Tokyo, Graphic-Sha Publishing Co Ltd, 1989, 23 x 30,5, 281 pages sous percaline éditeur et jaquette illustrée. Iconographie couleurs.
Très bon état.
Langue anglaise, Studio Vista, London, 1969, 238 pp., illustrations et photos en noir et blanc, couverture un peu défraîchie, plis de lecture sur le dos, état correct.
Phone number : 0033 (0)1 42 23 30 39
CENTRE DE RECHERCHE SUR LA CULTURE TECHNIQUE / NOBLET (Jocelyn de), sous la direction de
Reference : 20863
Neuilly-sur-Seine, Centre de Recherche sur la Culture Technique (C.R.C.T.), 1981 1 volume 21 x 29,6cm Broché sous couverture au 1er plat illustré. 294p.; très nombreuses illustrations en noir in texte.
5è n° de cette revue publiée de 1980 à 1994 par le Centre de Recherche sur la Culture Technique, dirigée par l'historien du design Jocelyn de NOBLET, fondateur et directeur du C.R.C.T.; chronologie, des premiers outils fabriqués en pierre à la télématique, et "adresses utiles" in fine; très nombreuses illustrations. Bon état sauf charnières frottées.
Centre Georges Pompidou & Philadelphia museum of art 1996 Catalogue broché, couvertures rempliées, 236 pp; nombreuses illustrations en couleurs
Un panorama de la contribution des créateurs japonais au design. Première rétrospective des années cinquante à nos jours. Cet ouvrage retrace l'évolution du design japonais dans les domaines suivants : mobilier, textile, céramique, design industriel... Il décrit le parcours des principaux designers, l'historique de leurs organisations professionnelles, et présente un choix de leurs créations les plus marquantes de 1950 à nos jours. Il a été réalisé à partir du catalogue Japanese Design : A Survey Since 1950, édité par le Philadelphia Museum of Art, Philadelphie, publication coordonnée par George H. Marcus. Très bon état d’occasion
Paris : Centre national d'art et de culture Georges Pompidou / Musée d'art moderne, 1977. Broché 24x21,5cm, couverture illustrée, s.p. illustrées en noir et couleur, préface de Pontus Hulten (historien d'art suédois, 1924-2006).
1997, in-4to, 191 p., ill., orig. hardbd., with DJ.
Image disp.
Phone number : 41 (0)26 3223808
Atrium International, 1997, lg. in-4to, 208 p., rich. ill., orig. hardbd., with DJ.
Image disp.
Phone number : 41 (0)26 3223808
Atrium - Mexico, New York, Barcelona 2002 Fort in-12, broché couv. illustrée, photographies en couleurs, 576 pp. En anglais. Sous blister, état neuf.
Ce livre est beaucoup plus qu’un simple manuel qui parle de mobilier pour la décoration du foyer, puisqu’il s’occupe aussi de styles, de matériaux, de tendances, de couleurs et de propositions. Meubles d’Intérieur est comme une visite rendue aux quatre coins d’une maison. C’est en étudiant les dernières créations des stylistes industriels, des architectes d’intérieur, et des marques les plus prestigieuses du marché, que ce livre peut être converti en un petit guide de la route, capable d’offrir des conseils de grande utilité au moment de décorer un nouveau logis ou de réformer une maison ancienne.Divisé en 8 chapitres et ses divisions correspondantes, ce livre commence son parcours par les entrées, puis continue vers les salons et salles à manger, chambres à coucher, bureaux, cuisine, salles de bain, meubles extérieurs et finalement l’éclairage. Il s’agit d’une vision complète et exhaustive de tous les types de meubles existants, dans les styles les plus variés allant du classique au plus actuel. Bon état d’occasion
BE, Mechelen / ovk, 2000 Softcover, 191pp. geillustreerd in kleur. in goede staat !. ISBN 9789076099330.
naslagwerk !
BE, Mechelen / ovk, 2000 Softcover, 191pp. geillustreerd in kleur. in goede staat !. 28x21cm ISBN 9789076099323.
naslagwerk !
, De Boekerij, 1967 Hardcover, 181 pag. NL, 295 x 220 mm, stofomslag, NIEUW !!, na 55 jr !, met foto's/ illustraties in kleur en z/w, in een witte kartonnen foudraal, .
1972 Editions Aimery Somogy - 1972 - In-8, cartonnage toilé beige sous jaquette illustrée de l'éditeur - 287 p. - Riche iconographie in texte en couleurs et en N&B
Bon état - Jaquette défraîchie (déchirures et frottements)
1959 3 volumes. In-4. Reliures demi-toile bleu moyen, couvertures conservées, environ 250 pp. par volume, illustrations en noir & blanc et en couleurs, publicités. Pages légèrement collées en elles. Exemplaires en bon état.
Trois années complètes Du numéro 8 janvier-février 1957 au numéro 26 novembre- décembre 1959 Bon état d’occasion
1987 Paris, Editions Du May, 1987. In-8° carré, 95 pages. Cartonnage blanc avec jaquette illustrée légèrement défraîchie. Les objets typiquement français : le biscuit Lu, la bouteille de Perrier, le Zodiac, la cocotte Seb, le bas Dim.
Auguste Aubry | Paris 1877 | 15 x 22.50 cm | broché
Edition originale imprimée à petit nombre sur vergé. Un petit manque en tête du dos qui comporte également une déchirure, claires mouillures sur le second plat, une trace de pliure en tête du premier plat, agréable état intérieur. Rare. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
, Thame and Hudson, 2018 Hardcover with dusjacket,. ISBN 9780500519103.
While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output.
, Ammo Books, 2012 Hardcover, 410 pages, ENG, 430 x 310 x 55 mm, NEW !, Full Page illustrations in colour / b/w, XX Large Edition, for protection in a strong wooden case ! . ISBN 9781934429747.
"Eames: Beautiful Details" celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband-and-wife team and as designers unrestricted by traditionally profesionally boundaries. Select details of their life and work, from their refined designs to to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually created the Eameses' life and work by taking the viewer through a delightful joruney, focusing on their "beautiful details." The packaging design of the "Eames: Beautiful Details" slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser-known, designs for children, simply called, "the toy." It also pays homage to the patterns they used on their well-loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid-century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre-fab construction, using off-the-shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory-like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense.
, Yale University Press 2016, 2016 Hardcover, 304 pages, English, 295 x 255 mm, new book with dustjacket, . ISBN 9780300221589.
Handsomely designed and richly illustrated, this publication surveys the magnificent spectrum of projects undertaken by French architect and interior designer Charles Percier (1764-1838). After gaining an illustrious reputation for supervising the scenery at the Paris Opera during the French Revolution, Percier was later appointed by Napoleon Bonaparte. With the Emperor's support, he developed the opulent versions of neoclassicism closely associated with the Napoleonic era, and now known as Directoire style and Empire style. Percier worked on the renovation or redecoration of many of France's royal palaces, including the Louvre, the Tuileries, and the chateaux of Malmaison, Saint-Cloud, and Fontainebleau. The full scope and variety of Percier's design projects are revealed in this book, which also includes archival material detailing Percier's relationships with patrons and peers.
, Taschen, 2024 Hardcover, 15.6 x 21.7 cm, 1.11 kg, 512 pages ENGLISH ED. ISBN 9783836598422.
Scandtastic! The best design from the Nordic region Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between craftsmanship and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and product design from 1900 to the present day, with in-depth entries on 125 designers and design-led companies. Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Stig Lindberg, Finn Juhl, Märta Måås-Fjetterström, Arnold Madsen, Barbro Nilsson, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen. What makes Scandinavia such a hotbed of design talent and innovation? Explore masterful forms and lyrical lines from across Norway, Sweden, Denmark, Iceland, and Finland in this stylish book. Bridging the gap between crafts and industrial production, organic forms and functionality, this must-have guide includes in-depth entries on 125 designers.
Paris, Taschen GmbH, 2005, Broché, 624 pages. Bon état.
La librairie est fermée ! Nous répondrons aux questions et commandes endéans 3 - 4 jours. Les expéditions reprendront vers le 15 juillet. Merci et bon été.
, Taschen 2002, 2002 Softcover, 160 pages, English /Francais/ Deutsch, 250 x 190 mm, very richly illustrated with coloured illustrations, in Fine condition/ bon etat /in guten zustand,. ISBN 9783822820278.
This contemporary, highly practical language course is for professional adults at intermediate level. A grammar syllabus gives students the structured language input they need to improve confidence and competence, while up-to-the-minute business content provides a context for activities.
CASEMATE ACADEMIC 1994 269 pages 24 892x2 286x29 718cm. 1994. Cartonné jaquette. 269 pages.
Très bon état avec sa jaquette bonne tenue emboîtage cartonné défraîchie trace d'étiquette sur une face écorchure sur l'autre
, Silvana Editoriale , 2012 Hardcover, 144 pages, English/Francais, 225 x 197 x 18 mm, fine copy , richly illustrated with coloured illustrations, . ISBN 9788836623440.
Cheick Diallo, (né au Mali en 1960) découvre le design dans les années 1980 lors de ses études d'architecture en France. Il oeuvre à la fois en France et au Mali. Cette première monographie du designer accompagne une exposition au musée Mandet de Riom (France) qui présente une rétrospective de son travail depuis 25 ans. On y trouve ses premières pièces basées sur le principe de la récupération : bibliothèques, tables et sièges en boîtes de conserve mais aussi sa ligne de mobilier tressé de fils de nylon et une multitude de meubles et d'objets reposant sur le détournement de techniques traditionnelles : de l'impression de cire sur du cuir à la création d'objets précieux mêlant le savoir-faire des bijoutiers touaregs à ceux des sculpteurs sur ébène pour des coffrets, des lampes et des couverts. Préfacé par Marie-Josée Linou, Conservateur en chef du patrimoine, directrice des musées de Riom Communauté, l'ouvrage donne la parole à des spécialistes du design et de l'art contemporain africain, à travers un cheminement très richement illustré, où les objets racontent une histoire.
, Silvana Editoriale, 2022 HB, 280 x 240 mm, 304 pages, ENG edition. ISBN 9788836651184.
Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d'Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi's activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell'Elba by Bruno Longoni Atelier d'Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi.
, Silvana Editorale 2022, 2022 Hardccover, 304 pages, ENG / ITA, 290 x 250 mm, New, dustjacket, illustrations in colour. ISBN 9788836651184.
Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d'Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi's activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell'Elba by Bruno Longoni Atelier d'Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi.