‎II - Les Héros de l'Orchestre.‎

‎ 1919 br. in-12, 230pp., P. Fisbascher 1919‎

‎Tome 2 : Les héros de l'orchestre. Essais sur l'émotion musicale, I. - La religion de la musique. ‎

‎Paris, Librairie Fischbacher, 1921. 12 x 19, 230 pp., broché, bon état.‎

‎INTRODUCTION A LA MUSIQUE CONTEMPORAINE‎

‎Paris Le Grenier à Sel 1947 1 12° Broché 128 Le Grenier à Sel, Paris, 1947. Un volume in 12° broché de 128 pages, bon état. Poids avant emballage 140 gr, frais d'envoi colissimo 5‎

‎ Bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎L'influence de la musique religieuse européenne sur la musique religieuse des Beti, ainsi que ses rapports avec la musique traditionnelle du peuple Beti du Cameroun‎

‎Saarbrücken, 1981 [7] + 257pp., 21cm., br.orig., texte en français, Dissertation de doctorat ("Dissertation zur Erlangung des Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), cachet au verso de la p.d.t., texte et intérieur sont frais, bon état, M109044‎

‎Dictionnaire de Musique Moderne. Suivi de : Abrégé Historique sur la Musique Moderne depuis le quatrième siècle et spécialement relatif à l'École Flamande suivi d'un catalogue biographique des théoriciens, compositeurs et musiciens morts qui se sont illustrés dans le Royaume des Pays-Bas, et qui furent la source des écoles italiennes, allemande, et française (Bruxelles, 1828, 66p.), par J. H. MEES.‎

‎Bruxelles, A l'Académie de Musique, 1828, in-8, demi-reliure de l'époque, dos long, toutes tranches marbrées, 281p. L'Abrégé Historique de J.-H. Mees est inséré entre l'Avis de l'Editeur & la Préface et la première page du Dictionnaire. Planches de partition in fine. Edition originale belge. Hormis un petit manque de cuir au dos, exemplaire en bon état. ‎

8 Images

‎ NB. Les commandes et questions seront traitées dans les 48h et expédiées à partir du 7 octobre. Merci.‎

‎Ode lyrique en trois parties. Inspirée du triptyque de Paul Robert au Musée de Neuchâtel pour solo de soprano, solo de baryton, choeur mixte, choeur d’hommes, choeur d’enfants et orchestre.XXIIme fête fédérale de chant. Neuchâtel 1912.‎

‎ Neuchâtel, Attinger Frères 1912, 230x150mm, 69pages, broché. Bon état. ‎

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‎Cantiones aliquot novae quas vulgo motetas vocant, quinque vocibus summo studio compositae : quibus adiuncta sunt officia duo, de S. Iohanne Evangelista, & Innocentibus [Facsimile edition, Frankfurt am Main, 1576]‎

‎Stuttgart, Cornetto-Verlag 1997 Facsimile edition (Schermer-Bibliothek Ulm nr.17), complete in 5 volumes (one for each voice: Bassus, Tenor, Altus, Discantus, Quinta vox)), [46] + [46] + [46] + [46] + [46] pp. with music scores for chant and text in Latin, in oblong (18x21cm.), publisher's hardcovers, in cart. slipcase, [Jakob Meiland, 1542-1577, German composer], good condition, M95228‎

‎Jakob Heinrich Lützel (1823-1899) und die Entwicklung des protestantischen Schul- und Kirchengesangswesens in der bayerischen Rheinpfalz, insbesondere in der zweite Hälfte des 19. Jahrhunderts‎

‎Saarbrücken, 1980 xi + 542 + [ca. 150] pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108958‎

‎Erazstakan bac'atrakan bararan‎

‎Erevan [Yerevan], Xorhrdayin Grog. 1989 253 + [3] pp., with illustrations, 27cm., text in Armenian, publisher's hardcover binding, good condition, cfr. OCLC 246925012, X119817‎

‎"Le violon; une introduction à son histoire, à sa facture et à son jeu."‎

‎Lausanne, Editions Payot, 1972. 19 x 21, 124 pp., nombreuses illustrations en couleurs et en N/B, quelques dessins, reliure d'édition carton illustrée, très bon état.‎

‎Arnold Schönbergs Oper "Moses und Aron" - Ansätze einer differenzierenden Strukturanalyse‎

‎Bonn, 2002 288pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, most pages are still uncut, text is clean and bright, good condition, M108959‎

‎La légende du violon.‎

‎Paris, Flammarion, 1996. 22 x 28, 301 pp., très nombreuses illustrations en couleurs et en N/B, reliure d'édition percaline + jaquette, très bon état.‎

‎Les Clavecins‎

‎ Paris, Éditions Vecteurs, 1990. In-folio, 263 pp., toile noire de l'éditeur, jaquette originale illustrée, étui cartonné (petits frottements). ‎

‎Édition originale illustrée de nombreuses reproductions en noir et en couleurs. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Organologia. Expocision cientifica y grafica del Organo en todos sus elementos y recursos antiguos y modernos‎

‎Madrid, Imp. del asilo de huerfanos del S.C. de Jesus 1924 430pp., with illustrations in text, Original 1924-edition, text in Spanish, 25cm., softcover (spine slightly repaired), most pages still uncut, text clean and bright, good condition, text and interior in very good condition, rare, M100902‎

‎Josef Riepel als Komponist (1709-1782) Ein Beitrag zur Musikgeschichte der Stadt Regensburg‎

‎Kallmünz, Druck. Michael Lassleben 1937 88pp., with music examples in text, 21cm., text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Friedrich-Alexanders-Universität zu Erlangen), stamp at verso of title page, text is clean and bright, good condition, M109033‎

‎Les Beatles. ‎

‎Paris, France Loisirs, 1988. 19 x 22, 155 pp., très nombreuses illustrations en couleurs et en N/B, reliure d'édition carton imprimé, très bon état.‎

‎"Moi je suis musicien; écrits sur la musique."‎

‎Bruxelles, Didier Devillez, 1998. 15 x 22, 212 pp., broché, couverture à rabats, très bon état (sauf dos légèrement gauchi).‎

‎Réunis, présentés et commentés par Robert Wangermée.‎

‎LE BOURGEOIS DE CALAIS . Opéra Comique en 3 actes .(Partition Piano & Chant réduite par l'Auteur))‎

‎ Editions Enoque Frères & Costallat, 1887, demi reliure percaline, au dos titre doré, 226pp. bon état +, 280x190. (p5) ‎

‎Exemplaire avec dédicace manuscrite de André MESSAGER, datée Avril 1887. ‎

‎Zes vrouwelijke componisten‎

‎, Walburg Pers/ Centrum Nederlandse Muziek 1991 256pp., met zw/w illustraties en muziekvoorbeelden in tekst, gecart., geïllustreerde stofwikkel (licht verkleurd), 23cm., in de reeks "Bibliotheek Nederlandse Muziek", goede staat, [handelt over 6 Nederlandse vrouwelijke componisten: Gertrude Van den Bergh, Catharina van Rennes, Elisabeth Kuyper, Henriëtte Bosmans, Iet Stants & Tera de Marez Oyens, met telkens een lijst van werken], M95106‎

‎Dimitri Chostakovitch. Traduit de l’allemand par Odile Demange.‎

‎ Paris, Librairie Arthème Fayard 1999, 225x140mm, 604pages, reliure d'éditeur sous jaquette. Exemplaire à l'état de neuf.‎

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‎"La flûte; les grandes lignes de son développement, de la préhistoire à nos jours. Collection : ""Instruments de musique""."‎

‎Lausanne, Editions Payot, 1974. 19 x 21, 112 pp., nombreuses illustrations en N/B et en couleurs, quelques notations musicales, reliure d'édition carton illustré, très bon état.‎

‎Avec un disque 45 tours.‎

‎Die Stellung von Gabriel Fauré im Rahmen des dichterischen Italien-Erlebnisses der Franzosen des 20. Jahrhunderts‎

‎Erlangen, 1961 246pp., 30cm., Doctoral Dissertation (Inaugural-Dissertation der Philosophische Fakultät der Friedrich-Alexanders-Universität zu Erlangen), softcover, stamp at verso of title page, text is clean and bright, M113048‎

‎Musical Exoticism. The Mediterranean and Beyond in the Long Nineteenth Century‎

‎, Brepols, 2024 Hardback, xii + 392 pages, Size:210 x 270 mm, Illustrations:39 b/w, 16 tables b/w., 34 musical examples, Language: English. *new ISBN 9782503611778.‎

‎Summary The sound image of Otherness has been a significant source of inspiration for Western music, especially since the late eighteenth century. Encounters with the racial and geographical Other fomented interest in unfamiliar musical traditions, which informed exotic projections by Western composers. This volume explores aspects of musical exoticism and its staging during the long nineteenth century, with a special focus on the Mediterranean. This diverse and yet historically interconnected region was arguably the heart of the exotic enterprise during this period. The intersection of exoticism, nationalism and empire is considered, with a special focus on the situation of Spain as both source of local colour and purveyor of musical exoticism. The essays in this volume explore elements of exoticism across a range of musical styles: from song to opera and the popular musical stage, and from instrumental to symphonic works. The analysis of this corpus also involves the examination of musical culture in dialogue with literature and figurative arts. While many of the essays focus on constructions of exoticism in individual works, several essays focus on repertories of musical exoticism and their coverage in musicological literature. TABLE OF CONTENTS Michael Christoforidis - Ram n Sobrino, Preface Musical Exoticism and the Mediterranean to the Mid Nineteenth Century Ralph P. Locke, Leaving alla turca behind: The Middle East in Opera and Other Musical Genres, 1800-1850 Mar a Encina Cortizo, Exotic Sounds of Spain: French Musical Imageries Between Spain and the Orient: Musical Exoticism, Nationalism and the Alhambra Ram n Sobrino, Musical Exoticisms in 19th-Century Spain: Imaginary Sounds of Spanish Otherness Francesc Cort s, Oriental and National Elements in the Early Operas of Felip Pedrell: Changes and Transformations of El ltimo Abencerraje (1868) into L'Ultimo Abenzeraggio (1889) Gloria A. Rodr guez-Lorenzo - Francisco J. Gim nez-Rodr guez, Granada la bella (1896): Musical Exoticism and Nostalgia at the Turn of the Century Michael Christoforidis - Elizabeth Kertesz, Exoticism and Beyond: The Habanera, Alhambrism and Musical Modernity in Belle- poque Paris Staging Exoticism in Opera Roberto Scoccimarro, Otherness, Self-Affirmation and Self-Denial in F licien David's Op ras-comiques Lalla-Roukh (1862) and La captive (1864) Valeria Wenderoth, Reynaldo Hahn's L' le du R ve (1898) and the Multi-Faceted Representation of Otherness Stanislav Tuksar, Exoticism as a Specific Expression of Otherness in Some Acculturation Phenomena within Nineteenth-Century Croatian Arts Vjera Katalin c, Staging Exoticisms: Case Studies in the Operatic Iconography of the Late Nineteenth-Century Zagreb National Theatre Exoticism in Song and Popular Musical Theatre Nicolas Boiffin, Exoticism in the German Lied: E. Geibel and P. Heyse's Spanisches Liederbuch and Its Musical Settings Sonja Starkmeth, 'Off to Cairo': Musical Orientalism in Late Victorian Musical Comedy Andrea Garc a Torres, The bayadera on the Spanish Stage: Frivolity and Colonialism in European Cultures via the Orient Paul Krejci, A Case Study of White American Male Othering in Early 20th Century Popular Music: The Exotic Songs of Seattleite Minstrel Harold Taylor Weeks Reflection Jean-Pierre Bartoli, From 1974 to 2022: Some Reflections for a Short History of Studies on Exoticism and Orientalism in Music‎

‎Selling Pianos with Pictures. Commercial Art and Keyboard Instruments from the Eighteenth Century to the 1920s‎

‎, Brepols, 2021 Paperback, xv + 186 pages, Size:216 x 280 mm, Illustrations:110 b/w, 50 col., Language: English.*new ISBN 9782503583570.‎

‎Summary Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full of images employed for commercial rather than cultural purposes. This volume examines the commercial characters and significances of how pianos were pictured between the early days of 'modern' marketing to today. During the early 1920s, piano sales peaked in the United States; nevertheless, pianos have continued to be sold even as radios, record players, television sets and electric keyboards increasingly replace them as must-have sources of entertainment and improvement. The market for player pianos, although comparatively short-lived, also provided manufacturers and retailers with opportunities to depict pianos and pictures. TABLE OF CONTENTS Introduction Chapter I: Advertising, Iconography, and Secondary Sources of Information Previous Studies of Illustrated Piano Advertising Musicological Iconography and Iconology Advertising as a Professional Activity, 1865-1920 Chapter II: Changing Attitudes Toward Pianos and Pianists Pianos as Objects of Admiration, Denigration, and Social Cach Women and Keyboard Instruments: Traditional Associations and Early Illustrations Display, Religion, Respectability, Talent, and "Piano Girls" Chapter III: The Evolution of Illustrated Piano Advertising, 1770-1925 Early Piano Advertisements, Endorsements, and Testimonials Illustrated Piano Advertising Comes of Age, 1865-1910 Concluding Observations A Synopsis of Illustration Piano Advertising and Advertising's Emerging Importance The Declining Importance of Pianos and the Increasing Popularity of Phonographs, Radios, Other Electric Devices, and Guitars * Bibliography Index‎

‎Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period‎

‎, Brepols, 2020 Paperback, 436 pages, Size:190 x 290 mm, Illustrations:67 b/w, 75 col., 10 tables b/w., 1 maps b/w, Languages: English, German. ISBN 9782503588384.‎

‎Summary Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole. What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the teatro del mondo which Rome constituted at the time, their role in the placing of musicians within the city's professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions. At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. * The preparation of this publication has benefitted greatly from the collaboration of Jorge Morales. TABLE OF CONTENTS Foreword by Bernard Ardura Introduction by Michela Berti and milie Corswarem I. The Musical Model of National Churches in Rome ? 2. NOEL O'REGAN Cappella fissa-Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome's National Churches ? 3. CRISTINA FERNANDES A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos ? 4. KLAUS PIETSCHMANN Music Cultivation in Roman National Churches before the Council of Trent ? 5. TOBIAS DANIELS A New Organ for the Anima. The Notarial Contract of 1546 and the History of the "German National Church" in Rome in the Middle of the Sixteenth Century ? 6. FRANCESCA FANTAPPI -JOS MAR A DOM NGUEZ Alessandro Scarlatti and the Spanish National Church of S. Giacomo degli Spagnoli ? 7. ESTEBAN HERN NDEZ CASTELL The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process Identity and Repertory ? 8. BERNARD DOMPNIER Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches ? 9. CRISTINA FERNANDES Daily Liturgy and 'Internal' Musical Practices in S. Antonio dei Portoghesi ? 10. GALLIANO CILIBERTI S. Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity ? 11. ESTEBAN HERN NDEZ CASTELL : Evidence of a 'More Hispano' Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome ? 12. MILIE CORSWAREM S. Luigi dei Francesci's Volume of Masses dating from 1557: an Example of French Polyphony ? 13. MICHELA BERTI The musical collection of San Luigi dei Francesi: on the trail of national character The Construction of National Identity from Self-Representation and Conflict ? 14. JOS MAR A DOM NGUEZ To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700 ? 15. BRUNO BOUTE Liturgy and Bureaucracy-Bureaucracy as Liturgy ? 16. DIANA CARRI -INVERNIZZI Political Images and the National Churches of Rome c. 1640 ? 17. JORGE MORALES Musical Practices and Identity. The Story of the Roman Sojourn (1623-27) of Maurice of Savoy, Crown-Cardinal of France ? 18. ANNE-MADELEINE GOULET Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Tr moille (1683-1686) ? 14. CRISTINA FERNANDES : Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King III. National Churches : Network in Rome and Cultural Transfer ? 20. DOMENICO ROCCIOLO 'Inhabitants of Various Nations' in Rome from the Sixteenth to the Eighteenth Century ? 21. ANNE PI JUS Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches ? 22. CRISTINA FERNANDES Oratorio Musical Traditions in Rome: Portuguese connections ? 23. FRANCESCO PEZZI The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome ? 24. CRISTINA FERNANDES Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle ? 25. CRISTINA FERNANDES The Role of the National Church of S. Antonio dei Portoghesi in the 'Romanisation' of the Lisbon Royal and Patriarchal Chapel Afterword by Kate van Orden Illustration Credits Translators Index of Persons Index of Places‎