HACHETTE. 1968. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 256 pages. Nombreuses photos et illustrations en noir et blanc dans le texte et hors texte.. . . . Classification Dewey : 780-Musique
Classification Dewey : 780-Musique
Hachette. Non daté. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 256 pages. Nombreuses photos et illustrations en noir et blanc dans le texte et hors texte. Annoàtations sur la première page dans la marge.. . . . Classification Dewey : 780-Musique
Classification Dewey : 780-Musique
Corrêa 1956 in8. 1956. Broché.
couverture défraîchie bords frottés haut du bords du premier plat écorché intérieur propre
Clé d'or. 1948. In-12. Broché. Bon état, Couv. convenable, Dos frotté, Papier jauni. 179 pages.. . . . Classification Dewey : 780-Musique
Classification Dewey : 780-Musique
Gent, A.Siffer 1890 11pp., 22cm., 1e zelfstandige druk, goede staat, B83126
Antwerpen/ Amsterdam, L. Dela Montagne/ J. Noordendorp 1879 112 + VII pp., 1e uitgave, gecart. band (gemarbreerde platten, lederen rug met titel in goudopdruk, wat gewone slijtage), 20cm., wat lichte roestvlekjes, goede staat, M93949
Roeselare, De Seyn-Verhougstraete 1885 viii + 206pp., met handgeschreven opdracht en handtekening van auteur, mooie halflinnen band 'orig.omslag mee ingebonden), 20cm., 2 stempeltjes, in de reeks "Volledige dichtwerken van Emanuel Hiel"
Brussel, Lebègue 1879 148pp., 1e uitgave, 20cm., rode gecart. uitgeversband met titel in goudopdruk (wat slijtage aan randen), goede staat, bijgevoegd: losbladig pamflet in dichtvorm: "Dichtersoproep aan de liberale Vlaamsche dag- en weekbladen van België" door Emanuel Hiel (1883), M93948
Roeselare, De Seyn-Verhougstraete 1885 viii + 206pp., met handgeschreven opdracht en handtekening van auteur gericht aan "Monsieur et Madame E. Michotte", fraaie vollederen rode band met titel en decoraties in goudopdruk op rug en platten, helaas ontbreekt een stukje leder onderaan rug (3cm.) en zijn daardoor de scharnieren onderaan wat fragiel, enkele lichte vlekjes op platten, bovenste bladsneden verguld, versierde schutbladen, 20cm., met ingeplakt ex-libris van Lieven Rens, klein stempeltje op eerste titelblad, enkele roestvlekjes, T95334
Gent, Siffer 1892 14pp., 22cm., orig. omslag, onopengesneden, publicatie van de "Koninklijke Vlaamsche Academie voor Taal- & Letterkunde", goede staat, M91672
Peer, Alamire, 1989 Linnen binding with gilt lettering, facsimile with introduction by William Mcmurtry, 32 x 21.5 cm, english text, b/w images. *New. ISBN 9068530356.
Hieronymus Lauweryn, lord of Watervliet and Poortvliet, who was in the service of the courts of Maximilian of Austria, Philip the Good and Margaret of Austria, copied this manuscript around 1505-06. He probably did this in Bruges. This well-preserved manuscript contains 36 French chansons, 25 songs in Dutch, 1 motet-chanson and 14 Latin and 2 Italian works that are all equally unique. The best-known composers are Agricola, Comp re, Mouton and Josquin.
Paris Bernard Grasset 1988 in 8 (20,5x13) 1 volume broché, couverture illustrée, 250 pages [1]. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Broché
1982 New York, Printed Editions, 1982, 305x228mm, 4 feuilles de mylar imprimées de couleurs différentes, libres sous couverture imprimée.(103803)
Phone number : +33 1 48 01 02 37
1982 New York, Printed Editions, 1983, 280x215mm, 4p.,en feuilles sous couverture imprimée.Texte explicatif de Dick Higgins, partition en double page centrale.Etat neuf. (103802)
Phone number : +33 1 48 01 02 37
1982 New York, Printed Editions, 1981, 278x215mm, 16p., agrafé sous couverture imprimée.(103801)
Phone number : +33 1 48 01 02 37
Hikaru Hayashi, Yuji Takahashi, Mikio Tojima, Michio Mamiya, Riuichi Sakamoto,Sesshu Kai, Toshi Ichiyanagi, Somei SatoSesshu Kai, Toshi Ichiyanagi, Somei Sato
Reference : 101968
(1983)
1983 Disque Japon, Denon, 1983, OF 7079 81 ND, stéréo, 3 LP 33trs, 30cm, un livret de 12 p. contenant la biographie des compositeurs et des interprètes de la musique contemporaine japonaise pour piano, l’ensemble sous coffret illustré et bande-annonce. Les compositeurs : Hikaru Hayashi, Yuji Takahashi, Mikio Tojima, Michio Mamiya, Riuichi Sakamoto, Sesshu Kai, Toshi Ichiyanagi, Somei Sato. Les interprètes : Izumi Shimura, Yuji Takahashi, Haruhi Hata, Yukiko Hori, Aki Takahashi, Etsuko Terada. Parfait état. (101968)
Phone number : +33 1 48 01 02 37
Hachette Littérature. 1973. Format : 21/12cm. Pages : 206. Illustré photos en noir et blanc Défraîchi.
Collection Musiciens de notre temps
Antwerp, BAI, 2022 Hardcover, 280 x 210 mm, 176 pages, throughout illustraties, ENG edition, *new. ISBN 9789085868293.
Paintings featuring harpsichords, virginals and organs offer us a glimpse of gorgeous interiors, amorous scenes and finely-dressed ladies - and the occasional young man too - at the keyboard. Keyboard instruments can also be the key to decoding an allegory, myth or hidden message in a painting. Other exhibits include painted harpsichord and virginal lids as well as original instruments. Loans from the National Gallery in London, the Rijksmuseum in Amsterdam, the Suermondt-Ludwigmuseum in Aachen and many other museums and collectors offer a delight for eyes and ears. The music room at the Snyders&Rockox House evokes the Jewish-Portuguese Duarte family, who came to Antwerp in the 16th century to flee the Inquisition. They were drawn by the commercial opportunities offered by the city, where they lived in a patrician residence on the Meir, the most important street. Besides an exceptional collection of paintings by leading Italian and above all Flemish masters, from Titian and Tintoretto to Quinten Massys, Peter Paul Rubens and Anthony Van Dyck, the family also owned five harpsichords and virginals. Duarte did not have to look far to find them, as Antwerp was one of the leading centres for the construction of these instruments and two if not more important harpsichord builders belonged to the businessman's circle of acquaintances. The first references to harpsichord builders in Antwerp date from the beginning of the 16th century. It was between 1560 and 1660, however, that the city was known as the undisputed world capital of harpsichord production. Every year, Antwerp workshops turned out hundreds of harpsichords and virginals. Contemporaries praised the instruments for the richness of their sound and their reliability. The members of the Ruckers-Couchet family were especially renowned for their exceptionally high-quality instruments. Hans Ruckers, his sons Joannes and Andreas and his grandson Joannes Couchet did for instrument-making what Peter Paul Rubens was doing for painting and Christophe Plantin for printing. The Ruckers-Couchet family was not alone: names like Marten van der Biest, Joos Karest, Cornelis and Simon Hagaerts, Joris Britsen and many others also stood for excellent quality. Antwerp harpsichords and virginals did not only sell very well locally, they were sought-after throughout Europe and even far beyond until well into the eighteenth century. A substantial proportion of Antwerp's harpsichord output, like that of its paintings and ornamental furniture, was destined for the international market. The city also developed a strong tradition in the building of domestic and church organs. Dozens of organ builders were active in the 16th century alone, including the Moors and Brebos families. The Ruckers-Couchet family worked with organs too: Joannes Ruckers, for instance, was responsible for a while for maintaining the organ at Antwerp Cathedral. The rise of the Antwerp keyboard builders was accompanied by a flourishing music printing industry (Antwerp was not the first or the only centre of music publication, but it was certainly one of the most important) and an emerging bourgeois culture in which music too played a part. The original instruments are a lasting testimony to musical life in Antwerp, as are the paintings that explore them as their subject matter. Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt
, BAI, 2022 HB, 280 x 210 mm, 176 pagina's, illustraties in,kleur. NL edition. nieuw. ISBN 9789085868309.
In Museum Vleeshuis maak je kennis met klavecimbels en virginalen, met unieke, beschilderde klavecimbeldeksels, en met Anthony Van Dycks portret van klaviervirtuoos Henricus Liberti. Mario Sarrechia, Bart Rodyns en Korneel Bernolet zorgen met nieuwe opnames op klavecimbel, virginaal en orgel, voor de gepaste soundtrack. In het Snijders&Rockoxhuis kan je schilderijen van onder meer Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabri l Metsu en Jacob Ochtervelt ontdekken. Al deze schilderijen hebben n ding gemeen: ze tonen orgels, klavecimbels en virginalen, vaak van Antwerpse makelij. Enkele klavierinstrumenten uit de collectie van Museum Vleeshuis vullen de tentoonstelling aan.
Taudend, Suhrkamp, 1977. In-8 relié en toile d'éditeur sous jaquette ill., 415 p., ill. et reproductions en noir h.t. Bon état. Livre en allemand. Buch auf deutscher Sprache
Jean Claude Lattès 1990 In-8 broché. 360 pages. Très bon état d’occasion.
Un éclairage inconnu, passionnant. Un livre essentiel à lire pour tous ceux qui ignorent ou s’intéressent follement à Mozart. Très bon état d’occasion
Lattès, coll. "Musiques et Musiciens" 1986 1 vol. relié in-8, cartonnage sous jaquette de l'éditeur, 363 pp., index. Très bon état, très frais.
Phone number : 0033 (0)1 42 23 30 39
Coll. "Agora" n° 56, Paris, éd. Presses Pocket, 1990, in-12, cartonnage souple, couv. portrait en coul. de Mozart éd., 368 pp., quelques reproductions de gravures et de partitions en noir, chronologie, index des œuvres citées, index des noms, Un livre qui va vous permettre de comprendre le génie de Mozart. Un incontournable ! Très bon état