Romae 1932 in8. 1932. Broché. Ouvrage académique en plusieurs volumes du P. Ioannes Michael Hanssens S.J. consacré à l'étude liturgique des rites orientaux. Les tomes II et III traitent spécifiquement de la messe des rites orientaux accompagnés d'un supplément contenant des tables alphabétiques détaillées et des traductions latines des textes orientaux ou slaves cités. L'ensemble de l'œuvre couvre également les sacrements sacramentaux et l'office canonique
dos abîmé en bas fendu intérieur jauni propre
, Brepols - Harvey Miller, 1999 Hardcover. 158 p., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503509693.
Paris, Beauchesne 1968 302pp., 22cm., dans la série "Théologie historique" volume 9, brochure originale, petit cachet, bon état, R106445
Ratisbonae [Regensburg], Friedrich Pustet 1926 184pp. + added: 16pp.appendix, 17cm., in the collection "Kirchenmusik", cart.cover (spine in cloth), G, R69248
Regensburg, Friedrich Pustet 1933 128pp., cloth, 21cm., VG
Rome, s.n. 1886 151pp., 26cm., modern hardcover in red cloth, text in Greek, marbled endpapers, copy from the collection of the belgian byzantinist prof. Justin Mossay (with ex-libris and stamp on title page), text and interior are clean and bright, good condition, R106032
Paris, Ambroise Bray 1867 387pp., reliure cart. (dos en cuir rouge avec titre doré), 18cm., 3e éd., qqs.rousseurs, bon état
A Lyon, chez les Frères Périsse, 1790. 3 forts vol. au format in-4 (267 x 207 mm) de 2 ff. bl., xvi - 724 pp. et 2 ff. n.fol. ; 1 f. n.fol., 782 pp. et 3 ff. bl. ; 2 ff. n.fol., 370 pp., 1 f. n.fol., 86 pp. (Table générale) et 1 f. n.fol. Reliures uniformes de l'époque de pleine basane racinée havane, plats jansénistes, dos à nerfs ornés de filets gras à froid, doubles caissons d'encadrement dorés, larges fleurons dorés, semis de cercles dorés, pièces de titre de maroquin rouge, titre dorée, tomaison dorée au centre d'un ovale ornementé doré, larges palettes dorée en queue, jeu de petits filets obliques sur les coupes, toutes tranches marbrées.
Ensemble complet de ses trois volumes. "Ouvrage fort estimé et d'un grand usage" (in Brunet). ''Avant de prescrite l'ordre et les cérémonies des sacrements dans le rituel, et d'enseigner la manière de les administrer, nous avons jugé à propos de donner quelques instructions, tant sur les sacrements en général, que sur chacun en particulier''. ''La rapidité avec laquelle se sont épuisées jusqu'à présent les éditions des Instructions sur le Rituel, dites Rituel de Toulon rend le témoignage le plus éclatant et le moins suspect du mérite de cet ouvrage. La pureté de doctrine qu'il renferme, sa clarté et sa précision sont en effet des motifs assez puissants pour lui valoir l'accueil de tant d'Ecclésiastiques animés du désir de se pénétrer de plus en plus de leurs devoirs, afin de s'en acquitter dignement.'' Quérard IV, La France littéraire, p. 237. Angles et coiffes élimés. Défauts pouvant affecter les mors ; sans cependant nuire à la solidité de l'ensemble. Quelques rousseurs dans le texte. Quelques cahiers brunis. Du reste, belle condition.
Brill 1997 329 pages in8. 1997. Cartonné. 329 pages.
proche du très bon état intérieur propre bonne tenue
Tongerloo, St.Norbertus-boekhandel 1935 xvi + 408pp., onopengesneden, (2e grondig verbeterde uitgave, vermeerderd met de verschillende eigen hymnen der Belgische en Nederlandsceh bisdommen), enkele vlekjes op omslag, goede staat
JORDENS Rombout Jan O.Praem. (vertaling en toelichting) & HEYLEN Th.L. (inleiding)
Reference : R27171
(1926)
Tongerloo, Eucharistisch Bureau 1926 xvi + 240pp., tweetalig: latijn-Nederlands, originele omslag, goed, R27171
Louvain, Museum Lessianum 1933 93pp., dans la série "Museum Lessianum. Section théologique" no.31, br.orig., 24cm., bel état
, Brepols, 2022 Hardback, 268 pages, Size:156 x 234 mm, Illustrations:12 b/w, 17 col., 14 musical examples, Language: English. ISBN 9782503592879.
Summary Readers and Hearers is a broad, multi-disciplinary treatment of the chanting of the Scriptures (epistle and gospel) at Mass in the Middle Ages. This form of chanting followed a procedure that continued to be used in the western Latin liturgy until the mid-twentieth century and in the traditional Latin Mass today. The readings were not simply spoken, but chanted to formulae that stood halfway between heightened speech and song (cantillation). Specific clerics (lectors, subdeacons, deacons), distinctively vested, were commissioned to chant the Scriptures, employing a ritual that came to be surrounded by an elaborate ceremonial. For the gospel this involved acolytes, processional movement, and the employment of ecclesiastical 'furniture' (pulpit, ambo, and choir screen). While the laity attending Mass could generally see all of the ritual actions, what did they understand of the Latin text they were hearing? In areas where Latin was spoken in Antiquity the ability to comprehend Latin passively as it morphed into the Romance vernaculars survived longer than generally assumed. Naturally, in Germanic lands, christianized in the early Middle Ages, that capability never existed. Several manuals were created to guide layfolk to engage in devotions suitable to the various parts of the Mass. How all of these elements ? ceremony and devotional aids ? united 'readers' with 'hearers' at Mass is the theme of the present volume, which also covers Martin Luther's guidelines for the chanting of the Scriptures in German TABLE OF CONTENTS List of Illustrations, Abbreviations Introduction Chapter 1. 'Lay Folkes' and the Mass Chapter 2. Readers of the Word: Lectors, Subdeacons, Deacons Chapter 3. Reading, Writing, and Punctuating the Word Chapter 4. Cantillating the Epistle and the Gospel Chapter 5. Hearers of the Word Chapter 6. Direction of Prayer, Siting of Churches, and Chanting of the Gospel Chapter 7. Places for the Readings Chapter 8. Vestments Chapter 9. Sacralizing the Word Appendix 1. Isidore of Seville, De ecclesiasticis officiis 2. 11 Appendix 2. Bilingual (Latin/Greek) Readings Appendix 3. Amerus, Practica artis musice, cap. 26 Appendix 4. Ceremonial of Cardinal Giacopo Stefaneschi, cap. 28 Bibliography Index
SINAI PUBLISHING 1977 in8. 1977. Cartonné. La Haggadah de Pessah est un livre liturgique juif utilisé pendant la fête de Pâque (Pessah) spécifiquement adapté au rite séfarade. L'édition commentée par Joseph Güns et traduite par Loeb Blum publiée par Sinai Publishing en 1967 comprend 64 pages accompagnées de 35 planches colorées par l'artiste Zeev Raban de l'école Bezalel de Jérusalem ainsi que des notes de musique. Elle est présentée avec une couverture en cuir et une plaque en cuivre représentant la tour de David
Bon état texte en français et hébreu
Cairo, 1959 54pp., 24cm., text in Italian, offprint from "Collectanea" No.4, Centro Franciscano di Studi Orientali Cristiani), softcover, good condition, X114346
Tournai (Belgique), Desclée de Brouwer, 1971. 11 x 17, 1082 pp., reliure d'édition souple, bon état.
Tournai, Desclée 1973, 170x105mm, 43 - 2042pages, reliure basane. Relié en basane plein brun avec titre doré au dos. Papier bible. Bel exemplaire.
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João Pedro d'Alvarenga, Manuel Pedro Ferreira, Alberto Medina de Seiça (eds)
Reference : 68034
, Brepols - Harvey Miller, 2025 paperback, 542 pages, Size:178 x 254 mm,Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language: English. *new. ISBN 9782503613000.
This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czagány Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Océane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gilányi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s João Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It João Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Histórico Municipal, B60/36) Alberto Medina de Seiça Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendonça Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ João Vaz and André Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index
João Pedro d'Alvarenga, Manuel Pedro Ferreira, Alberto Medina de Seiça (eds)
Reference : 68509
, Brepols - Harvey Miller, 2025 Paperback, Pages: 542 p. Size:178 x 254 mm, Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language English. nEW. ISBN 9782503613000.
Summary This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czagány Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Océane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gilányi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s João Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It João Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Histórico Municipal, B60/36) Alberto Medina de Seiça Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendonça Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ João Vaz and André Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index
, Brepols - Harvey Miller, 1981 Hardcover. 88 p., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503360386.
Münster, Aschendorff 1962 xvi + 280pp., 24cm., 2nd ed., in the series "Liturgiewissenschaftliche Quellen und Forschungen" vol.19/20 (photomechanical reprint of vol.7/8 of the "Liturgiegeschichtliche Forschungen", mit Nachträgen von des Verfassers), softcover, 2 library stamps, else in very good condition, R67262
Münster, Aschendorff 1925 xvi + 256pp., 24cm., 1st ed., in the series "Liturgiegeschichtliche Forschungen" vol.7/8, softcover (spine reinforced), 2 library stamps, good condition, R76893
Münster, Aschendorff 1962 xvi + 280pp., 24cm., 2nd ed., in the series "Liturgiewissenschaftliche Quellen und Forschungen" vol.19/20 (photomechanical reprint of vol.7/8 of the "Liturgiegeschichtliche Forschungen", mit Nachträgen von des Verfassers), softcover, very good condition, R95855
Apud V. Lecoffre 1880 Apud V. Lecoffre 1880, 3 volumes In-8 reliés demi basane noire, dos à nerfs soulmignés de filets dorés, fleurons dorés entre nerfs. XV + 550 + 620 + 540 pages. Bien relié. Trés bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Fribourg, Editions Universitaires 1999, 240x170mm, 611pages, broché. Exemplaire à l'état de neuf.
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