Dawn Ades, Richard Calvocoressi, Desiree de Chair, Elizabeth Cowling, o.a.
Reference : 51688
, , softcover, 240 pages, illustrated with 200 coloured illustrations, 24,5 x 30 cm. ISBN 9781906270971.
Surreal Encounters: Collecting the Marvellous. Works from the Collections of Roland Penrose, Edward James, Gabrielle Keiller and Ulla and Heiner Pietzsch provides an exceptional overview of Surrealism, bringing together important works by artists including Salvador Dali, Max Ernst, Rene Magritte and Joan Miro. The essays, written by leading scholars such as Dawn Ades and Elizabeth Cowling, provide an insight into the way that four key collections of surrealist art were formed and the motivations behind their creation. It is not surprising that the ways in which surrealist art has been collected display many of the idiosyncratic passions of Surrealism itself. The four collections shown in this book ? those formed by Roland Penrose (1900?84), Edward James (1907?84), Gabrielle Keiller (1908?95) and Ulla and Heiner Pietzsch (who have been collecting Surrealism since the 1970s) ? have different origins, trajectories, and historical contexts and come out of different creative urges. When these four collections are brought together, they create a many-faceted glimpse of the ?marvellous?, which Andre Breton, the chief theorist of the movement, defined in his first surrealist manifesto of 1924 as follows: ?The marvellous is always beautiful, anything marvellous is beautiful, in fact only the marvellous is beautiful.? The book accompanies the exhibition at the Scottish National Gallery of Modern Art in Edinburgh from 4 June to 11 September 2016, organised in conjunction with the Hamburger Kunsthalle and Museum Boijmans Van Beuningen in Rotterdam, and will be shown in Hamburg from 7 October 2016 to 22 January 2017 and in Rotterdam from 11 February to 28 May 2017.
Paris, Nouvelle cité 1984 266pp. + planches hors-texte, 24cm., br., bon état, H69743
Louvain, Université de Louvain 1938 352pp., brochure originale, 25cm., pages toujours non coupées, bel état, dans la série "Université de Louvain. Recueil de travaux d'histoire et de philologie" 2e série fasc.45, B31535
Louvain, Librairie Universitaire 1938 viii + 352pp., 24cm., brochure originale, dans la série "Humanistica Lovaniensia" vol.6, bon état, B101607
Louvain, Université de Louvain 1938 352pp., 25cm., dans la série "Université de Louvain. Recueil de travaux d'histoire et de philologie" 2e série fasc.45, jolie reliure solide en toile brune, titre doré au dos, qqs. cachets au verso de la p.d.t., texte frais, bon état, B116112
Bruxelles, Ch. Dessart, 1945. in-8°, 262 pages, broche, couv.
Tres bel exemplaire non coupé. [CA-5] La vie de lhomme dEtat dont le génie politique, le courage et léloquence sauvèrent la Révolution de 1830 mise en péril par la réaction des maîtres de lEurope (1794-1865).
Didier Hatier Bruxelles 1987 In-4 ( 240 X 150 mn ) de 262 pages, broché sous couverture illustrée. Bon exemplaire.
Bruxelles, Didier Hatier, 1992. 16 x 24, 176 pp., nombreuses figures, broché, très bon état.
Bruxelles, Didier Hatier, 1992. 15 x 24, 176 pp., quelques cartes, plusieurs dessins, broché, bon état.
Bruxelles, D. Hatier (« Grands Documents »), 1990. in-8°, 295 pages, ill. et cartes, broche, couverture illustree plast.
Bel exemplaire. [NV-26][NAN-1][NAN-2]
Bruxelles, D. Hatier (« Grands Documents »), 1989. in-8°, 239 pages, ill. et cartes in-t., broche, couverture illustree plast. (Ph. Geluck).
Bel exemplaire, DEDICACE par l'auteur. [NV-26][NAN-1-][NAN-2]
Bruxelles, D. Hatier (« Grands Documents »), 1987. in-8°, 264 pages, ill. et cartes in-t., broche, couverture illustrée (Ph. Geluck).
Bel exemplaire. [NAN-1][BE-2]
DESCLEE DE BROUWER ET CIE. 1930. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 114 pages augmentées de nombreuses planches en noir et blanc hors texte - Plat légèrement sali -. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
Bruges, Desclée de Brouwer 1927 147pp. + de nombreuses planches en n/bl hors-texte, 25cm., br.orig. illustrée, quelques rousseurs, C106746
Bruges Librairie De L'oeuvre Saint Charles 1936 Grand in 8 157 pages - broché - papier jauni - bon etat
Bon
FAYARD. 1943. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 583 pages. . . . Classification Dewey : 949.3-Belgique
COLLECTION LES GRANDES ETUDES HISTORIQUES Classification Dewey : 949.3-Belgique
Fayard Paris, Arthème Fayard, 1934. In-12 relié demi basane blonde de 583 pages. Dos à nerfs et fleurons dorés, pièces de titre rouges. Reliure de Lavène à Périgueux. Bien relié, très bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
P., Fayard (Collection "Les Grandes Etudes Historiques"), 1934, fort in 12 broché, 583 pages ; bibliographie in-fine.
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Paris, Fayard, 1934. 12 x 19, 583 pp., broché, non coupé, très bon état.
Paris, Criterion 1995 393pp. + 16pp.buitentekstills., br.orig., 24cm., bel état
Paris, Fayard, 1969. 15 x 22, 174 pp., broché, très bon état.
Bruxelles, Editions Luc Pire, 1999. 16 x 24, 183 pp., broché, très bon état.
Brussel 1979 koninklijk instituut voor het kunstpatrimonium Soft cover 1st Edition
Archaeologia Belgica 220 Het Hof Te Eksel te Moorsel, 265 x 195 mm, 37 blz + 1 platen, gebrocheerd, , zeer goede staat
Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.
I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Sch lzel, Gem ldegalerie, Dresden: The Dresden TriptychRachel Billinge, H l ne Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Mus e du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIH l ne Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNo l Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universit t Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.