‎La Marseillaise.‎

‎ P., Nouvelles Editions du Pavillon et Imprimerie nationale, 1989, in-4°, 367 pp, biblio, nombreuses illustrations en noir et en couleurs, sous emboîtage illustré‎

‎L'OPERA ET L'OPERA-COMIQUE.‎

‎Paris, PUF, Collection Que sais-je, 1990, in-12 broché, 127 pp. Nombreux autres ouvrages disponibles sur la musique classique: Voir la catégorie Musique (ou recherche par auteur/compositeur). TRES BON ETAT‎

‎Que sais-je? N° 1038 La musique française au XIXe siècle‎

‎Presses Universitaires de France Edition originale Première édition 1er trimestre 1963. 1963. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 pages illustrées de quelques dessins en noir et blanc. . . . Classification Dewey : 780-Musique‎

‎La première encyclopédie de poche fondée en 1941 par Paul Angoulvent, traduite en 43 langues, diffusée, pour les éditions françaises, à plus de 160 millions d'exemplaires, la collection Que sais-je? est l'une des plus importantes bases de données internationnales, construite pour le grand public par des spécialistes. 3800 titres ont été publiés depuis l'origine par 2500 auteurs. Classification Dewey : 780-Musique‎

‎CHANTER, LE CHANT COMME ART DE MIEUX VIVRE.‎

‎LE GRAND LIVRE DU MOIS. 2001. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 301 pages. Quelques partitions.. . . . Classification Dewey : 780-Musique‎

‎Préface de Dom Campbell. Classification Dewey : 780-Musique‎

‎La musique à Paris 1896-1897. 3e année. Etudes sur les concerts, programmes, bibliographie des ouvrages musicaux parus pendant l'année, index des noms cités‎

‎Paris, Ch. Delagrave 1898 266pp., 18cm., reliure cart. (plats marbrés, dos en cuir avec titre et faux-nerfs dorés, br.orig. conservée), feuilles de garde marbrées, très bon état, M82894‎

‎La musique à Paris 1897-1898. quatrième (4e) année. Etudes sur les concerts, programmes, bibliographie des ouvrages sur la musique parus pendant l'année, index des noms cités‎

‎Paris, Delagrave 1898 360pp.+ frontispice, 19cm., br.orig., très bon état, M82944‎

‎La musique de chambre de Cesar Franck - Etude et analyse‎

‎ Mellottee, non date. Format 12x19cm, broche, 225 pages. Couverture sale, livre en bon etat.‎

‎Jazz : Die wilden Zwanziger in New York + CD ( Performed by (orchestra, band, ensemble) Hans-Jürgen Schaal )‎

‎, Gerstenberg Verlag 2007, 2007 Hardcover, 144 seiten , Deutsch, 345 x 225 mm, book is as New !!, fabulous illustrations, CD included, . ISBN 9783836925815.‎

‎In einer spannenden Mischung aus bestechender Zeichenkunst, fundierten Fakten, amüsanten Anekdoten und auf einer CD mit Originalaufnahmen stellen Robert Nippoldt und Hans-Jürgen Schaal 24 bedeutende Jazzgrößen im New York der wilden zwanziger Jahre vor. Ein wunderbarer Augen- und Ohrenschmaus! Im New York der 1920er Jahre herrscht wahrhaft das Jazzfieber. Die Menschen schwärmen in die Night Clubs und Dance Halls. Louis Armstrong ist mit dem Fletcher Henderson Orchestra im Kentucky Club zu erleben, Duke Ellington tritt im Roseland Ballroom und im Cotton Club auf. Robert Nippoldt fängt in seinen Zeichnungen das Aufregende dieses Jazz-Zeitalters ein und stellt die berühmtesten Jazzlegenden vor. Die brillanten Illustrationen werden begleitet von dem ebenso fundierten wie kurzweiligen Text des Jazzexperten Hans-Jürgen Schaal, der über die Clubszene und die Band Battles berichtet, aber auch über Big-Band-Besetzungen und legendäre Plattenaufnahmen. Zum Buch gehört eine CD mit ausgewählten Originalaufnahmen der vorgestellten Musiker.‎

‎Hobrecht and His Singers‎

‎, Brepols, 2022 Paperback, 321 pages, Size:178 x 254 mm, Illustrations:9 b/w, 14 col., 27 tables b/w., 1 maps b/w, 19 musical examples, Language: English. ISBN 9782503597027.‎

‎Summary Hobrecht and His Singers frames the life of the illustrious composer Jacob Hobrecht (Obrecht) within a single institution, the Church of St. Donatian in Bruges. As a collective biography of the musicians at an important collegiate church in the late fifteenth century, the book will be of interest to readers of ecclesiastical, social, and urban history. Hobrecht twice served as succentor, or master of the choirboys, and twice was forced to leave the city?the first time in the wake of a devastating civil war, the second time in disgrace. The monograph focuses on the social and economic realities for the succentors and polyphonic singers, the Companions of Music, who worked closely together on a daily basis, during the years 1485-1505. Thick description provides a more comprehensive context for the lives of Jacob Hobrecht and seven musicians whose biographies are recounted here for the first time. Conflicts between the singers and the collegiate church to which they were pledged, driven in part by their emerging professional status circa 1500, helped lead to different career trajectories, in one case ending in tragedy. Numerous new documents add uncommon detail, both quotidian and dramatic, to the career of Hobrecht, necessitating original interpretations. Seven representative compositions written during his two periods in Bruges?both Masses and motets?demonstrate the kinds of work he undertook as succentor and the occasions for which he composed them, poised at the intersection of church and urban culture. TABLE OF CONTENTS List of Illustrations List of Musical Examples List of Tables Notes on the Text Prologue I The Church of St. Donatian, 1485-1505: Social and Economic Considerations 1 The Succentor The Lof A New Foundation for the Choirboys Responsibilities and Income Composition 2 The socii de musica and tenoriste The clerici installati The Chaplains The socii de musica The tenoriste Annual Feasts and Ceremonies II Jacob Hobrecht, Succentor 3 Jacob Hobrecht, 1485-1490 Recruitment from Cambrai The Daily Round Alma redemptoris mater Three Royal Entries Return from Ferrara Chaplaincy The Poaching of a Choirboy 4 Jacob Hobrecht and the Fall of Bruges Arrest and Imprisonment The Missa de Sancto Donatiano 5 Pieter Basijn, the Missa de Sancto Martino, and the Missa Adieu mes amours The Foundation for Saint Martin A Mass of the Holy Spirit 6 Jacob Hobrecht, 1499-1500 Disarray in the Succentorship Twenty Months Cardinal Giovanni de' Medici The Chapel of Archduke Philip the Fair Illness and Resignation Chaplaincy Provostship and a Motet 7 The May Fairs O preciosissime sanguis/Guberna tuos The Procession of 1501 III The Singers of a Collegiate Church, 1485-1505 8 The Singers and the Canons I Petrus Zouburch Cristianus Baelde Nicolaus Sarrigot Gregorius Mijs 9 The Singers and the Canons II Three tenoriste Johannes de Clita Petrus de Corte 10 Anthonius de Rycke, 1501-1505 Succentorship Departure and Excommunication Documents: Latin sources edited with the assistance of Tedd A. Wimperis Appendix: Inventory of Bruges, Grootseminarie Bibliotheek, MS 75-37, Processional Bibliography of Primary Sources Bibliography of Secondary Sources Index of Musicians and Clerici installati General Index‎

‎Music and the Figurative Arts in the Nineteenth Century‎

‎, Brepols 2020, 2020 Hardcover, .xiv + 527 p., 0 b/w ill., 20 col. ills 210 x 270 mm , English, ISBN 9782503589510.‎

‎This book explores the relationship between music and the figurative arts in the XIX century. In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to «ut musica pictura», music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt. ROBERTO ILLIANO is General Secretary of the Centro Studi Opera Omnia Luigi Boccherini (Lucca) and President of the Italian National Edition of Muzio Clementi?s Complete Works. He is also a member of the scholarly committee of the Italian National Edition of Luigi Boccherini?s Complete Works. A founder of the journal «Ad Parnassum», he has published a variety of writings on 19th- and 20th-century music, in particular on Luigi Dallapiccola and Italian music under Italian fascism.‎

‎Twentieth-Century Music and Mathematics‎

‎, Brepols, 2019 Hardback, xxxiii + 382 pages, Size:216 x 280 mm, Illustrations:Musical examples and figures, Languages: English, French, Italian. ISBN 9782503585703.‎

‎Summary Music and mathematics have been connected since ancient times. During the twentieth century, however, many composers consciously started using many mathematical concepts, algebraic operations and theorems as bases for their creative processes. The first part of this volume deals with the relationship between music and mathematics in the music of composers such as Olivier Messiaen, Iannis Xenakis, Franco Evangelisti, Pierre Boulez, Arvo Pärt, Steve Reich and Philip Glass. A chapter is then dedicated to Spanish composers of the last forty years (Francisco Guerrero, Alberto Posadas, José María Sánchez-Verdú, Iluminada Pérez Frutos, Nuría Gimenez Comas, Helga Arias and José López Montes). The theme continues in the second part of the book through the examination of prominent theories (Neo-Riemannian theory, diatonic set theory, theory of musical kaleidocycles), the use of diagrams and charts in music, the algorithmic evolution of music, contemporary compositional practices inspired by mathematical concepts; it arrives at studies on double canons and trichords. We publish a philosophical study in order to ask what the future of the relationship between music and mathematics will be at the beginning of the 21st century. Includes an introduction by Massimiliano Locanto. TABLE OF CONTENTS Roberto Illiano Preface Massimiliano Locanto Music Composition, Mathematics, and the Modernist Legacy Twentieth-Century Composers and Mathematics Athanase Papadopoulos Messiaen et les mathématiques Ronald Squibbs Xenakis's Method of Stochastic Composition: A Brief Introduction Peter Hoffmann «My Music Makes no Revolution»: Thoughts on the Role of Mathematics in the Work of Iannis Xenakis Alessandro Mastropietro Simboli matematici nei titoli delle composizioni di Franco Evangelisti C. Catherine Losada Boulez and Mathematics Andrew Shenton 1 + 1 = 1: The Elengant Mathematics of Arvo Pärt's Tintinnabulation Joel Haack Mathematical Considerations of the Rhythmic Patterns in the Music of Steve Reich Richard Cohn Glass Graphs Pedro Ordóñez Eslava Ars combinatoria: poéticas del número en la composición española contemporánea (1980-2018). Breve antología inacabada Music and Mathematics: Theories, Practices, Future Henry Klumpenhouwer Neo-Riemannian Theory Franck Jedrzejewski Graphes et diagrammes, l'en-deçà de la composition Angelo Orcalli L'evoluzione algoritmica della musica. Omaggio a Jean-Claude Risset José L. Besada Where Science-Based Music Comes From: Some Cognitive Remarks upon Contemporary Compositional Practices Inspired by Mathematical Concepts, Operations, and Objects Richard Hermann On Near Maximally Even Set-Classes Guerino Mazzola The Role of Mathematics for Music in Theory, Composition, and Performance Luigi Verdi Due esempi di Chim(us)ica Dodici canoni tricordali e loro combinazioni. Caleidocicli e canoni ritmici François Nicolas Du partage moderne/contemporain en mathématiques et en musique à la lumière de Fernando Zalamea (Philosophie systématique de la mathématique contemporaine) Abstracts Biographies Index of Names‎

‎Music Criticism 1950-2000‎

‎, Brepols, 2019 Hardback, xxiv + 420 pages, Size:220 x 280 mm, Illustrations:20 b/w, Languages: English, Italian, Spanish. ISBN 9782503584423.‎

‎Summary This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music criticism and pivotal changes in politics, society, technology, and economics. The focus on music criticism should be understood in a very broad sense, as one of the various forms of communication and expression that contributes both to the formulation of judgments, and to a broader discourse on the constructions of music. In addition, the book deepens the topic of music criticism by addressing some defining aspects of the period, such as the development of music for the cinema, the growth of the music industry, and the new media that characterized the turn of the century. The articles are divided into five sections: 'Music Criticism and its Roles', 'Music Criticism and Italian Film Music', 'Music Criticism and Ideology', 'Music Criticism and the Web', and 'Case Studies' (Amiri Baraka, Astor Piazzolla, Louis Andriessen, Dieter Roth, John Cage, and Stravinsky). TABLE OF CONTENTS Massimiliano Locanto Introduction. Music Criticism and Musicology: Depolarising the Debate Aknowledgements Music Critics and Their Roles Abdullah Essa Jamal Khalaf Alan Rawsthorne: The Neglected Chopin Critic Massimiliano Locanto «Brother Criticus»: Stravinsky 'the Serialist' against Music Criticism Hèctor Gasol Calvo Manuel R. de Llauder y la crítica musical en Barcelona durante los años '60. Un compositor y crítico contemporáneo de Xavier Montsalvatge David Hurwitz The Twentieth-Century Recording Explosion: Challenges and Opportunities for Criticism Music Criticism and Ideology Lee Ellen Martin Sing a Song of Freedom: Civil Rights and the Reception of Race and Gender in the Music of Lambert, Hendricks & Ross Carla Cuomo Massimo Mila e l'impegno: interazioni tra critica militante e musicologia dal dopoguerra agli anni Settanta Lada Durakovi! Musica e discorso ideologico: i testi sulla musica durante la formazione del socialismo in Croazia Marita Fornaro Bordolli Criticism, Power and Canon in Uruguay (1950-2000): Between Conservatism and Avant-Garde Music Criticism and Music for Film in Italy Umberto Fasolato Il contributo della critica cinematogra?ca militante italiana alla de?nizione del paesaggio sonoro nei ?lm degli anni Cinquanta Kristjan Stopar - Francesco Verona La musica per ?lm nelle riviste cinematogra?che italiane tra gli anni Cinquanta e Sessanta: i casi di Cinema e Filmcritica Antonio Ferrara La musica nel ?lm (1950): la prima monogra?a italiana sulla musica cinematogra?ca Roberto Calabretto Le pubblicazioni di Sergio Miceli quale parte del dibattito storiogra?co sulla musica per ?lm in Italia Music Criticism and the Web Pedro Ordóñez Eslava «Facebooking» Musicology: apuntes para una (¿nueva?) crítica musical 2.0 Giacomo Albert How are Social Media Reshaping the Critical Debate around Contemporary Music? Stefano Lombardi Vallauri Il trattamento della musica nei blog culturali generalisti italiani Marida Rizzuti La critica musicale in Italia intorno al 2000 fra I lIke It e cinguettii Case Studies Siegwart Reichwald Making it in the Big Apple: Piazzolla's 1980s New York Experience in the Words of The New York Times Ryan Bruce Amiri Baraka's Black Music as an Avant-Garde Manifesto in Jazz Helena Martín-Nieva Opening Pandora's Cage: 'Open Music' and John Cage in Barcelona, 1960-1970 Lorenzo De Donato Il suono 'inaudito'. Il fenomeno musicale nell'opera di Dieter Roth Eric Taxier Object-Oriented Music Criticism: On Louis Andriessen's De Staat Abstracts Biographies Index of Names‎

‎L’orchestre de chambre de Lausanne. 1942 - 1992.Coll. : “Bibliothèque historique vaudoise”, N.° 104.‎

‎ Lausanne, BHV 1992, 235x160mm, 278pages, broché. Bon état. ‎

‎ photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎"DE GOUNOD A DEBUSSY. UNE ""BELLE EPOQUE DE LA MUSIQUE FRANCAISE""."‎

‎ALBIN MICHEL. 1957. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 238 pages. Premier plat illustré en noir et blanc. Fente sur le second plat.. . . . Classification Dewey : 780-Musique‎

‎ Classification Dewey : 780-Musique‎

‎Musical Instruments Made to Be Played‎

‎The Dryad Press Cartonné avec jaquette In-4 (18,5 x 25 cm), cartonné avec jaquette, 84 pages, texte en anglais, illustrations en noir ; jaquette usée (traces au quatrième plat, frottements au premier plat, coiffes et coins usés), par ailleurs intérieur frais, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎LA MUSIQUE FLAMANDE DANS LA SOCIETE DES XVe ET XVIe SIECLES ‎

‎, Arcade, 1965 Gebonden, 337 pagina's, met illustraties.‎

‎Éditions Arcade In 4° Bel État Éditeur Pleine Toile Bruxelles 2° Édition 1964 WANGERMEE Robert - La musique flamande dans la société des XVe et XVIe siècles - Bruxelles, Editions Arcade, 1964 - 2e édition - in 4° de 337 pages - 1 titre frontispice illustré en couleurs - figurines turquoises en tête de chaque chapitre, 102 reproductions de documents (tableaux, illustrations) en couleurs contre-collées, dont 46 hors-texte - nombreux documents, reproductions, dans le texte, en noir, dont 29 à pleine page - reliure éditeur pleine toile bleue imprimée or, motif or au centre du plat supérieur, jaquette rouge imprimée, motif sur chaque plat, étui noir - complet - bel état - FRAIS DE PORT EN FONCTION DES TARIFS POSTAUX EN VIGUEUR ET SELON POIDS, DIMENSION ET DESTINATION poids : 2 kg 810 Bel Etat [France, Nancy, FRA] [Publication Year: 1964] Show/Hide image ‎

‎Musique musiques 1998 + Musique musiques 1999 - 2 volumes - chronique de la vie musicale en Wallonie et à Bruxelles‎

‎Editions Mardaga 1998 212 pages 17x24x1cm. 1998. Broché. 2 volume(s). 212 pages.‎

‎Très bon état (TB)‎

‎Het Gregoriaans. Historiek, techniek, esthetiek‎

‎Leuven, Universitaire Pers 1987 126pp., 24cm., orig. omslag, in de reeks "Ancorae" volume 5, luttele roestplekjes op bladsneden, goede staat, M91232‎

‎Het Gregoriaans. Historiek, techniek, esthetiek‎

‎Leuven, Universitaire Pers 1987 126pp., 24cm., orig. omslag, in de reeks "Ancorae" volume 5, zeer goede staat, M98898‎

‎Béla bartok, eigen structuurprocedes.‎

‎, Academie Royale de Belgique / Verhandelingen. Koninklijke Academie van Belgie. Bruxelles/Brussel., Palais des Academies/Paleis der Academien, 1975 Oorspronkelijk uitgevers omslag, 30 pp. nr 3.‎

‎Prof. Dr. J. Robijns: ?Béla Bartók. Eigen structuur-procédés?. Mededelingen Kon. Acad. Wet. Lett. en Kunsten, jaargang XXXVII, n° 3‎

‎Chansons de Vendée [ Edition originale - Livre dédicacé par l'auteur ]‎

‎Musique de L. Blanpain de Saint-Mars, 1 vol. in-12 cartonnage pleine percaline rouge, fers de prix au premier plat, Emile Grimaud et Fils, Nantes, 1901, 364 pp.‎

15 Images

‎Livre dédicacé par l'auteur "à Monsieur Champagnol, hommage cordial et reconnaissant". Etat très satisfaisant (cartonnage un peu frotté, bon état par ailleurs) pour cet ouvrage peu commun illustré et proposant les partitions des chansons.‎

‎CHANSONS POUR LA RYTHMIQUE ET LES FETES DES PETITS - 9728 -‎

‎BIBLIOTHEQUE D'EDUCATION. 1938. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos frotté, Intérieur frais. 37 pages agrafées - nombreuses phrases musicales - quelques illustrations en noir et blanc dans et hors texte - petite annotation sur la page de titre. Poésies de Hermin Dubus - Arrangement musical et rythmique de E.Robinet - Illustrations de S.Theureau. / 9728 -. . . . Classification Dewey : 780-Musique‎

‎ Classification Dewey : 780-Musique‎

‎LOUISE. Sung by Maurice Chevalier in the Paramount Poduction "Innocent of Paris" ‎

‎London ( Londres ) Campbell Connelly & Co, Ltd. 0 in 4 (31,5x25) 1 fascicule broché, couverture illustrée, et 5 pages de musique notée. Words by Leo Robin. Music by Richard A Whiting. Partition avec musique et paroles. Paroles en langue anglaise. Pages 1-3: Louise, with page 4: "On Top of the World, Alone", also from the film, and on page 5 "Breakaway", from Fox Movietone Follies. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎

‎Airs de Coloratura‎

‎Pathé DTX 276. 7 mai 1958. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages augmentées d'une photo en noir et blanc hors texte.. . . . Classification Dewey : 780-Musique‎

‎ Classification Dewey : 780-Musique‎

‎l'opéra‎

‎CIL 1987 In-4 relié 28 cm sur 21,6. 157 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎