‎Manuscripts of Leo the Great?s Letters. The Transmission and Reception of Papal Documents in Late Antiquity and the Middle Ages‎

‎, Brepols, 2022 Hardback, 516 pages, Size:156 x 234 mm, Illustrations:36 tables b/w., Language: English. ISBN 9782503589664.‎

‎Summary This book explores the transmission of the letters of Leo the Great (pope, 440-461). After setting out the contours of Leo's papacy and the factors contributing to the sending and subsequent transmission of his letters to posterity, it deals in detail with around sixty collections of Leo's letters and over 300 manuscripts ranging in date from the sixth up to the sixteenth century. Each period of the Middle Ages is introduced as the context for collecting and copying the letters, and the relationships between the letter collections themselves are traced. The result is a survey of the impact of Leo the Great upon Latin Christendom, an impact that was felt in theology and canon law, especially from the age of the Emperor Justinian to the Council of Ferrara-Florence, and moving through the major monasteries of Europe from Corbie to Clairvaux. At every cultural Renaissance, Leo was a presence, being copied, rearranged, interpreted, and eventually printed. This book is a testament to the legacy of one of the mid-fifth century's most influential figures. TABLE OF CONTENTS Introduction Chapter 1: Leo's Letters in History, Canon Law, and Theology 1.1 Leo's Letters in History and Canon Law; 1.2 Leo's Letters and the History of Theology Chapter 2: Editing Leo's Letters 2.1 Giovanni Andrea Bussi; 2.2 The Sixteenth Century; 2.3 The Seventeenth Century; 2.4 Pasquier Quesnel; 2.5 Giacomo and Pietro Ballerini; 2.6 Epistolae Arelatenses genuinae (MGH Epist. 3), ed. Gundlach; 2.7 Collectio Avellana I (CSEL 35), ed. Günther; 2.8 The Tome of Pope Leo the Great, by Blakeney; 2.9 Eduard Schwartz; 2.10 Carlos Silva-Tarouca; 2.11 Hubert Wurm; 2.12 Benedikt Vollmann; 2.13 Corpus Fontium Manichaeorum Series Latina 1; 2.14 The Case for a New, Complete, Critical Edition Chapter 3: Pre-Carolingian Canonical Collections 3.1 The Earliest, Unknown Period of Transmission 3.2 Pre-Carolingian Canonical Collections and the renaissance gélasienne: a. Collectio Frisingensis Prima (F); b. Collectio Diessensis (Di); c. Collectio Quesnelliana (Q); d. Collectio Vaticana (L); e. Collectio Sanblasiana (Sa); f. Collectio Dionysiana (D); g. Collectio Dionysiana Bobiensis (D-b); h. Cresconius, Concordia canonum; i. Collectio Teatina (Te); j. Collectio Corbeiensis (C); k. Collectio Pithouensis (P); l. Collectio (ecclesiae) Thessalonicensis (T); m. Collectio Avellana; n. Collectio Arelatensis (Ar); o. Collectio Albigensis (Al); p. Collectio Remensis (Re); q. Collectio Coloniensis (K); r. Collectio Sancti Mauri (M); s. Collectio Vetus Gallica; t. Epitome Hispana; u. Collectio Hispana (S); v. Collectio Hispana Systematica; w. Ragyndrudis Codex (Codex Bonifatianus II) Chapter 4: Chalcedonian Collections Context of the Collections; 4.1 Latin Chalcedonian Collections: a. Ballerini Collection 17 (Early Latin Acta; Ac); b. Collection of Vat. lat. 1322 (A); c. Rusticus' Acta (Ru); d. Versio Gestorum Chalcedonensium antiqua correcta (Ch); e. Collectio Novariensis (N); f. Collectio Casinensis (Ca); g. Collectio Grimanica (G); h. Codex Encyclius; i. Verona LIX (57); j. A Carolingian fragment of the Tome 4.2 The Greek Transmission of Leo's Letters: a. Collection M; b. Collection B; c. Collection H Chapter 5: The Carolingian Tradition of Manuscripts 5.1 The Carolingian Context 5.2 Carolingian Canonical Collections: a. Collectio Dionysio-Hadriana (D-h); b. Collectio Hadriano-Hispanica (H-s); c. Collectio Dionysiana adaucta (D-a); d. Collectio Hispana Gallica (S-g); e. Collectio Hispana Gallica Augustodunensis (S-ga); f. Pseudo-Isidorus Mercator, Decretales (I); i. Context; ii. Hinschius' Classification System; iii. Hinschius A/B & B (Ballerini Collection 10; I-b); iv. Hinschius A1 (I-a); v. The Cluny Recension, or Yale Pseudo-Isidore (Y); vi. Hinschius Class C (I-c); g. The canon law manuscript Vat. Reg. lat. 423; h. Systematic as well as Unorganised Collections of Extracted Canons 5.3 Other Carolingian Collections; a. Collectio Bobbiensis (B); b. Collectio Ratisbonensis (E); c. Ep. 28 in the Roman Homiliary; d. Ep. 28 in the Homiliary of Agimond Chapter 6: Post-Carolingian Collections and the Age of Reform 6.1 Introduction to the High and Late Mediaeval Contexts 6.2 Post-Carolingian Canonical Collections: a. Collectio Lanfranci; b. Collectio Britannica; c. The Collection of William of Malmesbury; d. Systematic as well as Unorganised Collections of Extracted Canons Before Gratian; e. The Concordia discordantium canonum (Decretum) of Gratian 6.3 Other Post-Carolingian Collections: a. Ballerini Collection 20; b. Ballerini Collection 21 (Y-a); c. Ballerini Collection 22 (22); d. Ballerini Collection 23 (23); e. Ballerini Collection 24 (24); f. Collectio Florentina (Ballerini Collection 13; m); g. Collection of 73 Letters (73); h. Ashburnham 1554; i. Collection of Vat. Reg. lat. 293; j. An eleventh-century pair of Leo's letters; k. Milanese Sermon Collection D; l. Ambrosiana C.50.inf.; m. Vat. Ross. 159; n. Eugenius IV's collection; o. Later Manuscripts of the Tome; p. Other high and late medieval manuscripts with only one Leo letter Chapter 7: Conspectus of the Letters of Pope Leo the Great Conclusion Appendix: Proto-Collections Analysed in this Book Bibliography of Primary Sources Bibliography of Secondary Works‎

‎Géographies du Western ; Une nation en marche‎

‎ 1989 Editions Nathan-Université, Coll. "Cinéma et image" - 1989 - In-8 broché couverture illustrée - 252 pages‎

‎Bon état - coin inférieur droit corné - légère insolation sur le dos Bon ‎

‎Individualizing the Dead. Attributes in Palmyrene Funerary Sculpture‎

‎, Brepols, 2021 Paperback, xvi + 140 pages, Size:216 x 280 mm, Illustrations:107 b/w, Language: English. ISBN 9782503591261.‎

‎Summary During the Roman era, when the ancient city of Palmyra was at the height of its powers, several thousand funerary portraits were sculpted, each carefully crafted to represent the men, women, and children who had once lived there as members of the Palmyrene elite. In their commemorative monuments, these individuals were given specific attributes to express their social status, wealth, identity, and skills. This volume provides an in-depth exploration of different aspects of these funerary portraits, and illuminates in particular the addition of attributes and how and why they were used by both artists and their patrons. The eight contributions gathered here examine the range of choices available to commissioners of art works in Palmyra, the prevalence or rarity of specific attributes, and the ways in which the variation and selection of attributes could be used in funerary, religious, or public contexts to express social cohesion and group identity, as well as to demonstrate individuality. Crucially, while these funerary monuments may be closely associated with Palmyra, they in fact provide clear evidence of the city's relationships across the wider region: examination of the different attributes suggests that the Palmyrenes were aware of how these were used, perceived, and adapted by neighbouring people as a way of transmitting various social meanings and expressing their own values. TABLE OF CONTENTS Table of Contents List of Illustrations Attributes in Palmyrene Funerary Sculpture: Functions and Meanings - MAURA HEYN AND RUBINA RAJA The 'Fringed' Mantle and its Relation to Gender in Palmyrene Funerary Sculpture - FRED ALBERTSON Plants in Palmyrene Funerary Iconography of Adults - OLYMPIA BOBOU Unlocking a Mystery? The Keys in Palmyrene Funerary Portraiture - RIKKE RANDERIS THOMSEN Significance of the Drinking Attributes in Palmyrene Banquet Scenes - MAURA HEYN Adornment and Jewellery as a Status Symbol in Priestly Representations in Roman Palmyra: The Palmyrene Priests and their Brooches - RUBINA RAJA A Symbol of a City. The Iconography of the Palmyrene Coinage - NATHALIA B. KRISTENSEN Why No Attributes? Expressions of Status and Social Realities in the Epigraphy of Palmyra - JEAN-BAPTISTE YON Index‎

‎Odds and Ends. Unusual Elements in Palmyrene Iconography‎

‎, Brepols, 2023 Paperback, xiv + 180 pages, Size:216 x 280 mm, Illustrations:45 b/w, 63 col., 1 tables b/w., 1 maps b/w, Language: English. ISBN 9782503603964.‎

‎Summary The funerary art that was produced in Roman Palmyra, a caravan city in the Syrian steppe desert, is rightly world-renowned. The frontal depictions of the deceased, featured in torso-length portraits, and the large-scale banqueting scenes are iconic, and lent an added mystique by the absence of any literary sources that might aid in their interpretation. But while from a distance these exquisite portraits might seem rather formulaic, when examining more closely, it is clear that these scenes reveal a surprisingly rich and varied funerary décor. Alongside the more popular iconographic choices are singular scenes, motifs, and elements that deviate from the norm, while new patterns and connections between Palmyra and its surroundings are identifiable. This volume, which draws on the vast materials gathered under the auspices of the Palmyra Portrait Project directed by Professor Rubina Raja, explores the 'oddities' raised by the Palmyrene corpus; it examines one-off scenes or elements, and unusual or unparalleled iconographical choices, and it questions how and why such unusual choices should be interpreted. The chapters gathered here not only focus on these visual 'hapax legomena' in Palmyra, but also explore the city's connections with the art of Roman centres to the west, as well as the nearby Hellenistic city states, regional centres of production, and Parthian and Persian sites to the east. Through this approach, the authors engage with the visual richness and sheer amount of choice that existed in Palmyrene funerary art, while also providing unique insights into the knowledge culture that existed within Palmyrene society. TABLE OF CONTENTS List of Illustrations Abbreviations 1. Unusual Iconographies, Choices, Musts, and Sculptural Traditions in Palmyra Maura K. Heyn and Rubina Raja 2. Hunting with Birds in Palmyra: Iconographic Evidence for the Activities of Elite Youths in the Period AD 100-200 Olympia Bobou 3. Playing Games in the Palmyrene Tomb Maura K. Heyn 4. The Phrygian Cap in Palmyrene Art Fred C. Albertson 5. Representation of Fish in the Palmyrene Tesserae Aleksandra Kubiak-Schneider 6. A Palmyrene Relief of Nemesis from Dura-Europos Lisa R. Brody 7. Anomalies in Funerary Representation Encountered in the Course of the WPAIP's Research Jeremy M. Hutton 8. Luxury Jewellery in Palmyrene Funerary Art: Necklaces with Portrait Busts Carried by Women Represented in the Funerary Sculpture Rubina Raja 9. As Close as You Can Get: Mourning Women in Palmyrene Funerary Art Rubina Raja 10. Palmyrene Double Reliefs and their Value Julia Steding Index‎

‎La main qui frappe‎

‎Flammarion 1947 170 pages in12. 1947. Cartonné. 170 pages.‎

‎Etat Correct coiffe haut abimée‎

‎LA TRAHISON DES COMANCHES .‎

‎ Editions Flammarion, 1944, illustrations hors texte de Pierre NOEL, couverture à rabats illustrée en couleurs, broché, 224pp. pliure discrète au premier plat, bon état général, 190x120 . (p2) ‎

‎WINNETOU FILS DE LA PRAIRIE .‎

‎ Editions Hemma, 1967, cartonnage pelliculé éditeur, couverture illustrée, 126pp. bon état, 230x165. (p3) ‎

‎Illustrations couleurs hors texte et dans le texte en noir de OKLEY . ‎

‎Les fers aux poignets‎

‎ Cinéma-Bibliothèque n° 295 - TALLANDIER (1930) - Fascicule in-8 broché (16 x 24) de 96 pages - Couverture photo couleurs - Avec 29 pages hors-textes d'après les photographies du film édité par Aubert-Franco-Film - Très bon état‎

‎Le colt et le stylo (The Derby Man)‎

‎ Super Noire n° 74 - GALLIMARD (1977) - Broché de 248 pages - Couverture photo noir et blanc de Gérard BOUSQUET - Traduit de l'américain par France-Marie WATKINS - Etat neuf ‎

‎Collection dirigée par Marcel DUHAMEL ‎

‎L'enfer des indiens (The Slavers)‎

‎ Collection Western n° 106 - Librairie des Champs-Elysées (1974) - In-12 broché de 192 pages - Couverture en couleurs - Traduit de l'américain par Jean-André Rey - Très bon état‎

‎Robert Grosseteste (Great Medieval Thinkers)‎

‎Oxford University Press USA 2000 240 pages 13 92x1 83x20 85cm. 2000. Broché. 240 pages. Ce livre de James McEvoy est une introduction accessible à la vie et à la pensée de Robert Grosseteste (c.1168-1253) une figure majeure du Moyen Âge anglais. Il présente Grosseteste comme l'initiateur de la tradition scientifique anglaise l'un des premiers chanceliers de l'Université d'Oxford et un commentateur important des œuvres d'Aristote‎

‎Très Bon Etat proche du neuf‎

‎The Philosophy of Robert Grosseteste‎

‎Oxford University Press U.S.A 1987 584 pages 13 6x3 6x21 4cm. 1987. Broché. 584 pages.‎

5 Images

‎Très Bon Etat de conservation intérieur propre bonne tenue tranche du bas un peu ternie‎

‎Le Texan joue et gagne.‎

‎Couverture souple. Broché. Format de poche. 188 pages.‎

‎Livre. Traduit de l'américain par Jean-André Rey. Librairie des Champs-Elysées (Collection : Western. N° 134), 1975.‎

‎Le texan joue et gagne (Cartridge Creek)‎

‎ Collection Western n° 134 - Librairie des Champs-Elysées (1975) - In-12 broché de 192 pages - Couverture en couleurs - Traduit de l'américain par Jean-André Rey - Très bon état‎

‎F. P. Ramsey: Philosophical Papers‎

‎Cambridge University Press 1990 286 pages 15 24x22 86x1 8288cm. 1990. Broché. 286 pages.‎

4 Images

‎Bon état dos un peu creusé et ridé intérieur propre‎

‎Diavolo N°1 : Le diable rouge‎

‎ 1948 Éditions "Aventures et Voyages", collection "Mon Journal présente" N°1 - 1948 - Publication mensuelle - In-4, broché, couverture illustrée en couleurs - 11 planches en N&B - Édition originale ‎

‎Très bel état de collectionneur, très rare en cet état - Une marque de pli sur la première de couverture Bon ‎

‎Diavolo N°3 : Le centaure aux pieds d'airain‎

‎ 1949 Éditions "Aventures et Voyages", collection "Mon Journal présente" N°3 - 1949 - Publication mensuelle - In-4, broché, couverture illustrée en couleurs - 11 planches en N&B - Édition originale ‎

‎Bon état - Couverture frottée Bon ‎

‎Diavolo N°5 : Le massacre de Huron-Bay‎

‎ 1949 Éditions "Aventures et Voyages", collection "Mon Journal présente" N°5 - 1949 - Publication mensuelle - In-4, broché, couverture illustrée en couleurs - 11 planches en N&B - Édition originale ‎

‎Bon état - Couverture frottée Bon ‎

‎Gothic and Renaissance Art in Nuremburg 1300-1550‎

‎Metropolitan Museum of Art 1986 22 606x3 81x29 972cm. 1986. Broché.‎

4 Images

‎Très Bon Etat de conservation intérieur propre bonne tenue quelques rides sur le dos bords un peu frottés‎

‎Rouge comme la neige‎

‎Casterman Album cartonné 2014 In-4 (24 x 32 cm), album cartonné, 110 pages, dédicace de Metter ; très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Essais‎

‎EUD 2008 288 pages 13 208x1 778x21 336cm. 2008. Broché. 288 pages.‎

‎Bon état notes sur l'achevé d'imprimer intérieur propre par ailleurs‎

‎Funerary Portraiture in Greater Roman Syria‎

‎, Brepols, 2019 Paperback, xviii + 232 pages, Size:216 x 280 mm, Illustrations:229 col., 1 tables b/w., Language: English. ISBN 9782503576336.‎

‎Summary This volume provides a unique survey of locally produced funerary representations from across regions of ancient Syria, exploring material ranging from reliefs and statues in the round, to busts, mosaics, and paintings in order to offer a new and holistic approach to our understanding of ancient funerary portraiture. Up to now, relatively little attention has been paid to the way in which local and regional production of material in this area formed part of a broader pattern of sculptural and iconographical development across the Roman Near East. By drawing on material from an area encompassing modern Lebanon, Jordan, Syria, and Turkey, as well as Egypt and Achaia, the contributions in this book make it possible for the first time to take a wider perspective on the importance of funerary portraiture within Greater Roman Syria, and in doing so, to identify influences, connections, and iconographical analogies present throughout the region, as well as local differences, larger-scale boundaries, and ruptures in traditions that occurred across time and place. TABLE OF CONTENTS Michael Blömer & Rubina Raja, Funerary Portraits in Roman Greater Syria - Time for a Reappreciation Michael Blömer & Rubina Raja, Shifting the Paradigms: Towards a New Agenda in the Study of the Funerary Portraiture of Greater Roman Syria Andrea U. De Giorgi, 'Til Death Do Us Part: Commemoration, Civic Pride, and Seriality in the Funerary Stelai of Antioch on the Orontes Michael Blömer, The Diversity of Funerary Portraiture in Roman Commagene and Cyrrhestice Jutta Rumscheid, Different from the Others: Female Dress in Northern Syria Based on Examples from Zeugma and Hierapolis Michael A. Speidel, Roman Soldiers' Gravestones in Greater Syria: Thoughts on Designs, Imports, and Impact Rubina Raja, Funerary Portraiture in Palmyra: Portrait Habit at a Crossroads or a Signifier of Local Identity? Signe Krag, Palmyrene Funerary Female Portraits: Portrait Tradition and Change Achim Lichtenberger & Rubina Raja, Portrait Habit and the Funerary Portraiture of the Decapolis Karl-Uwe Mahler, Funerary Portraiture from the Coastal Region of Roman Syria Bilal Annan, Petrified Memories: On Some Funerary Portraits from Roman Phoenicia C. H. Hallett, Mummies with Painted Portraits from Roman Egypt and Personal Commemoration at the Tomb Sheila Dillon, Attic Funerary Portraiture in the Roman Period‎

‎Les rescapes de Brasada‎

‎ Le Masque, collection "Western", n° 18, 1968. Format poche.Tres bon etat.‎

‎Popes, Bishops, Religious, and Scholars. Studies in Medieval History Presented to Patrick N. R. Zutshi for his Seventieth Birthday‎

‎, Brepols, 2024 Hardback, 439 pages, Size:156 x 234 mm, Illustrations:8 col., 1 maps b/w, Languages: English, French, German. ISBN 9782503600376.‎

‎Summary Patrick Zutshi is a leading authority on the later medieval Western Church and papacy and internationally recognised as an expert in papal diplomatic and the Avignon Curia. This volume brings together essays by over twenty of Patrick's colleagues and friends, all distinguished scholars in medieval history, to celebrate his 70th birthday. The volume reflects both Patrick's wide scholarly interests, ranging from the administration of the papal curia to intellectual and legal history and the mendicant orders, and his extensive network of colleagues and collaborators in different countries, including Germany, Italy, Ireland, Switzerland, Finland, Australia, USA, and UK. This collection of essays also engages with important themes in later medieval history of wide interest to university students, their teachers, and other researchers in the field, comprising: Mendicants and the Religious Life; University and Intellectual History; Bishops and Secular Clergy; and the Papal Curia between Avignon and Rome. All the essays draw on original research, reflecting Patrick's own research and editing of manuscript and archival sources. TABLE OF CONTENTS I. Mendicants and the Religious Life: Michael Robson, 'Francis of Assisi, Matthew Paris and his Two Copies of the Franciscan Rule of 1223'. Frances Andrews and Louise Bourdua, 'The Notary, the Sculptor, the Friar and the Doge: Giovanni Dolfin and his Creditors in Mid-fourteenth-century Venice'. Peter Murray Jones, 'English Dominicans at Court: Confessors and Healers'. Joan Greatrex, 'Who Were the Nuns of Romsey Abbey in the First Half of the Fourteenth Century?' Michael Haren, 'The Evolution of the Defence of the Mendicant Orders against Richard FitzRalph of Bartholomew of Bolsenheim, O.P.'? II. University and Intellectual History: Rodney Thomson, 'The Manuscripts of Vacarius's Liber pauperum' Joseph Canning, 'John of Turrecremata (Torquemada), Scourge of Heretics, Defender of the Pope and Adversary of Conciliarists: Further Thoughts on his Summa de ecclesia' III. Bishops and Secular Clergy: Brenda Bolton, 'Always waiting for the Sea to cease its turmoil?': Absentees from the Fourth Lateran Council' Philippa Hoskin, 'Problems with Progressions: Learning from the Itinerary of Oliver Sutton, Bishop of Lincoln, 1280-1299' Nicholas Bennett, 'Hope or Expectation? Papal Provision of Poor Clerks in the Diocese of Lincoln, 1320-1347' IV. The Papal Curia between Avignon and Rome: Barbara Bombi, 'Legal Theory and Practice: The Proctors of St Augustine's Canterbury at the Fourteenth-century Papal Curia.' Andreas Rehberg, 'Ego in aliena patria existens: Immagini e giudizi a confronto fra i cittadini di Roma e gli ultramontani all'origine dello Scisma del 1378' Daniel Williman and Karen Corsano [with Donald Logan], 'The Honorary Chaplains of Pope Gregory XI'. Agostino Paravicini Bagliani, 'Penitentiaries and Cultural Life in the Thirteenth-century Papal Court' David d'Avray, 'Simony, Penitentiary, Conscience' Ludwig Schmugge, 'Nikolaus Theoderici de Driel - oder: Wohin eine Supplik führen kann'. Kirsi Salonen, 'Debilis complexio: Christians and Dietary Requirements of Canon Law' Peter Clarke, 'Dispensations and Church Courts in Later Medieval England'‎

‎Art and Archaeology of Lusignan and Venetian Cyprus (1192-1571). Recent Research and New Discoveries‎

‎, Brepols, 2019 Paperback, iv + 441 pages, Size:216 x 280 mm, Illustrations:202 b/w, 16 col., 4 tables b/w., Languages: English, French. ISBN 9782503578033.‎

‎Summary From a Byzantine province to an independent Latin kingdom under the Lusignan dynasty (11929/27-1474/89) and a colonial outpost of the Venetian maritime empire (1474/89-1571), the island of Cyprus, at the eastern end of the Mediterranean, is blessed with a rich and diverse medieval cultural heritage. Its monumental art and its material culture - architecture, fresco and icon painting, woodcarving, metalwork, glazed ceramics, and so on - exist at the crossroads of several artistic traditions often thought to represent mutually exclusive visual languages, such as the late medieval Gothic and Byzantine styles (in their respective variants), the local art of the Levant, and the classicizing mode of the Italian Renaissance. It is precisely this seemingly 'composite' nature of medieval Cypriot artistic production that, over the years, has both divided and united scholars attempting to match styles and forms to the patronage of the various religious, ethnic, and linguistic groups (Latins, Greeks, Syrians, Armenians, and others) making up the island's complex social fabric. The seventeen essays in this volume offer a snapshot of the most recent scholarship on the art, archaeology, and material culture of Cyprus under Latin rule. Established and emerging art historians and archaeologists, both trained Byzantinists and specialists of European medieval art, come together to re-appraise the field in the light of current research, put forward new evidence from fresh archival, archaeological, or archaeometric research, and propose novel interpretations destined to blaze exciting new pathways to future study of this fascinating body of material. TABLE OF CONTENTS Michalis Olympios and Maria Parani Introduction: Towards a More Holistic Appreciation of the Art, Archaeology, and Material Culture of Lusignan and Venetian Cyprus I. Rethinking Visual Culture in Lusignan Cyprus Michele Bacci The Art of Lusignan Cyprus and the Christian East: Some Thoughts on Historiography and Methodology Anthi A. Andronikou A Panel in Search of Identity: The Madonna di Andria between Apulia and Cyprus Dimitrios Minasidis Hunting with Falcons and Its Symbolism: A Depiction in the Royal Chapel at Pyrga II. Bau und Kult: Architecture and Cult in the Long Perspective Nikolas Bakirtzis Revisiting the Monastic Legacy of Saint Sozomenos near Potamia Thomas Kaffenberger A Rural Church for an Urban Elite? Thoughts on the Unfinished Sixteenth-Century Church of Agios Sozomenos Max Ritter Famagusta and Its Environs in the Venetian Period: The Foundation of the Monastery of Ayia Napa and the Origin of Its Fountain Guido Petras A Stone Iconostasis in a Multi-Confessional Sanctuary in Lusignan and Venetian Cyprus? An Art-historical Approach to the Cave Church in Ayia Napa III. In Search of the Lost Urban Landscapes of Lusignan and Venetian Cyprus Hesperia Iliadou and Philippe Trélat La représentation picturale d'une architecture disparue: quelques sites chypriotes au début de la période vénitienne illustrés dans un manuscrit du XVe siècle Nasso Chrysochou The Investigation and Comprehension of a Medieval Building in the Walled City of Nicosia IV. Facets of Lusignan and Venetian Cyprus through the Lens of Archaeology Fryni Hadjichristofi New Light on the Topography of Nicosia: The "Archbishopric" Excavation Stylianos Perdikis Avli, Tillyria: An Unidentified Medieval Edifice Athanasios K. Vionis, Maria Dikomitou-Eliadou, Maria Roumpou, Nick Kalogeropoulos, and Vassilis Kilikoglou Stirring Pots on Fire: Medieval Technology, Diet, and Daily Life in Cyprus V. Art Production and Consumption in Venetian Cyprus Stella Frigerio-Zeniou Quelques réflexions et quelques portes en vue d'une nouvelle approche des iconostases chypriotes du XVIe siècle Elena Poyiadji-Richter Metalwork Products Destined for Cyprus? The Sixteenth-Century Dishes in the Leventis Municipal Museum of Nicosia Georgios E. Markou Negotiating Identity and Status: The Silverware of the Cypriot Nobles in Renaissance Venice Tassos Papacostas Renaissance Portrait Medals for Eminent Cypriots: An Untold yet Telling Tale Bibliography‎