P., Club des Libraires de France, 1958, in 8° relié pleine toile grise de l'éditeur, jaquette rodhoïd, 278 pages.
Tirage limité et numéroté. PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Paris, Arthaud, 1961; in-8, 237 pp., cartonnage de l'éditeur. 132 héliogravures 10 cartes, avec jaquette - DES USURES jaquette abimée.
132 héliogravures 10 cartes, avec jaquette - DES USURES jaquette abimée.
Paris, Arthaud, 1961; in-8, 237 pp., cartonnage de l'éditeur. 132 héliogravures 10 cartes, avec jaquette.
132 héliogravures 10 cartes, avec jaquette.
Paris, Arthaud, 1961; in-8, 237 pp., cartonnage d'éditeur avec sa jaquette. 132 héliogravures 10 cartes - bon état.
132 héliogravures 10 cartes - bon état.
Paris, Arthaud, 1961; in-8, 237 pp., cartonnage d'éditeur sans jaquette. 132 héliogravures 10 cartes.
132 héliogravures 10 cartes.
Paris, Arthaud, 1961; in-8, 237 pp., cartonnage d'éditeur avec jaquette.
.
Sur l'imprimé, à Paris, Guillaume Desprez, 1690-1693. 2 vol. petit in-8°, basane jaspée, dos à nerfs ornés de caissons dorés, roulette dorée sur les coupes, tranches mouchetées de rouge. Reliure de l'époque, coins émoussés, qq. épidermures, une coiffe restaurée. Bon exemplaire. (18) ff., 472 pp.; (1) f., pp. 473 à 826, (6) ff., (3) ff., 90 pp., (1) f. blanc. Rousseurs.
Edition bilingue comprenant le texte latin de la Vulgate avec la traduction de Lemaître de Sacy en regard et les commentaires de Pierre Thomas du Fossé. A la fin du second tome, se trouve la traduction de Baruch avec une pagination propre. Delaveau & Hillard, 1813.
Phone number : 02 47 97 01 40
Lausanne, Ligue pour la lecture de la bible, 1975; in-8, 461 pp., cartonnage d'éditeur avec jaquette.
.
Neuchâtel, F. Zahn, libraire-éditeur 1902. Bel exemplaire relié, reliure pleine toile ornée, fort in-4, XVIII + 856 pages avec table, avant-propos du traducteur placé en tête de la première édition, introduction de G. Secretan et table des planches + 355 pages avec table des ill. et 2 index.
[Philippe ROBERT.] - BIBLE, version synodale de la société biblique de France. Ornements de Philippe ROBERT.
Reference : AUB-8416
(1951)
Lausanne, presses de la Concorde 1951 (Eglise nationale évangélique réformée du canton de Vaud). Bel exemplaire relié, reliure ornée, signet mobile, texte encadré sur 2 colonnes, 910 pages et 265 pages + tables.
Guy Lévis Mano, Collection Voix de la Terre, n° 14, 1950. Broché, couverture blanche imprimée, non coupé. 16 x 10,3 cm.
Tirage à 1300 exemplaires, n°8 des 25 exemplaires de tête sur vélin du Marais. [336].
Kbhvn., 1964-72. 8vo. Orig. helshirtbd. 928,210,355 pp. + kort.
Malmö, 1956. 2 pæne halvlærredsbind med smudsomslag.
Samlingar utgivna av Svenska fornskriftsselskapet. Band 62, 1 & 62,2.
Kjøbenhavn (Copenhagen), Waysenhuses Forlag, 1757. 4to. In a recent full calf binding with four raised bands. A few scratches to boards. End-paper renewed. First leaves with light marginal browning, but generally a nice and clean copy. (12), 1006, (2), 366, 188, (2), 430, (6) pp. Wanting the portraits.
Leipzig, Tauschnitz, 1804. Small 8vo. Cont. full calf. Extremities a little rubbed. 1036 pp. Occasionally brownspotted.
Regensburg etc., Pustet 1903, gr. in-8vo, XX + 1332 S. + 4 n.n. S. / 1343 S. + 8 n.n. S. / 1019 S., Ex Libris ‘Paulus a Rickenbach’, orig. H.-Ldr Einbde.
Phone number : 41 (0)26 3223808
Monasterii Westphaliae, 1824. Small 8vo. Bound in 3 fine recent hcalf. XXIV,(8),958,832,624 pp.
Kjøbenhavn, Meyer & Trier, 1873-75. 4to. 2 samtidige hldrbd. med rygforgyldning. Hjørner lidt stødte. De første blade lidt løse, ellers ren og frisk indvendig. 3 litograferede titelblade. 1266,327,(3) pp. Talrige tekstillustrationer i træsnit og talrige plancher i litografi.
Halle, Waisenhause, 1783. Small 8vo. Very nice red full vellum, back faded. All edges gilt and tooled. Broad gilt borders on sides, gilt back. 1079,308,(4) pp. Fine condition.
Halle, Cansteinischen Bibel=Anstalt, 1822. 8vo. Cont. full mottled calf. Gilt back. 14,1079,308,(4) pp.
Freiburg i. Br, Herder, 1937. 8°. XI, 411 S. OLwd mit Rsch. u. Schutzumschlag.
Stuttgart, (1961). Lex 8vo. Orig. full cloth. Clean copy. CII, 1434, (2) pp.
Hebrew text.
Stuttgart,(Bibelanstalt, 1965). Lex8vo. XLVIII,1184941 pp., 2 maps.
London, Day & Son, (1865). Orig. full cloth, covers richly decorated in gold and with a framing in chromolithography. Rebacked to style with gilt lettering. Slightly rubbed. Chromolithographed title-page. 25 chromolithographed plates with chromolithographed text on verso. Last leaf verso: Illuminators Owen Jones, Henry Warren. On Stone A. Warren. One plate with a neathly repaired closed tear.
Rome, Typographia Medicea, 1590 (-1591). Folio. Completely uncut in the original blank interim wrappers (with slight offsetting to verso of front wrapper). Newer paper backstrip matching the paper of the wrappers. Some leaves browned. Occasional brownspotting. An overall excellent copy. Housed in a old vellum chemise with ties and handwritten title (EVANGELIUM) to spine. Old, amorial, vague red stamp to title-page, colophon, and p. 97, from the Bibliotheque Impériale (now Bibliotheque Nationale), with a small deaccession-stamp to title-page. Magnificently illustrated with 149 large woodcut engravings in the text. 368 pp. Arabic text within double-frame border througout. Beautifully printed on very heavy paper.
The scarce editio princeps of the Arabic translation of the New Testament, magnificently printed in Granjon's famous font (considered the first satisfactory Arabic printing type, appearing here for the first time) and beautifully illustrated with 149 woodcut illustrations in the text. This work constitutes the very first printing by the Typographia Medicea-press, a printing-house set up by Pope Gregor XIII and Cardinal Ferdinando de Medici in order to promote and distribute Christian scriptures to the East. This splendid work is considered the first successful printing of Arabic. Apart from the Latin part of the title-page and the colophon, the book is in Arabic throughout. Two issues of the work were printed almost simultaneously, the Arabic-only text, which has the year 1590 on the title-page (and 1591 on the colophon), and the interlenear Arabic-Latin edition, which has 1591 on the title-page. The Arab-only edition, with 1590 on the title-page, is generally considered the first. ""Its first great Arabic publication was this edition of the Gospels, bearing the date 1590 on the title page, and 1591 at the end. Two versions appeared, one solely in Arabic and one with an interlinear Latin translation."" (Library of Congress).The work was edited by Giovanni Battista Raimondi (1536-1614), a renowned Orientalist and professor of mathematics at the College of the Sapienza in Rome. Raimondi had travelled extensively in the Middle East and had thorough knowledge of Arabic, Armenian, Syrian and Hebrew. He is, however, most famous for being the editor at the Typographia Medicea-press"" together with French engraver Robert Granjon (who also created the Arabic typography of the present work) ""bettered all previous attempts [to print in Arabic] in Europe, and would remain unsurpassed long after the press had closed. (Boogert, ""Medici Oriental Press, Rome 1584-1614"").""Antonio Tempesta, the engraver (cutter: Leonardo Parasole), had studied under Santi di Tito and Joannes Stradanus at the Accademia del Disegno in Florence (later working with Stradanus and Vasari on the interior decoration of the Palazzo Vecchio in Florence), before travelling to Rome, where he executed various commissions, including frescos for Pope Gregory XIII in the Vatican and decorations for the Villa Farnese. Simultaneously with his frescos and panel paintings, he executed a large number of engravings. The illustrations for the present work are remarkable examples of Tempesta's work, noteworthy for their clear composition and narrative of the episodes depicted. Despite the extremely high quality of the prints, the press never became an economic success and it went bankrupt in 1610. Scholars have noticed that presenting a work with beautiful scriptural illustrations, as the present, to Arabic-speaking Muslims, when Islam forbids religious illustration, showed little understanding of the culture and almost certainly hindered Pope Gregory XIII's missionary efforts.""The press was not only an intellectual enterprise" it was also a commercial one. Raimondi clearly hoped to sell his books in the East, rather than the West, because the selection of the works he produced showed little consideration with the type of material European scholars in this period needed. While the works failed to sell in the Ottoman Empire, however, they did significantly stimulate the study of the Middle East in Europe.Ferdinando de' Medici had ordered Raimondi to print 'all available Arabic books on permissible human sciences which had no religious content in order to introduce the art of printing to the Mohamedan community.' Only more than a century after the Medici Press in Rome had closed, did it finally have the envisaged impact in the Levant" Ibrahim Müteferrika, the first Muslim printer, referring to it in his plea to the sultan to allow him to open his own printing house at Istanbul, which happened in 1729."" (Boogert, ""Medici Oriental Press, Rome 1584-1614"").The copy was previously in the Bibliothèque Nationale in Paris, at the time when it was entitled ""Bibliothèque Imperiale"", which was its name, inbetween, from 1849 to 1871. Thus, the book entered the library in Napoleonic times and was later deaccessioned. Brunet II, 1122-23Schnurrer 318Adams: B:1822