Turnhout, Brepols, 2009 Hardback, XVI+367 pages., 45 b/w ill., 1 b/w tables, 160 x 240 mm. ISBN 9782503516998.
This volume focuses on aspects of Carthusian history and culture of the later Middle Ages, a period of growth and vitality within the order. There is a primary but not exclusive focus on the English Province, which to date has received at best unbalanced attention. While the fundamental ambitions and ideals of Carthusianism formulated, articulated, and lived by the disciples of St Bruno between the late eleventh and the thirteenth centuries changed very little, the fourteenth to sixteenth centuries witnessed developments stimulated by and often commensurate with the progress of external culture. In such areas as devotional practice, literature, art and architecture, patronage, and monastic-lay relations generally, the houses of the order grew increasingly sophisticated: in some cultural spheres Carthusians were in the vanguard. The late Middle Ages thus offer rich opportunities for assessment of how a religious organization defined and justified by essentially reactionary conventions responded to constant forinsec evolution. The volume?s approach is multi-disciplinary, involving both senior and younger Carthusian scholars in investigation of the main facets of Carthusian life for which significant data survives. This permits a thorough analysis of the order?s character, one that reflects concern with synoptic understanding of medieval Carthusianism rather than partial assessment through a specifically devotional, literary, or more narrowly historical approach. Subject areas covered include the historical growth of individual Charterhouses, patronage of Carthusians by secular agents, Carthusian architecture and manuscript decoration, devotional practice, and textual culture. Languages : English.
Turnhout, Brepols, 2006 Hardback, 392 pages ., 20 b/w ill. + 15 colour ill., 156 x 234 mm. ISBN 9782503524221.
Le recueil des Miracles de saint Etienne (BHL 7860-7861), annexe le plus souvent aux manuscrits des oeuvres de saint Augustin, est un petit ouvrage ecrit vers 425 a la demande de l'eveque Evodius, ami et correspondant d'Augustin, par un clerc d'Uzalis, petite cite proconsulaire qu'on a pu situer definitivement au nord de Carthage, pres de Bizerte. Il relate en deux livres au ton assez different les miracles operes par des reliques du protomartyr a leur arrivee dans la ville. Il s'agit la d'un document exceptionnel : d'une part, il contient deja en germe toutes les caracteristiques du genre hagiographique du libellus miraculorum, promis a un immense developpement au moyen age, et d'autre part, il presente une theologie du miracle assez differente de celle d'Augustin et revele l'etat d'esprit des clercs dans une communaute chretienne d'Afrique contemporaine de l'eveque d'Hippone. Il donne aussi de precieux renseignements sur la vie et le langage des couches modestes de la population dans une petite cite africaine, et sur certains aspects de la societe aristocratique de Carthage a la veille de l'invasion vandale. Ce livre, qui comprend une edition critique du texte, fondee sur la collation de 21 manuscrits et accompagnee d'une traduction commentee, propose aussi une serie d'etudes particulieres, qui visent a replacer l'oeuvre dans son contexte historique, theologique, litteraire et linguistique. Il voudrait ainsi montrer tout l'interet que presente le De miraculis pour l'histoire des mentalites et pour l'histoire sociale de l'Afrique tardive et contribuer aussi a eclairer le role qu'ont tenu les miracula post mortem dans la theologie du miracle, dans la diffusion du culte des saints et dans la formation des genres hagiographiques. Language : French, Latin.
1 vol. in-12 relié demi-percaline bleue, s.n., 1886, 140 pp.
Etat satisfaisant (cote de bibliothèque au plat sup., ancien cachet, bon état par ailleurs). Peu courant
Romae 2026 in8. 2026. Broché. Ouvrage académique en plusieurs volumes du P. Ioannes Michael Hanssens S.J. consacré à l'étude liturgique des rites orientaux. Les tomes II et III traitent spécifiquement de la messe des rites orientaux accompagnés d'un supplément contenant des tables alphabétiques détaillées et des traductions latines des textes orientaux ou slaves cités. L'ensemble de l'œuvre couvre également les sacrements sacramentaux et l'office canonique
dos abîmé en bas fendu intérieur jauni propre
, Brepols - Harvey Miller, 1999 Hardcover. 158 p., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503509693.
Paris, Beauchesne 1968 302pp., 22cm., dans la série "Théologie historique" volume 9, brochure originale, petit cachet, bon état, R106445
Ratisbonae [Regensburg], Friedrich Pustet 1926 184pp. + added: 16pp.appendix, 17cm., in the collection "Kirchenmusik", cart.cover (spine in cloth), G, R69248
Regensburg, Friedrich Pustet 1933 128pp., cloth, 21cm., VG
Rome, s.n. 1886 151pp., 26cm., modern hardcover in red cloth, text in Greek, marbled endpapers, copy from the collection of the belgian byzantinist prof. Justin Mossay (with ex-libris and stamp on title page), text and interior are clean and bright, good condition, R106032
Paris, Ambroise Bray 1867 387pp., reliure cart. (dos en cuir rouge avec titre doré), 18cm., 3e éd., qqs.rousseurs, bon état
Lyon, les libraires associés, 1715. 4 volumes in-8, 20ff.n.ch.-526pp.-12ff.n.ch. - 8ff.n.ch.-508pp.-10ff.n.ch. - 9ff.n.ch.-571pp.-9ff.n.ch - 8ff.n.ch.-614pp.-9ff.n.ch. Reliures de l'époque veau brun, dos à nerfs ornés de caissons filets dorés, fers en écoinçons, fleurs de lys, pièces de titre, tranches jaspées.
- Ex-libris ancien, à l'encre sur les titres : Cogniasse-Dubreuil. Annotations anciennes à l'encre sur quelques gardes. Accidents aux reliures, atteinte d'humidité sur les premiers feuillets du tome III et cerne brun sur les derniers feuillets du même tome, bon état intérieur pour le reste.
A Lyon, chez les Frères Périsse, 1790. 3 forts vol. au format in-4 (267 x 207 mm) de 2 ff. bl., xvi - 724 pp. et 2 ff. n.fol. ; 1 f. n.fol., 782 pp. et 3 ff. bl. ; 2 ff. n.fol., 370 pp., 1 f. n.fol., 86 pp. (Table générale) et 1 f. n.fol. Reliures uniformes de l'époque de pleine basane racinée havane, plats jansénistes, dos à nerfs ornés de filets gras à froid, doubles caissons d'encadrement dorés, larges fleurons dorés, semis de cercles dorés, pièces de titre de maroquin rouge, titre dorée, tomaison dorée au centre d'un ovale ornementé doré, larges palettes dorée en queue, jeu de petits filets obliques sur les coupes, toutes tranches marbrées.
Ensemble complet de ses trois volumes. "Ouvrage fort estimé et d'un grand usage" (in Brunet). ''Avant de prescrite l'ordre et les cérémonies des sacrements dans le rituel, et d'enseigner la manière de les administrer, nous avons jugé à propos de donner quelques instructions, tant sur les sacrements en général, que sur chacun en particulier''. ''La rapidité avec laquelle se sont épuisées jusqu'à présent les éditions des Instructions sur le Rituel, dites Rituel de Toulon rend le témoignage le plus éclatant et le moins suspect du mérite de cet ouvrage. La pureté de doctrine qu'il renferme, sa clarté et sa précision sont en effet des motifs assez puissants pour lui valoir l'accueil de tant d'Ecclésiastiques animés du désir de se pénétrer de plus en plus de leurs devoirs, afin de s'en acquitter dignement.'' Quérard IV, La France littéraire, p. 237. Angles et coiffes élimés. Défauts pouvant affecter les mors ; sans cependant nuire à la solidité de l'ensemble. Quelques rousseurs dans le texte. Quelques cahiers brunis. Du reste, belle condition.
Brill 1997 329 pages in8. 1997. Cartonné. 329 pages.
proche du très bon état intérieur propre bonne tenue
Jo o Pedro d'Alvarenga, Manuel Pedro Ferreira, Alberto Medina de Sei a (eds)
Reference : 68034
, Brepols - Harvey Miller, 2025 paperback, 542 pages, Size:178 x 254 mm,Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language: English. *new. ISBN 9782503613000.
This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czag ny Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Oc ane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gil nyi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Jo o Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Jo o Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Hist rico Municipal, B60/36) Alberto Medina de Sei a Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendon a Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Jo o Vaz and Andr Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index
Jo o Pedro d'Alvarenga, Manuel Pedro Ferreira, Alberto Medina de Sei a (eds)
Reference : 68509
, Brepols - Harvey Miller, 2025 Paperback, Pages: 542 p. Size:178 x 254 mm, Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language English. nEW. ISBN 9782503613000.
Summary This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czag ny Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Oc ane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gil nyi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Jo o Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Jo o Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Hist rico Municipal, B60/36) Alberto Medina de Sei a Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendon a Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Jo o Vaz and Andr Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index
Tongerloo, St.Norbertus-boekhandel 1935 xvi + 408pp., onopengesneden, (2e grondig verbeterde uitgave, vermeerderd met de verschillende eigen hymnen der Belgische en Nederlandsceh bisdommen), enkele vlekjes op omslag, goede staat
JORDENS Rombout Jan O.Praem. (vertaling en toelichting) & HEYLEN Th.L. (inleiding)
Reference : R27171
(1926)
Tongerloo, Eucharistisch Bureau 1926 xvi + 240pp., tweetalig: latijn-Nederlands, originele omslag, goed, R27171
Louvain, Museum Lessianum 1933 93pp., dans la série "Museum Lessianum. Section théologique" no.31, br.orig., 24cm., bel état
, Brepols, 2022 Hardback, 268 pages, Size:156 x 234 mm, Illustrations:12 b/w, 17 col., 14 musical examples, Language: English. ISBN 9782503592879.
Summary Readers and Hearers is a broad, multi-disciplinary treatment of the chanting of the Scriptures (epistle and gospel) at Mass in the Middle Ages. This form of chanting followed a procedure that continued to be used in the western Latin liturgy until the mid-twentieth century and in the traditional Latin Mass today. The readings were not simply spoken, but chanted to formulae that stood halfway between heightened speech and song (cantillation). Specific clerics (lectors, subdeacons, deacons), distinctively vested, were commissioned to chant the Scriptures, employing a ritual that came to be surrounded by an elaborate ceremonial. For the gospel this involved acolytes, processional movement, and the employment of ecclesiastical 'furniture' (pulpit, ambo, and choir screen). While the laity attending Mass could generally see all of the ritual actions, what did they understand of the Latin text they were hearing? In areas where Latin was spoken in Antiquity the ability to comprehend Latin passively as it morphed into the Romance vernaculars survived longer than generally assumed. Naturally, in Germanic lands, christianized in the early Middle Ages, that capability never existed. Several manuals were created to guide layfolk to engage in devotions suitable to the various parts of the Mass. How all of these elements ? ceremony and devotional aids ? united 'readers' with 'hearers' at Mass is the theme of the present volume, which also covers Martin Luther's guidelines for the chanting of the Scriptures in German TABLE OF CONTENTS List of Illustrations, Abbreviations Introduction Chapter 1. 'Lay Folkes' and the Mass Chapter 2. Readers of the Word: Lectors, Subdeacons, Deacons Chapter 3. Reading, Writing, and Punctuating the Word Chapter 4. Cantillating the Epistle and the Gospel Chapter 5. Hearers of the Word Chapter 6. Direction of Prayer, Siting of Churches, and Chanting of the Gospel Chapter 7. Places for the Readings Chapter 8. Vestments Chapter 9. Sacralizing the Word Appendix 1. Isidore of Seville, De ecclesiasticis officiis 2. 11 Appendix 2. Bilingual (Latin/Greek) Readings Appendix 3. Amerus, Practica artis musice, cap. 26 Appendix 4. Ceremonial of Cardinal Giacopo Stefaneschi, cap. 28 Bibliography Index
Cairo, 1959 54pp., 24cm., text in Italian, offprint from "Collectanea" No.4, Centro Franciscano di Studi Orientali Cristiani), softcover, good condition, X114346
Tournai (Belgique), Desclée de Brouwer, 1971. 11 x 17, 1082 pp., reliure d'édition souple, bon état.
Tournai, Desclée 1973, 170x105mm, 43 - 2042pages, reliure basane. Dos muet. Papier bible. Bel exemplaire.
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, Brepols - Harvey Miller, 1981 Hardcover. 88 p., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503360386.
Münster, Aschendorff 1962 xvi + 280pp., 24cm., 2nd ed., in the series "Liturgiewissenschaftliche Quellen und Forschungen" vol.19/20 (photomechanical reprint of vol.7/8 of the "Liturgiegeschichtliche Forschungen", mit Nachträgen von des Verfassers), softcover, 2 library stamps, else in very good condition, R67262
Münster, Aschendorff 1925 xvi + 256pp., 24cm., 1st ed., in the series "Liturgiegeschichtliche Forschungen" vol.7/8, softcover (spine reinforced), 2 library stamps, good condition, R76893