, Fonds Lucien De Roeck, 2011 Gebonden, Hardcover met stofomslag compleet.50 pag. volblad illustraties. ISBN 9782960104226.
tekenkunst de Roeck, Lucien Plaatwerk. Prentenboek. Fotoboek
Antwerpen / Amsterdam, Helios 1984 128pp.rijkelijk geïllustreerd, 26cm., mooie staat
Bruxelles, Librairie évangélique, 1910 gr. in-8, XV-128 pp., broché. Manque au dos, rousseurs.
Tirage limité à 300 exemplaires dont 100 dans le commerce. - - ACTUELLEMENT EN CONGÉS, DE RETOUR LE 17 AOÛT - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.
Bruxelles, Librairie Evangélique, 1910. In-8 broché, XV-128 pp., appendices. Ex. non coupé, tiré à 300 ex. dont seulement 100 mis en vente. Ex-libris manuscrit.
Société d'Histoire du Protestantisme Belge. Documents historique n°1. Couv. poussiéreuse, dos lég. défraîchi, rousseurs éparses. - Frais de port : -France 6,8 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)
Brussel, Centrum sociale structuren en economische conjunctuur V.U.B. 1979 xliii + 135pp., 24cm., gebroch., goede staat, B86505
Antwerpen, De Brug 1947 25pp.met frontispice-tekening door P. Serneels, 20cm., in de reeks "Mens en muze" vol.3, beperkte oplage van 500 genummerde exemplaren: dit is nr 366/500, enkele roestvlekjes, zoniet in goede staat, T69570
M. EYSKENS./ J. FONTAINE/P. SMEYERS/F. BAUDOUIN/R.C. VAN CAENEGEM/ R.A. MERTENS.
Reference : 13269
, Brussel, Paleis der Academien, 1995., Gebrocheerd, originele uitgeversomslag, 26x18cm., 124pp, als nieuw!!!
Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Studia Europeae, centrum voor Europese cultuur, vol I.
, Antwerpen, Heemkundige Kring van de Antwerpse Polder, 1985, 115pp. geïll., themanummer van het tijdschrift "Polderheem" Jg.20 Nr.1, in-4, goede staat, B21535
Tielt, Lannoo 2004 286pp.met enkele ills., gecart., stofwikkel, 25cm.
, Brussel, Paleis der Academien, 1992., Paperback, original wrappers, 26x18cm., 443pp, bibliography, as new/ als nieuw!!!
Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Studies in Belgian Economic History, vol II.
LIBRAIRIE TALLANDIER. 1953. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 334 pages. Premier plat illustré en noir et blanc. Nombreuses photos en noir et blanc hors texte. Carte sur 2 pages. Fente au dos.. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
Un ouvrage de 268 pages, format 140 x 200 mm, illustré, broché, publié en 1954, Editions Casterman, bon état
Située dans les Ardennes belges. Etudes et documents publiés par Mgr L. J. Kerkhofs, évèque de Liège
Phone number : 04 74 33 45 19
Tongerlo, Norbertijnenabdij, 1973 Paperback, originele uitgeversomslag met logo abdij in kleur, 16x24 cm, 95 pp. + 30 buitentekstillustraties in z/w.
Kennismaking met de abdij Tongerlo.
, David Zwirner Books , 2018 Gebonden, Hardcover met stofomslag compleet. HB, 254 x 178 mm, 80 pages, throughout colour illustrations. English edition. ISBN 9781941701836.
Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans's recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell .takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, "The art of Michael Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics-accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign." Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong,
, 21st Century Museum Of Art, 2020 Softcover, 164 pages, ills colour & bw, 21 x 27 cm, pb, Japanese/English. *NEW CONDITION ISBN 9784903205878.
Published in conjunction with a combined exhibition of work by Micha l Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.
Michael Tarantino Derycke, Luc [edit.] Tarantino, Michael Matsui, Midori
Reference : 53804
, Mer Paper Kunsthalle, 2013 softcover 176 pages ill. text in English. ISBN 9789076979106.
Het werk van Anne Daems is aandacht (in al zijn varianten), en toont in video, fotografie en tekeningen hoe vreemd het alledaagse met het sublieme is verweven, en hoenvaak, zij het onopgemerkt, de grenzen tussen het private en het publieke verdwijnen. Dit boek toont een overzicht van haar werk tot heden.nnAll the aspects of 'attention' are a recurring theme in the art of Anne Daems. In her video work, photography and drawings, she shows how everyday life intertwines with the sublime and how -often without noticing - private and public issues get mixed up. This book is an overview of her work.nnAnne Daems was born in Antwerp in 1966.
Bruxelles, F. Parent, Editeur, 1858. 14 x 22, 191 pp., reliure dos cuir lisse, orné de 4 fleurons et décoré à la roulette, bon état (reliure état d'usage, bords et coins usés).
Quatre dessins de Félicien Rops.
, GALERIE RUDOLFINUM, 2020 Softbound, 104 pages, 120 x 175 mm, color, black and white. condition; NEW. ISBN 9788086443492.
The catalogue entitled Micha l Borremans The Duck is published for the exhibition of the same name held at the Rudolfinum Gallery. The exhibition is a cross-section of the work of Belgian artist, painter and video artist Micha l Borremans (*1963). The publication includes an essay by the exhibition curator Petr Nedoma on the work of Borremans, who gained international fame for his innovative approach to painting, and a text by art historian Petr Va?ous. It includes reproductions of all the works on display - twenty-seven canvases, including three recent, never-before-exhibited works that the artist completed for The Duck exhibition in late 2019 - three videos, and one short film. English translations of the texts are included. The catalogue is the latest in Galerie Rudolfinum's unique publishing series, which presents contemporary international art (e.g. Arthur Jafa, Khalil Joseph, David LaChapelle, Damien Hirst, Louise Bourgeois and Georg Baselitz) and Czech artists (e.g. Kri?tof Kintera, Daniel Pit n).
Bruxelles, Editions du Bourdon, 1945 14 x 19, 211 pp., broché, bon état
1 des 958 Ex. Num. sur papier vergé
Bruxelles, Editions du Bourdon, 1945. 14 x 19, 211 pp., broché, bon état.
"N° 963 sur 958 exemplaires numérotés de 43 à 1000 sur papier vergé; édition originale; envoi de Claire Michant."
Namur, Dupagne-Counet 1913 413pp. + planches hors-texte et 2 cartes dépliantes, 3e mille, brochure originale, 25cm., bon état, C104335
Paris, Gallimard, 1986. 17 x 21, 281 pp., broché, couverture à rabats, bon état (couverture défraîchie : piqûres).
Paris, Gallimard, 1985. 17 x 21, 139 pp., broché, couverture à rabats, très bon état.
Genève, Editions Albert Skira, 1972. 16 x 22, 131 pp, nombreuses illustrations en couleurs et en N/B, reliure d'édition simili cuir, tête dorée, sous étui carton, très bon état (sauf étui légèrement insolé).
N° 805 sur 1000 exemplaires numérotés reliés.