‎ Flandre et Angleterre. L'influence des Pays-Bas sur l'Angleterre des Tudors et des Stuarts‎

‎, Fonds Mercator 1985, 1985 Hardcover, 401 pages, Texte en Francais, 305 x 240 mm, dans un manteau solide, Tres belle exemplaire. ISBN 9789061531489.‎

‎Short-title catalogue of books printed in the Netherlands and Belgium. and of Dutch and Flemish books printed in other countries from 1470 to 1600 now in the British Museum‎

‎Oxford, University press, 1965 in-8, viii pp., 274 pp., un f. n. ch., toile Bradel marine sous jaquette (reliure de l'éditeur). ‎

‎Unique édition. Le catalogage a été assuré par Alfred Forbes Johnson (1884-1972), spécialiste des origines de la typographie, et Julius Viktor Scholderer (1880-1971). - - ACTUELLEMENT EN CONGÉS, DE RETOUR LE 17 AOÛT - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Littérature belge de langue française.‎

‎Didier Hatier, 1999. 19 x 27, 479 pp., très nombreuses illustrations en couleurs, portraits en N/B, broché, très bon état.‎

‎"Avec la participation de Marie-Ange Bernard; choix et recherche iconographique de Corinne Hoehn."‎

‎Littérature belge de langue française.‎

‎Bruxelles, Didier Hatier, 1999. 19 x 27, 479 pp., très nombreuses illustrations en couleurs, portraits en N/B, broché, très bon état.‎

‎"Avec la participation de Marie-Ange Bernard; choix et recherche iconographique de Corinne Hoehn."‎

‎Piet Stockmans verhalen achter de scherven‎

‎, Hopper & Fuchs, 2025 Softcover, 203 pag 24x 17cm afbeedingen.‎

‎Piet Stockmans ( 1940) is een toonaangevende Belgische kunstenaar die internationale erkenning geniet voor zijn vernieuwend werk in porselein. In zes decennia bouwde Stockmans een duizelingwekkend oeuvre op, stichtte Studio Pieter Stockmans, gaf les, ontving prestigieuze prijzen, ontwierp iconische serviezen en brak potten met zijn experimentele porseleinkunst. Piet Stockmans: Verhalen achter de scherven is geen klassieke biografie, maar een verzameling van verhalen die even coherent als incoherent zijn. Timmermans: ?Piets vertellingen lezen als een porseleinen vaas die in grote en kleine scherven uiteenvalt. Het geeft je een idee van hoe de vaas was. Zo schetst dit boek een intrigerend beeld van Pieter Stockmans als kunstenaar en als mens, maar het is niet compleet. Het kan nooit compleet zijn. Dat maakt het zo menselijk en mooi.? Het resultaat is een scherp, intiem en integer portret van de kunstenaar, rijkelijk ge llustreerd met archiefbeelden en foto?s die Timmermans maakte in zijn vertrouwde omgeving.‎

‎134340, Posture Editions N 18‎

‎, Posture Editions, 2016 Oorspronkelijk uitgevers omslag, 72 pagina's, 21 cm 30 cm . ISBN 9789491262180.‎

‎The work of Joke Van den Heuvel (b. 1983) initiates an interaction with (historical) fragmented material that she presents the viewer. The interaction with images concerns a perpetual (re) assembling and constructing /organizing of the now and the past. Van den Heuvel is interested in narratives produced by the barely perceptible, acknowledging that the meaning of images cannot be contained by language. Recordings of repetitive actions and monotonous characters in looping scenes blur the observer?s focus, inducing a kind of blindness towards the object ? a blindness that makes seeing possible again. ?134340 is a fragmentary, juxtaposing anti-story about shifting contexts and transformations, but not because it is intended to analyse processes of meaning for the sake of the analysis. The work expresses above all a melancholy desire to search in the rubble of what is broken, to link together the dots, in the heavens and here below, to make a drawing once again. Not in order to arrive at an unbreakable circle, but to be still truly involved and personal. Which means: building up a subjective resistance to both the fragmentation of images and the urge to let a moving multiplicity implode into a point of meaning.? From ?Pluto in the space of things?, Koen Sels in: 134340. Launched at Kunstroute Waregem 25.03.2016 With the support of Be-Part, centre for contemporary art‎

‎Edward Leibovitz.‎

‎, Zellik, Roularta Art Books, 1994., Originele geillustreerde uitgeversomslag in kleur met flappen, 29x25cm, 159pp, geillustreerd in kleur en z/w. ISBN 9054661526.‎

‎Edward Leibovitz monografie; Tekst Nederlands / Francais / English /Deutsch. ‎

‎Edward Leibovitz. (gesigneerd+originele tekening)‎

‎, Zellik, Roularta Art Books, 1994., Originele geillustreerde uitgeversomslag in kleur met flappen, 29x25cm, 159pp, geillustreerd in kleur en z/w. ISBN 9054661526.‎

‎Tekst Nederlands / Francais / English /Deutsch. **** Met originele tekening en gesigneerd door de kunstenaar op titelblad.‎

‎Edward Leibovitz. monografie ‎

‎, Zellik, Roularta Art Books, 1994., Gebonden blauw linnen, originele geillustreerde uitgeversomslag in kleur, 29x25cm, 159pp, geillustreerd in kleur en z/w. ISBN 9054661526.‎

‎Tekst Nederlands / Francais / English / Deutsch. . **gesigneerd en opdracht door de auteur VAN JOLE.‎

‎Jo lle Dubois I am my mother's daughter ‎

‎BE - , Hannibal Books, 2025 hardcover, 29.5 x 22.9 cm, 200 pages, illustrated Quadrichromy, English edtion. *New. . ISBN 9789493416116.‎

‎An intimate portrait of Jo lle Dubois about love, loss, and the power of connection Building on her Forget Me Not series (2022), Jo lle Dubois?s work has grown into a trilogy of exhibitions that come together in this monograph as one powerful whole. In this poignant monograph, inspired by her mother?s Alzheimer?s, she explores themes such as loss, grief, memory, and love. With intimate images ranging from self-portraits to tender scenes with her mother, Dubois unfolds a poetic reflection on connection, identity, and healing. For this series, she also presents impressive sculptural work for the first time, and this book gains an extra dimension with video stills. Dubois offers a raw, honest, and comforting portrait of life, loss, and hope for a new beginning. With text contributions by, among others, Katrina Schwarz (Whitechapel Gallery, London), Christel Tsilibaris (BOZAR, Brussels), and Patrick Ronse (Be-Part, Kortrijk). Published on the occasion of the exhibition Rekindling at Be-Part in Kortrijk from 6 September to 7 December 2025.‎

‎La Belgique criminelle‎

‎Paris, Gabalda (Victor Lecoffre) 1907 vii + 362pp., br.orig., 19cm., bon état, J80994‎

‎Les Ardennes. Illustré de trente planches à l'eau-forte, gravures sur bois, lithographies, etc., par Martinus A. Kuytenbrouwer‎

‎Bruxelles, A. Dailliet, s.d. (1854-1857) 2 tomes en un vol. in-folio, 268-284 pp., texte dans un double encadrement noir, avec de nombreuses gravures dans le texte et 31 planches hors-texte, dont 2 plans, une vue cavalière en noir et 28 planches sur fond teinté (dont le frontispice), demi-maroquin bouteille, dos à nerfs, tranches mouchetées, couverture conservée (reliure du XXe s.). Bon exemplaire.‎

‎Edition originale de ce bel album de découverte des Ardennes sur le mode du voyage romantique : Vincent Joly, dit Victor (1807-1870) s'était essayé à beaucoup de genres différents, dont l'art dramatique, avant de trouver sa voie dans les peintures de moeurs et les scènes de sa Belgique natale.Exemplaire de Daniel Pichon, avec vignette ex-libris contrecollée sur les premières gardes. - - ACTUELLEMENT EN CONGÉS, DE RETOUR LE 17 AOÛT - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Felicien Rops, Laboratory of Lust.‎

‎Z rich, Z rcher Kunstgesellschaft Kunsthaus / HIRMER, 2026 softcover 208 pag. 27,1 cm x 23,4 cm x 2,1 cm Illustrated. Text German/ English text.* Brandnew. ISBN 9783777447483.‎

‎Felicien Rops, Laboratory of Lust - The most poisonous berry of Symbolism, a scourge of the bourgeoisie ? many terms have been used to describe Rops?s radical art. Celebrated by writers such as Charles Baudelaire and Joris-Karl Huysmans, he was a transgressive figure who deliberately aimed his works against the double standards of bourgeois society. His pictures ? representing an absolute highpoint of printmaking and draughtsmanship from the period ? invite a critical examination of fin-de-si cle social attitudes, particularly with regard to gender roles.‎

‎Jonathan Meese DRAGONBABY ?Johnny? (Erzmutters hnchen on the Rocks)‎

‎Antwerp, Tim Van Laere Gallery, 2012 Hardcover, unpag. (ca. 92pp.), 25.5x20.5cm., illustr. throughout in col., *new text ENG/NL ISBN 9789111650892.‎

‎Tim Van Laere Gallery is pleased to announce DRAGONBABY ?Johnny? (Erzmutters hnchen on the Rocks), Jonathan Meese?s first Belgian solo exhibition. Jonathan Meese (Born in 1970 in Tokyo, lives and works in Berlin and Hamburg) is renowned for his multi-faceted work, including wildly exuberant paintings, installations, ecstatic performances and a powerful body of sculptures in a variety of media. Apparently effortlessly, he has developed in all genres an independent and at the same time unique vocabulary that gives his work a variety, visual energy and quality which, according to Robert Fleck, has been unheard of since Picasso. All of Meese?s work share a humor tending towards the grotesque, as well as a powerful, original creative will. Both are driven and supported by a striving for a rule of art, the dictatorship of art. What is meant here is the development of a new world order where art is the legislative power, and free play the foundation of all life and creation.This utopian approach runs like a leitmotif through all his works and brings his individual parts of the oeuvre together to form the Jonathan Meese Gesamtkunstwerk. He does not aim at anarchy, but rather the rule of metabolic necessity: ?Art is total play.? From this principle, he deconstructs, ornamentalises and caricatures all forms, words, and symbols, stripping them of their original semantic meaning. The use of historically loaded and taboo symbols such as the swastika, iron cross, or Latin cross in art is not a problem for Meese. On the contrary, art provides new possibilities for dealing with them.* Jonathan Meese has exhibited globally with museums and leading art galleries including solo shows at Gem, The Hague; CAC M laga, M laga; Museum of Contemporary Art, North Miami; De Appel Center for Contemporary Art, Amsterdam; group shows at Museu de Arte de S o Paulo, S o Paulo; Guggenheim Museum, New York; Martin-Gropius-Bau, Berlin; National Center for Contemporary Art, Moscow; MARTa Herford, Herford; Centre Georges Pompidou, Paris; The Saatchi Gallery, London; MoMA PS1 Contemporary Art Center, New York. expo 6 september - 20 october 2012. Dragonbaby "Johnny". [Erzmuttersohnchen on the Rocks]. Jonathan Meese.‎

‎Voici la Belgique.‎

‎ Paris, Flammarion, collection "Contacts avec le monde", s.d. (années 50), 1 br., couverture illustrée. in-8 de 96 pp., photos de Cas Oorthuys ; ‎

‎"Voici la Belgique (Collection ""Contacts avec le monde"")"‎

‎Flammarion. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. Nombreuses photos monochromes dans et hors texte.. . . . Classification Dewey : 949.3-Belgique‎

‎"Collection ""Contacts avec le monde"". Classification Dewey : 949.3-Belgique"‎

‎VOICI LA BELGIQUE. COLLECTION : CONTACTS AVEC LE MONDE.‎

‎FLAMMARION .. Non daté.. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. 1ère et 4 ème de couverture illustrées en noir et blanc. Frontispice illustré en noir et blanc. Nombreuses photographies en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 949.3-Belgique‎

‎Photographies de Cas Oorthuys. Classification Dewey : 949.3-Belgique‎

‎VOICI LA BELGIQUE - CONTACTS AVEC LE MONDE‎

‎FLAMMARION. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages- nombreuses illustrations en noir et blanc dans le texte. . . . Classification Dewey : 949.3-Belgique‎

‎ Classification Dewey : 949.3-Belgique‎

‎Michiel Coxcie (1499-1592) and the Giants of His Age‎

‎, Brepols, 2013 Hardback,208 p., 220 x 275 mm,Languages: English. ISBN 9781909400146.‎

‎Studies in Medieval and Early Renaissance Art History, Michiel Coxcie lived to the age of 93 and witnessed all the important political, religious, economic and artistic upheavals of the sixteenth century. He was born just before Gerard David raised the art of the Flemish Primitives to its final pinnacle and did not die until the young Rubens had returned to Antwerp from Cologne. He must have known Quinten Metsijs, Joos van Cleve and Pieter Coecke van Aelst. Willem Key and Frans Floris were younger contemporaries, and Bruegel was of the next generation. He outlived them all. During his time in Italy in the 1530s he knew Michelangelo, and was said to be a friend of Giorgio Vasari. Titian, the Venetian prodigy, sent him pigments to help him finish his copy of Jan van Eyck?s Adoration of the Mystic Lamb, and he even painted frescoes in the old Basilica of St Peter in Rome. Few people have led such a fascinating life as Michiel Coxcie. He was a celebrated painter, inundated with prestigious commissions from important clients. He had spent some ten years in Rome where he studied classical antiquity and the art of Renaissance masters like Raphael, Michelangelo and Da Vinci. Back in his the low Countries, Coxcie designed altarpieces, stained-glass windows and tapestries for clients in Brussels, Antwerp and Mechelen. The pinnacle of his career was his appointment as court painter to Emperor Charles V and Philip I. This book focuses on the multifaceted oeuvre of a highly talented yet all but forgotten master who, by introducing the art of the Italian High Renaissance into the Netherlands, earned himself the epithet of the 'Flemish Raphael'.‎

‎Voici la Belgique - collection contacts avec le monde‎

‎Flammarion. non daté. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 95 pages - nombreuses photos en noir et blanc dans et hors texte dont le frontispice. . . . Classification Dewey : 949.3-Belgique‎

‎collection contacts avec le monde Classification Dewey : 949.3-Belgique‎

‎Les idées pédagogiques du Docteur Jean Demoor. Collection Nationale, 5e série, N° 60.‎

‎Bruxelles, Office de Publicité, 1945. 13 x 20, 69 pp., broché, bon état.‎

‎En frontispice, portrait du Docteur Tobie Jonckheere.‎

‎Graver au vif (poèmes).‎

‎Lausanne, Editions Rencontre, 1971. 12 x 18, 114 pp., broché, bon état (couverture légèrement défraîchie).‎

‎envoi de l'auteur au Ministre Henri Janne.‎

‎"uvres littéraires 1 : poésie, 1944-2004; uvres littéraires 2 : fictions, 1991-2004. (2 volumes)."‎

‎Paris, La Différence, 2005. 15 x 23, 2 volumes, 445 + 303 pages, broché + jaquette, état neuf.‎

‎VAN EYCK TO GOSSAERT. TOWARDS A NORTHERN RENAISSANCE,‎

‎London, National Gallery/ Yale University Press, 2011 144 p., 8 1/4 x 10 3/4 75 color illus. ISBN 9781857095043.‎

‎Objects of beauty and prestige with their rich color and fine detail, early Netherlandish oil paintings were among the most widely sought-after works of the Renaissance. Beginning in the early 15th century with Jan van Eyck, and ending in the mid-16th century with the career of Pieter Bruegel the Elder, this magnificently illustrated book explores the achievements of this glorious and innovative period in Netherlandish painting. Susan Frances Jones focuses on over 50 selected works from the National Gallery, London collection to illuminate the roles played by paintings in political, domestic, religious, and secular contexts. Drawing on the Gallery's remarkable research into materials and techniques, she describes how painters' working and creative practices changed and shifted over time. The author also considers whether Northern European artists, like some of their counterparts, laid claim to intellectual as well as artistic sophistication. In good condition.‎

‎Les aventures du Belge errant.‎

‎Ottignies (Belgique), Editions Quorum, 1995. 14 x 22, 151 pp., broché, bon état.‎