.
Paris, Inter-Livres, s.d. (ca 1985). 23 x 31, 22 pp. + très nombreuses planches, broché, très bon état.
's-Gravenhage, Vereniging voor Nederlandse muziekgeschiedenis 1970 deel 3 (van de 6): x + 684pp.+ 15 illustraties buiten tekst, 24cm., linnen uitgeversband, stofwikkel, exemplaar uit de collectie van de Belgische musicoloog René Lenaerts (met zijn ex-libris), goede staat, M94213
Hamburg, 1977 iii + 353pp., 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Erlangung der Würde des Doktors der Philosophie der Universität Hamburg), stamp at verso of title page, text is clean and bright, good condition, M108951
Bruxelles, Palais des Académies, 1958. 18 x 26, 258 pp., broché (brossura/paperback), bon état (buono stato) (cachets et étiquette de l'Université Catholique de Louvain).
"version italienne, texte en italien; in partituur gebracht door Dr. P. Nuten."
Bruxelles, Palais des Académies, 1958. 18 x 26, 182 pp., broché (brossura/paperback), bon état (buono stato) (cachets et étiquette de l'Université Catholique de Louvain).
"version italienne, version italienne, texte en italien; partituur gebracht door Dr. P. Nuten."
Basel, Bärenreiter Verlag 1968 together 236pp.with some ills.out-of-text, 4 fascicules bound together, interior VG